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https://www.theprintspace.co.uk/

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Photo Printing | Art Printing | Professional Photographic Printing

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COVID: Open for fast deliveries & contact-free collections Our fast and friendly service produces the perfect print for you, every time. We use the finest art papers and process to make prints that will take your breath away with their detail, colour accuracy and impact.

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A four-metre-tall column of disparate geometric forms, ' Power tower' was constructed as a stainless-steel framework, incorporating triangular panels of plywood and handblown, coloured glass in an intuitive, yet symmetric, manner. Light bulbs mounted at intervals along the length of the column illuminate it from within, casting variegated, angular shadows around the surrounding space. The geometric forms that make up the work were arrived at intuitively through playing with a children's toy, known as Zometools, a construction set that consists of struts and nodes that allow great flexibility in creating geometric forms.⁠

While the panels of plywood indicate the faces of the polyhedrons, the panes of coloured glass are embedded within the structure, sketching out a multicoloured core. The tones progress from purple at the floor through the major colours of the visible spectrum - red, orange, yellow, green, cyan, and blue at the apex.⁠
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Image: 'Power tower', 2005/2023; previously shown in 'The curious desert', in National Museum of Qatar, Doha, Qatar, 2023 (photo: Anders Sune Berg).⁠

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Official website of Olafur Eliasson and his studio: Studio Olafur Eliasson

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Collection of images

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exhbition idea

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framning idea

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Tate Britain presents a landmark group exhibition celebrating 70 years of Caribbean-British art

This exhibition explores the work of artists from the Caribbean who made their home in Britain, alongside other British artists whose work has been influenced and inspired by Caribbean themes and heritage.

Spanning visionary paintings to documentary photography, fashion, film and sculpture, Life Between Islands traces the extraordinary breadth and impact of Caribbean British art, in one setting.

This exhibition celebrates how people from the Caribbean have forged new communities and identities in post-war Britain - and in doing so have transformed what British culture and society looks like today.

The exhibition features over 40 artists, including Aubrey Williams, Donald Locke, Horace Ové, Sonia Boyce, Claudette Johnson, Peter Doig, Hurvin Anderson, Grace Wales Bonner and Alberta Whittle.
Research supported by Hyundai Tate Research Centre: Transnational in partnership with Hyundai Motor.
Email hello@tate.org.uk

​When you visit:​

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life between islands: caribbean-british art 1950s – now

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Life Between Islands: Caribbean-British Art 1950s - Now - Exhibition at Tate Britain | Tate

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Tate Britain presents a landmark group exhibition celebrating 70 years of Caribbean-British art This exhibition explores the work of artists from the Caribbean who made their home in Britain, alongside other British artists whose work has been influenced and inspired by Caribbean themes and heritage.

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Twenty years in the making, the International Center of Photography's (ICP) highly anticipated building opened earlier this year in Manhattan's Lower East Side, unifying the center's exhibition and education spaces under one roof. It is the fourth location for the museum since its founding in 1974. Designed by renowned architecture firm Gensler, the new 40,000-square-foot space houses galleries, darkrooms, classrooms, and community spaces-all with the mission to promote photography, video, and new media as a vehicle for social change.

Continuing its commitment to showcasing emerging lens-based artists, the center's activities kick off with an exhibition of 25-year-old photographer Tyler Mitchell. The American photographer shot to stardom two years ago when he became the first Black photographer-and one of the youngest-to shoot the cover of Vogue magazine featuring Beyoncé.

Titled "I Can Make You Feel Good," the exhibition was first shown at Foam Museum Amsterdam, and this edition marks his U.S. solo debut. The visual wonderland of Mitchell's dreamy portraits transports viewers through a candy-colored utopia of young Black figures whilst simultaneously shedding light on the dissonant realities of the Black experience.
Recommended: Jeff Leatham Creates an Orchid-Filled Wonderland at the New York Botanical Garden
"I often think about what white fun looks like, and this notion that Black people can't have the same," Mitchell wrote in a statement. "I aim to visualize what a Black utopia looks like or could look like...I love the possibility that photography brings. It allows me to dream and make that dream become very real."

