# data[].attributes.body
nama shathiswaran thanachelvan
18dds19f1060 dds4c

# data[].attributes.body
NURLIANA BINTI ABDUL KHALIL - 18DDV19F1031 - DDV4B

# data[].attributes.body
18DDV19F1003
DDV4B

# data[].attributes.body
DDV4B

# data[].attributes.body
DD4A
18DDS19F1020

# data[].attributes.body
DDS4B1
(18dds19f1029)

# data[].attributes.body
KELAS:DDS4C
NO MATRIKS:18DDS19F1062

# data[].attributes.body
Nama : NURSHAFAWANI BINTI MOHD JAAFAR
Kelas : DDS4A
No Matrik : 18DDS19F1012

# data[].attributes.body
TUGASAN 2

# data[].attributes.body
NUR AYU NATASYA
18DDS19F1061
DDS4C
SOUNG:LAUGH,SHOCK,FIGHT,GOJNGCRAZY https://drive.google.com/file/d/1Zc9A6IbXd0XUpsWsQt-_atpGgbCsbNL0/view?usp=drivesdk

# data[].attributes.body
AIMAN FIKRI BIN MOHD SHARIF
18DDV19F1040
DDV4A2
SUMBER SOUND EFFECT :
BACKGROUND MUSIC : LOOP YT , COFFIN DANCE YT
SOUND EFFECT : FURNITURE FALLING , SHOCK SOUND FROM YOUTUBE

# data[].attributes.body
Name : Muhammad Fauzi Bin Abd Malek
No.Matric : 18DDV19F1048
Class : DDV4A

# data[].attributes.body
NUR SARA ELISA BINTI UMAR
18DDV19F1058
DDV4B

# data[].attributes.body
NAMA: HAZIQAH BINTI HAZIZE
NO MATRIKS: 18DDS19F1008
KELAS: DDS4A

# data[].attributes.body
NAMA : MUHAMMAD ASRUL BIN ALI
NO MATRIKS : 18DDV19F1020
KELAS : DDV4B

# data[].attributes.attachment_link.title
MUHAMMAD ASRUL BIN ALI - 18DDV19F1020 - DDV4B

# data[].attributes.body
Muhammad Anas Hakim Bin Abdul Rahim
18DDV19F1041
DDV4B

# data[].attributes.body
MUHAMMAD ARIFF BIN SAAIDON
18DDV19F1018
DDV4B

# data[].attributes.body
MUHAMMAD FADZIL BIN NORDIN
18DDS19F1047
DDS4C

# data[].attributes.body
DURGHASHINI THISAISELVAN
18DDS19F1006
DDS4A1
https://drive.google.com/file/d/1-540Rxv1OCWFLM9A0W29hwMhz3541XV_/view?usp=drivesdk

# data[].attributes.body
MOHD FIRDAUS DANIAL BIN NORAZMI (18DDS191073)

# data[].attributes.body
18DDS19F1022
DDS4A

# data[].attributes.body
MUHAMMAD AIMAN HAKIM BIN RASLI@ROSLI
18DDV19F1010
DDV4A1

# data[].attributes.body
Nur Annisa Binti Che Zamani
18DDV19F1027
DDV4B
https://drive.google.com/file/d/1irGvyzDPFZ7Ke96Wlml5ZytzjEnL-3J1

# data[].attributes.body
Tuan Nurfakhira Najwa Binti Tuan Ridziuan
18DDV19F1033
DDV4B
https://drive.google.com/file/d/1SlbAGtUy4OTCwojxGxosbRVHITl2mfgD/view?usp=drivesdk

# data[].attributes.body
NURSYAFIZAH BINTI RASDI
18DDS19F1009
DDS4A

# data[].attributes.body
NORNABIELA BINTI MOHAMMAD NASIR
18DDS19F1004
DDS4A

# data[].attributes.body
CHING YONG EN
18DDS19F1030

https://drive.google.com/file/d/1Kjx4NUMAW8XsOizDoI8Fnfuqb1aDoNpB/view?usp=sharing

# data[].attributes.body
SITI NUR FARAHIN BINTI MOHD BADRI
18DDS19F1014
DDS4A

# data[].attributes.body
MUHAMMAD ZUHAIR BIN KHASFUL ANUAR
18DDS19F1021
DDS4A

# data[].attributes.attachment_link.title
ZUHAIR 18DDS19F1021 DDS4A TUGASAN 2 AUDIO.mp4

# data[].attributes.body
Sila download video ini untuk tugasan 2. Anda perlu masukkan muzik latar dan bunyi-bunyi khas yang bersesuaian dengan video ini.

# data[].attributes.body
1.MUHAMMAD FADZIL BIN NORDIN
18DDS19F1047
2. NUR AYU NATASYA
18DDS19F1061
3.MUHAMMAD AFIQ BIN AZIZ
18DDS19F1062

# data[].attributes.body
1) MUHAMMAD ASRUL BIN ALI
18DDV19F1020

2) NURLIANA BINTI ABDUL KHALIL
18DDV19F1031

3) NUR SARA ELISA BINTI UMAR
18DDV19F1058

# data[].attributes.body
Nama : NURUL AZWA BT MOHD NASIR (18DDV19F1016)
NUR HAFIZATULNATASHA BINTI NOR HAFFIZI (18DDV19F1039)

