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Double click anywhere on the 'wall' to add a reflection, or use the little + icon in the bottom right of the screen.

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Do we need to think about different models of authorship/creation when we look for revoicings of medieval material? For example: editors, collectors, curators, archivists, rather than just artists and poets.

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Do we need to think about different models of authorship/creation when we look for revoicings of medieval material? For example: editors, collectors, curators, archivists, rather than just artists and poets.

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We were talking about being respectful and aware of our own privilege when revoicing women and other marginalised groups from the past.

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We were talking about being respectful and aware of our own privilege when revoicing women and other marginalised groups from the past.

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the need for permission, for respect, for not appropriating others' voices - but also about how freeing approaching texts from unusual or unacknowledged perspectives can be. Judy kendall

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We talked about the tensions and 'pull' in the material we look at : you want to avoid giving a simplistic picture of the past, but we don't want to lose sight of what is valuable in itself in making medieval women visible and audible for us today.

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We were talking about ethical issues, in various respects. How to retell or revoice challenging moments – difficult/unpalatable for modern readers – for different audiences? Can we/should we always give voice?

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We were talking about ethical issues, in various respects. How to retell or revoice challenging moments – difficult/unpalatable for modern readers – for different audiences? Can we/should we always give voice?

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For me, my main hope for feminist revoicing is that we'll get more focus on Wulf and Eadwacer/Wife's Lament as feminine coded narrators.

a lot of the challenge with feminist critique is engaging as a trans man. It feels like I'm taking a space that no longer belongs to me, and also means I run the risk of being misgendered/attacked by trans-exclusionary or gender critical people. -Charlie

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We considered the issue of appropriation and how to bring fresh interpretations in revoicing without utterly overlaying what is already there. We talked about maintaining a porousness of the original so that we inhabit it but don't obliterate it - Sylee

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We considered the issue of appropriation and how to bring fresh interpretations in revoicing without utterly overlaying what is already there. We talked about maintaining a porousness of the original so that we inhabit it but don't obliterate it - Sylee

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We reflected on how the challenges might be most acutely felt by those working in an institutional setting such as a university, where they might encounter pushback - Sylee

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We reflected on how the challenges might be most acutely felt by those working in an institutional setting such as a university, where they might encounter pushback - Sylee

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we discussed how revoicings of the medieval might move beyond direct relationality and representation (i.e. focusing on translations of or responses to medieval material), and instead draw together texts from discrete moments in time to create a more generative, future-oriented 'medievalism'

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We ended up questioning the term 'revoice' which suggests a unilinear temporarilty

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We reflected on the ongoing work of revoicing female voices which may then get lost again. Also tensions around wanting the 'past' to be more malleable than it sometimes proves to be in its reconstructions, and also competing agendas around privilege (whose voices get 'revoiced') Susie 

# data[].attributes.subject
We reflected on the ongoing work of revoicing female voices which may then get lost again. Also tensions around wanting the 'past' to be more malleable than it sometimes proves to be in its reconstructions, and also competing agendas around privilege (whose voices get 'revoiced') Susie 

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We considered how the context in which we are working raises (or lowers) the stakes at play - Sylee

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We considered how the context in which we are working raises (or lowers) the stakes at play - Sylee

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We talked about the challenge of working with sources that seem exclusionary in terms of gender and race, and whether we felt we had permission to 'change' these - and what the implications would be. Susie

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We talked about the challenge of working with sources that seem exclusionary in terms of gender and race, and whether we felt we had permission to 'change' these - and what the implications would be. Susie