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The majority of my Indigenous Education Journey has transpired over the past 6 or 7 years but Indigenous perspectives have been something I have considered and had my attention draw towards my entire life.
As a small child, my mother always told me that my Father, who was not an active part of my life at the time, was Nicaraguan but more specifically Mikito, who are one of the remaining Indigenous Nations that inhabits the land along the Rio Coco between Honduras and Nicaragua. Like Indigenous Peoples of Turtle Island, the Miskito are in conflict with the government over land sovereignty and the right to self determination.
Growing up a Mixed-Race child in a small community, typically folks assumed that both my mother and myself were "Native". We both have dark hair and eyes and when my mother was a child, her teacher brought her to the front of the class during Social Studies and told the other students that this was what an Eskimo looked like. As a child, whether it was adults at church or school commenting on how dark my skin was every September after long summer days in the sun or being called an Indian by children attempting to be cruel, I felt "othered" yet was not connected to the part of my family that was Miskito.
During my twenties I made a deeper connection with my Father and his side of my family however, a result of colonial impact on our community in Waspam Nicaragua, there has been a strong conversion to Christianity and Hispanic ways of life. Very little remains of Miskito cultural practices in our family. My Father and his siblings however, all speak the Miskito language fluently as their communities never lost their language.
So there is an element to my journey that is personal in regards to Indigenous Education. There are feelings of homecoming and shared experiences across all Indigenous people groups that I feel emotionally tied to, even though there is personal and geographic distance between myself and my Miskito family. At the same time, I treat all of the learning that I do in regards to the Indigenous people of this territory and this section of Turtle Island as new learning. These are not my or my family's personal stories. I have as much to learn and unlearn as anyone else who is on their own journey, but I have grown in confidence and my own ability to self-identify as equal parts Miskito and Settler Canadian and the learning I do helps me better understand this place I live and will strengthen kinship between myself and all my Relations from the farthest North to South and widest East to West.

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I really believe that some of my most impactful learning has come by way of spending time in Community. My friend Patty, who is wearing red in the picture I am posting, is an incredible person to learn from and be challenged by. She is a writer, podcast host, singer, leader, movement mobilizer and all around amazing person. She is the friend who invited me to go to the Fort Erie Native Friendship Centre to drum and sing with other women, brought me to attend my first PowWow and has the patience to have conversation with me, challenging beliefs and expanding my thinking. Patty is always learning and changing, reading and challenging herself and those around her. As an Anishinaabe woman she is generous and perhaps that is what I should have started with rather than describing how accomplished she is because she would probably hate that. But it all boils down to not what she has done for me but how she has shown me generosity and that that is something to learn about Anishinaabe people and their way of life. They are giving and generous people and whether it's loaning me a book or giving me a drum to play, Patty gives freely to everyone and has helped me understand the importance of listening more than speaking and learning from being in community. http://daanis.ca/
Of course Patty is an example of many folks from the greater surrounding Haudenosaunee and Anishinaabe communities who I feel really deeply fortunate to learn from and as I reflect I realize it's not necessarily what I've learned through their words or thoughts but through action, traditions and friendship.

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Learning through Reading (and listening too)

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Learning through Reading (and listening too)

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I don't know about you but I'm only at 6 of the 35 books listed here as Indigenous Authored Must-Reads. As a Teacher Librarian I am very away that there's always more to read and every time I read the work of an Indigenous Author, I feel like my mind and heart are opened in new and important ways. I think it's one of the best paths to better understanding Indigenous people: listening to them speak or write in their own voices. Of the 6 I have read from this specific list, Moon on the Crusted Snow by Waub Rice is always my recommendation for people as a first Indigenous read as it is a relatively short book, easy to digest yet thought provoking. I think it also really illustrates the contrast between colonial and Indigenous mindset and the unsustainable nature of living a colonial way of life. The Marrow Thieves by Cherie Dimaline is very similar and both are cautionary tales as to where colonial thinking takes us in dystopian future situations that sometimes feel a little more realistic than any of us would like to imagine.
Another book that isn't listed that I hold close to my heart is Birdie by Tracey Lindberg. That book is one that has helped me look more deeply at trauma and better understand healing. I think trauma is an essential, albeit devastating, shared reality of Indigenous Peoples across the world and if we don't look first at it, I don't think we can understand the Resistance and the Resilience of First Nations, Metis and Inuit people.
I would also add that I have spent a great deal of time listening to podcasts and programs that have helped in my Indigenous Education. Whether it's been Missing and Murdered: Finding Cleo, Canadaland's Thunder Bay Podcast, Massey Lectures: All Our Relations series or tuning in to listen to Unreserved every week on CBC, some of my most insightful and deepest learning has been through listening to podcasts and programs.
Making sure to take time and be personally responsible for what I read and listen to is essential. We are so fortunate to have great opportunities within our school board for learning but I really feel like there have been important foundations laid through my personal learning that just came from sheer volume of content digestion.

