# data[].attributes.body
Pipilotti Rist is an artist who got her name from two separate nicknames as a child but was named Elizabeth Rist at birth (Bloomberg Television). The first part of her name, Pipi, is from Pippi Longstocking and was a nickname she received in school (Bloomberg Television). The second half of her name, Lotti, is taken from a nickname given to her by her family (Bloomberg Television). She is an artist that works in colorful video art looking at the color of the natural world and bringing it to the digital world.

Rist is a pioneer in spatial video art that has, in her own words, concentrated on the positive side of things (Bloomberg Television). She uses her video art to break through the boundaries of the physical and psychological (Bloomberg Television). Her centrality in the international art scene has been prevalent since the mid 80's, which much of her art reflects (Pipilotti rist: Artist: Royal Academy of Arts). She uses many vibrant colors and tones in these works to convey this sense of connection between the physical and psychological (Bloomberg Television).

With an excited and eccentric personality, Pipilotti Rist is an artist who chooses to create works of art that are layered and push the boundaries of what is commonly thought of in relation to video art (Louisiana Channel Pipilotti Rist Interview: Color is Dangerous). She often chooses to approach different settings, people, colors, and topics in ways that give the viewer a new and more positive perspective (Louisiana Channel Pipilotti Rist Interview: Color is Dangerous). She keeps a variety of objects, clothes, and found items in her studio, that she uses to create different stories and messages within her art (Louisiana Channel Inside Pipilotti Rist's Studio). In an interview of her showing her art studio Rist also talked about the different places she got some of the items or the associations she had with them, displaying her broadly creative mind (Louisiana Channel Inside Pipilotti Rist's Studio). Things that might be considered trash by one person she sees the color and life within, the potential for a new story (Louisiana Channel Inside Pipilotti Rist's Studio).

Rist has a knack for expressing her artistic liberty, even when others might not agree with the choices she makes. This is something that traces all the way back to when she was in college and she had a professor who told her that she needed to use less color (Bloomberg Television). She has commented that this interaction only made her want to use even more color because she believes colors are attached to emotion and that traditional videos are not actually using all the colors we see in nature. Rist has talked about how she believes that the more depressed or sad we are the less colors we see and the happier we are the more colors we see (Bloomberg Television). She has commented about how she has noticed this in her life and how this is an important factor in creating her art because vulnerability with her art is her inspiration and she sees it as a strength of hers (Pipilotti rist: Artist: Royal Academy of Arts).

In her art she often chooses to approach the topics of the body, women, nature and ecology while using different lights, colors, sounds, and movements (MoMAK Pipilotti Rist: Your Eye Is My Island). She creates these experiences that allow the viewer to become a part of a world that connects two things we see as so far disconnected from each other, the digital and the physical. By allowing others to experience the world through these colorful video installations and art works she is challenging the viewer to look at the world with a bit more excitement and joy. Rist wants the viewer to look at things from a new and different perspective that lets them reflect on the way they feel and the way they experience the world around them. She takes pop-culture and pushes the boundaries of what we know through her video art expressions. Her goal is to further a person's natural curiosity through their instincts, and they have to look at and attempt to understand different possibilities. In doing this she is able to break down barriers of the cliche and personal prejudices that society tends to follow. This allows her to connect the idea of how we see the world through different colors and lights to how we feel about ourselves and those around us. Her passion is to create conversation and community through her visual art.

# data[].attributes.body
Bloomberg Television. Pipilotti Rist, Pioneer of Video Art | Brilliant Ideas Ep. 55, 2018. https://www.youtube.com/watch?v=nCusgvPo5vM.

“Pipilotti Rist: Pixel Forest.” New Museum Digital Archive, Accessed March 3, 2025. https://archive.newmuseum.org/exhibitions/2093.

Louisiana Channel, and Pipilotti Rist. Inside Pipilotti Rist’s Studio | Louisiana Channel. Other, 2020. www.youtube.com/watch?v=FJUHOArAdY0.

“Pipilotti Rist: Artist: Royal Academy of Arts.” Pipilotti Rist | Artist | Royal Academy of Arts. Accessed March 3, 2025. https://www.royalacademy.org.uk/art-artists/name/pipilotti-rist-hon-ra.

“Pipilotti Rist: Big Heartedness, Be My Neighbor.” Home • MOCA. Accessed April 7, 2025. https://www.moca.org/exhibition/pipilotti-rist.

“Pipilotti Rist. Himalaya Goldsteins Stube - Exhibition at Pinakothek Der Moderne in Munich.” Art Rabbit, 2016. https://www.artrabbit.com/events/pipilotti-rist-himalaya-goldsteins-stube.

