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Rebekka Ruétz Fall Winter 2020.21 StriDent Collection

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Rebekka Ruétz Fall Winter 2020.21 StriDent Collection

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https://www.designscene.net/2020/07/rebekka-ruetz-strident.html

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Versace Dylan Turquoise Fragrance Starring Hailey Bieber & Bella Hadid

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Versace Dylan Turquoise Fragrance Starring Hailey Bieber & Bella Hadid

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Marianne Faithfull Adds to the Mystique of Chloé Fall Winter 2020 Video

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Marianne Faithfull Adds to the Mystique of Chloé Fall Winter 2020 Video

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David Sims

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In the campaign photos the insignificant slogans were central, and precisely through their blatant emptiness ironically accused the lack of values, banality and falsehood of politicians on the one hand, and on the complete apathy, cynicism and disillusionment of the public on the other.

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In these confusing and disconnected times, fashion brands find it easy to speculate on easy positivity. This is not the case with Balenciaga, whose new video for the SS20 campaign delves into the theme of the iconography of politics and the aestheticism of corporate banality by staging a fake news story somewhere between satire and surrealism.

Images of a technological and artificial society flow on the screen accompanied by disturbing and chaotic sounds composed by the American group Wolf Eyes, nonsensical slogans such as "No More Traffic Jams!", "Where Is All The Water Going?" and "Pedestrians Are Back" appear superimposed while the models wearing the clothes of the SS20 season in exaggerated prosthetic make-up move digitally-animated mouths pronouncing disconnected sounds. It is the representation of a dystopian society, of a near and meaningless future and above all, it's an ideal development of the aesthetic carried out by Demna Gvasalia during this season.

The homologation of politics and the corporate world, the banality elevated to aesthetics and the ugliness as the fulcrum of stylistic research are the basis of the reflection on the modern world carried on by Gvasalia from the beginning of his artistic direction for Balenciaga. Both the brand's S220 show and the recent photo campaign, which featured voter posters, had as leitmotiv a particular shade of blue taken from the iconography of the European Parliament. Even in the campaign photos the insignificant slogans were central, and precisely through their blatant emptiness ironically accused the lack of values, banality and falsehood of politicians on the one hand, and on the complete apathy, cynicism and disillusionment of the public on the other. The clothes themselves are nothing but a parody of the cheesy uniforms of politics, opposed in some fashionable way, designed to be reassuring and repetitive but deliberately exaggerated by Gvasalia to show themselves in all their monstrous mediocrity.

To the image of a world ruled by petty and unsightly bureaucrats, this fake newscast adds to the idea of highly coded, artificial and "inhuman" communication that is passively accepted as part of a common language but remains dead. It makes no sense for those who spell it coldly behind the screen and it's to those who listen to it, recognizing it but without understanding it, this flow of news speaks of artificial society, made apathetic by post-truth and absurdness. But what's worse is that this society looks unsettlingly like ours. Clothes are an extension and a manifestation of this flatness - a reflection of a world that has forgotten the existence of a sense behind things.

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In these confusing and disconnected times, fashion brands find it easy to speculate on easy positivity. This is not the case with Balenciaga, whose new video for the SS20 campaign delves into the theme of the iconography of politics and the aestheticism of corporate banality by staging a fake news story somewhere between satire and surrealism.

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Rag & Bone Tells a New York Story with the Fall Winter 2020 Collection

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Rag & Bone Tells a New York Story with the Fall Winter 2020 Collection

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Josh olins
https://www.clm-agency.com/photographers/josh-olins/rag-bone-2

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Serena Williams Stars in Stuart Weitzman Fall Winter 2020 Campaign

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Serena Williams Stars in Stuart Weitzman Fall Winter 2020 Campaign

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Stuart Weitzman
ETHAN JAMES GREEN/ROBIN BROADBENT

