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I took this photo of St Ives on a camera phone.

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I made this magazine cover using Photopea and one photograph I had taken of Lewis Hamilton at the 2022 British Grand Prix. I cropped and enhanced the photo. Added it to Photopea and then added layers of information to make a cover, while following Health and Safety guidelines.

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Controls, Tools and Techniques for Image Manipulation.

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Controls, Tools and Techniques for Image Manipulation.

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What Are Image Manipulation Techniques?

Numerous designers employ photo editing methods to produce unique works of art. It is quite popular among most graphic artists that use Photoshop.

You can learn graphic design and Photoshop at Blue Sky Graphics. The wonderful thing is that once you grasp the fundamentals of picture modification, you can create whatever you can imagine.

Photoshop's picture editing capabilities enable the most bizarre visuals to be communicated.

Let us look at the critical factors for successful picture alteration and then explore connections to expert photo manipulation artists. The following instances are not in any sequence of significance.

1. Image Rendering

We are all aware that photo manipulations combine many pictures (either stock photographs or ones you have taken yourself) on a Photoshop canvas.

Now suppose we require a tree and must chop it down and transport it to the location where we will manipulate it. If that is the case, we will need to remove it, but removing a tree is not easy; there are leaves, branches, and shadows to contend with.

While most individuals who are familiar with Photoshop use the Pen tool to cut out their photos, if the image is difficult to cut out, even the Pen tool will fail. As a result, you may wish to try utilising Vertus Fluid Mask. This software enables you to generate graphics in a couple of minutes by utilising unique masking features not available in Photoshop.

2. Create a shadow

When creating one, you want it to seem as realistic as possible; and by realistic, we do not mean in the manner that flying automobiles or magical dragons do. This means that each item has a shadow if it needs one, and each item is proportionate to everything else on the canvas.

Photo manipulations are used to bring to life events that would never occur in the actual world. Our next topic of discussion is shadows, which is the second technique you should be familiar with before beginning a picture modification job.

Now, creating shadows is a whole other subject, but a quick approach to do it is to duplicate the stock for which you want the shadow. Then fully blacken it. Then apply a Gaussian Blur. You may resize it and position it in the proper location.

3. Proportion

Now, proportion is probably the most critical concept a person must comprehend if they want to do photo alterations. You cannot have a dog that is larger than your house or a horse that is larger than your automobile. If you are going to create an extremely fantastic design, you need to make it look realistic, and proportion plays a significant role in how realistic your art appears. You must keep in mind the location of your photographs.

4. Texture Application

While textures may not necessarily contribute to the reality of your artwork, they do provide a great boost in terms of blending all your pictures uniformly. Because blending is a significant element of picture editing, textures must be properly selected.

Textures bring dimension to your artwork. If you are going for a dark, dirty appearance with your picture alteration, you may use a rough ground surface as a backdrop texture; alternatively, if you want something softer, you can use paper or a wall texture. Keep in mind that if you do not have a background for your photo alteration, you should choose a texture that complements the atmosphere you are attempting to create with your art.

For instance, if you want a dark-looking picture alteration, you may use a rough ground as the backdrop texture; or if you want a smooth image, you can use a wall or paper texture.

5. Stock Image Selection

After you have developed your concept, the first thing you should do is select stock pictures. You must keep in mind that you cannot always cut out every stock picture properly since some common photographs are captured at inconvenient angles or have small blurriness, rendering them unusable.

6. Colour Combination

Not every image you use will complement your backdrop, texture, or other photos. Thus, colour mixing becomes necessary. In Photoshop, tools such as Photo Filters and Gradient Maps are used to enhance or diminish the colour in your photos. This either adds a small amount of colour to a certain image or subtracts colour from it. This assists the photos in blending and, more importantly, in forming a wonderful cohesive work of art.

Pink, white, yellow, and orange are all easily blended. Thus, the first thing you should search for is already-blended hues. Then, using Photoshop's Photo Filters or Gradient Maps, alter the photos' colours to get a seamless merge.

7. Emphasis on the smallest details

When producing a work of art, focus your attention on a single region. You want to immediately bring the viewer's attention to that location. There are several ways for accomplishing this. One method is to work on drawing the viewer's attention to the design's most vivid, colourful, or sharp region.