# data[].attributes.body
Nama : AIMAN FIKRI BIN MOHD SHARIF
No matrik : 18DDV19F1040
Nama : MUHAMMAD FAUZI BIN ABD MALEK
NO Matrk : 18DDV19F1048
Nama : MUHAMMAD AIMAN HAKIM BIN RASLI @ ROSLI
NO Matrik : 18DDV19F1010

# data[].attributes.headline
Tisya Rubashrie A/P Srimahran     (18DDS19F1029)        Kirthana A/P Kandasamy (18DDS19F1035)      Kausalyah A/P Rames (18DDS19F1028)

# data[].attributes.subject
Tisya Rubashrie A/P Srimahran     (18DDS19F1029)        Kirthana A/P Kandasamy (18DDS19F1035)      Kausalyah A/P Rames (18DDS19F1028)

# data[].attributes.headline
NAMA : DURGHASHINI A/P THISAISELVANNO MATRIK : 18DDS19F1006NAMA : DAKHSHAYANI A/P RAMISH NO MATRIK : 18DDS19F1022NAMA :CHAKEREVERTHI A/L THAMIL CHELVAMNO MATRIK : 18DDS19F1010

# data[].attributes.subject
NAMA : DURGHASHINI A/P THISAISELVANNO MATRIK : 18DDS19F1006NAMA : DAKHSHAYANI A/P RAMISH NO MATRIK : 18DDS19F1022NAMA :CHAKEREVERTHI A/L THAMIL CHELVAMNO MATRIK : 18DDS19F1010

# data[].attributes.body
CHING YONG EN
18DDS19F1030
PURNAA MURUGARAJOO
18DDS19F1041
NUR SYUHADA BINTI ZAINOL
18DDV19F1004

# data[].attributes.body
1. NORNABIELA BINTI MOHAMMAD NASIR (18DDS19F1004)
2. MUHAMMAD ZUHAIR BIN KHASFUL ANUAR (18DDS19F1021)
3. MOHD FIRDAUS DANIAL BIN NORAZMI (18DDS19F1073)

# data[].attributes.body
1. NURSHAFAWANI BINTI MOHD JAAFAR ( 18DDS19F1012 )
2. SITI NUR FARAHIN BINTI MOHD  BADRI ( 18DDS19F1014 )
3. NURSYAFIZAH BINTI RASDI
( 18DDS19F1009 )

# data[].attributes.body
no matriks : 18dds19f1060

# data[].attributes.headline
Audio Visual - Shot Composition & Camera Angles

# data[].attributes.subject
Audio Visual - Shot Composition & Camera Angles

# data[].attributes.body
1. MUHAMMAD HARRIS HAIKAL BIN HARUN (18DDV19F1003)
2. MUHAMMAD ARIFF BIN SAAIDON (18DDV19F1018)
3. MUHAMMAD ANAS HAKIM BIN ABDUL RAHIM (18DDV19F1041)

# data[].attributes.attachment_link.title
Audio Visual - Shot Composition & Camera Angles

# data[].attributes.body
1) HAZIQAH BINTI HAZIZE (18DDS19F1008)
2) MUHAMMAD SYAHMI BIN ABD RAHMAN (18DDS19F1020)

# data[].attributes.headline
Terima kasih pada semua yang dah siapkan tugasan ini.

# data[].attributes.subject
Terima kasih pada semua yang dah siapkan tugasan ini.

# data[].attributes.body
1. SITI NUR FARAHIN BINTI MOHD BADRI
(18DDS19F1014)
2. NUR SYAFIZAH
BINTI RASDI
(18DDS19F1009)
3. NURSHAFAWANI
BINTI MOHD JAAFAR
(18DDS19F1012)

1.       Introduction and signal to noise

Audio recording is the capturing of a sound source and the conversion from analog to digital information and the storage of that information.

Signal - to - noise ratio compress the level of a desired signal to the level of background voice .

Inverse square law (audio) – when the distance of the sound source doubles, the level will increase by 6dB.

Decibel changes:

+1 dB - not a perceivable change

+3dB – barely noticeable

+10dB – about twice as loud.

2.       Analog to Digital Conversion

Analog to Digital Converter (ADC)

Analog to Digital Computer (DAC)

Stereo Recording

- 16-bit/44.1kHz = 1.4MB/s

- 24-bit/44.1kHz = 2.1MB/s

- 24-bit/48kHz = 2.3MB/s

- 24-bit/96kHz = 4.6MB/s

3.       Introduction to Microphones

Mic convert acoustic energy to electric signal.

Types of microphones is Dynamic and Conderise.

4.       Polar, Pattern and Proximity

The proximity effect is an increase in bass or low frequency response when a sound source is close to a microphone.

5.       Preams and Dis

Preamps is a type of amplifier specifically designed to amplify very weak signals before they are fed to subsequence gain stages of devices.

