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Curvature of the Urban Spine

This is a view of the towpath of the Grand Union Canal with the A40 Westway swinging over the top of it and Erno Goldfinger’s famous Trellick Tower in the distance.

This image is a celebration of the ‘terrible beauty’ of 1960s architecture and urban planning because not only does it have one of the most notorious examples of the Brutalist architecture of that period but it also has one of the great London road projects that planners were so keen to build back then.

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So The level II Photography have finished

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So The level II Photography have finished

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Good job guys the exhibition looks amazing and it has been good to watch some of the most quietest students grow. and take on the roles of leadership. Kerron once again that was impressive how you took, control especial reinforcing that it was not a good idea to have sustenance around the cutting table while as we were trying to mount other peoples work.
They didn't more although you did tell them this wasn't good practice, there unconcern for other peoples work, actual you put yourself in a better position. I would definitely employ you if I had a team. Top mark for origination consideration and front.

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HISTORY ON THE MOVE  UK'S VERY FIRST MEMORIAL TO COMMEMORATE THE AFRO - CARIBBEAN'S THAT FOUGHT IN THE WORLD WAR'S 

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HISTORY ON THE MOVE  UK'S VERY FIRST MEMORIAL TO COMMEMORATE THE AFRO - CARIBBEAN'S THAT FOUGHT IN THE WORLD WAR'S 

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UK: FIRST WAR MEMORIAL TO AFRO-CARIBBEAN SOLDIERS UNVEILED

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Britain's first Memorial to the African and Caribbean soldiers of the First and Second World Wars has been unveiled in London. The installation is the vision of the Nubian Jak Community Trust, honouring the estimated two million Afro-Caribbean soldiers fought in both world wars.

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David Bailey - The East is Doomed (Documents)

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David Bailey - The East is Doomed (Documents)

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David Bailey: 'The 60s have never ended'

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Research: David Bailey on why modern celebrities leave him cold

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Research: David Bailey on why modern celebrities leave him cold

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I don't think this rather blasé attitude is the result of complacency and success. In a new BBC4 drama about his Sixties love affair with the Shrimp, the actor Aneurin Barnard plays the 24-year-old photographer as a cocky yet talented upstart who is confident enough to ignore the direction of Vogue's then editor, Lady Clare Rendlesham, thus making her cry.

Was it an accurate portrayal? "The guy's so good it was kind of spooky," says Bailey of Barnard, a Welsh actor who got his East End tones down to a tee. "If anything he's sort of..." Bailey falls silent for a moment. "He's kinder than me in a way."

Bailey's "I couldn't give a stuff whether you use me or not" attitude must be irresistible to fashion mavens, but confusing to the celebrities who come through his studio. He barely remembers any of their names, which could be age, though I reckon it is more likely to be a carefully cultivated thing that allows him to retain some cool. He recently cancelled a shoot with Lady Gaga because "there were too many rumours about her storming out and being silly. And I can't be bothered. If she can sing, why wear funny clothes? Ella Fitzgerald never wore funny clothes."

He's done a lot of footballers but "you're wasting your time" asking which ones. John Terry? "He sounds like a sweet. 'Would you like a John Terry, they're delicious and chocolate-coated?'" Bailey giggles infectiously. "Nah, the only one who stands out is Voom Voom."

Thierry Henry? "Yeah, I did him for Vanity Fair or something and I liked him because he had a bit of quelque chose." Naturally, he doesn't bother with anything as pretentious as putting on a French accent. Anyway, he has just shot "some model. Who was she, Danielle?"

"Edie Campbell."

"Who?"

"EDIE CAMPBELL."

"Oh yeah, Edie Campbell. She's all right. She's the daughter of a friend of mine."

Not even royalty gets special treatment. He once said it was a "myth" that the late Diana, Princess of Wales was a great beauty, and stands by that now (though he does concede that the Duchess of Cambridge is "very beautiful"). "They used to say the Duke... what's his name? You know, the one after the Queen? Not the Duke of Edinburgh, no, his son..."

Prince Charles? "Yeah! They used to say he was dashing. Well he wasn't!" What did he think of Prince Harry, whom he recently shot for GQ? "Was it Harry? I get their names mixed up. He's all right. Nice guy. He's more dashing than his old man isn't he?" Bailey thinks that Harry is no different from a normal bloke walking down the street. "And that's paying him a compliment. Because he's not a retard. He's not inbred." He laughs away, unbothered by whom he offends.

When he says things like this I have to wonder how he manages to get the best out of his subjects. He is good company and full of anecdotes - Bob Geldof, for example, is known as "Bob the knob" - but at the same time he is such a stubborn force of nature that I can imagine he can be quite unnerving.