8. Image Combination

Images are like missing jigsaw pieces; without them, the puzzle would never be completed. Therefore, pick them with caution. You may need to peruse a variety of stock pictures before selecting the ones that work best for your arrangement.

You must organise your composition. Take out a piece of paper and a pencil before you start Photoshop. Then create a drawing of your design. If you are simply creating a quick sketch, it should take no more than two minutes. As you draw, consider the placement of the stock pictures. Determine the kind of photographs you will require.

9. C4D Applications

C4D's are four-dimensional pictures created with the Cinema 4D software. These are frequently abstract paintings. They may be utilised to enhance the feel and appearance of your work. Utilising C4D art or 3D renderings can help you enhance your picture modification skills. It created a wonderful futuristic and abstract impression in this situation, which is tough to produce with standard stock photos.

10. Enhancing a Stock Photo

Now, our final approach demonstrates how to maximise the potential of a stock photograph. Frequently, stock pictures are plain. It is your responsibility to transform them into something more visually appealing. This is the point at which stock improvement becomes necessary.

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What Are Image Manipulation Techniques? - Blue Sky - Online Graphic Design School

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Numerous designers employ photo editing methods to produce unique works of art. It is quite popular among most graphic artists that use Photoshop. You can learn graphic design and Photoshop at Blue Sky Graphics. The wonderful thing is that once you grasp the fundamentals of picture modification, you can create whatever you can imagine.

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We've all seen examples of fantastic photography that looks great in a thumbnail or framed hanging on a wall. You may even have images of your own that compares favourably and attracts a lot of attention on-line. However, even well exposed and composed images can often fail to meet the strict criteria that makes the image suitable for commercial use. You may gain praise for the shot, but you may have a nagging feeling that it just won't make the grade at stock photography sites. So, how do you tell if your image really does stand up to scrutiny?

Assuming your shot was professionally composed and executed, you will be able to confirm the technical quality of the image using specialist software such as Lightroom and Adobe Camera Raw (ACR). Your DSLR manufacturer may even supply you with in-house image processing software.

There are a number of checklist items that you should cover during post-processing. The image histogram, white balance, shadows / highlights, and spot removal are the usual issues that should be checked. However, you need to view your image at "actual pixels" (or 100% zoom) to really check on the quality of the image. Some may call this "pixel peeking" an out of date concept, buy you can rest assured that the stock photography agencies are scrutinizing your image to this level of detail.

Here's what to check for:

* Image sharpness. A common cause for rejection of an image is soft image details when viewed at actual pixels. Don't just use the sharpening slider in ACR. You want to be able to control what part of the image, and even which tonal range, gets sharpened and which does not. There are a number of great sharpening techniques out there, which are discussed on other articles. The only thing I would add here is not to rely solely on the basic sharpening tool in Photoshop.

* Chromatic Aberrations: those glowing, thin, soft blue or red hues that run along the edges of dark and light tones in your image. They may not show up when viewed normally, but you must correct any that appear when viewed at actual pixels. ACR offers a slider that can fix most of these issues, but be aware that some chromatic aberrations are so extensive that they cannot be removed.

* Compression Artifacts can ruin image quality. They basically look like smudged or noisy patches in the image. They are caused by the compression of the image to JPeg formats and are extremely difficult to fix. Make sure your image has none of these lest you will be rejected by the stock agency. Shooting in RAW format and saving to TFF will help reduce your images susceptibility to compression losses.

* Any corrections made to exposure and the tonal range can introduce noise to the image. Noise is common in point and shoot images, which use variations in ISO to control exposure. Removing noise can be very easy. Neat Image software generally works very well. However, be careful not to overcompensate with noise removal. It can make the image overly soft, and compensating with sharpening will introduce faults that are similar to compression losses.

* Checking for spot removal is essential. Hot pixels or dust on the sensor can damage the quality of an image and will almost certainly lead to rejection. The good news is that spots are very easy to fix using the spot healer or the clone stamp tool in Photoshop.