6.CABLES AND CONNECTIONS 01

-balance cables and connections direka untuk menolak bunyi luaran dari radio dan sumber elektromagnetik

-mikrofon professional  menggunakan sambungan XLR

-hampir setiap mikrofon mempunyai 3 pin

-pin ini membawa isyarat dari mikrofon ke input peranti

-audio snake digunakan untuk mendapatkan beberapa kabel ke lokasi yang sama sambil meminimumkan ukuran

7.CABLES AND CONNECTIONS 02

-MIDI (Musical Instrument Digital Interface) menghantar maklumat muzik antara interface dan kemudian ke komputer

8.AUDIO INTERFACE, STUDIO MONITORS AND HEADPHONES

-interface audio adalah peranti yang ditunjuk untuk membolehkan input dan output audio dari komputer peribadi yang menjalankan perisian audio

-interface audio disambungkan ke komputer menggunakan protokal firewire atau USB

-studio monito control (mute, dim, volume cntrol, speaker switching)

-studio monitor adalah  pembesar suara khas yang direka untuk memberikan penghasilan  semula suara

-studio monitor dan headphone diperlukan untuk memantau audio yang telah dirakam

-headphone membolehkan untuk mendengar apa yang sedang berlaku semasa rakaman

9.DEMO REAPER 01

-tracks atau line adalah alat yang berasingan

-ia mempunyai hi-hat  dan toms serta beberapa mikrofon overhead

-tracks boleh dimainkan semula terhad  daya pemprosesan komputer

-boleh buat track automotion untuk adjust the volume over time

-boleh playback lebih dari satu tracks dalam masa yang sama

10.DEMO REAPER 02

-meter menunjukkan bagaimana signal is coming back through this channel

-pan control adalah bagaimana it gets routed dari kanan ke kiri

-mono source hanya mempunyai satu channel

-untuk control a virtual instrument; boleh pilih MIDI input

10 RAKAMAN ELECTRIC GUITAR 01

- Menggunakan penguat dan mikrofon

- Letakkan mikrofon di depan penguat yang berada di tengah.

- Pemain gitar tidak meletakkan penguat jauh dari mereka semasa bermain gitar elektrik.

2.11 RAKAMAN ELECTRIC GUITAR 02

- Menggunakan kabinet pembesar suara untuk mendapatkan banyak bunyi yang berbeza.

- Kabinet pembesar suara juga dapat digunakan untuk gitar bass.

2.12 RAKAMAN BASS GUITAR

- Tidak dapat menggunakan kaedah yang sama seperti merakam gitar elektrik untuk merakam gitar bass.

- Penguat gitar bass sangat mengerikan dan murah. Ia juga mengeluarkan suara yang mengerikan.

2.13 RAKAMAN ACOUSTIC GUITAR

- Boleh menjadikan suaranya cukup bagus jika kita menggunakan mikrofon yang bagus malah gitarnya sangat teruk.

- Letakkan dua mikrofon di sebelah kiri dan kanan semasa merakam. Maka anda akan mendapat hasil yang terbaik.

# data[].attributes.headline
Tisya Rubashrie A/P Srimahran     (18DDS19F1029)        Kirthana A/P Kandasamy (18DDS19F1035)      Kausalyah A/P Rames (18DDS19f1028) 

# data[].attributes.subject
Tisya Rubashrie A/P Srimahran     (18DDS19F1029)        Kirthana A/P Kandasamy (18DDS19F1035)      Kausalyah A/P Rames (18DDS19f1028) 

# data[].attributes.body
1.1 introduction and signal to noise .

What is audio recording ??

Ø  Audio recording is the capturing of a sound source and the conversion from analog to digital information and the storage of that information .

Ø  Signal - to - noise ratio compress the level of a desired signal to the level of background voice .

Ø  Inverse square law (audio) – when the distance of the sound source doubles, the level will increase by 6dB.

Ø  Decibel changes:  +1 dB - not a perceivable change

+3dB – barely noticeable

+10dB – about twice as loud.

2.1 Analog to digital conversion

Ø  Sample rate: is a process of simply how many times the audio to digital converter takes a snapshot of the audio per second.

Ø  - CD audio sample rate = 44k

- (44.1k = 44.1kHz = 44.1 kHz)

- Video work = 48k

Ø   Stereo Recorder:

- 16-bit/44.1kHz = 1.4MB/s

- 24-bit/44.1kHz = 2.1MB/s

- 24-bit/48kHz = 2.3MB/s (standard)

- 24-bit/96kHz = 4.6MB/s

2.2 Intro to Microphones

Ø  2 basic common types of microphones: Dynamic & Condenser microphones

Dynamic microphones: are highly dependent, rugged & reliable, are fairly simple in construction, works much the same way a loudspeaker does only in reversed, not supper accurate, modern dynamic microphones sound fantastic, widely used in recordings and live productions.

Ø  Phantom Power – in the context of professional audio equipment, is a method of transmitting powers through microphone cables to operate the electronic circuitry.

Ø  Polar patterns:

Ø  Omnidirectional pattern - Responses to sound in nearly all directions.

Ø  Cardioid pattern – rejects sound directly behind the microphone element.

Ø  Supercardioid pattern & hypercardioid pattern

Ø  Shotgun pattern – very narrow in front & has a narrow response from the rear. Good jobs in rejecting sounds from the sides.

2.3 Polar patterns & proximity

Ø  Will help decided if the microphone that is being used is appropriate for what we are trying to record.

Ø  Directionality in a microphone can be focused in sound source but directionality also causes proximity effects.

Ø  Proximity effects (audio) – is an increase in base or low frequency response when a sound source is close to a microphone.

Ø  Pop screen or pop filter – to protect the microphone and recording from consonents and smooths the sound of recording.

2.4 Preamps & Dis

Ø  Preamps – is a type of amplifier specifically designed to amplify very weak signals before the are fed to subsequence gain stages of devices.

Ø  Direct box (DI unit, DI box or DI) – is used to connect high level balance output to low level microphone balance input. It is also used to connect a electric guitar, a electric base or keyboard to a microphone input.

