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When thinking about Joan, Charles is portrayed to be acting as though having received a new toy, and often also sulks or whines when lectures or bullied by others, rather like how a spoilt child acts when he does not get his way

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Charles is a childish and petulant figure. He is "sulky" and "tak[es] offence" at the Archbishop's words too easily, calling everything he says a "lecture", and victimises himself by claiming that he has been left a "poor fool", "bullied and insulted" by everyone else in court.

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Charles is selfish and only cares about his own well being, saying that he only wants "to sleep in a comfortable bed", and refusing to accept his responsibility to lead the people as King. His shirking of his responsibilities makes him childish. He is also self piteous, complaining about how he did not choose to be king, about the other men in his court, or about being too poor. His inability to look beyond his own troubles and know how to act for the good of his people makes him seem extremely childish. His childlike impression is reinforced by the fact that he is unable to command respect from anyone in his court, as seen by how Tremouille speaks roughly to him, and the Archbishop constantly lectures him. This shows his lack of authority and emotional maturity.

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Charles is uninspired, lacking in imagination and vision.  He does not have foresight, and does not share the same sense of conviction and purpose that Joan is imbued with as she embarks on her mission. He is instead weak-willed, bullied by the people around him and unable to stand up for himself, lacking the confidence and strength of character that Joan has that draws others to her. This can be seen in Scene 2, where the other characters pay him no heed as they discuss Joan. He is reluctant to be crowned King, not fully understanding the meaning and significance behind it.

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Charles is shown to be weak in this text, both physically and mentally. His physical weakness is evident as he find their armor “too heavy” and “can hardly lift” their swords. Thus, he is not as physically strong as other men which shows how weak he is. Charles is also mentally weak. Though he is the Dauphin, he is unmotivated and fearful about fighting for his country, highlighted in contrast to Joan, who is full of courage. This can be seen as he says that he does not want to “have courage put into me” showing that he does not want to step up and take responsibility, instead hiding behind others by telling Joan to “put courage into the others”.

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Charles is a childish and immature figure which is evident from “just at present he is excited, like a child with a new toy.”This simile suggests that he is easily contented and expresses his emotion very explicitly which is not the type of behaviour expected from a typical 26 year-old especially when he is The Dauphin, the king of France.This is in contrast with Joan, who, despite possessing a childlike quality, is an assertive,  inspirational visionary with a rational mindset.Charles’s immaturity is heightened when he tries to use his lineage to subjugate the archbishop and other courtiers as seen from”[but] I have the blood royal in my veins” which reveals that he is conceited in thinking that his lineage will always be able to secure his royal status without realising that his lack of convincing personal qualities is detrimental to both himself and his nation.

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Charles is petulant. This is evident from the stage directions 'sulkily' and 'intimidated but sulky' as he shows his displeasure and unhappiness through immature means such as whining and showing his annoyance through his facial expressions.

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Charles is seen as weak and childish. His advisors bully him, doing whatever they want and all he could do to define himself was to dish out one line retorts. He complains, "You all think you can treat me as you please because I owe you money, and because I am no good at fighting". Something that is not fit for a Dauphin to say as it is incredibly pathetic and immature. The others put up with him because of his royal blood and that only, making him appear even more weak as people of positions lower than he is overpower him so easily.

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as described in the play, charles has narrow eyes which symbolise his lack of character and conviction in contrast to joan’s large and imaginative eyes. he is ultimately ineffectual, short-sighted and unimaginative, unable to command respect, a trait shown throughout scene 2 as he is shown to be bullied by the chamberlain, albeit he does retort in his own petulant and childish way. he is uninspired and does not wish to take risks, no wanting to step up and be the king joan wishes to crown him as.

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Charles is presented as a petulant child in the text. Even from his stage description he is described as
'a child with a new toy" showing his immaturity and implying that he is not yet suited for his role as a King and is in the awkward phase of learning to step into his new shoes. He lacks the foresight of a conventional adult, though he is one, and seems to rely on the people around him to make the big decisions. He is shown to be whiny at times," I tell you I will. I am going to out my foot down_" his speech is interrupted at certain points of the text, showing how his voice is stamped out and the lack of command he has despite his status as the Dauphin.

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Charles subverts the expectations of his station and behaves in an irresponsible and petulant way. This can be seen in how he repeatedly shies away from the idea of stepping up to his position as a ruler and exercising his authority and command to aid in France's war against the English, expressing his preference instead for the comforts of home.

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Charles is portrayed as a petulant figure. On mention of his grandfather, he flatly spurns the Archbishop, "left me the poor fool I am, bullied and insulted by all of you". His accusatory tone places him in a victimised light and casts the characters around him as bullies.