If you follow these guidelines, you should find that well composed and well exposed images will have few problems being accepted by stock photography sites.

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How to Check Image Quality - NewbieTo Photography

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We've all seen examples of fantastic photography that looks great in a thumbnail or framed hanging on a wall. You may even have images of your own that compares favourably and attracts a lot of attention on-line. However, even well exposed and composed images can often fail to meet the strict criteria that makes the image suitable for commercial use.

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How to Check & Understand Image Resolution on Photoshop & ACR

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Adobe Photoshop Tutorial: EVERY Tool in the Toolbar Explained and Demonstrated

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Controls, Tools and Techniques for Image Manipulation.

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Controls, Tools and Techniques for Image Manipulation.

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Adobe Photoshop Tutorial: EVERY Tool in the Toolbar Explained and Demonstrated

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Sources of images can come from one’s own photo gallery or from the internet like Unsplash, however when using images from the internet or whatever is not one’s own work a person must consider the legal implications.

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Magazine cover in process.

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Lenovo Photo Editor.

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Photopea

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Adobe lightroom

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Adobe Photoshop

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Tablets

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Smartphone

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Desktop

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Laptop

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At Priceless Computer, PC & Phone Repairs, We provide a different types of services ranging from hardware repairs to software solutions.

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1/200th, F8, ISO 1600

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1/25th, F5.6, ISO 400

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1/30th, F5.6, ISO 800.

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1/30th, F10, ISO 1600.

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1/200th, F6.3, ISO 1600

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1/200th, F5, ISO 1600

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1/60th, F8, ISO 1600

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Health and Safety for photographers: for use when working on location or in the photographic studio.

By Michael Wayne Plant, last updated on 27th January 2015, all the links where rechecked and are working when I last updated this page. If when you are reading this page and any of the links do not work please email me, as I will not always be able to check that they are working.

I have removed the original website that this page was originally posted on because I am concentrating on developing the work on this website and do not want distractions of maintaining another area of work as a photographer. I originally wrote this page, because I had students who did not write enough to get good grades when completing their assignments on accredited courses, I hope you find it helpful.

I am amazed at how little there is written about health and safety for photographers working in photo studios or on location. When, I have read books on photography looking for Health and Safety information, frequently the writing only refers to chemicals and darkrooms. So I decided, to write something that is relevant for the photographic studio and when location shooting for photographers.
I found the website for the Health and Safety Executive invaluable in writing this article, on health and safety in the photographic industry.
Health and Safety for Photographers.
Essentially, I have taken some extracts from various HSE leaflets, to produce this article and modified them, in relation to specific applications in the area of photographic practice.

If you want specialist help with Health and Safety, I recommend that you visit the HSE website here it is the introduction page, to the guidelines for HSE is a good entry into the HSE website.

The Health and Safety Executive, has a list of booklets you can download for free, from the following web link: Health and Safety Executive guides.
"What health and safety law requires
The basis of British health and safety law is the Health and Safety at Work etc. Act 1974.

The Act sets out the general duties, which employers have towards employees and members of the public, and employees have to themselves and to each other.

These duties are qualified in the Act by the principle of 'so far as is reasonably practicable'. In other words, an employer does not have to take measures to avoid or reduce the risk if they are technically impossible or if the time, trouble or cost of the measures would be grossly disproportionate to the risk.

What the law requires here is what good management and common sense would lead employers to do anyway: that is, to look at what the risks are and take sensible measures to tackle them.

The Management of Health and Safety at Work Regulations 1999 (the Management Regulations) generally make more explicit what employers are required to do to manage health and safety under the Health and Safety at Work Act. Like the Act, they apply to every work activity.

The main requirement on employers is to carry out a risk assessment. Employers with five or more employees need to record the significant findings of the risk assessment.

Risk assessment should be straightforward in a simple workplace such as a typical photographic studio or location. It should only be complicated if it deals with serious hazards such as those in a darkroom using chemicals."