Pipilotti Rist Interview: Color is Dangerous. Other, 2016. https://www.youtube.com/watch?v=NdLuwX2uRTM.

“Pipilotti Rist.” Louisiana Museum of Modern Art, August 11, 2021. https://louisiana.dk/en/exhibition/pipilotti-rist/.

“Pipilotti Rist, Streichelnder Nachtmahl Kreis 25 Knickerbocker Ave (Caressing Dinner Circle 25 Knickerbocker Ave).” Luhring Augustine. Accessed April 6, 2025. https://www.luhringaugustine.com/artists/pipilotti-rist#tab:thumbnails.

“Pipilotti Rist, Herbstzeitlose (Saffron Flower or Fall Time Less).” Luhring Augustine,  www.luhringaugustine.com/exhibitions/pipilotti-rist2.

“Pipilotti Rist - Prickling Goosebumps & A Humming Horizon.” Hauser & Wirth. Accessed April 7, 2025. https://www.hauserwirth.com/hauser-wirth-exhibitions/pipilotti-rist-1/.

“Pipilotti Rist: Your Eye Is My Island.” The National Museum of Modern Art, Kyoto, www.momak.go.jp/English/exhibitionArchive/2021/441.html.

Rist, Pipilotti, Massimiliano Gioni, and Margot Norton. Pipilotti Rist: Pixel Forest. London: Phaidon Press, in association with New Museum, 2016.

Söll, Änne. Pipilotti Rist. Cologne, Germany: DuMont, 2005.

# data[].attributes.attachment_caption
Louisiana Museum of Modern Art, Pipilotti Rist, Åbn min Lysning. Open my Glade, cur. Tine Colstrup, Humlebæk, Denmark (Louisiana Pipilotti rist)

# data[].attributes.body
This piece was made to share space with others, a place where they could "visit each other's brains and bodies" (Louisiana Pipilotti rist). It portrays images that are meant to immerse the viewer in a world that feels like a sensuous dreamscape with intense colors (Louisiana Pipilotti rist). This is a room where the viewer is meant to sit and experience the artwork with those around them as they sit on cushions that are on the floor and watch the screens that cover the walls (Louisiana Pipilotti rist). The viewer is meant to share the space with those around them as they experience this art piece because it allows communications a commonality between everyone. These vibrant colors in the open space are meant to allow for the viewer to connect their inner selves with those around them as they all work to understand the connection between the natural and digital worlds. This experience and how the viewer interacts with it is just as important as the video they are watching, which is truly what allows for the natural and digital to come together.

# data[].attributes.attachment_caption
Pinakothek der Moderne, Reset. Pipilotti Rist – Himalaya Goldsteins Stube, Munich, Germany. May 21, 2016 to Oct. 31st, 2016 (ArtRabbit)

# data[].attributes.body
This artwork, Himalaya Goldsteins Stube, by Pipilotti Rist uses different video images that are projected from the different furniture in the room (ArtRabbit). These projections are used in the art piece to penetrate between the layers of reality (ArtRabbit). Rist is able to give the viewer a sense of melding public and private spaces of everyday life through this piece. She is also giving the viewer more to think about through the use of color as they try to get an understanding of the space. As we are thrust into this juxtaposition of the interior and exterior world, we must take a moment to truly understand the way we perceive these spaces and how they connect. Here the viewer must look at their own view of the world and how that makes them feel before that can fully grasp the meld of these two spaces. As Rist believes, the way we perceive the colors in the world is dependent on how we are feeling within (Bloomberg Television). So, when we meld this idea of our private self with what we show the public, as this piece shows with physical spaces, we can reflect on the things we choose to keep private and why (ArtRabbit).

# data[].attributes.attachment_caption
National Museum of Contemporary Art, Pipilotti Rist: Your Eye Is My Island, cur. Chinatsu Makiguchi, Kyoto, Japan (Travelling Exhibition), April 6, 2021 to June 20, 2021 (MoMAK Pipilotti Rist: Your Eye Is My Island)

# data[].attributes.body
Some of the big things Rist often chooses to approach within her art are themes related to the body, women, nature and ecology (MoMAK Pipilotti Rist: Your Eye Is My Island). She wants the viewer to think about each of these things within this art piece, so she invites the viewer to experience these ideas through different ways. This video installation uses calm sensory stimulating music and vivid clips of images that depict vivid color (MoMAK Pipilotti Rist: Your Eye Is My Island). This creates a whole new and fantastic realm that invites the viewer to experience the art piece on multiple levels. This connection of senses, visual and auditory, creates a deeper experience for the viewer to interact with the art piece as they experience (MoMAK Pipilotti Rist: Your Eye Is My Island). Your Eye Is My Island allows for the viewer to become a part of the art piece and Rist's goal of melding the digital with the natural because it creates an experience that is triggered by the digital but is felt in the natural world.