2.5 Cables and Connections 01

• Kabel yang seimbang dan tidak seimbang

• XLR connection

• TRS phone plug/ audio plug

2.6 Cables and Connections 02

• MIDI ( MUSICAL INSTRUMENT DIGITAL INTERFACE)

2.7 Audio Interface, Studio Monitors, and Headphones

• Audio Interface direka untuk membolehkan input dan output audio dari computer

•  Fire wire or USB

•  Mic level audio inputs

•  Line level audio inputs

2.8 Reaper Demo 01
2.9 Reaper Demo 02

2.10 Recording Electric Guitar 01

•  Simple setup would be an electric guitar amplifier and a microphone

2.11 Recording Electric Guitar 02

•   Podx3 live

•    Guitar amplifiers

•   Guitar speaker cabinets

•    Stomp boxes

2.12 Recording Bass Guitar

•    Pad button: before the signal gets to the preamp it actually make it 20 decibels quieter

2.13 Recording Acoustic Guitar

• Record using a 1991 MXL microphone as it is excellent on most sources, not just sound

3.1 Conclusion

•    Moving blankets or acoustic foam is the best method to make the most of your space and make it better.

# data[].attributes.body
18DDS19F1047
2. NUR AYU NATASYA
18DDS19F1061
3.MUHAMMAD AFIQ BIN AZIZ
18DDS19F1062

Audio production; learn the fundamentals

1.1 Introduction and signal to noise

This couse will explain about audio recording ,type of hardware ,microphones and more.

Audio recording

The capturing of a sound source ,the conversion from analog to digital information,and the storage of that information.

Dedicate system like digital audio workstation (DAW) for recording edition and manipulating audio

Signal to noise (SNR or S/N)

Signal to noise ratio compares the level of a desred signal to the level of background noise.

This concept can apply to many thing and literally noise too

-background

-generated

-microphone

-preamp

-guitar amplifier

A very important property of sound is that it become weaker as you increace the distance to the sound source .

Decibel changes

-+1dB =not a perceivable change

-+3Db =barely noticeable

-+10dB= about twice as loud

as you increase the signal to noise you get a cleaner clearer recording more of the sound that you want and less of the sound that you don’t want .
2.1 analog to digital conversion

All the digital recording will need some sort of device for the analog signal to be converted into digital bits and bytes .

Sample rate and bit depth

Sample rate

Taking a snapshot of the audio frozen in time the and simply how many times the audio to digital converter takes a snapshot of the audio per second .

Bit depth

Another term that you ll see when you re looking at digital audio gear . most modern device are 16bit at 2bit.

16-bit=65,536 levels

24-bit= 16,777,216

In summary

Sample rate provies frequency resolution

Bit depth provides amplitude resolution ultimately

Analog to digital converter is not an extra device that you will  need to get .
2.2 intro to microphone

Microphone convert acoustic energy into an electrical signal the

Type of microphone

-        Dynamic

-        Consender

Dynamic microphone are highly dependable rugged and reliable ,also fairy simple in construction but not super accurate modern .the sound fantastic and widely used in recording and live.

Condense microphone is much lighter than dynamic microphone and because the element is lighter it could respond much faster to vibration and is mre accurate .and it aso contain electronics .But condense are not quite as rugged or dureable as dynamic microphone.
2.3 pollar patterns and proximity

Polar pattern in a micrphone is important because it will help you decide if the microphone is appropriate for what are u trying to record directionality in a microphone .

Proximity is an increase in bass or low frequency response when a sund source is close to a microphone .proximity effect can be good to beef up a voice but if the singer or speaker is varying the distance from the microphone the bass respone will be all over the place .
2.4 preamps and dls

Every microphone gets a plugged into a preamp

A pream is a type of amplifier specifically designed to amplify very weak signals before they are fed t subsequent gain stages or devices .

Commonly used to bring things like the output of a microphone. Uo t level where more equipment can work

Dirext box or dls used to connect high impedance line unbalanced output t a low impedance microphone leval balanced input

Dis matching balance and moere to minimize noise distortion and ground loops .

2.5 Cables and Connections 01

·        TRS,phone plug,Audio Plug ,1/4 cable

A stereo/TRS (short for Tip/Ring/Sleeve) 1/4-inch plug looks like an analog stereo headphone plug. The tip is the end of the plug, the ring is the small middle section located between the two plastic dividers, and the sleeve is the rest of the metal part of the plug. ... This type of cord is typically used for headphones.

·        RCA  connector

The RCA connector is a type of electrical connector commonly used to carry audio and video signals. The name RCA derives from the company Radio Corporation of America, which introduced the design in the 1930s. The connectors male plug and female jack are called RCA plug and RCA jack

·        Audio snake

Audio snake cable, also known as audio multicore cable or multicore microphone cable, is a cable that contains anywhere from 4 to 64 individual audio cables inside a common outer jacket. They are used when multiple audio signals need to be conveyed between common locations.

2.6 Cables and Connections 02

·        MIDI :Musical instrument digital interface

MIDI (an acronym for Musical Instrument Digital Interface) is a technical standard that describes a communications protocol, digital interface, and electrical connectors that connect a wide variety of electronic musical instruments, computers, and related audio devices for playing, editing and recording music.
2.7 Audio Interface, Studio Monitors, and Headphones

An audio interface is a device that is designed to allow input and output of audio from personal Computer running audio software or USB protocols or using dedicated expansion card that installs in the computer.
2.8 Reaper Demo 01

Make many audio recording applications and complete audio production application for computers, offering a full multitrack audio and MIDI recording, editing, processing, mixing and mastering toolset.