I guess part of his talent is that he observes carefully, almost without you realising. "You're not married," he states suddenly, in the middle of a conversation about some of the books he has done. "And you're double jointed, aren't you? I'm watching the way you move your arms." Later he tells me he talks to all of his subjects for an hour or so before he shoots them, "to try to find the story, because everyone has a story and I like that". The photos take 15 minutes at most. "Otherwise people get bored. It's a bit like sex. Go on any longer and most women want to get up and do some cooking or cleaning." He cackles wildly. "Only joking!"

He doesn't like it when an editor wants him to make a person look a certain way. "If they say to me, 'we want him to look arrogant'... I won't manipulate someone. If they're a murderer and they're smiling, that's what you'll get in the picture." The Krays, whom he photographed in 1965, sneer at us from the wall. They are not smiling. How many murderers has he photographed? "Probably a lot over the years. I mean, I don't count the murderers. There's a lot of politicians who could be murderers." He laughs again.

He saw "straight through" Tony Blair and says that when he drove away from No 10 after photographing Gordon Brown, "I turned to my assistants and said 'boys, we've been f‑‑‑‑‑.' Brown was a seducer. 'Oh, Bailey, you've been such an icon to people' and 'have you got any honours' and 'oh, you deserve everything'. Nobody is that nice." His voice is mocking. He liked John Major though photographically he was dull. He adored Baroness Thatcher, called her "toots". "She was very smart."

But he says that most politicians are "educated fools, lecturers who never actually say anything." He didn't vote until the last general election. It was photographing the then shadow chancellor that prompted him to. "The one I really liked was George Osborne," he says. It's the first name he rattles off without help. "I thought he was smart. And he had a sense of humour. I'd never voted and I voted for him because I was impressed with him." But he says he isn't a Conservative. "I'm not anything."

Does Bailey, who has a house in Devon, like holidays, taking time off? "Nah. Not because I'm saintly but because it's what I like doing." Will he ever give it all up? "Only when I'm dead!" He's off again, laughing at some thought that he may or may not share with the rest of us. "Wouldn't it be awful to get to heaven, only for God to say 'I've got this dodgy little blonde for you Bailey!'" He continues to giggle and rasp. "I always think that's the first thing he's going to say to me: 'Oi, Bailey, could you do some pictures?'" I imagine even He might get short shrift.

'We'll Take Manhattan', a BBC Four drama starring Karen Gillan and Aneurin Barnard as a young Jean Shrimpton and David Bailey, will be released later this month

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David Bailey on why modern celebrities leave him cold

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I don't think this rather blasé attitude is the result of complacency and success. In a new BBC4 drama about his Sixties love affair with the Shrimp, the actor Aneurin Barnard plays the 24-year-old photographer as a cocky yet talented upstart who is confident enough to ignore the direction of Vogue's then editor, Lady Clare Rendlesham, thus making her cry.

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Planning Document Henri Cartier Bresson Final

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Planning Document Sergey Ponomarev Plan Shoot Final

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Hockney, Falco wrote a book that expolied the tecnicics use in the Renaissance Secret knowledge uncovering the techniques of the old masters. The Book explores the theory that they critique and the photography and the skill accurateness was mainly due to the use of curved mirrors camera lucida and camera obscure technology and their techniques used. 

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Hockney, Falco wrote a book that expolied the tecnicics use in the Renaissance Secret knowledge uncovering the techniques of the old masters. The Book explores the theory that they critique and the photography and the skill accurateness was mainly due to the use of curved mirrors camera lucida and camera obscure technology and their techniques used. 

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Also David Hocknry skills in photo colleages known as joiners

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went to the Royal College of Art in 1054.

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David Bailey joined Royal Airforce 1956 and he served in Singapore in 1957

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David Bailey joined Royal Airforce 1956 and he served in Singapore in 1957

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his dyslexic as well as suffering from dyspraxia which is a moktor skill disoted moter

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Herni Cartier Bresson

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Hecame a prisoner of war in 1940 and final escape after three attempts 1943 Then became a member of the help and assist other prison to do the same. 

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Hecame a prisoner of war in 1940 and final escape after three attempts 1943 Then became a member of the help and assist other prison to do the same. 

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Herni Cartier Bresson and his wife created his own foundation as an archive and me and means of preseving them his works.

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Herni Cartier Bresson and his wife created his own foundation as an archive and me and means of preseving them his works.

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Herni Cartier Bresson Founded Magnum Photos in 1947 with his associates. David Chim, and William Vandivert 

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Herni Cartier Bresson Founded Magnum Photos in 1947 with his associates. David Chim, and William Vandivert 

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My depiction of a work that had the similar theme as Salvador Dali 1943 paint (Geopolitical Child Watching the Birth of the New Man”)

Although my peace was based on a poem
Man in Briefcases,

Man in Briefcases coming from the womb, While Classes in intellect in other room.

In my case the peace of Jewellery I created from this drawing  spoke of a young man being nurtured and grown with good ideals and family morals and a understanding of how to respect and create women who fashion good ideals and morals in them as the grow.