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June is National Indigenous History Month. Celebrate by reading one of these books by First Nations, Métis and Inuit authors.

is an anthology of comics featuring the work of Indigenous creators as they retell the history of Canada. Elements of fantasy and magical realism are incorporated throughout the book, telling the stories of characters like Jack Fiddler, an Anishinaabe shaman facing murder charges, and Rosie, an Inuk girl growing up during the Second World War.

Contributors include Kateri Akiwenzie-Damm, Sonny Assu, Brandon Mitchell, Rachel and Sean Qitsualik-Tinsley, David A. Robertson, Niigaanwewidam James Sinclair, Jen Storm, Richard Van Camp, Katherena Vermette, Chelsea Vowel, Tara Audibert, Kyle Charles, GMB Chomichuk, Natasha Donovan, Scott B. Henderson, Ryan Howe, Andrew Lodwick, Scott A. Ford, Donovan Yaciuk and Alicia Elliott.

In The Red Chesterfield, a city bylaw officer finds a chesterfield in a ditch, along with a severed foot. The protagonist gets caught up in the investigation - and turns out to be more interested in what happens to the furniture than the origin of the missing body part. The Red Chesterfield subverts the mystery form with a story that has clues that lead nowhere and motivations that are deliberately ambiguous.

Wayne Arthurson is a writer of Cree and French Canadian descent. He is the author of five novels, including Blood Red Summer and The Traitors of Camp 133.

In NDN Coping Mechanisms, Billy-Ray Belcourt uses poetry, prose and textual art to explore how Indigenous and queer communities and identities are left out of mainstream media. The work has two parts - the first explores everyday life and the second explores influential texts such as Treaty 8.

Belcourt is a writer and academic from the Driftpile Cree Nation. He won the Griffin Poetry Prize for his first poetry collection, This Wound is a World. CBC Books named Belcourt a writer to watch in 2018.

Gwen Benaway's fourth collection of work,explores the everyday poetics of the trans feminine body. The collection offers an intimate portrayal of experiences and understandings of trans life and questions what it means to be a trans woman, both within the text and in the material world.

Benaway is a trans woman of Anishinaabe and Metis descent. Her third poetry collection, won the 2019 Governor General's Literary Award for poetry, was longlisted for the Pat Lowther Award and shortlisted for the Lambda Literary Award for Trans Poetry and the Trillium Award. She is also the author of collections Ceremonies for the Dead and Passage. Her writing has also appeared in the Globe and Mail, Maclean's and CBC Arts.

Francine Cunningham is a writer who has spent life on the margins: she is Indigenous, but white-passing. She grew up in a city. She lives with mental illness. is her attempt to explore what this all means and to address how residential schools and the intergenerational trauma that followed has shaped her family and identity.

is Cunningham's first book.

Though he has been missing for nearly a year, Joan hasn't given up on finding her husband Victor, who disappeared after their first serious fight. One morning, hungover Joan finds herself in a packed preacher's tent on a Walmart parking lot. The charismatic Reverend Wolff is none other than Victor, who claims to have no memory of Joan or their life together.

Cherie Dimaline is a Métis author and editor whose award-winning fiction has been published and anthologized internationally. In 2017, her novel The Marrow Thieves won the Governor General's Literary Award for Young people's literature - text and the Kirkus Prize for young readers' literature. It is currently being adapted for television.

