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https://padlet.com/vcovert/ya1pdyc6l2vnp2s5

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https://padlet.com/mneyh682/y7npr6eholkiios8

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https://padlet.com/cmann393/8is0es2jv9lqdcxm

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Every artist attempting to make art in this pandemic of our's seems to share the feeling of being "Lost." This feeling surrounds the emptiness we all feel for the sheer lack of exposure to others during our creation process. Many believe they may not need others, and work best on their own without any outside influence, but it is the outside influence that pushes us to create, it is this outside influence that is the the grand key factor to move us all to be artists. Without an audience, without other artists to speak to about our creations, our art suffers this subconscious feeling of being lost. This show represents that feeling, may it be obvious or not. We may make art for ourselves, but the aspect of showing this art is the pure foundation for it's creation. 

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Before we stood still, we ran. Back-and-forth in circles, straightforward and diagonally. We moved until we were forced to stop. Pinned down now we have nowhere to look but out. We watch from windows as the trees flower and give way to leaves, as the hills turn green. The birds fly in their flocks as thousands of ants crawl into a hole the size of the end of a pencil and we see a reflection of where we almost were and who we have once been. 
The work within this show captures memories of events that have never happened. They capture the rhythm at which ecosystems still move even though we are still.
We ourselves have forced watching nature move forward around us the past two months only to realize that there pillars of certainty we stood tall upon were sticks of straw. What was supposed to move forward stopped. Cycles we once saw as unbreakable, dissipated.  Maybe, we will be kinder next time, to the rest of life on earth.              

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This collection of work represents the endless possibilities we have with the medium of paint. Whether it be oil, acrylic, or watercolor(this specifically oil).. I find that the texture itself in paint can beautifully speak for itself. A painting captures what photography cannot, and I hope, like myself, people will find fascination with that. Unprecedented times, for sure, but something that doesn't change is the way paint can move on a surface and the capabilities it has to give something new meaning. Our involvement with the medium itself is very important in creating something, so I find that with a foundation as simple as texture, a new possibility arises from what otherwise was simply a flat surface. Nature also plays a significant role during these, being the unprecedented era we are living in, and I feel that people now more than ever have a desire and URGE to get out into the world.. or just to simply appreciate their surroundings in a newfound way. A time to simply slow down and "smell the roses" might just be the perfect conduit for painting.

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https://padlet.com/operaphantom3380/n3wou1kbwax4qw6t

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Spring 2020 Painting Studio. Arranged by Jamie Menio

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Final padlet gallery

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Sorry its late i couldnt figure it out.

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Works that I have created since Spring Break. 

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https://padlet.com/cmann393/d3usbkffykdfdcpu

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Cheryl Mannino quarantine art
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29m
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12m

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My work since break

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Another one I worked on tonight. Sorry about the glare.

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Painted my cutting board!!

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Indigo Bunting acrylic on Bristol 10 is by 13 ish didn’t measure perfectly

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Weird little clown painting I’ve been working on all day. 11x14

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#4
17”x13”

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#3
13”x16”

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#2
17”x13”

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24"x24"

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9”x12”

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9”x12”

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8”x10”

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6”x33” oil

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2’x4’ oil

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4”x12” oil

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5”x8” oil

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Acrylic 24x32

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12" x 24"

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7 1/4" x 20"

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acrylic
don’t think this is done yet

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Indigo bunting

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Indigo Bunting, Acrylic on Board, “12 X 12” 

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Indigo Bunting, Acrylic on Board, “12 X 12” 

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10x10 paper plate

painted to look like those dumb decorative plates your grandmother has and you're NOT ALLOWED to touch it

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Tuesdays with mark

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13" x 14" ish

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Scarlet tanager
12x20"

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Indigo Bunting 11”x14”

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Indigo bunting 10”x10”

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Indigo bunting

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16”x10”

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Another example. Revisiting some old works too to see potential ideas.

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A book page spread. I've been working on artbooks mostly...

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Scarlet Tanager

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Scarlet Tanager
watercolor
11 X 10.5

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I think I’m going to be finished with her for now.

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Goldfinch 11 X !4 done in acrylic on unstretched canvas

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done in acrylic, on the back of an old sketch book, will cut him out and put him in a nice frame. 8"x 10"

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Detail

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After :
Work in progress, still not sure how I feel about using watercolor for this series but oil is just too much for me right now, but so far it's working fine!

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Trying something new, using a new medium (watercolor) with my skinny dipping series.
12 in x 18 in
Before :

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I think it’s just about done. I’m posting this view as documentation cause I’m gonna dismantle it and try some other things with the parts.

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9"x12", gouache

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Okay now I’m happy with it.
30x40

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I’ve done several gouache wildlife paintings for zoo and craft shows in the past, so for the sake of my sanity I stuck to what I know. Here’s a bird.

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early stages

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feeling like something isn't working or something should be added. Diff colors? anything would help

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After

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Before

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Light Study / Dorie

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Dorie Penny / End of Class

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WIP still

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End of class plus one more blue underpainting not pictured

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Before and After

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greyscale value study for final big painting