ICP's newly appointed Curator-at-Large, Isolde Brielmaier, brings life to the exhibition with the addition of an immersive installation by Mitchell where a maze of photographs printed on gauzy fabrics are delicately hung on a laundry line, nodding to the iconic photographs of Gordon Parks.
Recommended: Meet the 23-Year-Old Photographer Behind Beyoncé's Historic Vogue Cover
Here, Brielmaier speaks to Galerie about the trending photographer, the future of photography, and her vision for the world's leading institution of photography and visual culture.
On the Power of Tyler Mitchell's Art
"Like so many young artists working today, Tyler occupies multiple spaces at once and maintains both an editorial and art practice. For him, the two are intimately connected. ICP has such a rich history of amplifying the voices of concerned image-makers. This is central to our mission. Tyler's critical focus is on visualizing Black joy and positing questions about what comprises 'idyllic spaces.' What might a Black utopia look like within the context of the long and often problematic history of representation of Black people? The synergy for us was undeniable."
On the Future of Photography
"With an acknowledgement of the history and groundwork by earlier artists like Gordon Parks, Lorna Simpson, Carrie Mae Weems etc., there are few boundaries for this younger generation of image-makers. Today, they are in a position to not have to see a box...to think outside of, so to speak - they think and work fluidly."
Artists on Her Radar
"I'm always keeping an eye on artists and doing studio visits. Recently, I've seen some wonderful work by the young Colombian artist Ivan Argote, the New York-based fashion photographer Shaniqwa Jarvis, the Uguandan photographer Zarina Bhimji, and many others!"
What's Next
"In collaboration with the stellar curatorial team at ICP, I am excited to think through and develop an innovative, relevant and impactful curatorial vision as we look to the present and future of image-making and visual culture."
"Tyler Mitchell: I can Make you Feel Good" is on view at the International Center of Photography, 79 Essex St, New York, through May 8.

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How the New ICP Is Shaping the Future of Photography

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Twenty years in the making, the International Center of Photography's (ICP) highly anticipated building opened earlier this year in Manhattan's Lower East Side, unifying the center's exhibition and education spaces under one roof. It is the fourth location for the museum since its founding in 1974.

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Find out more about our exhibition at Tate Modern

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ON WALLS AND SOME EXHIBITED PIECES ON TABLES

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ON WALLS AND SOME EXHIBITED PIECES ON TABLES

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Site-specific exhibition by artist Patrick Staff

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https://www.serpentinegalleries.org/about/press/patrick-staff-on-venus/

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https://www.metropictures.com/artists/gretchen-bender?view=slider

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Total Recall, 1987.
Eight-channel video on 24 monitors and three rear projection screens, 18 minutes.
In So Much Deathless. Installation view, 2019. Red Bull Arts New York.

Aggressive Witness - Active Participant, 1990.
Live television broadcast on 8 monitors, vinyl lettering,
black and white computer-generated film on 4 monitors, Soundtrack by Stuart Argabright,
19 minutes 41 seconds, Installation dimensions variable.

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Gretchen Bender (1951-2004) was a pioneering American multi-disciplinary artist whose practice interrogated the accelerated age of mass media. She came to prominence in the 1980s as a post-appropriation artist in New York, where her work was first presented at non-profit art spaces like the Kitchen, Artists Space, and White Columns.

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Atelier Gris created a custom stand for the central art piece. The approximately 15ʹ x 15ʹ steel structure

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Ed Atkins – Modern Piano Music exhibition at DHC/ART Foundation

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Ed Atkins – Modern Piano Music exhibition at DHC/ART Foundation

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https://ateliergris.com/en/achievements/exhibition-equipment-dhc-art-ed-atkins/

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https://projects.jennyholzer.com/exhibitions/jenny-holzer-mass-moca--/gallery#7
Liv

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Jenny Holzer Mass MoCA Gallery — Jenny Holzer

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MICROBREAK

THE FAST, EFFICIENT HOLIDAY
This simulator ride, made in 2002, lives my Under the Pier Show arcade on Southwold Pier, Suffolk

MICROBREAK
As mini-break holidays become ever more popular, now is the perfect time to launch a new concept in todays fast moving, time strapped world, the Micro-break.

