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A careful balance is made when adapting factual/historical events in movies to both preserve the events and aid the director's vision.

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Jeremy Dawson tells about how his team was able to make a train scene using cardboard and a smoke machine.

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Lisa Bruce explains that making a documentary is akin to a bike, whereas making a feature film is more like a bus with people are constantly hopping on.

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Clint Eastwood was reluctant to have Robert Lorenz direct "American Sniper", but still allowed input from him.

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Was originally acquired by Warner Brothers, but lost the license after not being able to make the film in a year.

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Producers often work with the same people because they do well in realizing their vision.

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How long it took to get all the shots for "Birdman".

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It took a decade to convince Stephan Hawking's spouse, Jane Hawking, to allow the studio for "The Theory of Everything" to be made.

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Cathleen Sutherland's roles during "Boyhood" changed.

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John Gatins's view of how he sees his movie "Flight".

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Some extras in "Moonrise Kingdom" where locals who were found as the team was on the road.

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The dining room scene in "Looper" was cut down as a creative choice.

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A lot of googling was involved when searching for shooting locations for "Moonrise Kingdom".

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They envision everything and know more than anyone on set about the world that's being created.

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Two very distinct atmospheres when being on a set for the first time.

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Using other-worldly, often mythical ideas to convey something human.

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How David Magee envisioned the script for "Life of Pi".

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John Gatins's self-described "Rubic's Cube" to make.

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There was a big challenge in writing "Life of Pi".