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@ Givenchy Sept 2020

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American artist Man Ray was a creative chameleon, whose long career was defined by a pioneering quest for experimentation and self-reinvention. He was a painter, a photographer, a sculptor, a printmaker, a filmmaker and a poet - although he always described himself as a painter above all else - and his idiosyncratic oeuvre spanned Cubism, Futurism, Dada and, perhaps most prominently, Surrealism. Today, Man Ray is so revered for his avant-garde approach that we often forget that for 20 years of his career, between 1920 and 1940, he made his living almost entirely from commercial fashion photography for the likes of Vanity Fair, French Vogue and Harper's Bazaar, as well as some of Paris's most famous designers. The resulting photographs have had a lasting impact on fashion photography as a medium thanks to Man Ray's refusal to stray from his artistic ambitions, regardless of the form they took. As a number of his portraits, including the seminal work Glass Tears (Les Larmes), go on display as part of Tate's new exhibition The Radical Eye: Modernist Photography From the Sir Elton John Collection, we explore the key facets of the visionary image maker's work in fashion photography and his enduring influence upon the medium.

MAN RAY ENTERED FASHION TO FINANCE HIS ART

There is no doubt that Man Ray saw fashion photography primarily as a mean of supporting his experimental artwork. When he moved from New York to Paris in 1921, he embarked upon various collaborations with the couturiers there - including Vionnet, Lanvin, Chanel and Schiaparelli - simply to finance his studio, brushes and paint, he professed. But right from the outset, he nevertheless resolved to exploit the potential for artistic expression within the context of commercial work. His first commission was for Paul Poiret, one of the city's leading designers. Among the images from the shoot, the most famous are perhaps the striking portraits of a young Peggy Guggenheim, draped in a glittering Poiret gown, but Man Ray's favourite from the series saw a Denise Poiret posing next to a Brancusi sculpture, which emanates light. "This was to be the picture, I decided," he is recorded as saying, "I'd combine art and fashion."

"Guy Bourdin revered the artist so much that he persistently knocked on his studio door until Man Ray finally gave in and began mentoring the young reactionary"

BUT HE VIEWED FASHION PHOTOGRAPHY AS AN IMPORTANT WAY TO SPREAD HIS ARTISTIC IDEAS

Happily, the fashion world was delighted by his surreal, elevated approach, and went on to champion some of his most experimental work. Take his famous "rayograph" technique, which he discovered upon accidentally switching on the light in his Paris darkroom, exposing the photo paper mid-development and creating the dramatic contrast of light and dark that would become so integral to many of his future works. Vanity Fair caught wind of this just six months after Man Ray had developed it, and in 1922 printed a four of his rayographs in a feature. Such mass-market dissemination would have thrilled the artist - this was after all before the age of television and radio, when such publications were swiftly becoming one of the most popular forms of entertainment.

This fact, combined with Man Ray's insuppressible urge to break new ground and progress as an artist, meant that while fashion photography was supposedly just his bread and butter, he allowed for a considerable overlap between his personal and commercial work - with many of the same motifs and stylistic flairs appearing in both. A key example of this is his 1929 photograph of Lee Miller's lips, which formed the basis of his 1936 painting " Observatory Time - The Lovers", which in turn he included as the backdrop to a fashion editorial for Harper's Bazaar in November of the same year. Other elements that manifest themselves in both his private and commissioned imagery include a fascination with hands (think his Elizabeth Arden Electrotherapy Facial Mask image), a fondness for close-up framing which hones in on one part of the face or body, and the use of pioneering techniques to create interesting visual effects, like his frequent use of double exposures or his famous 1935 image of a satin Schiaparelli evening gown captured using solarisation.

HE STOPPED TAKING FASHION PHOTOGRAPHS IN THE 1940s, BUT HIS LEGACY CHANGED THE MEDIUM FOREVER

When the Second World War came to Paris in 1940, Man Ray relocated to Hollywood, where he eventually decided to abandon fashion photography for fear that his commercial reputation was eclipsing his artistic one. He remained proud of his fashion output however, scouring America for back issues of the magazines he shot for (in those days you would send your only copy of the image to the publication) and revelling in the fact that he often found his shots to have been torn out, which he "took to mean that he'd succeeded in producing work that went beyond the transitory quality that was typical of magazine work at the time," in the words of John Esten, special consultant for the 1990 exhibition Man Ray/Bazaar Years: A Fashion Retrospective. Of course, he had done more than merely subvert traditional fashion photography tropes: he had raised the status of fashion photography to that of an artform in its own right, paving the way for photographers such as Sarah Moon, Guy Bourdin (who revered the artist so much that he persistently knocked on his studio door until Man Ray finally gave in and began mentoring the young reactionary, for whom he embodied the concept of total artistic freedom) Paolo Roversi and many more.