# data[].attributes.attachment_caption
Pipilotti Rist, Streichelnder Nachtmahl Kreis 25 Knickerbocker Ave (Caressing Dinner Circle 25 Knickerbocker Ave), 2020 Video Installation for a 60″ round table, silent (Luhring Augustine Pipilotti rist)

# data[].attributes.body
This piece, Caressing Dinner Circle 25 Knickerbocker Ave, is a piece that displays the connection of the physical and the digital through color. These projections of light onto this dinner table in a kaleidoscope style give connection of light from the digital to a space within the physical (Luhring Augustine Pipilotti rist). Rist's exploration of the everyday that is still unfamiliar to the viewer as we typically choose to move through life taking the small things for granted. She is forcing the viewer to experience a space and time that they do almost every day in a different way than they normally would, pushing the boundaries of what the viewer thinks and feels in relation to these moments. As she creates these works with light and color Rist is connecting our senses and emotions with the digital world, further connecting the digital spaces with the physical one. With this display and many others, she does this move from different worlds to show how Rist sees the world and how she wants others to see the world.

# data[].attributes.attachment_caption
The Geffen Contemporary at MOCA, MOCA Museum of Contemporary Art, Pipilotti Rist, Big Heartedness, Be My Neighbor, cur. Anna Katz, Los Angeles CA (Museum of Contemporary Art)

# data[].attributes.body
This piece is one that is meant to explore the relationship of video and body (Museum of Contemporary Art). It brings the psychological together with the exterior environment in a connection of reason and instinct (Museum of Contemporary Art). This installation uses close-up imagery and vivid color to create this experience for the viewer as they connect their understanding of the psychological and the physical (Museum of Contemporary Art). In choosing to do this and use the title as a way to connect the viewer to the setting around them and other people within that setting, we can see just how Pipilotti Rist wants the viewers to interact. By having "Be My Neighbor" as part of the title she is not only showing how she wants to connect the viewer to a normal everyday setting but also shows us that this connection is about understanding others as much as ourselves. This work aims to have the viewer connect their psychological with the physical through by pushing on the things that they view as normal. In doing this she forces the viewers to focus onto topics that are often neglected in thought and is able to connect the viewer physically and psychologically to the space they are in and the digital world.

# data[].attributes.attachment_caption
Pipilotti Rist Herbstzeitlose (Saffron Flower or Fall Time Less) September 11 - October 23, 2004 (Luhring Augustine Herbstezeitlose)

# data[].attributes.body
It is a piece that is on nature and the colors in nature, gives a great example of what nature looks like through the colorful lens that Pipilotti puts on the world. It is a human scale installation that is meant to weave together the inside with the outside (Luhring Augustine Herbstezeitlose). These installations portray footage of near her childhood home St. Gallen, Switzerland on the countryside, bringing the natural to the digital (Luhring Augustine Herbstezeitlose). This creates a dialogue surrounding how one should interact with and understand the relationship between the natural and digital as they watch the video installation. As Rist uses colors and videos of nature to create this link between the two, she is also inviting the viewer to assess the physical and psychological relationships between the digital and natural worlds. It gives the viewer a new perspective to look at the world from and allows them to do a sort of self-reflection as many of her artworks have done in the past. This is the defining aspect of why she chooses to create artworks that are related to these topics, to give the viewer a reason to interact with their understanding of the world in a new way.

# data[].attributes.attachment_caption
Pipilotti Rist, Pixel Forest (New Museum Pipilotti Rist: Pixel Forest)

# data[].attributes.body
TThe work of Pixel Forest by Pipilotti Rist is a comprehensive exhibition of works from throughout her career with one new piece added just for this exhibition (Rist et al.). This artwork is meant to catalog the different works of art from throughout her career while also expressing her feelings through different explorations of the world and color (New Museum Pipilotti Rist: Pixel Forest). This piece was exhibited from October 26th, 2016, to January 15th, 2017, and expanded through 3 floors of the museum (New Museum Pipilotti Rist: Pixel Forest). This expansive collection of her works used different colors, textures and forms of art to explore the evolution of color and emotion through both the physical and psychological. As an accumulation of her different artworks, this art piece is one of the most connecting and communicative to the idea of being small in the grand scheme of things (Rist et al.). This shows how connected the physical and digital really are as it communicates the feeling of being finite, giving the sense of being connected to everything and reminding the viewer to look at the little joys in life.

# data[].attributes.body
In the interviews of her talking about her creative process and the art she makes one of the topics she often discusses is color in relation to emotion. She loves to bring things into her art from everywhere and draw on the connections of the physical and the digital through her representations in her art. She sees the need for color and how each individual sees the world, choosing to look on the more positive side of things within her art.