The above is modified from to reflect photographic needs or requirements:Health and Safety Executive. Health and safety regulation... a short guide on the HSE website or Health and safety regulation... ... a short guide

In creating an environment in the photo-studio or photographic location you will need to consider the following points in creating a health and safety framework.
"The HSW Act and supporting regulations require employers (photographers) to ensure the safety, health and welfare at work of their employees so far as is reasonably practicable. It also places a general duty on employers (photographers) to conduct their business in such a way as to ensure that others (ie non-employees and members of the public) are not exposed to risks to their health or safety. Employees (assistants) are required to co-operate with their employers (photographers) in complying with health and safety law. They are required to take reasonable care to ensure they do not endanger themselves or anyone else using the premises, which could include assistants, models, make-up artists, hairdressers, stylists, models (etc), and visitors. They should:

Follow the instructions and training given by their employer (the photographer) in the safe use of particular items of equipment such as photographic equipment, studio lights, darkroom and computer equipment as appropriate.

Inform their employer (the photographer) of any work situation which is a serious and immediate danger to health and safety, for example broken equipment.

Inform their employer (the photographer) of any shortcomings in the arrangements for ensuring the health and safety of employees. Under the Management of Health and Safety at Work Regulations 1999, as amended (the Management Regulations), employers need to assess the risks to the health and safety of employees and others who may be affected by their activities. This may require employers their employer (the photographer) taking advice from other professionals on specific risks.

Who is responsible for the assessment?

It is the employers' (photographers) responsibility to ensure risk assessments are carried out. In practice, competent employees who have the relevant training, knowledge and understanding of the issues may undertake them. It is also important to involve key decision makers in the process (as appropriate) especially where there are significant resource implications. To be fully effective, they need to consider how other issues, such as environmental conditions, restricted workspace, and the risk of violence."

The above content has been modified from:Health and Safety Executive. Health and safety matters for special educational needs: Legal issues including risk assessment. Which is no longer available on the HSE website.
Risk Assessments
We all know that we need to do some form of risk assessment but what is involved in doing this. Why if we are freelance photographers should we consider doing one. For a start, if you have public liability insurance you can claim to being aware of any issues before they arise and you have some paper work that shows you where aware of any issues if something should happen. Apart from this it is good practice to do a risk assessment as it shows you clients, subjects and co-workers that you do care about providing a positive and safe working environment for everyone. The Health and Safety Executive has the following guide you should download and consider using: "Five steps to risk assessment " on the HSE website or Five steps to risk assessment.

You can download the form only from here Photographers Risk Assessment

You need to follow these five steps, to not only be aware of risks but, also to do something about them.

1. Identify hazards.

2. Decide who might be harmed and how.

3. Evaluate the risks and decide on precautions.

4. Record your findings and implement them.

5. Review your assessment and update if necessary.

Working on Location. The Health and Safety Executive has a useful guide in Buildings used for locations or temporary studios in film and television. That covers things like working in buildings, control measures, fire, responsibilities, hazards, Utilites, Vermin, hazardous materials, rubbish and debris to name a few of the details it goes into.

In the guide it refers to 'must' as being a legal obligation and words like 'do' should' as advice on good practice. I would recommend that you download this guide from the link below as it is an in-depth look at things you should consider when working on location.

See link below for a form, that will help in checking the location for any health and safety issues that you may encounter. (which is also in the guide from the listed here). Health and Safety Executive, Buildings used for locations or temporary studios in film and television on the HSE website orBuildings used for locations or temporary studios in film and television or download the modified one that I have created based on the one for television. Here: Location photography Health and Safety

One area that photographers need to consider is the possibility of people tripping or slipping over.
"Slip and Trip Hazards Control measures
In order to effectively control slip and trip risks, employers should:

Identify the hazards - look for slip and trip hazards around the location or photo studio.

Decide who might be harmed and how - look at who comes onto the location or photo studio, and whether they are at risk.

Consider the risks and decide if precautions already being taken are enough, or if more needs to be done.

Record the findings.

Review the assessment regularly and revise it if necessary.

Location or photo studio premises are varied and often complex sites. The measures to control the risks will vary according to the different areas of the location or photo studio and the different activities being undertaken. Each will need to be assessed separately and a range of practical measures adopted to control the risk depending on the assessment. The risk factors to consider include:

Environmental (floor, steps, slopes etc).

Contamination (water, food, litter etc).