Man Ray's images have frequently been subject to reinterpretation in fashion - from his famed early photograph of hands bearing Picasso-painted gloves (1935), which would go on to inspire Schiaparelli's iconic black leather gloves bearing fake red nails a year later; to the 1999 advert for Jean Paul Gaultier's signature Classique, which mirrors the pose of Kiki de Montparnasse holding an African mask, replacing the mask with the torso-shaped bottle; to the Calvin Klein AW06 campaign - shot by Mert and Marcus, and starring Natalia Vodianova - which was inspired by his theatrically-lit 1930s fashion portraits. When he first entered the fashion sphere, Man Ray resolved to do "something different, not like the stuff turned out by the usual photographers," and his enduring influence nearly 100 years later stands as a powerful testament to the uniqueness of his vision.
The Radical Eye: Modernist Photography From The Sir Elton John Collection runs until May 17, 2017 at Tate Modern.

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How Man Ray changed the face of fashion photography

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American artist Man Ray was a creative chameleon, whose long career was defined by a pioneering quest for experimentation and self-reinvention. He was a painter, a photographer, a sculptor, a printmaker, a filmmaker and a poet - although he always described himself as a painter above all else - and his idiosyncratic oeuvre spanned Cubism, Futurism, Dada and, perhaps most prominently, Surrealism.

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Model Jess Cole’s
(a wonder of white silk faille—sings with a sense of renewal. Fashion Editor: Tonne Goodman. Hair: Shiori Takahashi; Makeup: Celia Burton; Set Design by Alice Andrews; Produced by CLM.Photographed by Nadine Ijewere, Vogue, September 2020

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Source: https://www.vogue.com/article/i-love-new-york-fall-collections

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Calvin Klien's recent campaign aug sept 2020

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The Chanel Issue by @luigiandiango Aug 2020

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@luis vuitton :https://eu.louisvuitton.com/eng-e1/magazine/articles/men-spring-summer-2020-collection#chapter-1/details/page2

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This trend uses a mix of nostalgic elements and futuristic styles to create eye-catching designs.

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Photography combined with illustration are quite prevalent now. These elements add a quirky feel to it and enhance the meaning.

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Net-A-Porter’s latest campaign, High Summer 2020, is a glorious ode to a vibrant and free-spirited summer featuring 39 exclusive capsules.

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//The new genderless Fenty Drop From Rihanna//

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//The new genderless Fenty Drop From Rihanna//

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Torani's Shuddhi collection which came out in July 2020 was shot in the vicinity of the rivers like Ravi & Satluj.

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Virtual Photoshoots have been trending during the pandemic. Brands like Gucci, Vogue and celebrities like demi lovato, Bella Hadid have been contributing to the popularity of these trends.

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A trend initiated by Sabyasachi has influenced many brands to present there couture in a royal setting.

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Balenciaga released "no cameras please!" in the year 2018 and since then the paparazzi shots and shots with urban setting can be seen asa part of photoshoot for many brands.

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Gucci the ritual - 'The fall winter 2020'  Campaign

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LUIS VUITTON CRUISE 2021
Source: https://eu.louisvuitton.com/eng-e1/magazine/articles/cruise-2021#

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Neon Lighting have been in trend giving a cyberpunk feel to it. The main features of neon photographs are the use of ultraviolet light and neon signs. A variety of color, size, and shape neon signs make photos brighter and more attractive

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Puma India Aug 2020

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Grazia aug 2020 issue

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Torani's dopahar collection have been shot in soft focus which gives the whole collection a dreamy look.
Aug 2020
Source : Instagram

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Use of solid colours and colour blocking is all over the gram. The cover pictures of vogue and various other fashion magazine have used this technique. This emphasizes on mixing bright, bold colors to create dramatic compositions.

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This trend can be very prominently seen by the brands. These pictures subconsciously draw our attention towards the sustainable aspect of the brand.