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In Scene II, he is uninterested in the visionary message Joan has for him and is only interested in her potential short-term benefits of performing visible miracles for him.

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Later to be crowned Charles VII in the Rheims cathedral, the Dauphin is portrayed as weak, sniveling, and unconcerned about matters of the court or of the country. He is forced by The Maid to become more manly and to assume an authority that he does not want.

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Charles has a lack of vision. This is shown through the description of his appearance in Scene 2, “He has little narrow eyes, near together” contrasted with that of Joan in Scene 1, “eyes very wide apart and bulging as they often do in very imaginative people”. Unlike Joan, Charles is unimaginative and is unable to encompass a vision for himself.

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Charles is very studious. The word studious is used to indicate a person who "spends lot of time studying or reading". This describes charles as he says "Another lecture! Thank you." As a student, I know that studious people very much enjoy lectures. This shows that Charles is indeed studious.

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Charles is portrayed as unmasculine. This can be shown through his consistent rejection of symbols traditionally associated and aligned with masculinity, such as the use of violence and war. For instance, he overtly tries to avoid going to war against his enemies, and takes other measures instead.

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Charles is uninspired and rather cowardly

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Charles is uninspired and rather cowardly

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Charles shows an intense lack of courage, even when he is someone of high rank (The Dauphin) he shows extreme indifference towards France’s state and cringes away from war. soso sad!!!?!?

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Charles is narrow minded in his thinking and cannot expand on his vision unlike Joan. This can be seen through the physical description of Charles with narrow eyes as well as his character of not being one to think far ahead.

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Charles is portrayed as a weak character, both physically and mentally. It can be seen through the way he acts and how he interacts with other characters.

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Charles is incorrigible. Even through countless attempts at getting him to change how he approached the demise of France have been made, he does not change his style. Rather he remains constant, unchanging, until Joan arrives and stirs some spirit into him(well not really). But anyways, he let joan Go fight while he chilled yknow?

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Charles is seen as whiney and cowardly. He refuses to go out of his safe zone to fight in the war and only wants to remain away from the frontlines, safe behind everyone else, while complaining about everything

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Charles lacks authority and leadership as he is unable to assert himself with natural conviction, and cannot rally his men and gain their trust and conviction in his leadership. He does not readily step up to challenges and hides behind others due to fear of risks. His only attempt at gaining control and power over his subordinates is trying to remind the others about his royal status, but he does not show any true qualities of a leader that proves he deserves the title and power.

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is childish, as can be seen in the description of him. He is described as "a child with a new toy", and has personality of a child. This can be compared with Joan, who although can also be seen as a child, is more child-like in her innocence rather than like Charles's immaturity.

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Charles is cowardly and unmanly. He explicitly states that “I am afraid” when talking about his court bullies him. He goes on to compare himself to soldiers, with heavy armor and swords, as compared to him and wants to be comfortable in his bed, not fighting, unlike other soldiers. The lack of want to fight makes him unmanly, and cowardly.

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Charles is unmanly/weak this is seen throughout the text in his multiple attempts at display of strength through his words and actions instead of actual physical strength. And can be seen in how he rejects traditionally "strong" activities such as swords, fighting, etc.

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Charles is petulant in manner, and childish and incorrigible in character. Multiple times throughout their exchange in Scene 2, when the Archbishop gives stern advice to him, Charles remarks rather exasperatedly and sarcastically, "Another lecture! Thank you.", which only serves to highlight that prior description of him as an incorrigible dog, unable to accept any sort of criticism, and with an inflated sense of ego. Indeed, this is most pertinent in his constant reference to "the blood royal", which is rather ironic given the disparity between the conventional archetype of the hero-king invoked by the phrase and the actual image of Charles as weak, bulemic and cowardly.

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Charles is an unmanly man as he rejects certain masculine conventions. He prefers to lead a more comfortable life that is teh life of a woman who does not have to go to war. In the play, Charles wants to sleep in a “ comfortable bed” which conveys that he wants a sheltered life away from the “fighting” and “shouting”. Charles’ tone here is one of a whiny child which amplifies his unmanly characteristic trait.

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Charles is childish. In Scene 1, he is shown speaking to the Archbishop in a very childlike manner, complaining of the “lectures” that he receives. In addition, Charles whines about being “bullied and insulted by all of you”, without doing anything to change that. He also uses the Archbishop as a shield when La Tremouille threatens violence, showing none of the authority and maturity the Dauphin is meant to

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Charles is irresponsible. Even before he is introduced into the scene he is portrayed as someone who is in debt and dresses in a misfit manner. His behaviour is not one that of what one of royal blood should have. This is shown in the scene where he is described as"never has a suit that I would throw to a curate" and "dines on a chicken or a scrap of mutton". A proper king would not have such behaviour and Charles is not taking up his responsibility of a respectable king.