Organisational (task, safety culture etc).

Footwear (for example, footwear worn for photographic sessions may not always be in line with sensible shoes for work).

Individual factors (eg information and training, supervision, pedestrian behaviour etc)."

The points above have been modified for the photographic studio and come from: Health and Safety Executive. Preventing slip and trip incidents in the education sector on the HSE website or Preventing slip and trip incidents in the education sector.

If you are asked to write a health and safety policy for your business then the Health and Safety Executive has a template that you can download from their website (www.hse.gov.uk) or by following the link year to: risk-assessment-and-policy-template (this link will download the attached file to your computer).
Bibliography.
Health and Safety Executive. 2012 Buildings used for locations or temporary studios in film and televison (online) Available at: http://www.hse.gov.uk/pubns/etis18.pdf (Accessed 9 th February 2013).

Health and Safety Executive. 2012 Five steps to risk assessment (online) Available at: http://www.hse.gov.uk/pubns/indg163.pdf (Accessed 9 th February 2013).

Health and Safety Executive. Health and safety matters for special educational needs: Legal issues including risk assessment. (online) Available at: http://www.hse.gov.uk/pubns/edis3.pdf (Accessed 9 th February 2013). This guide seems to be currently no longer available.

Health and Safety Executive. 2003 Health and safety regulation..... a short guide. (online) Available at: http://www.hse.gov.uk/pubns/hsc13.pdf (Accessed 9 th February 2013).

Health and Safety Executive. Preventing slip and trip incidents in the education sector. (online) Available at: http://www.hse.gov.uk/pubns/edis2.pdf (Accessed 9 th February 2013).

Health and Safety Executive. Publication links (online) Available at: http://www.hse.gov.uk/pubns/regindex.htm (Accessed 9 th February 2013).

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Health and Safety for Photographers, Exploring health and safety in photography this page has been written as a reference for all photography students.

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A risk assessment allows you to consider whether or not you have taken the correct precautions to protect yourself, your staff, participants, general public and also the property from any harm as a result of your activity. The purpose of a risk assessment is to make sure as far as possible that no one or nothing gets hurt or damaged as a result of your event, promotion or project. If there are any significant changes to you activity following the submission of your risk assessment, you must update this to take into account any new concerns or issues.

Controlling the risks:
A part of controlling the health and safety of your business, you need to control the risks within your workplace. For this, you need to think about what may cause harm to people and decide what you're going to do to prevent that. Think about which events are most likely to occur and also which will cause the most harm. Your risk assessment could help you realise which aspects your lacking in and which need to be fixed first.

One of the most important aspects of your risk assessment is to accurately identify the potential hazards within your workplace. Ways to do this are:

Check manufacturers instructions or data sheets for chemical and equipment as they may help you with identifying the risks and you may have overlooked.

Look back at your accident and ill health records.

Take account of non-routine operations. For example, maintenance and cleaning operations.

Think about long term hazards to health. For example, high levels of noise and exposure to harmful substances.

- Some workers may have particular requirements. For example, new or expectant mothers or people with disabilities.
- Some workers (visitors, contractors, maintenance workers) may not be in the workplace all of the time, so they would need to be briefed on another day.
- Ask other workers if there is anyone that has been missed.
Evaluate the risks:
Some practical steps you could take include:

organising your work to reduce exposure to the hazard

issuing protective equipment

involving and consulting workers

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A risk assessment allows you to consider whether or not you have taken the correct precautions to protect yourself, your staff, participants, general public and also the property from any harm as a result of your activity.

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Beginner’s Guide to Choosing the Right Lens for Your Subject

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Learning the correct application for each type of camera lens can seem like a daunting task. Hope Alegre describes which situations to use the most common lenses.

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You don't need to know every single setting on your DSLR to take good photos. Knowing the basics and learning to switch from automatic mode to manual will transform your images and give you the confidence in your own ability to get out there and start taking more great photos. In this course you will learn the six essentials that will get you confidently creative images in manual mode. There's also a free e-book that you can download and carry with you in your camera bag.

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You don't need to know every single setting on your DSLR to take good photos. Knowing the basics and learning to switch from automatic mode to manual will transform your images and give you the confidence in your own ability to get out there and start taking more great photos.