Alicia Elliott explores the systemic oppression faced by Indigenous peoples across Canada through the lens of her own experiences as a Tuscarora writer from Six Nations of the Grand River. Elliott examines how colonial violence, including the loss of language, seeps into the present day lives of Indigenous people, often in the form of mental illness. Elliott, who lives in Brantford, Ont., won gold at the National Magazine Awards in 2017 for the essay this book is based on.

Elliott is a Tuscarora writer living in Brantford, Ont. She was chosen by Tanya Talaga as the recipient for the 2018 RBC Taylor Emerging Writer Award. CBC Books named Elliott a writer to watch in 2019.

When her twin sister Raven goes missing, Wren StrongEagle immediately reports it to the local police. Feeling dismissed and worrying the case won't be investigated properly, Wren launches into action and decides to find justice on her own.

Carol Rose GoldenEagle is a Cree and Dene author whose books include the novel Bearskin Diary and the poetry collection

In Five Little Indians, Kenny, Lucy, Clara, Howie and Maisie were taken from their families and sent to a residential school when they were very small. Barely out of childhood, they are released and left to contend with the seedy world of eastside Vancouver. Fuelled by the trauma of their childhood, the five friends cross paths over the decades and struggle with the weight of their shared past.

Michelle Good is a Cree writer and lawyer, as well as a member of Red Pheasant Cree Nation in Saskatchewan. Five Little Indians is her first book.

Harold R. Johnson is a former prosecutor and the author of several books. In his latest,Peace and Good Order, Johnson makes the case that Canada is failing to fulfil its legal duty to deliver justice to Indigenous people. In fact, he argues, Canada is making the situation worse and creating even more long-term damage to Indigenous communities.

Johnson is the author of several works of both fiction and nonfiction. His nonfiction work Firewater: How Alcohol Is Killing My People (and Yours) was a finalist for the Governor General's Literary Award for nonfiction.

When Brianna Jonnie was 14 years old, she wrote a letter to the Winnipeg chief of police, asking him what he would do if she, a young Ojibwe woman, went missing. Would she get the same treatment as a young white boy who went missing? Or would her disappearance be ignored? The letter went viral online and sparked an important conversation about missing and murdered Indigenous women in Canada.

If I Go Missing is a graphic novel adaptation of Jonnie's letter, featuring artwork by Nshannacappo, a poet and artist from Ditibineya-ziibiing (Rolling River First Nation).

In 2020, celebrated Indigenous writer Thomas King will turn 77 years old. His first poetry collection, 77 Fragments of a Familiar Ruin, collects 77 poems that lament what we have lost, lecture us for what we have allowed and looks at what we might still be able to save.

King's books include Truth & Bright Water, The Inconvenient Indian and The Back of the Turtle. He also writes the DreadfulWater mystery series.

Helen Knott is a poet and writer of Dane Zaa, Nehiyaw and European descent. Her memoir, In My Own Moccasins, is a story of addiction, sexual violence and intergenerational trauma. It explores how colonization has affected her family over generations. But it is also a story of hope and redemption, celebrating the resilience and history of her family.

In My Own Moccasins is on the 2020 RBC Taylor Prize longlist.

Knott is a social worker and writer. In My Own Moccasins is her first book.

Field Notes for the Self is a series that takes inspiration from the poetic structuring of Patrick Lane, John Thompson and Charles Wright, but their closest cousins may be Arvo Pärt's. This collection deals with the idea of liberation from personal and inherited trauma and memories of violence inflictedon Lundy's Indigenous ancestors which continue to haunt him. Similar to Randy Lundy's past works, this collection is rooted in observations of the natural world.

Lundy is a Saskatchewan-based short story writer and award-winning poet. He has published three previous books, Under the Night Sun, Gift of the Hawk and Blackbird Song, which won theSaskatchewan Arts Board Poetry Award in 2019.

Terese Marie Mailhot traces her life story from a dysfunctional upbringing on Seabird Island in B.C., with an activist mother and abusive father, to an acceptance into the Masters of Fine Art program at the Institute of American Indian Arts in New Mexico. This slim poetic volume packs a powerful punch in just 140 pages.