2.9 Reaper Demo 02

Dicated video editor, REAPER can be used to cut and trim video files and to edit or replace the audio within. Common video effects such as fades, wipes and cross-fades are available. REAPER aligns video files in a project, as it would an audio track, and the video part of a file can be viewed in separate video window while working on the project

2.10 Recoding Electric Guitar 01

Electric guitar amplifier + microphone

The electric guitar amplifier is 23 watt tube amplifier and microphone is Shure beta 57. Microphone is set in the centre of the con and 2 to 3 inch from the con. It will give the microphone the good high frequency response.

2.11 Recoding Electric Guitar 02

Pod x3 live can model guitar amplifier, guitar speaker cabinets, stompboxes and others. it have a tons of amplifiers and virtual speaker cabinets. It can produce a lot of tones and the is very accurate.

2.12 Recoding Bass Guitar

Plug the bass guitar directly to audio interface if it near by. If it not the bass guitar had to plug into DI. Do not record the bass guitar using the same way as electric guitar because it will produce a lot of distortion. Mid range bass amplifier are bad.

2.13 Recoding Acoustic Guitar

Put the microphone clode to the guitar. Using two microphone put it in stereo one pan to the left other to the right. If change from stereo to mono it will make a problem.

3.1 Conclusion

It is just a fundamental course.

# data[].attributes.body
NAMA : SHATHISWARAN A/L THANACHELVAN
18DDS19F1060

# data[].attributes.body
1. NORNABIELA BINTI MOHAMMAD NASIR (18DDS19F1004)

2. MUHAMMAD ZUHAIR BIN KHASFUL ANUAR (18DDS19F1021)

3. MOHD FIRDAUS DANIAL BIN NORAZMI (18DDS19F1073)

Audio Recording: Capturing Sound Source
• Signal-to-noise ratio (SNR / S/R)
• Inverse Square Law (audio)

Decibel Changes:
+1dB = bukan perubahan yang dapat dilihat
+3dB = hampir tidak dapat dilihat
+10dB = lebih kurang dua kali lebih kuat

Audio Interface have two common spec term:
Sample Rate and Bit Depth.
• Sample Rate
Menyediakan resolusi frekuensi.
Standard: CD & iTunes audio sample rate: 44,100 (44.1K/44K)
Video work: 48K
High-definition Blu-ray disc & DVD have more higher rate.
• Bit Depth
Usually common 16-bit & 24-bit.
16-bit = 65,536 level
24-bit = 16,777,216 level

Stereo Recording
16-bit/44.1kHz = 1.4MB/s
24-bit/44.1kHz = 2.1MB/s
24-bit/48kHz = 2.3MB/s
24-bit/96kHz = 4.6MB/s
24-bit/48kHz standard video, apabila convert kualiti tak akan hilang.

There’s two type of common microphones:
1. Dynamic Microphones
2. Condenser Microphones

Phantom Power
• Kaedah menghantar kuasa melalui kabel mikrofon untuk mengendalikan elektronik.
- Omnidirectional Pattern: Response in nearly all direction.
- Cardioid Pattern: Reject sounds direct from behind the microphone.
- Super cardioid Pattern & Hyper cardioid Pattern: have a narrow shape and accept front and rear microphones but reject from rear angle.
- Shotgun Pattern: Very good at rejecting sounds from the side.

Polar Patterns & Proximity.
• Shure SM58 (Dynamic microphone, Cardioid Pattern)
• Behringer ECM 8000 (Condenser microphone, Omnidirectional Pattern)
• Shure Beta 57A (Hyper cardioid Pattern)
• EMMY 66 Sennheiser (Shotgun Pattern)

Preamps & Dis
Preamps
• Jenis Amplifier yang direka khusus untuk menguatkan isyarat yang sangat lemah sebelum mereka diberi kenaikan seterusnya secara berperingkat atau peranti. Direct Box (DI Unit, DI Box, or DI)
• Sambungkan output garis impendensi tinggi yang tidak seimbang ke input seimbang tahap mikrofon rendah. (via XLR connector)

CABLES AND CONNECTION 01
- Mempunyai banyak nama seperti TRS,Phone Plug,audio plug 1/4, 2.5mm(3/32”) dan 3.55mm(1/8)
- RCA Connector adalah sejenis penyambung elektrik yang biasa digunakan untuk membawa isyarat audio dan video.
- Audio snake juga dikenali sebagai audio multicore iaitu mempunyai dari 4 ke 64 individual audio cable yang boleh dicucuk.

Antara adapter yang boleh menghubungkan kabel ke yang lain adalah:

- 1/8 inci tip ring sleeve to a female quarter inci tip ring sleeve, Male quarter to female RCA, Female RCA to female RCA adapter, 3/32 inci mono plug dan pelbagai jenis lagi.

CABLES AND CONNECTION 02
- MIDI adalah standard komunikasi yang membolehkan peralatan muzik digital bertutur dalam bahasa yang sama.
- Penggunaan kabel yang berkualiti adalah sangat penting.

Audio interface,Studio monitors and headphones.

-  audio interface menyambung ke komputer menggunakan firewire atau usb protokol.
- Dalam audio interface terdapat banyak slot seperti mic,line dan instrument level inputs, line level output, S/PDIF Optical digital input dan output ,AES digital input dan output dan MIDI input output.

REAPER DEMO 01
- Mempunyai transport control untuk play,pause,record,butang loop dan time indicator.
- Boleh merakamkan satu persembahan band dengan plug in setiap peralatan muzik mereka ke dalam audio interface.

