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Of Witches and Demons at ://about blank 21.05.2022 B777

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Of Witches and Demons at ://about blank 21.05.2022 B777

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Of Witches and Demons at ://about blank 21.05.2022 by B777

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Flaminia is a music producer and live performer based in London.

She focuses on the live aspect of performing which allows her to have a full scale of creative freedom and expression. 

Her take towards writing and performing music brought her to play in London's most notorious venues, such as Printworks, FOLD and Village Underground and as well as international stages in Berlin, Athens, Tbilisi, Goa and New York.

After starting releasing music on her label Metempsychosis Records which she runs with End Train, she has been heard on VSK Series, Samurai Music and 47.

She collaborated with artists such as Headless Horseman, Ancestral Voices, VSK, Sam KDC and Kwartz. 

Flaminia also co-founded and runs Home of Sound, a polymorphic platform that breaks down barriers between highly established talents and emerging artists through masterclasses and interviews on electronic music.

Tracklist via
-Spotify: bit.ly/SRonSpotify
-Reddit: www.reddit.com/r/Slam_Radio/
-Facebook: bit.ly/SlamRadioGroup
Archive on Mixcloud: www.mixcloud.com/slam/

Subscribe to our podcast on
-iTunes: apple.co/2RQ1xdh
-Amazon Music: amzn.to/2RPYnX3
-Google Podcasts: bit.ly/SRGooglePodcasts
-Deezer: bit.ly/SlamRadioDeezer

Keep up with SLAM: fanlink.to/Slam
Keep up with Soma Records: fanlink.to/SomaRecords

For syndication or radio queries: harry@somarecords.com & conor@glowcast.co.uk
Slam Radio is produced at www.glowcast.co.uk

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RICK OWENS ONLINE on Instagram: "ST EUSTACHE TODAY

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RICK OWENS ONLINE on Instagram: "ST EUSTACHE TODAY

JUMBO TATLIN COAT,  FW23 LUXOR FLARED PLATFORM BOOTS, RICK GLASSES, AND DYLAN T AVAILABLE ONLINE NOW #RICKOWENS #RICKOWENSONLINE #RICKOWENSFW23 @SHADESOFRHYTHM"

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24K likes, 118 comments - rickowensonline on October 9, 2023: "ST EUSTACHE TODAY

JUMBO TATLIN COAT,  FW23 LUXOR FLARED PLATFORM BOOTS, RICK GLASSES, AND DYLAN ..."

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Damien Hirst (born June 7, 1965, Bristol, England) British assemblagist, painter, and conceptual artist whose deliberately provocative art addresses vanitas and beauty, death and rebirth, and medicine, technology, and mortality. Considered an enfant terrible of the 1990s art world, Hirst presented dead animals in formaldehyde as art. Like the French artist Marcel Duchamp, Hirst employed ready-made objects to shocking effect, and in the process he questioned the very nature of art. In 1995 he won Tate Britain's Turner Prize, Great Britain's premier award for contemporary art.

Hirst grew up in Leeds and moved to London in the early 1980s. He began his artistic life as a painter and assemblagist. From 1986 to 1989 he attended Goldsmiths College in London, and during this time he curated an influential student show, "Freeze," which was attended by the British advertising mogul and art collector Charles Saatchi. The exhibition showcased the work of a group of Hirst's classmates who later became known as the successful Young British Artists (YBAs) of the 1990s. Hirst's reputation as both an artist and a provocateur quickly soared. His displays of animals in formaldehyde and his installations complete with live maggots and butterflies were seen as reflections on mortality and the human unwillingness to confront it. Most of his works were given elaborate titles that underscored his general preoccupation with mortality.

Hirst's later work included paintings made by spin machines, enlarged ashtrays filled with cigarette butts, monumental anatomical models of the human torso, medicine cabinets filled with pharmaceuticals, other curiosity cabinets filled with found objects, and a diamond-studded platinum-cast human skull entitled For the Love of God, probably the most expensive work of art ever made. His references to other artistic movements and artists were many. The common format of massive vitrines, for example, relied on the precedent of minimalism, while his use of found materials and assistants in making works linked him to other artists of the era, such as the American Jeff Koons, who purposefully demystified the role of the artist's hand.