Heart Berries was a finalist for the 2018 Governor General's Literary Award for nonfiction and the Hilary Weston Writers' Trust Prize for Nonfiction.

Born and raised on Seabird Island, B.C., Mailhot​ is in the creative writing faculty at the Institute of American Indian Arts, where she graduated with an MFA in fiction.

Hope Matters, a collection of poetry from award-winning author Lee Maracle and her daughters Columpa Bobb and Tania Carter, looks at the journey of Indigenous people from colonial beginnings to reconciliation. The collaborative effort documents the personal mother-daughter connection and also the shared song of hope and reconciliation from all Indigenous communities and perspectives.

Maracle is one of Canada's most acclaimed writers. Her books include Bobbi Lee: Indian Rebel, , My Conversations with Canadians and . Bobb is a photographer, actor, playwright and poet. Carter is an actor, playwright and poet.

Darrel J. McLeod's Mamaskatch is a memoir of his upbringing in Smith, Alta., raised by his fierce Cree mother, Bertha. McLeod describes vivid memories of moose stew and wild peppermint tea, surrounded by siblings and cousins. From his mother, McLeod learned to be proud of his heritage and also shares her fractured stories from surviving the residential school system.

McLeod is a Cree writer from treaty eight territory in Northern Alberta. Mamaskatch is his first book.

Since Hazel Ellis returned home to Spirit Bear Point First Nation, an old crow has been visiting her dreams to tell her he's come to save her. As Hazel investigates what this could mean, she discovers an old magic awakening in the quarry on her late father's land. The adventure Hazel embarks on will have a lasting impact on her family and community.

Karen McBride is an Algonquin Anishinaabe writer from the Timiskaming First Nation in the territory that is now Quebec. Crow Winter is her first novel.

Tyler Pennock's debut poetry collection,is about the ways we process the traumas of our past, and about how often these experiences eliminate moments of softness and gentleness. The poems in this collection centre on a young two-spirit Indigenous man's journey through darkness and trauma toward strength and awareness.

Pennock is a Toronto-based writer, who has worked as a community worker and educator for over a decade. He was adopted from a Cree and Métis family in the Slave Lake region of Alberta. He has a creative writing MFA from the University of Guelph.

A northern Anishinaabe community loses power just as winter arrives, burying roads and creating panic as the food supply slowly runs out. Newcomers begin to arrive on the reserve, escaping a nearby crisis, and tension builds as disease begins taking lives. As chaos takes hold, a small group turns to the land and Anishinaabe tradition to start rebuilding and restoring harmony.

Waubgeshig Rice is an Anishinaabe author, journalist and radio host originally from Wasauksing First Nation. He is also the author of Legacy and Midnight Sweatlodge. He used to be the host of CBC Radio's Up North.

Son of a Trickster is a novel about Jared, a compassionate 16-year-old, maker of famous weed cookies, the caretaker of his elderly neighbours, the son of an unreliable father and unhinged, though loving in her way, mother. As Jared ably cares for those around him, in between getting black-out drunk, he shrugs off the magical and strange happenings that follow him around.

Son of a Trickster was on the shortlist for the 2017 Scotiabank Giller Prize. It is being adapted into a TV series set to premiere on CBC in 2020.

Eden Robinson is an award-winning author from Kitamaat, B.C. She is also the author of the novels Monkey Beach and Trickster Drift. Son of a Trickster and Trickster Drift are the first two books of a planned Trickster trilogy.

Armand Garnet Ruffo's is an examination of the nature and meaning of a treaty. Ruffo documents his observations of life from an Indigenous perspective, looking at belief systems and the complex, evolving connections and obligations between nation-to-nation, human-to-human and human-to-nature.

Ruffo is an Ojibway filmmaker, writer and poet. His other books include Grey Owl, Norval Morrisseau and The Thunderbird Poems.