REAPER DEMO 02
- Dengan menggunakan normalize, boleh menolak lagi volume bunyi setiap audio track di channel.
- Reaper ini mempunyai banyak fleksibiliti untuk menyunting audio dari pelbagai jenis perspektif dan boleh juga duplicate track, copy, cut dan sebagainya.

RECORDING ELECTRIC GUITAR 01
- Amplifier adalah penguat 23 watt sederhana, dan mikrofon dijamin beta 57.
- Mikrofon diletakkan tepat di tengah kon dan mungkin 2 hingga 3 inci dari kon.

RECORDING ELECTRIC GUITAR 02
- Memasang instrumen terus ke antara muka audio.

RECORDING BASS GUITAR
- Jangan gunakan kabel instrumen yang terlalu panjang yang akan menimbulkan pelbagai masalah dengan bunyi bising.

RECORDING ACOUSTIC GUITAR
- Rakam menggunakan mikrofon MXL 1991 kerana sangat baik pada kebanyakkan sumber, bukan hanya suara, ia akan memberi bunyi yang sangat baik pada gitar akustik.

- Untuk kesan stereo, rakam sahaja dua kali menggunakan mikrofon yang sama dan kemudian masukkan masing-masing di dalam stereo. Perbezaan masa mungkin akan mengatasi pertindihan frekuensi.

3.1 KESIMPULAN
- Menggerakkan blankets atau foam akustik adalah kaedah terbaik untuk memanfaatkan ruang anda dan menjadikannya lebih baik.

# data[].attributes.body
1) MUHAMMAD ASRUL BIN ALI
NO MATRIKS : 18DDV19F1020

2) NURLIANA BINTI ABDUL KHALIL
NO MATRIKS : 18DDV19F1031

3) NUR SARA ELISA BINTI UMAR
NO MATRIKS : 18DDV19F1058

1.1 Introduction and Signal to Noise

Ø  Audio recording is the capturing of sound source, the conversion from analog to digital information, and the storage of the information.

Ø  DAW (Digital Audio Workstation) is conclude by a computer, audio interface, audio editing software.

Ø  Signal to noise ratio often abbreviated as SNR.

2.1 Analog to Digital Conversion

Ø  Analog Digital Converter (ADC) Digital to Analog Computers (DAC)

2.2 Intro to Microphones

Ø  Microphones (Dynamic and Condenser Mic)

2.3 Polar Pattern and Proximity

Ø  Cardioid, Hyper-Cardioid, Omni

2.4 Preamps and Dis

Ø  Amplifier

2.5 Cables and Connection 01

Ø  Balanced and Unbalanced Cables

Ø  XLR Connections

Ø  TRS Connections

Ø  RCA Cables

2.6   Cables and Connection 02

Ø  MIDI Cables (Musical Instrument Digital Interface

2.7   Audio Interface, Studio Monitor and Headphone

Ø  An audio interface is a device that is designed to allow input and output of audio from a personal computer   running audio software. Audio interfaces connect to the computer using Firewire or USB

- Type of level Input:

·Mic level inputs

·Line level input

·Instrument level input

·S / PDIF – optical or coaxial Digital Input and Output Line level outputs

- Input and Output:

·AES / EBU – Digital Input and Output

·ADAT Optical – 8 channel Digital Input and Outputs

·Headphone Outputs with Volume control

- Control:

·Studio monitor control (Mute, dim, Volume control, Speaker Switching)

·MIDI Input and Output

2.8 Reaper Demo 01.

2.9 Reaper Demo 02

2.10 Recording Electric Guitar 01

Ø  Speaker

2.11 Recording Electric Guitar 02

Ø  Amplifier

Ø  Pod x3

2.13 Recording Bass Guitar

2.14 Recording Acoustic Guitar

# data[].attributes.body
1) HAZIQAH BINTI HAZIZE
NO MATRIKS: 18DDS19F1008

2) MUHAMMAD SYAHMI BIN ABD RAHMAN
NO MATRIKS: 18DDS19F1020

INTRODUCTION AND SIGNAL TO NOISE.
-What is audio recording?
- Audio recording is the capture of a sound source, the conversion from analog to digital information in the storage of that information.
-Digital Audio Workstation or a DAW are dedicated systems used for recording editing and manupulating audio.
- An audio interface is a device that is designed to allow input and output of audio from a personal computer running audio software.
- Audio interfaces connect to the computer using firewire or USB protocols or using a dedicated expansion card that installs in that slot in the computer.

ANALOG TO DIGITAL CONVERSION.
- All digital recording will need some sort of device for the analog signal to be converted into digital bits and bytes.
- Analog to digital converter is not an extra device that you will need to get analog to digital converters or a dcs.
- Their counterparts digital to analog converters or Dax are built into audio interfaces, phones, mp3 players, computers, and TVs DVD players.

INTRO TO MICROPHONES.
- Microphones convert acoustic energy into an electrical signal the topic of microphones is complex.
-Most common types of microphones are:
- Dynamic
- Condenser

AUDIO INTERFACE, STUDIO MONITORS, AND HEADPHONES.
- The features are found an all audio interfaces are:
~ Mic Level Inputs
~ Line Level Inputs
~ Instrument Level Inputs
~ Line Level Outputs
~ S/PDIF-Optical or Coaxial Digital Inputs and Output.
~ AES/EBU- Digital Inputs and Outputs.
~ ADAT Optical- 8 Channel Digital Inputs and Outputs
~ Studio monitor control (mute, dim, volume control, speaker switching)
~ Headphone Output with Volume Control.
~ MIDI Input and Output.