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Dopahar Collection by Torani. Aug 2020

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Heritage bridal lehengas paired with handcrafted fine jewellery from the Sabyasachi heritage jewellery collection @sabyasachijewelry 𝗣𝗹𝗲𝗮𝘀𝗲 𝗻𝗼𝘁𝗲: 𝗔𝗹𝗹 𝗰𝗼𝗽𝘆𝗿𝗶𝗴𝗵𝘁 𝗮𝗻𝗱 𝗼𝘁𝗵𝗲𝗿 𝗜𝗻𝘁𝗲𝗹𝗹𝗲𝗰𝘁𝘂𝗮𝗹 𝗣𝗿𝗼𝗽𝗲𝗿𝘁𝘆 𝗿𝗶𝗴𝗵𝘁𝘀 𝗶𝗻 𝘁𝗵𝗲 𝗶𝗺𝗮𝗴𝗲 𝗮𝗻𝗱 𝗶𝘁𝘀 𝗰𝗼𝗻𝘁𝗲𝗻𝘁𝘀 𝗶𝗻𝗰𝗹𝘂𝗱𝗶𝗻𝗴 𝘄𝗶𝘁𝗵𝗼𝘂𝘁 𝗹𝗶𝗺𝗶𝘁𝗮𝘁𝗶𝗼𝗻 𝗮𝗹𝗹 𝗧𝗿𝗮𝗱𝗲𝗺𝗮𝗿𝗸𝘀, 𝗹𝗼𝗴𝗼𝘀, 𝗴𝗿𝗮𝗽𝗵𝗶𝗰𝘀 𝗮𝗻𝗱 𝗶𝘁𝘀 𝗹𝗼𝗼𝗸 𝗮𝗿𝗲 𝗼𝘄𝗻𝗲𝗱 𝗯𝘆 𝗦𝗮𝗯𝘆𝗮𝘀𝗮𝗰𝗵𝗶 𝗖𝗼𝘂𝘁𝘂𝗿𝗲. 𝗔𝗻𝘆 𝘂𝗻𝗮𝘂𝘁𝗵𝗼𝗿𝗶𝘀𝗲𝗱 𝘂𝘀𝗮𝗴𝗲 𝗮𝗺𝗼𝘂𝗻𝘁𝘀 𝘁𝗼 𝘃𝗶𝗼𝗹𝗮𝘁𝗶𝗼𝗻 𝗼𝗳 𝗼𝘂𝗿 𝗜𝗣 𝗿𝗶𝗴𝗵𝘁𝘀 𝗮𝗻𝗱 𝘄𝗶𝗹𝗹 𝗮𝘁𝘁𝗿𝗮𝗰𝘁 𝗮𝗽𝗽𝗿𝗼𝗽𝗿𝗶𝗮𝘁𝗲 𝗹𝗲𝗴𝗮𝗹 𝗮𝗰𝘁𝗶𝗼𝗻𝘀. For all product related queries, please email us at customerservice@sabyasachi.com or contact our retail stores directly Email: mumbairetail@sabyasachi.com Ph: +91 90827 45249, +91 8369 351156, +91 98206 60079 Email: hyderabadretail@sabyasachi.com Ph: +91 91829 53602, +91 88864 30132, +91 6281673037 Email: delhiretail@sabyasachi.com Ph: +91 98103 11155, +91 98712 02088, +91 9821 776015 Email: kolkataretail@sabyasachi.com Ph: +91 90739 08306, +91 83369 92737 For all jewellery related queries, please email at sabyasachijewelry@sabyasachi.com or contact our retail stores directly. Email: flagshipjewelry@sabyasachi.com Ph: +91 90827 45220 +91 98193 11987 Email: hyderabadretail@sabyasachi.com Ph: +91 93901 35109 Email: delhiretail@sabyasachi.com Ph: +91 76040 67463 Email: calcuttajewellery@sabyasachi.com Ph: +91 98303 92673 Photo Courtesy: Tarun Khiwal @tarun_khiwal Makeup and hair by @deepa.verma.makeup Models: @vishakha_b,@archanaakilkumar, @eugeniya.belousova, @anjalisivaraman, @priyadarshini.96, @__kripali Production: @bhavnaguptapatel for @oaktreepictures Location courtesy: City Palace, Karauli @karaulipalace #Sabyasachi #SabyasachiJewellery #BridesOfSabyasachi #TheWorldOfSabyasachi @bridesofsabyasachi

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Giambattista the ballet ballroom. In its haute couture winter collection, Giambattista tends oversized tule gowns, accent bows, and both solid and minimalistic color

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This visual imagery that challengers our ordinary perception of reality can be seen quite often.