After Canada's Truth and Reconciliation Commission report was released, Paul Seesequasis felt compelled to do something to contribute and understand what his mother, a residential school survivor, went through. He began to collect and share archival photos of Indigenous communities, and learned the stories of those photographed. Blanket Toss Under Midnight Sun shares some of the most compelling images and stories from this project.

Seesequasis is a writer and journalist. He is a member of the Plains Cree First Nation from Saskatchewan.

Combining memoir with fiction, Tanya Tagaq writes about a young girl's coming of age in 1970s Nunavut. She is a witness to the mythic wonders of the Arctic world, which juxtapose harshly against the violence and alcoholism in her community.

Split Tooth was on the longlist for the 2018 Scotiabank Giller Prize and was a finalist for the Amazon Canada First Novel Award. It also won the $2,000 Indigenous Voices Award for best published prose in English.

Talaga is an investigative journalist. In 2017, she was named the Atkinson Fellow for public policy. The work produced during this period form the basis of Talaga's 2018 CBC Massey Lectures, All Our Relations: Finding the Path Forward.

Chasing Painted Horses follows four young friends from a reserve called Otter Lake, located north of Toronto. One day, Ralph and Shelley's mother installs a large chalkboard at home and challenges the four friends to a weekly art contest. The quietest of them, Danielle, draws a stunning horse and wins, an inconspicuous event that will reverberate throughout their lives.

Drew Hayden Taylor is an Ojibway playwright, author and journalist from Curve Lake First Nation in Ontario. His other books include the YA novel The Night Wanderer, the novel Motorcycle and Sweetgrass and the sci-fi short story collection Take Us to Your Chief.

The North-West is Our Mother is a history of theMétis Nation. It begins in the early 1800s, when the Métis became known as fierce nomadic hunters, and continues to the late 19th-century resistance led by Riel to reclaim the land stolen from them, all the way to present day as they fight for reconciliation and decolonization.

Jean Teillet is a lawyer, Métis expert and the great-grandniece of Louis Riel.

Jesse Thistle is a Métis-Cree academic specializing in Indigenous homelessness, addiction and inter-generational trauma. For Thistle, these issues are more than just subjects on the page. After a difficult childhood, Thistle spent much of his early adulthood struggling with addiction while living on the streets of Toronto. Told in short chapters interspersed with poetry, his memoir From the Ashes details how his issues with abandonment and addiction led to homelessness, incarceration and his eventual redemption through higher education.

Thistle is a recipient of the Governor General's Silver Medal in 2016. From the Ashes is his first book.

Arielle Twist is a Cree, two-spirit poet and educator based in the East Coast. Twist's debut poetry collection offers perspectives of human connections after death - looking at anger, grief, trauma and displacement left in its wake. Disintegrate/Dissociate depicts life for an Indigenous trans woman, one dreaming for a hopeful future and a clear path for self-discovery.

Twist is a Halifax-based poet and sex educator, originally from George Gordon First Nation, Saskatchewan. CBC Books named Twist a writer to watch in 2019.

Moccasin Square Gardens is a collection of humorous short fiction set in Denendeh, the land of the people north of the 60th parallel. Richard Van Camp's stories involve extraterrestrials, illegal wrestling moves and the legendary Wheetago, human-eating monsters who have come to punish the greed of humanity.

Van Camp is a prolific novelist, comic writer and children's book writer whose work includes The Lesser Blessed, A Blanket of Butterflies and .

Katherena Vermette returns to poetry with river woman. river woman explores colonialism and the multigenerational trauma and loss it inflicted. It also explores the relationship between reclamation, love, nature and healing.

Vermette is also the author of the novel and the Governor General's Literary Award-winning poetry collection North End Love Songs. She lives in Winnipeg.

is a collection of stories and ceremonies inspired by the foundational teachings of Ojibway tradition. Wagamese's original plan was to focus on each of the seven lessons, known as the Seven Grandfather Teachings, but he died before completing the manuscript. The Seven Grandfather Teachings are humility, courage, honesty, wisdom, truth, respect and love. will focus on the lessons of humility, respect and courage and will feature four ceremonies that anyone can do.