# data[].attributes.body
Color adds different aspects to an art piece, giving deeper definition and understanding of the message the art piece conveys. Pipilotti Rist uses color to convey her message in major ways, making it one of, if not the most important, aspects of her art. When she was in school, she was told that she used too much color and needed to tone it down, which made her only want to use the color more (Bloomberg Television). This is because she believes that colors and the way we perceive them are associated with our emotions (Bloomberg Television). By playing with color and how we interact with it in her art she allows the viewer a chance to explore their understanding of the connections they have both with the digital and physical and the connections they have with other people.

# data[].attributes.body
The connections between our natural lives and the digital world is something many people often to not choose to think about. Often, we even see them as opposites or in competition with one another; however, Rist uses her art to show the importance of their connection to one another. She uses her artwork to encourage the viewer to look for more color in the natural world as she connects the two worlds together.

# data[].attributes.body
As we experience the world colors have an impact on the way we interpret things in our daily lives. For example, often people associate different colors with different emotions or actions, like red for romance or anger and blue for calm or sadness. Rist uses the way we see color and enhances it for the viewer to experience the world more vibrantly. She does this to aid in her focus on connection with the viewer as she creates her works to connect the physical with the psychological and the natural with the digital.

# data[].attributes.headline
Pipilotti's expression of the importance of color in relation to the individual experience

# data[].attributes.subject
Pipilotti's expression of the importance of color in relation to the individual experience

# data[].attributes.body
Overall, these artworks and the way they convey their message show exactly how color and the use of it are important to the interpretation of an art piece. This also shows us that colors relation to emotion determine the ways in which it is understood. Rist gives us a portal into a world that we often take for granted and miss while we look at the bigger picture of the world around us. She makes use of stopping and thinking about the smaller moments and the feelings we associate with the digital and physical worlds. By using color as she does in the ways that she has within her art, Rist is proving just how important color is and its association with how we are able to connect the physical and digital worlds.

# data[].attributes.attachment_caption
PIPILOTTI RIST PRICKLING GOOSEBUMPS & A HUMMING HORIZON 9 November 2023 – 6 April 2024 NEW YORK, 22ND STREET (Hauser & Wirth)

# data[].attributes.body
This piece is one that transforms the entire street level floor of this building into a living room painted with vibrant reds and greens (Hauser & Wirth). Each object or work within this piece has video installations embedded within them (Hauser & Wirth). These objects are found domestic items or furniture that add to the message of the art piece. This is an artwork that allows for and encourages the participation of the audience as well. Rist has a section of this piece that is different lights and colors projected over a common seating area meant for the viewers, making their experience and participation a part of the understanding of the artwork (Hauser & Wirth). The experience with the public in contrast to the understanding of what is typically private, such as a living room, helps the audience connect with one another while they connect with the artwork. As this understanding of how important interacting with the different aspects of this piece is important to the message, the viewer must also observe the colors that are used to create this piece. Rist uses these colors to create a sense of connection, but she also uses them to help the viewer see the world through a more colorful lens. This allows the viewer to connect their senses and explore their emotions as they look for the colors in the everyday they tend to miss.

For a walk-through visit:

https://www.hauserwirth.com/hauser-wirth-exhibitions/pipilotti-rist-1/

# data[].attributes.body
1) Born in 1962 in Switzerland (Pipilotti rist: Artist: Royal Academy of Arts).

2) Her name is from two different nicknames she had as a kid. The first part of her name, Pipi, is from Pippi Longstocking and was a nickname she received in school. The second half of her name, Lotti, is taken from a nickname given to her by her family (Bloomberg Television).

3) Her studio is both where she stores hundreds of objects that she uses in her art and where she creates some of her video art with those objects (Louisiana Channel Inside Pipilotti Rist's Studio).

4) She was told in college to use less color in her video art, which she says only made her want to use more color (Bloomberg Television).

5) Is a pioneer in spatial video art and has been internationally prevalent since the mid 80's ((Pipilotti rist: Artist: Royal Academy of Arts).

# data[].attributes.body
The exhibition is meant to express and explore the importance of colors, emotions and the ways in which we interact with and understand the world. This is done through different works by Pipilotti Rist that make you look at how color is used within them, reflect on how you feel about the representation of these spaces, and some that invite you to interact with them. Rist's use of both digital and physical pieces bring the viewer a connection between the two, thus giving the viewer a connection between the physical and psychological. She brings awareness to the ways we understand the everyday through forcing our eye to the pieces of the world that we often miss or neglect. In doing this she shows us how important our personal experience and interpretations of the world are while guiding us to connect our physical being to the psychological aspects of her art.