Simply sit on the chair and the carpet tips and rocks as you watch a TV animation of your flight and coach transfer, ending up on a tropical beach. At this point the TV lamp swings up, shining a heat lamp in your face. After soaking in the heat, youre whisked home again, the whole experience lasting less than 3 minutes.

Technical details
This simulator ride is built on the chassis of a 1985 Sega Space Harrier arcade game. This provides the wonderful tipping and rocking mechanism. The animation is filmed in a model landscape made of weathered lumps of PU foam, which originally came from a float used to lay a north sea gas pipeline

MICROBREAK
Change of scene every few seconds

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MICROBREAK
No need to pack anything

MICROBREAK
100% recycled experience

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MICROBREAK
No need to eat anything- perfect for weight watchers

MICROBREAK
Complete indoor holiday

Microbreak is my favourite ride in the arcade. This is partly because it was my first attempt at making a simulator ride and also my first attempt at 3D animation, so it was particularly exciting. Its also my favourite because I really struggle with real holidays. Holidays are essential for people who have stressful jobs or hate their jobs. But I enjoy working and don't find it stressful. I like travelling for work, to have a reason to go somewhere, but find holidays more stressful than work and often thoroughly depressing. I find them stressful because I'm not a good traveller and I'm always worried by missing flights, losing my passport etc. Depressing because they involve a lot of aimlessly wandering around, often surrounded by lots of other people doing the same. This makes me feel old and reminds me of death. I'm surrounded by friends who enjoy their holidays and think I'm uptight for not being able to relax. I used to be worried by this but making Microbreak somehow allowed me to just accepted it.

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MICROBREAK THE FAST, EFFICIENT HOLIDAY This simulator ride, made in 2002, lives my Under the Pier Show arcade on Southwold Pier, Suffolk MICROBREAK As mini-break holidays become ever more popular, now is the perfect time to launch a new concept in todays fast moving, time strapped world, the Micro-break.

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https://www.factmag.com/2021/11/16/lux-hito-steyerl-this-is-the-future/

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A surrealist installation depicting identity, belonging and movement

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A performative installation using circular mirrors

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Carsten Holler @ Copenhagen Contemporary

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Carsten Holler @ Copenhagen Contemporary

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A playful yet eerie installation exploring nature, biology and child's play

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An installation exploring human connection and space

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https://thephotographersgallery.org.uk/whats-on/watch-screen-walk-laura-paloma - Liv

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Watch Laura Paloma in a live streamed performance

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Watch Laura Paloma in a live streamed performance

This event is part of our Past Programme

For the duration of this Screen Walk, Laura Paloma pretended to be a human and shared her many Facebook lives as ant, fish, screaming opossum, piece of bread, soccer mom, middle-aged dad. Her desktop performance explored the aesthetics and codes of Facebook role-playing groups by taking a closer look at how GIFs, memes, emojis, stock images are used to create social media identities and communities based on pretend...or whatever the humans say...Blub! ¯\_(ツ)_/¯

Screen Walks is a new series of live-streamed artist/researcher-led explorations of online spaces and artistic strategies designed to illuminate a thriving - often overlooked - digital cultural scene. A new online collaboration between The Photographers' Gallery, UK and Fotomuseum Winterthur, Switzerland.

Laura Paloma is an artist and writer based in Biel/Bienne, Switzerland. She has written multilingual short stories about love, loss and the livestream. She thinks of her texts as fan fictions or fever dreams. Her artistic practice questions the relationship between image, object, text, narrative, language, play. Her life goal is to become a text generator.

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A series of live-streamed artist/researcher-led explorations of online spaces.