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Charles is Weak. His authority does not live up to his role as a “Dauphin” but rather, he is being “kicked around” like a “dog”. Even when he wants to voice his opinions, he needs assertion from Joan , and can only speak when she “puts her hand on his shoulder”. His weakness also defies gender conventions when contrasted with Joan’s even more assertive and influential self.

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Charles is depicted as weak. This weakness is embodied not only through his interactions with other characters but also his physical makeup that pushes the idea of his weak nature.

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Charles is unmanly with reference to masculine convention. He is timid and cowardly, and does not want to take part in battle. This goes against masculine convention of that time, where men are supposed to be strong and brave warriors who are not afraid of battle. Charles is also afraid to fight for his right to the throne.

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Charles is timid. He hides behind people a lot, even when there is next to no point doing so, like when Joan entered. Charles also hides behind his royal blood and his status, speaking of “the blood royal in [his] veins” to protect himself, despite complaining about his  lineage immediately after

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Before the Dauphin enters we hear gossip about his inability to rule. When he enters we see a petulant, childish figure who shrinks from the expectations and responsibilities of his inherited status. Like Joan, he is young and does not fit in amongst the schemers at court. However, he lacks her innate authority and sense of purpose and must lean on her for assurance before he can finally assert himself.

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Charles rejects the traits and behaviors that society accepts to be masculine, and is unassertive and weak. He is often bullied by those whose station is lower than his, and cannot assert the authority conferred by his royal blood.

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Charles is narrow visioned. From the stage directions, he is described to have "little narrowed eyes, near together", which is contrasted against Joan's which are "very wide apart and bulging", this contrast shows that Joan has a strong and wide vision which allows her to have unwavering faith in her task as a messenger of God, but Charlesnsimply looks at Joan as someone to help her in her ascension to his throne, and is not someone who has the ability to look at the bigger picture and having the ability to manage a country.

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Charles is displayed as childish, his antics and snarky remarks towards his courtiers are indicative of his immaturity and inability to act his age.

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Despite being of royal status, Charles is not respected at court. Before his entrance, La Tremouille and the Archbishop gripe about his money-borrowing, showing not only Charles's inability to manage finances but also the lack of respect those around him have for him. At his entrance, La Tremouille and the Archbishop are described as standing at attention "perfunctorily", insinuating that they are only performing a customary act, with no real meaning or respect behind the gesture. Their begrudging show of "respect" shows that all of Charles's authority is conferred by his royal status that he was born into, rather than his actual character. After he enters, La Tremouille and the Archbishop regard him in a dismissive, condescending, and impatient manner, even doubting his legitimacy as being of royal blood.

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Charles is presented as petulant and childish. His attitude in argument is that of a child, being "sulky", with his hiding behind others, an act of cowardice, further reinforcing his childish nature. His self-pity and attitude towards others as bullies during an argument, seen in his sarcastic reply of "Another lecture! Thank you." highlights his childish nature, as he views all others against him as big bullies. Hiding behind Joan although he is the Dauphin, someone that holds power, illustrates his childish nature and the cowardice that comes with being a child, an overdependent person who runs to others when he is intimidated.

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Despite the constant villifcation of Charles, I would like to bring forth a new perspective to his character, of his positive attributes that in fact make him a worthy ruler. Charles is depicted to have a very sharp tongue, such as when the Archbishop loftily called Joan a toy, Charles bites back "I can get on very well without your interest." Charles is also seen to openly argue with the members of the court for their mistreatment of him as their rightful king in saying his grandfather "was so wise he used up the whole family stock of wisdom for five generations, and left me the poor fool I am, bullied and insulted by all of you." Here witty humour is expressed as Charles mocks his wise grandfather, who commands respect from everyone, while openly bringing up the mistreatment of himself. This creates irony due to the contrast in people's views on the two rulers and the way Charles portrays them in his speech, making it rather whimsical and humourous. It also enhances the effect of Charles' victimization, evoking pity in the reader/audience for Charles. This proves Charles' ability to manipulate his audience using words to gain favour for himself. This shows that Charles is indeed rather intelligent, hence he has the qualities to be worthy of a King, but needs development of character, specifically his confidence and assertiveness, and also to grow in terms of emotional maturity, to become a worthy king.

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Charles is portrayed to be somebody who is childish and immature and therefore presently unfit to govern. He has “the expression of a young dog accustomed to be kicked” and “excited, like a child with a new toy”. The fact that he is compared to a “young dog” suggests how he is docile and passive and a servant rather than a master. Additionally, in comparing him to a “child with a new toy”, it is clear that Charles is seen as somebody who is fascinated by trivial, fleeting moments. Furthermore, he typically acts in deference to other characters such as Joan.