Never one to follow the rules, Hirst made headlines (and a fortune) in 2008 when he, rather than selling through a gallery as is customary, put up a selection of his work at auction and reaped more than $200 million dollars. During the 2017 Venice Biennale, he concurrently held his own solo exhibition, "Treasures from the Wreck of the Unbelievable," in two venues. The monumental installation featured sculptures and other objects presented as the remains from a fictional 2,000-year-old shipwreck off the coast of Africa.

Hirst's art was shown in numerous solo and group exhibitions, including major retrospectives at the Museo Archeologico Nazionale in Naples (2004) and Tate Modern (2012) in London. He also wrote books, designed restaurants, collaborated on pop music projects, and experimented with film.

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Damien Hirst, British assemblagist, painter, and conceptual artist whose deliberately provocative art addresses vanitas and beauty, death and rebirth, and medicine, technology, and mortality. Hirst employed ready-made objects to shocking effect, and in the process he questioned the very nature of art.

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Pink Floyd - Shine On You Crazy Diamond [Official Music Video]

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Untitled Self Portrait 60 x 100 cm acrylic on cardboard

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Graffiti Mural of a Forest God growing out of the wall, Experimentation with faces

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Nummer acht, everything is going to be alright (2002) toont hoe Guido van der Werve (Papendrecht, 1977) over een dichtgevroren watermassa loopt. Slechts een paar meter achter hem doorklieft een gigantische ijsbreker het ijs. Van der Werve loopt - zonder om te kijken - door, alsof het gevaar om verpletterd te worden of te verdrinken niet bestaat.

Uithoudingsvermogen, uitputting en volharding, het zijn terugkerende motieven in Van der Werves oeuvre. Daarnaast is muziek een belangrijk onderdeel. Opgeleid als klassiek pianist componeert Van der Werve sinds 2007 muziek, die hij eveneens gebruikt voor zijn videowerken. In Nummer veertien, home staat zijn (jeugd)held Chopin centraal. Achter de vleugel, gekleed in een wetsuit, brengt Van der Werve in de Heiligkruiskerk in Warschau een eerbetoon aan de componist wiens hart zich in een schrijn in diezelfde kerk bevindt. Vervolgens legt hij rennend, fietsend en zwemmend 1700 kilometer af om de afstand te overbruggen tot aan Parijs, waar Chopins lichaam op Père-Lachaise begraven ligt.

Deze exercitie symboliseert andere belangrijke thema's in Van der Werves oeuvre, te weten verscheurdheid en melancholie. Niet verwonderlijk dat Van der Werves werk meer dan eens romantisch genoemd wordt. Om over de nietigheid van de mens in combinatie met de overweldigende schoonheid van de natuur zoals in Nummer acht te zien is nog maar te zwijgen.

Van der Werve studeerde industrieel ontwerpen aan de TU in Delft (1996-1997), archeologie (1997-1998) en Russische taal, cultuur en literatuur (2001-2003) aan de Universiteit van Amsterdam alvorens zijn opleiding te vervolgen aan de Gerrit Rietveld Academie (1998-2003) en de Rijksakademie van beeldende kunsten (2006-2007), beide in Amsterdam. Werk van Van der Werve was te zien in onder meer Kunsthalle Basel, het Stedelijk Museum Amsterdam en Luhring Augustine (New York). Van der Werve won in 2013 een Gouden Kalf voor de beste korte film. Werk van Van der Werve bevindt zich in de collectie van onder meer het Stedelijk Museum Amsterdam, De Hallen Haarlem en MoMA (New York).

REGISSEUR VAN DIT PORTRET:

Barbara Makkinga

Camera: Maarten van Rossem

Muziek: Guido van der Werve

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Nummer acht, everything is going to be alright (2002) toont hoe Guido van der Werve (Papendrecht, 1977) over een dichtgevroren watermassa loopt. Slechts een paar meter achter hem doorklieft een gigantische ijsbreker het ijs. Van der Werve loopt - zonder om te kijken - door, alsof het gevaar om verpletterd te worden of te verdrinken niet bestaat.