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Free Photography Course - Online Photography Classes & Quiz

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Build your camera confidence with 10 FREE Photography Classes. PLUS sharpen your skills with a photography quiz and helpful illustrated 90-page guide.

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ISO basics for beginners - photography tutorials and tips

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ISO basics for beginners - photography tutorials and tips

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Canon EOS | Getting Started: ISO, Shutter Speed and Aperture Tutorial

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Canon EOS | Getting Started: ISO, Shutter Speed and Aperture Tutorial

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LENS BASICS - A Beginners Guide to Camera Lenses | Photography Tips and Tutorial.

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LENS BASICS - A Beginners Guide to Camera Lenses | Photography Tips and Tutorial.

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How to Edit a RAW File in Photoshop | Landscape Photography Post Processing Workflow

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How to Edit a RAW File in Photoshop | Landscape Photography Post Processing Workflow

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PHOTOGRAPHY TUTORIALS FOR BEGINNERS - Lines And Leading Lines

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PHOTOGRAPHY TUTORIALS FOR BEGINNERS - Lines And Leading Lines

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Understanding White Balance | Mark Wallace

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Understanding White Balance | Mark Wallace

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EASY FIX for White Balance: Photoshop Tutorial

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EASY FIX for White Balance: Photoshop Tutorial

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How to Use The Rule of Thirds in Photography

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How to Use The Rule of Thirds in Photography

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Using Blur Photography _ Theme Guide (1)

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Black_White Photography _ Theme Guide (1)

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Architecture Photography _ Theme Guide (1)

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The final cropped and enhanced image.

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Lines and patterns can be used in photography to give a story or an effect. Lines can come in all different types, Vertical, Horizontal, diagonal, circular or curved. A combination of one or more can create a picture. Patterns can be architectural or artistic etc.

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A Pattern of chairs.

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A pattern of pictures.

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A row of chairs.

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Chairs in a row.

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Photo's can be used to show the texture of an item or plant etc. This is a close up of a tree showing the bark.

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Plastic drainage grille.

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Paving stone.

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Traffic cone.

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A metal fence.

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A leaf up close.

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I took this one of a seabird at Seahouses, Shutter Speed, 1000th sec, Aperture 7.1 , ISO 200. with a 75-300mm zoom lens.

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The same image being cropped and enhanced.

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A photo of my Granddaughter and dog before editing the image.

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Another photo after editing to a different perspective.

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Simple procedures to view and save images.

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Simple procedures to view and save images.

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This is the original image of a seabird before editing the image. I used the Adobe Photoshop Express App to change the image slightly.

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This is a picture after editing on the computer to a colourful picture.

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Leading lines can encourage the eye to see what the photographer wants it to see, or give the photo a story.

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The card is inserted into SD card slot and locked in position.

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The SD card can be formatted and installed in the camera media slot.

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On the camera’s display we can check the battery level. Shown at the bottom to the left of the number 4153. In this photo the level of the battery is full.

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Battery installed in camera.

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Installing battery in camera.

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On charge.

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Charging the battery.

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Charles Leclerc at Silverstone 2022, shutter speed 1/1000th, ISO 400, Aperture F9.

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Lewis Hamilton at the practice session for the 2022 F1 GP. Fast shutter speed used. 1/500th, ISO 400, Aperture F9

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Lando Norris moving water from the track at high speed. Shutter Speed 1/500th, ISO 400, Aperture F9.

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Another photo using a fast shutter speed to capture Sebastian Vettell in the rain. Shutter 1/500th, ISO 400, Aperture F9.

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This Photo of Daniel Ricciardo was taken at the Practice session for the British F1 Grand Prix 2022. I used a fast shutter speed to capture the car travelling at over 100mph in the rain. Shutter Speed 1/500th, ISO 400, Aperture F9.

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The rechargeable battery can be removed from the camera via the battery compartment, it can then be charged in the camera's separate charger and replaced when full.

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The Micro SD card is similar to SD cards and can also have various memory sizes, however they are considerably smaller than SD cards and typically used in Smartphones and tablets.