Talks & Events

6:00pm, 27 Jan 2021

Watch Dina Kelberman in a live-streamed online exploration

Talks & Events

6:00pm, 11 Mar 2021

The second in a series of three events exploring new approaches to documentation both inside and outside the museum - Between Camera &amp; Network: Art and Documentation in Post-Photographic Culture.

A series of live-streamed artist/researcher-led explorations of online spaces.

Talks & Events

6:00pm, 27 Jan 2021

Watch Dina Kelberman in a live-streamed online exploration

Talks & Events

6:00pm, 11 Mar 2021

The second in a series of three events exploring new approaches to documentation both inside and outside the museum - Between Camera &amp; Network: Art and Documentation in Post-Photographic Culture.

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Watch Laura Paloma in a live streamed performance Watch Laura Paloma in a live streamed performance This event is part of our Past Programme For the duration of this Screen Walk, Laura Paloma pretended to be a human and shared her many Facebook lives as ant, fish, screaming opossum, piece of bread, soccer mom, middle-aged dad.

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https://www.twitch.tv/videos/1270142586
in-game (the sims) performance/film as a live event and twitch broadcast - Liv

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Twitch is the world’s leading video platform and community for gamers.

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THE MOBILIZATION - Mariela Scafati and Nicolás Cuello @ BB 2020

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THE MOBILIZATION - Mariela Scafati and Nicolás Cuello @ BB 2020

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https://www.berlinbiennale.de/en/personen/2741/mariela-scafati (install view)
https://11.berlinbiennale.de/resources/the-mobilization (text)
The text was on flyers left on the floor around the viewing area for this exhibition. - Liv

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Mariela Scafati - participants - Berlin Biennale

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I'll bring a copy of the text at the bottom in - Liv

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https://www.itsnicethat.com/articles/alix-marie-art-160718

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Alix Marie’s photographic sculptures celebrate bodily experiences

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Throughout history, the body has always been deemed as a place of abjection, particularly with regards to the female form. Alix Marie’s artwork strives to make us come to terms with our own bodily experiences, forcing us to face what is natural. Breaking away from the narrow western capitalist stand…

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https://www.art-it.asia/en/top_e/admin_expht_e/185885

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Manifesta 12 – ART iT: Japanese-English contemporary art portal site

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https://www.contemporaryartlibrary.org/project/wolfgang-tillmans-at-maureen-paley-london-17694

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Wolfgang Tillmans at Maureen Paley, London

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Documentation of Wolfgang Tillmans at Maureen Paley, London is available at Contemporary Art Library.

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https://readingforms.com/page/9

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https://metroimaging.co.uk/professional-photo-printing/

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Metro Imaging - Professional Photo Printing, Mounting and Framing

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Metro Imaging has been one of the leaders in professional photo printing & art printing for over forty years. We cater for every aspect of the creative imaging process with an extensive range of services on offer, combined with our in-depth knowledge and experience of production.

Whether you'd like to work with us online or in our London studio, we are confident we have a service to meet your individual needs.

We can print from a simple 6×4″ (152x102mm) photo to a 120×72″ (3048x1829mm) mounted and framed print. We offer an extensive range of photographic and inkjet media, and can even print directly onto a flat material of your choice using our Direct to Media service.

Please scroll down for more info on our printing types, or get in touch if you have any questions.

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Professional photo printing & Art Printing from the experts at Metro Imaging, London's most trusted lab. Work with us in the studio, or order online. Fast and affordable, we are confident we have a service to meet your individual needs.

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https://www.perrotin.com/artists/Sophie_Calle/1/prenez-soin-de-vous-set-complet/12963

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View of the French Pavilion of the 52nd Venice Bienale, 2007

Original text of the work

J'ai reçu un mail de rupture.

Je n'ai pas su répondre.

C'était comme s'il ne m'était pas destiné.

Il se terminait par les mots : Prenez soin de vous.

J'ai pris cette recommandation au pied de la lettre.

J'ai demandé à 107 femmes - dont une à plumes et deux en bois - choisies pour leur métier, leur talent, d'interpréter la lettre sous un angle professionnel.