Wagamese died in March 2017 at the age of 61. He is also the author of the novels Medicine Walk, Ragged Company, Him Standing, Dream Wheel, the poetry book Runaway Dreams andmemoirs For Joshua, and One Native Life.

Crow Gulch was a community in Newfoundland that was built around a pulp and paper mill. Many of the residents were of Indigenous and non-Indigenous ancestry. Some of the residents included poet Douglas Walbourne-Gough's great-grandmother and her daughter. In the 1970s, Crow Gulch was abandoned. Walbourne-Gough tries to capture the history and legacy of the community in this collection.

Walbourne-Gough is a poet and mixed/adopted Mi'kmaq from Newfoundland. is his first collection.

Jonny Appleseed is about a Two-Spirit Indigiqueer young man who has left the reserve and becomes a cybersex worker in the big city to make ends meet. But he must reckon with his past when he returns home to attend his stepfather's funeral.

Joshua Whitehead is an Oji-Cree, Two-Spirit writer, poet and Indigiqueer scholar from Peguis First Nation. He is also the author of the poetry collection full-metal indigiqueer.

Set in the near future, begins as a community grapples with a fuel spill that destroys the marine foods they planned to harvest. With food supplies diminishing, a group of hunters embark on a late season sea lion expedition. An unexpected storm forces the group to abandon a hunter named Carpe on a rock, where he faces an angry Lord of the Rock.

Michael Nicoll Yahgulanaas is an artist who blends Asian manga with Haida artistic and oral traditions. His other books include War of the Blink and

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35 books to read for National Indigenous History Month | CBC Books

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June is National Indigenous History Month. Celebrate by reading one of these books by First Nations, Métis and Inuit authors. is an anthology of comics featuring the work of Indigenous creators as they retell the history of Canada.

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Learning from Elders and Knowledgable Others

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Learning from Elders and Knowledgable Others

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There are some folks who walk into a room and a hushed silence falls. I have learned, sitting and listening to First Nations Elders in particular, that seems to happens every time they speak. I felt it when Oren Lyons (Faithkeeper of the Turtle Clan of the Seneca Nation) spoke at Celebration of Nations. I felt it sitting around the fire at the Council of Outdoor Educators conference listening to Peter Shuler (elder from the Mississaugas of The Credit First Nation) share knowledge. There is a quiet understanding when a respected person enters a room and it's something First Nations communities know without being told. They listen first. They listen without cooking up what they want to say at the end of the talk in order to sound intelligent. And every Elder and Knowledge Keeper I have ever heard is more focused on sharing truth than trying to present within a time frame or speaking about a theme/providing easy answers to complex topics. I am grateful for every knowledgeable other that I have had the opportunity to listen to. Whether it's been a DSBN sponsored PD event, a conference or a special event in the community, I know that my education has been fed and nourished by incredibly rich voices.
Full disclaimer: the picture I posted is of the Thompson brothers who are 6 Nations Lacrosse players from the film "Spirit Game" who I was fan-girling over when I met them at DSBN's Indigenous Youth Symposium. I wouldn't call them Elders but I did appreciate hearing them speak and I really like this picture of us all together because I feel like I'm the lost Thompson sister! Not sure they felt the same but we're all smiling right?

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I think, when I consider where I've been on this journey and where I am headed, if I can stress anything it's that I hope to maintain a posture of listening. Every time I am part of Indigenous Education I glean something new. Hearing stories gives me a new perspective and I cannot imagine a day when my learning will be complete. I'm also inspired, moving forward, to continue working to build a school community where our Indigenous students and their families feel heard and honoured. I want our school to be a safe place for that to happen and I hope to continue working towards having authentic community voices  shared in our buildings. One of my favourite Indigenous owned clothing companies called "Reclaim Your Power" makes shirts that read,
Strong
Resilient
Indigenous on the front in bold lettering. Indigenous People have always been here and we always will be. I want to be part of the continued reconciliation work between non Indigenous people and First Nations, Metis and Inuit Nations in our schools, communities and country.
I've added a picture, with permission, of some of my First Nations students from a day we spent at Niagara Regional Native Centre's PowWow. They are two students I am very proud of as they take on leadership at school and in the community. They inspire me every day.