# data[].attributes.body
Muhammad Fauzi Bin Abd Malek (18DDV19F1048)
Aiman Fikri Bin Mohd Sharif (18DDV19F1040)
Muhammad Aiman Hakim Bin Rasli@Rosli (18DDV19F1010)

1. Introduction and Signal to Noise
- Audio recording is the capturing of sound source, the conversion from analog to digital information, and the storage of the information.
- DAW (Digital Audio Workstation) is conclude by a computer, audio interface, audio editing software.
- Signal to noise ratio often abbreviated as SNR.
2. Analog to Digital Conversion
- Analog Digital Converter(ADC) Digital to Analog Computers(DAC)
3. Intro to Microphones
- Microphones ( Dynamic and Condenser Mic)
4. Polar Pattern and Proximity
- Cardioid, Hyper-Cardioid, Omni
5. Preams and Dis
- Amplifier
6. Cables and Connection 01
- Balanced and Unbalanced Cables
- XLR Connections
- TRS Connections
- RCA Cables
7. Cables and Connection 02
- MIDI Cables (Musical Instrument Digital Interface)
8. Audio Interface, Studio Monitors, and Headphones
- Firewire
- USB Protocols
- Mic Level Output
- Line Level Inputs
- Instruments Level Inputs
- Line Level Outputs
- S/PDIF-Optical Or Coaxial Digital Inputs and Outputs
- AES/EBU-Digital Digital Inputs and Outputs
- ADAT Optical-8 Digital Inputs and Outputs
- Studio Monitor Control
- Headphone Output with Volume Control
9. Reaper Demo 01
10. Reaper Demo 02
11. Recording Electric Guitar 01
- Speaker
12. Recording Electric Guitar 02
- Amplifier
- Pod X3
13. Recording Bass Guitar
14. Recording Acoustic Guitar

# data[].attributes.body
1. NUR HAFIZATULNATASHA BINTI NOR HAFFIZI
(18DDV19F1039)
2. NURUL AZWA BINTI MOHD NASIR
(18DDV19F1016)

# data[].attributes.body
1) NURUL AZWA BINTI MOHD NASIR
(18DDV19F1016)
2) NUR HAFIZATULNATASHA BINTI NOR HAFFIZI
(18DDV19F1039)
AUDIO STUFF
1) Microphone
2) Audio Recording
3) DAW
4) SNR
5) Inverse Square Law
6) Decibel
7) Analog to Digital Microphone
8) Dynamic and Condenser Microphone
9) Supercardioid pattern & Hypercardioid
10) Polar Pattern Demostration
11) A preamp
12) XLR connector
13) Cables and Connectors
14) TRS Cables and Connectors
15) Audio Snake
16) RCA

# data[].attributes.body
1. CHING YONG EN
18DDS19F1030
2. PURNAA MURUGARAJOO
18DDS19F1041
3. NUR SYUHADA BINTI ZAINOL
18DDV19F1004

Introduction and signal to noise

-Audio Recording is the capturing of a sound source, the conversion form analog to digital infomation, and the storage of that information.

-use digital audio workstation/DAW

-signal-to-noise ratio compares the level of a desired signal to the level of background noise.

-Inverse Square Law: When the distance to the sound source doubles, the level will decrease by 6dB.

- Decibel changes

+1dB= not a perceivable change

+3dB+barely noticeable

+10dB=about twice as loud

Analog to Digital Conversion

Analog-to-digital converters (ADCs) translate analog signals into digital values for use in processing and control systems.  Our portfolio of ADCs offers high speed devices with sampling speeds up to 10.4 GSPS and precision devices with resolution up to 32-bit, in a range of packaging options for industrial, automotive, medical, communication, enterprise and personal electronics applications.

-Stereo recording

16-bit/44.1kHz=1.4MB/s

24-bit/44.1kHz=2.1MB/s

24-bit/48kHz=2.3MB/s

24-bit/96kHz=4.6MB/s

Intro of microphone

-that converts sound into an electrical signal.

-used in many applications such as telephones, hearing aids, public address systems for concert halls and public events, motion picture production, live and recorded audio engineering, sound recording, two-way radios, megaphones, radio and television broadcasting.

-used in computers for recording voice, speech recognition, VoIP, and for non-acoustic purposes such as ultrasonic sensors or knock sensors.

The proximity effect(in audio) is an increase in bass or low frequency response when a sound source is close to a microphone

Preamps and Dis

A preamp is a type of amplifier specifically designed to amplify very weak signals before they are fed to subsequent gain stages or devices

A direct box is a great idea when you need to plug a passive instrument into a mixer or microphone preamp. It will shield your signal from unwanted noise while preserving the detail in your tone—especially the high frequencies—and allowing more volume.

Cables and Connection

Connector

-also input-output connector

* generally have a male end with pins protruding from it. This male plug connector is meant to be inserted into a female part (a female plug connector, also called a socket)

- hermaphroditic plugs which can act as either male or female plugs, and can be inserted into either one.

Pin layout

- inked to the electric wires that form the cable

-Each numbered pin generally corresponds to a wire within the cable, but sometimes one of the pins is left unused.

-in some cases, two pins may be linked to one another ,called a bridge.