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Source: Behance

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🌻🌎Grow With The Flow 🌏🌻 @buffalozine Earth Issue SS20 with @carolynmurphy @vittoriacerciello @emilieastrom @yumilee_mua @marki @theministryofacquisitions @catskill_animal_sanctuary @clmagency thank you @adriangonzalezcohen @taticotliar @daviduzquiza

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@jacquemus 2020 @ Home / by my angel friends Simón& @blackpierreange ... Best few hours... 💛 Reconnecting.... 💛

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@versace
Photographer Harley Weir captured Versace’s Dylan Turquoise Pour Femme 2020 campaign

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Scentsory attraction 🌴 the new #VersaceDylanTurquoise campaign celebrates a Versace summer with @haileybieber. See more from the campaign through the link in bio. #VersaceFragrances Chief Creative Officer: Donatella Versace @donatella_versace Film Director: Gordon von Steiner @gvsgvs Art Direction: Kevin Tekinel @kevintekinel and Charles Levai @charleslevai Stylist: Jacob K @kjeldgaard1 Hair Stylist: Syd Hayes @sydhayeshair Make-Up Artist: Isamaya Ffrench @isamayaffrench Casting Director: Piergiorgo Del Moro @pg_dmcasting Production: Farago Projects @faragoprojects Music: Camp Claude @campclaude

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Aug 2020

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Precise outerwear - #VersacePreFall20 coats are tailored to perfection. Explore the new collection through the link in bio.

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For my @edward_enninful and @britishvogue . My first time shooting with the legendary @nick_knight navigating alone over ZOOM , a few months ago during quarantine on the farm. Wearing @maisonvalentino and @chanelofficial . I love to climb trees , the higher the better

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Times are changing and working from home has a new meaning .... New work for @vogueitalia shot and styled through FaceTime by my Quaranqueens @briannalcapozzi @haleywollens PRODUCTION/lighting by @Laurenperez 🖤Much love . feeling lucky to work

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campaign named "Dopahar"

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Torani's Shuddhi collection which came out in July 2020 was shot in the vicinity of the rivers like Ravi & Satluj.

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𝐓𝐨𝐫𝐚𝐧𝐢 𝐑𝐞𝐰𝐢𝐧𝐝 ~ 𝐖𝐡𝐞𝐫𝐞 𝐢𝐭 𝐚𝐥𝐥 𝐛𝐞𝐠𝐚𝐧 - Our first range A I R A V A T A July 2018 - When I started my label in 2018, it simply emerged from the earnest need to say something. Sharing a personal story through the clothes I make. It was an honest urge to find my voice... Today when I look back, it still feels like my most special range. Untainted by the commercial advice of buyers and calculative business risks. Each time I feel that the noisy distractions around me are getting louder, I go back to this shoot, these clothes and the simplicity behind its inspiration - reminding myself of why I started this label in the first place. #ToraniRewind #ToraniIndia #Airavata

