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1940s vogue magazine to 1959 Vreeland’s Bazzar magazine cover.

Each cover has its own unique qualities, each cover uses fashion to create works that go with the times. In the Vogue-cover the stereotypical cover includes a woman covered in a summer gown (fashionably covered). In the Bazzar cover, it has colored gloves with an eye showing through, it captures the attention because it’s something out of the ordinary. Both are related by how they convey the message wether it’s summer or having eyes on Paris and America-it shows the relationships between those specific times.

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My favorite thing I learned about Diana was seeing her covers for magazines. Getting to understand her vision through fashion, photography and design is one of the coolest things. I believe she is one of the people who paved the way how the world sees and uses fashion and design now. She is truly an inspiration to so many people and even today she is still very well known even after her passing.

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0.38 seconds -1.50  is the general background of Diana.

4.40 -5.30 is about why don’t you...?

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Diana Vreeland emigrated to the United States in the outbreak of World war I, they traveled to New York, where they became prominent figures in society. Diana was enrolled in to the exclusive Brearley School for Girls, she was studied Dance for 3 years with Michel Fokine and Louis Harvy Chalif. Diana performed in  Anna Pavlova's Gavotte at Carnegie Hall in 1922, which is when Diana was featured in her job at Vogue.

She was married to Thomas Reed Veerland from 1899-1966, he was a banker and international financier, and after their honeymoon, the Veerland moved to Brewster, New York to raise their sons. Diana had 2 sons: Thomas Reed Veerland Jr. and Frederick Dalziel Veerland.

In her career, she opened a lingerie boutique near Berkeley Square, she often visits Paris to buy all her clothes and most of them were from Coco Chanel, who she met in 1926. Carmel Snow was the editor of Ha\rper's Bazaar, she was very impressed by Diana's Clothing and style so she hired Diana as a columnist in 1936. In the 1940s Diana Vreeland ultimately became Fashion Editor for the magazine. But Diana was paid a very small salary by the Hearst Corporation, she was hurt that she was passed over for a promotion at Harper in 1957 so she resigned, after that, she joined Vogue in 1962, and she was the editor-in-chief from 1963 to 1971. After she was fired from vogue she became a consultant to the Costume Institute of the Metropolitan museum of art in New York in 1971. She created 12 exhibition at the Met.

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When smoking was still glamorous.

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War time Bazaar still kept its glamour, here’s actress K.T. Stevens shot with the revolutionary United Airlines jetliner for BAZAAR‘s 1944 issue.

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Perfect fit, Richard Avedon and Vreeland, 1960

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1943 cover of Bazaar appealing for blood donation during WWII at the same time.

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Diana’s work granted women the freedom of breaking social norms. Before Vreeland came into the picture, women were subjected to wearing plain outfits, there was nothing fashionable about them. Women were constantly wearing the same look (poised, society women with drapes covering their bodies). Because of Vreeland’s vivid imagination, she changed the way fashion, design and photography were used by creating dynamic, eccentric and fun personalities for each subject. Which in ways changed the way women saw themselves (with her influence women now wear colorful, reading outfits with flare).

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In 1962 Vreeland left Harper’s Bazaar and joined Vogue where she became editor in chief in 1963. Vogue reflected her own taste for the novel, the bizarre, and the outrageous. She even featured the youthful and eccentric to reflect  the age of youth in photography and designs using culture, and rock music to over throw traditional standards. She often followed her own idiosyncratic style, evident in such statements as “Pink is the navy blue of India.” She created the notion of the “Beautiful People,” a subclass of youthful, wealthy, and footloose members of the less-exclusive international set who were supposed to set the tone of fashion, art, and society.

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Diana Vreeland (born on September 29, 1903 in Paris, France - passed away in August 22, 1989 in New York, New York) She is a French American Fashion editor. She worked for a fashion magazines such as Harper's Bazaar, and was also editor-in-chief at Vogue, she has become a special consultant to the costume Institute at the Metropolitan Museum of art. She is also named as International best dressed list in the hall of fame in 1964.

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In 1936 she began contributing to Harper’s Bazzar to a column called “Why don’t you…?,” which became a highly popular. In 1939 she joined the Harper’s Bazaar staff full-time and was appointed fashion editor. “Why don’t you...” was about giving elegant advice with extravagant ideas.