L'analyser, la commenter, la jouer, la danser, la chanter. La disséquer. L'épuiser. Comprendre pour moi. Parler à ma place.

Une façon de prendre le temps de rompre. À mon rythme.

Prendre soin de moi.

-

Translation of the work in English

I received an email telling me it was over.

I didn't know how to respond.

It was almost as if it hadn't been meant for me.

It ended with the words, Take care of yourself.

I followed this advice to the letter I asked 107 women (as well as two handpuppets and a parrot), chosen for their profession or skills, to interpret the letter.

To analyse it, comment on it, dance it, sing it. Dissect it. Exhaust it. Understand it for me. Answer for me.

It was a way of taking the time to break up.

A way to take care of myself.

Exhibitions :
Take Care of Yourself have been exhibited in major museums worldwide, about 25 places in total :

2019
- Cuídese Mucho, Santiago Museum of Contemporary Art, Chile
2017
- Missing, curated by Evelyne Jouanno / Ars Citizen, Fort Mason Center for Arts & Culture, San Francisco, USA
2015
- Cuídese mucho, Centro Cultural Kirchner, Buenos Aires, Argentina
- Modus vivendi, La Virreina Centre de la Imatge, Barcelona, Spain
2014
- Cuídese mucho, Museo Tamayo, Mexico city, Mexico
- Cuídese mucho, Museo de Arte Contemporáneo de Monterrey, Mexico
2013
- Take Care of Yourself, Lillehammer Kunstmuseum, Norway
2012
- Take Care of Yourself, Espoon modernin taiteen museo, Espoon, Finland
- Take Care of Yourself, The Pulitzer Arts Foundation, Saint Louis, USA
2011
- Take Care of Yourself / Hoia end. Ole tubli, Tallinna Kunstihoone, Tallinn, Estonia
2010
- Talking to Strangers, Louisiana Museum of Modern Art, Humlebæk, Denmark
- Talking to Strangers, De Pont Museum, Tilbourg, Netherlands
2009
- Talking to Strangers, Whitechapel Gallery, London, UK
- Cuide de você, Museu de Arte Moderna, Rio de Janeiro ; Museu de Arte Moderna de Salvador de Bahia ; SESC Pompeia, São Paulo, Brazil
2008
- Prenez soin de vous, Fondation pour l'art contemporain DHC/ART, Montréal, Canada
- Prenez soin de vous, Bibliothèque nationale de France, site Richelieu, Paris, France
2007
- Prenez soin de vous, Pavillon français de la 52e Biennale de Venise, Italy

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Prenez soin de vous, set complet | Sophie CALLE (2007) | PERROTIN

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Sophie CALLE, 'Prenez soin de vous, set complet'; 106 elements : 7 films + 33 films and prints + 57 prints and texts + 6 wide paper texts + 5 small films and prints; Variable dimensions Dimensions variables; Edition of 3

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Books printed with iron powder and cement in a post-industrial performance.

During the Offprint 2015 publishing fair at Tate Modern (Britain), Self Publish, Be Happy celebrated its fifth birthday by opening a project space hosting workshops, performances, screenings, a bookshop and a speakers' corner where anyone could talk about the books they loved. We played with many different photographic and printing processes, but all with the aim of inspiring the audience to make their own books.

In their experimental live performance Effect Twin, Japanese photographers Daisuke Yokota and Hiroshi Takizawa grated rusted iron objects and a block of cement, respectively, onto printouts of their photographs before sealing them with wax and glue, drying them out, and binding them together into 75 unique photobooks which have now sold out on our website.

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Effect Twin by Daisuke Yokota & Hiroshi Takisawa at Tate Modern | Self Publish, Be Happy

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Books printed with iron powder and cement in a post-industrial performance. During the Offprint 2015 publishing fair at Tate Modern (Britain), Self Publish, Be Happy celebrated its fifth birthday by opening a project space hosting workshops, performances, screenings, a bookshop and a speakers' corner where anyone could talk about the books they loved.