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(1959). Play by Lorraine Hansberry (1930-1965). United States

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A stylized digital painting of four African American individuals standing confidently against a large, glowing sun. The group, dressed in mid-20th-century attire, exudes strength and resilience. The warm, orange hues and silhouetted house evoke themes of heritage and aspiration.

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(8th century Tang Dynasty). Poem by Li Bo (aka Li Bai or Li Po) (701 – 762). China.

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A traditional Chinese ink painting depicting a standing figure in flowing robes, gazing upwards with a serene expression. The brushwork is minimalistic, using soft strokes to create an ethereal and contemplative atmosphere. The figure's hair is tied in a topknot, and the painting has a textured, aged paper background.

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Evening Attire (1922). Photograph from the Harlem Renaissance by James Van Der Zee (1886-1983). United States

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A sepia-toned vintage photograph titled Evening Attire features a poised African American woman elegantly dressed in a beaded gown, a fur stole, and a wide-brimmed hat. She sits gracefully, holding a bouquet of flowers, with a small ornate table beside her, draped in fabric and holding a porcelain doll. The setting exudes early 20th-century sophistication and refinement.

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(c. 1369 early Ming dynasty). Ink painting by Lu Guang (c. 1300-after 1371). China

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A traditional Chinese ink painting depicting a mountainous landscape with towering peaks, trees, and a temple nestled among the cliffs. Delicate brushwork and calligraphy adorn the upper section, along with red seal stamps. The scene conveys a sense of tranquility and harmony with nature.

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(1926). Poem by Langston Hughes (1902 – 1967). United States

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A stylized portrait of Langston Hughes, the African American poet, depicted sitting at a table with an open book in front of him. He rests his head on his hand, gazing into the distance with a thoughtful expression. The background consists of abstract, geometric blue and white designs, adding a dynamic, artistic feel to the composition. The artwork is signed by the artist, Winold Reiss.    

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(1956). The Palace Walk is part of The Cairo Trilogy, novels by Naquib Mafouz (1911 – 2006). Egypt

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A stylized digital painting of Naguib Mahfouz, the Egyptian Nobel Prize-winning author, wearing a yellow jacket and dark sunglasses. He stands in a library filled with books, with Arabic calligraphy in the background. His hands are clasped in front of him, and the warm color palette gives the image a classic, nostalgic feel.  

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(2001). Play by Suzan-Lori Parks (b. 1963). United States

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A scene from the play Topdog/Underdog featuring two African American men in a dimly lit, intimate setting. One man, wearing suspenders and a tank top, plays an acoustic guitar with deep emotion, while the other, dressed casually in a t-shirt and cap, sits with a contemplative expression. The background includes a worn shelf with everyday items, enhancing the atmosphere of struggle and introspection. 

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DANCE This: “Concheros“ (Bailadores de Bronce)

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DANCE This: “Concheros“ (Bailadores de Bronce)

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DANCE This: “Concheros“ (Bailadores de Bronce) (2018). Performed by Bailadores de Bronce. Choreographed by Christina Olivas.  United States

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A group of dancers wearing elaborate, traditional Aztec-inspired costumes perform on stage against a warm orange backdrop. The central performer, adorned with a tall feathered headdress and ceremonial jewelry, stands barefoot behind a decorated drum. Two performers on either side hold bowls, while others in the background wear large feathered headdresses and ornate attire, adding dramatic visual impact to the cultural dance performance.

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Y No Hai Remedio (And There’s Nothing to Be Done)

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Y No Hai Remedio (And There’s Nothing to Be Done)

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Y No Hai Remedio (And There’s Nothing to Be Done) (1810). Etching by Francisco de Goya (1746–1828). Spain

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A black-and-white etching titled Y No Hai Remedio by Francisco Goya, depicting a blindfolded man bound to a wooden post, moments before execution. Fallen bodies surround him as soldiers aim rifles in the background. The dark, dramatic scene conveys the brutality of war and human suffering. 

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Ngwane I, Oslo (2018). Photograph by Zanele Muholi (b. 1972). South Africa

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A striking black-and-white portrait titled Ngwane I, Oslo features a woman with dark skin wearing an elaborate feathered headdress and beaded jewelry. Her intense gaze and intricate adornments, including a circular feathered collar with eye-like patterns, create a powerful and regal presence. The high-contrast lighting emphasizes texture and depth against a dark background.

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Shiva as Lord of Dance (Nataraja) (c. 11th century). Sculpture from the Chola period (880-1279). Tamil Nadu, India

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A bronze sculpture of Shiva as Lord of Dance (Nataraja), depicting the Hindu deity in a dynamic dancing pose within a circular halo of flames. Shiva has multiple arms, each holding symbolic objects or gestures, and stands on a small figure representing ignorance. The detailed craftsmanship and fluid motion symbolize cosmic creation, destruction, and divine balance.

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Aztec Sun Stone (Piedra del Sol) (c. Early  16th Century) Zócalo, Mexico.

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The Aztec Sun Stone, a large circular stone carving made of basalt, features intricate geometric patterns and glyphs representing Aztec cosmology and the calendar system. At its center is the face of Tonatiuh, the sun god, surrounded by symbols depicting the 20-day signs, cardinal directions, and the mythological eras of creation and destruction. The outer ring includes detailed carvings of deities and sacred imagery, showcasing the artistic and astronomical knowledge of the Aztec civilization. 

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Brihadeeswarar temple, Thanjavur  (Completed 1010 CE). Tamil Nadu, India

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A photograph of the Brihadeeswarar Temple in Thanjavur, India, showcasing its towering sandstone vimana (temple tower) against a clear blue sky. The Chola-era temple is adorned with intricate carvings, ornate sculptures, and tiered structures, reflecting the grandeur of Dravidian architecture.

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The Great Mosque of Kairouan (c. 670 CE) Kairouan, Tunisia, North Africa

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A photograph of the Great Mosque of Kairouan in Tunisia, showcasing its large ribbed dome atop a square base with arched windows and intricate geometric carvings. The dome is topped with a finial featuring stacked green spheres and a crescent. The warm-toned stone structure contrasts against a clear blue sky, reflecting Islamic architectural heritage.

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Balinese shadow puppet theater with a twist  (2017) Performance led by puppet master Made Sidia. Bali, Indonesia.  

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Balinese shadow puppet theater with a twist  (2017) Performance led by puppet master Made Sidia. Bali, Indonesia.  

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(2017) Performance led by puppet master Made Sidia. Bali, Indonesia.

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A traditional Balinese shadow puppet (Wayang Kulit) intricately designed with ornate patterns is silhouetted against a warm, golden light. The puppet, controlled by rods, showcases detailed craftsmanship with delicate cutouts, highlighting the cultural artistry of Indonesian shadow theater. 