Man in Briefcases suggests that when you have been nurtured with good morals your outlook in society should reflect this, but unfortunately too ofter those individuals that know all this and embraces the world of money, greed and  capitalism and corruption to a  level of waging war and destruction upon the innocent should know better because they weren't bough up like that.

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For further informatiom look at these book 

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For further informatiom look at these book 

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Book's referenced
- David Hockney

Hockney, D.(year) David Hockney. Revised and  apaated edition.  London, Paul Melia.

Salvador D (2002)  Salvador Dali: 2002 Sirocco, Lodon

Publication place. ???

Art of the

URL: copy information

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Geopolitical Child Watching the Birth of the New Man”, 1943

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Geopolitical Child Watching the Birth of the New Man”, 1943

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This piece of work is true genius. I must have been influenced by it somewhere along the way.
I have flicked through many a books of Dali's work over the years. He's one of my favourite artists .

Note: We see in this picture a suspended umbrella-like shroud  above a man breaking out from the world in the form of an egg. The picture gives the impression that he is an alien dark force emerging into the world which will bring darkness and catastrophe.

Although I had never seen this piece of work before, I made a three dimensional piece of jewellery a few years using very similar imagery when I was on my jewellery degree course years ago.

It quite interesting reading the write up on Dali and seeing that he wrestled with some of the same ideas I did when I was creating this piece of jewellery: he was also looking at the world as it was run by men that waged war around the world. I was saying in my piece that some men were being born in an unnatural way and choosing to follow the path of evil.

Well it seems that nothing much has changed. There are still massive inequalities in the world. In this piece Dali suggests that these inequalities lead to people exploiting the power they have due to the vast wealth they can influence world affairs including bringing about wars which suit their own interests but bring death and destruction to large groups of other people. Greed has created corruption throughout the world today and Dali recognised something similar in his own times which is expressed in this painting.

Note: A sinister effect is created by the use of colour with the various shades of yellow, deep greens and amber browns that enclose the space. This abnormal scene is further underscored by the fact that there is one solitary drop of red blood, whereas with a normal birth there is a lot more blood. The young child looks on nervously as the mother points to the alien figure being born and turns her head the other way in fear. The reaction of these figures to the creature being born combined with the colours used by Dali have an ominous almost apocalyptic atmosphere

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One of my favourite artists of all time is Salvador Dali. His elementary studies were in the rudimentary disciplines of the classical forms of Artistry. The image below is an example of how he used his skills with black and white photography to inform his playful and animated mind. Look at the composition closely; it is obvious that he probably suspended the chair from the ceiling or, even easier, had someone hold it in suspension for a few seconds before he got his colleague to take the shot. These kind of photographic studies informed his paintings and allowed him to stretch his imagination and creative skills further. They gave him the opportunity to explore his ideas and work out how to execute them and work through the trickery involved.

Lets try to  work out what is going on here. Firstly, the chair to the left and the three cats to the right,. There is a dark area that looks like a ledge of a balcony where the cats could have been thrown from and the chair held - out of shot. The camera was probably set to a fast shutter speed, say 1/200 with an f-stop of f/22 to keep the stationary objects in focus whilst capturing the moving elements including the jet of water, probably thrown from a person with a bucket out of shot.  As Salvador Dalí shout action the chair is hold in suspension, the cats are thrown off the balcony and his colleague in the foreground out of shot throw a bucket of water across the scene from left to right directing the eye to the centre of the shot. Quality!

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Note's only not final info need three significant dates

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Note's only not final info need three significant dates

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Followed the impressionist Movement,

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Hockney Wolds Nine Cameras This is a the whole year too (Note rule of thirds)

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Hockney Wolds Nine Cameras This is a the whole year too (Note rule of thirds)

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Sergey Ponomarev  won a joint Pulitzer prize for capturing the the struggles plight tribulation and determination of  PLACE NAME

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David Hockney 60 Years of Work @ The Tate Gallery

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David Hockney 60 Years of Work @ The Tate Gallery

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Twin Towers Collalpterd September 9th 2011

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Twin Towers Collalpterd September 9th 2011

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September 11th As It Happened: The Definitive Live News Montage

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The Windrush Generation | Stories of Friendship | Youmanity

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Bletchley Park Code crackers 1939 Gordon Welchman & Alan Turing The Enigma Code

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Bletchley Park Code crackers 1939 Gordon Welchman & Alan Turing The Enigma Code

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Bletchley Park: Code-breaking’s Forgotten Genius

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Gordon Welchman was a World War II codebreaking hero, without him the top secret German Enigma codes might never have been broken. The war as a result may have lasted a further two extra years and tens of thousands more would have died.

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When he left a Airforce/got demobbed in 1958 he bought his first every Camera a Conon rangefinder