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Aug 2020

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𝐓𝐨𝐫𝐚𝐧𝐢 𝐑𝐞𝐰𝐢𝐧𝐝 ~ Where dreams began - Summer of 2019 G U L A B I M E L A - I'm often asked about the "marketing strategy" of our label. And the truth is - there is none. While businesses need to run on plans and excel sheets, Dreams just need to float on faith and conviction. You don't always have to make sense and find logic in your investment, because some days you're doing it just for your soul. - At a fairly introductory stage of our label, I wanted to produce this mamoth of a shoot, which would have incredibly exhausting logistics. We had everything from a ferris wheel, camels , cotton candies, to 25000 glass bangles at the ghats of Yamuna in Delhi. Did it all make sense? No. But dreams rarely do. 𝗣𝗹𝗲𝗮𝘀𝗲 𝗻𝗼𝘁𝗲: 𝗔𝗹𝗹 𝗰𝗼𝗽𝘆𝗿𝗶𝗴𝗵𝘁 𝗮𝗻𝗱 𝗼𝘁𝗵𝗲𝗿 𝗜𝗻𝘁𝗲𝗹𝗹𝗲𝗰𝘁𝘂𝗮𝗹 𝗣𝗿𝗼𝗽𝗲𝗿𝘁𝘆 𝗿𝗶𝗴𝗵𝘁𝘀 𝗶𝗻 𝘁𝗵𝗲 𝐕𝐢𝐝𝐞𝐨 𝗮𝗻𝗱 𝗶𝘁𝘀 𝗰𝗼𝗻𝘁𝗲𝗻𝘁𝘀 𝗶𝗻𝗰𝗹𝘂𝗱𝗶𝗻𝗴 𝘄𝗶𝘁𝗵𝗼𝘂𝘁 𝗹𝗶𝗺𝗶𝘁𝗮𝘁𝗶𝗼𝗻 𝗮𝗹𝗹 𝗧𝗿𝗮𝗱𝗲𝗺𝗮𝗿𝗸𝘀, 𝗹𝗼𝗴𝗼𝘀, 𝐦𝐮𝐬𝐢𝐜 𝗮𝗻𝗱 𝗶𝘁𝘀 𝗹𝗼𝗼𝗸 𝗮𝗿𝗲 𝗼𝘄𝗻𝗲𝗱 𝗯𝘆 𝐓𝐨𝐫𝐚𝐧𝐢 𝐈𝐧𝐝𝐢𝐚. 𝗔𝗻𝘆 𝘂𝗻𝗮𝘂𝘁𝗵𝗼𝗿𝗶𝘀𝗲𝗱 𝘂𝘀𝗮𝗴𝗲 𝗮𝗺𝗼𝘂𝗻𝘁𝘀 𝘁𝗼 𝘃𝗶𝗼𝗹𝗮𝘁𝗶𝗼𝗻 𝗼𝗳 𝗼𝘂𝗿 𝗜𝗣 𝗿𝗶𝗴𝗵𝘁𝘀 𝗮𝗻𝗱 𝘄𝗶𝗹𝗹 𝗮𝘁𝘁𝗿𝗮𝗰𝘁 𝗮𝗽𝗽𝗿𝗼𝗽𝗿𝗶𝗮𝘁𝗲 𝗹𝗲𝗴𝗮𝗹 𝗮𝗰𝘁𝗶𝗼𝗻𝘀. #ToraniIndia #Dreams #ARomanticSummer

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Allure Feb 2020

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The #PradaPreFall20 campaign paints a modern wardrobe using the vintage technique of film colorization.
August 2020

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FEMALE cover phto. September 2020 issue

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@ Anita Dongre's latest collection have been photographed in the desert. 15th Sept 2020.

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Prada Editorial for Vogue China.
15 Sept 2020

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Prada Editorial for Vogue China.
14 Sept 2020

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Chanel's Advertising campaign for LE ROUGE DUO ULTRA TENUE 176 Burning Red.
10 Sept' 2020

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Aug 2020

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Chanel Aug 2020

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@burberry's recent ad campaign had stills of models suited up in the nature including deserts and jungles. 9th Sept 2020

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March 2020 issue

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September 2020 issue

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@selena Gomez

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@kim kardashian

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@ Burberry
9th Sept 2020

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https://www.behance.net/gallery/89763013/LOfficiel-Hommes-MX-x-Tommy-Jeans-Eyewear-AW-2019

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Many Celebrities uploaded Grainy Pictures in their insta handles wich the masses also tried to follow. These trend could also be seen in later Vogue cover.

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June 2020

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As people look at photos on smaller and smaller screens, there has been a growing trend towards taking photos that are more and more minimalist. Especially on platforms like Instagram, minimalism is exploding; it's everywhere, and it has been for a while now.

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Paul Jung is a New York-based photographer, originally from Taiwan. With a background in architecture, graphic design and art direction, he now mainly focuses on fashion photography. His own strong visual language with a sense for detail and abstractness runs like a common thread through his body of work with publications in the New York Times, GQ, Vogue and many more.

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This trend in fashion photography that never goes out of style. You can capture flawless monochrome photos in any location. It is a very good way of capturing highlights and contrasts in a photograph.

# data[].attributes.body
@Reebok