Imput and output connectors

·      Serial port

·      Parallel port

·      USB ports

·      RJ45 connector

·      Jacks

Audio Interfaces, studio monitors & headphones

Audio Interfaces

An audio interface acts as the front end of your computer recording system. For example, let's say you connect a microphone and record yourself singing.

Studio monitors

Studio monitor are designed to not enhance sound at all, keeping all frequencies flat. What you get: purer, cleaner sound for more accurate mixing.

Headphone

single user listen to an audio source privately, in contrast to a loudspeaker, which emits sound into the open air for anyone nearby to hear.

# data[].attributes.body
Nama Pelajar :
1. MUHAMMAD HARRIS HAIKAL BIN HARUN (18DDV19F1003)
2. MUHAMMAD ARIFF BIN SAAIDON (18DDV19F1018)
3. MUHAMMAD ANAS HAKIM BIN ABDUL RAHIM (18DDV19F1041)

1.0 Introduction and Signal to Noise

Ø  Audio Recording is the capturing of a sound source, the conversation from analog to digital information, and the storage of that information.

Ø  Digital Audio Workstation (DAW) for recording editing and manipulating audio.

Ø  Signal to Noise Ratio (SNR) compares the level of a desired signal to the level of background noise.

Ø  Inverse Square Law (audio) : When the distance to the sound source doubles, the level will decrease by 6dB.

2.1 Analog to Digital Coversion

Ø  All digital recording will need some sort of device for analog signal to be converted into digital bits and bytes when the analog audio come.

Ø  Modern Device

Ø  Bit Depth - 16bit = 65,536 level
- 24bit = 16,777,216 level

Ø  Sample rate provides frequency resolution.

Ø  Bit Depth Provide amplitudes resolution.

Ø  Analog to digital converter are built into audio interface phone, Mp3 Player, computer, TVs and DVD player.

2.2 Introduction to Microphone

Ø  Microphone convert acoustic energy into an electrical signal.

Ø  Types of Microphone
-Dynamic
-Condenser

Dynamic

Ø  Dynamic microphone are highly dependable rugged and reliable.

Ø  Dynamic microphone are fairly simple in construction in fact they work much yhe same way a loud speaker does only in reverse

Ø  Widely used in recording and live production

Condenser

Ø  The diaphragm element which is the component that more when it get excited with sound is much lighter compared to a dynamic microphone.

Ø  Contain electronic to make them function

Ø  Phantom power in the context of professional audio equipment is a method of transmitting power through microphone cable to operate the electronic circuiting.

2.3 Polar Patterns and Proximing

Polar Patterns

Ø  Omnidirectional

Ø  Cardioid Pattern

Ø  Super Cardioid

Ø  Hyper Cardioid

Ø  Shotgun

Proximity

Ø  The Proximity effect is an increase in bass or lower frequency response when a sound source is close to a microphone.

2.4 Preamps and DIS

Preamps

Ø  Preamps is a place to plug microphone.

Ø  A preamp is a type of amplifier specifically designed to amplify very weak signals before they are fed to subsequent gain stages or devices

Ø  Preamps are called upon to deliver extremely high amounts of gain while introducing very low amounts of noise and distortion.

Direct Box (DI unit, DI Box or DI)

Ø  Used to connect a high impendace line unbalanced output to a low-impedance microphone level balanced input usually via  XLR connector put simply DI are used to connect an electric guitar electric bass or keyboard to a microphone input.

2.5 Cables and Connections 01

Connections –Balanced
-Unbalanced

Balanced Cables

Ø  Designed to reject external noise from radio and electromagnet sources and can be run long distances without picking up noise.

Ø  Cables : XLR, TRS, Phone Plug, Audio, ¼ cables

Unbalanced

Ø  A cable is considered “Unbalanced” when it takes the audio signal from a piece of equipment you are using(such as instrument or stereo system).

2.6 Cables and Connections 02

MIDI

Ø  Musical instrument digital interface

Ø  A way of transmitting musical information to an audio interface onto your computer

Ø  Contain information about the notes that’s youre playing the velocity

Ø  To control all kind of different device you can have a MIDI keyboard control several rack of sound sampler

Ø  Computer has far move memory and processing power than any keyboard

Ø  Only send MIDI data going to an audio interface that goes to a computer

Ø  USB goes directly to computer and particular product and cable have a special cable made by a reputable manufacturer

2.7 Audio Interface, Studio Monitors, and Headphones

An audio interface is a device that is designed to allow input and output of audio from a personal computer running audio software.

Connect to computer using FIREWIRE and USB

Features/Input&Output in audio interface

Ø  Mic level inputs

Ø  Line level inputs

Ø  Instrument level inputs

Ø  Line level output

Ø  S/PDIF- Optical or Coaxel Digital Inputs and Outputs

Ø  AES/EBU- Digital Input and Output

Ø  ADAT Optical -8- Channel Digital Input and Output

Ø  Studio monitor control (mute,dim,volume control,speaker,switching)

Ø  Headphones output with volume control

Ø  MIDI input and output

# data[].attributes.body
Nama pelajar:
1) NUR ANNISA BINTI CHE ZAMANI
( 18DDV19F1027 )
2) TUAN NURFAKHIRA NAJWA BINTI TUAN RIDZIUAN
( 18DDV19F1033 )

1.0 Introduction and Signal to Noise
- what is audio recording?
The capturing of a sound source, the conversion from analog to digital information and the storage of that information.
- Signal to noise ratio ( S/N, SNR ) compares the level of a desired signal to the level of background noise.
- Inverse Square Law ( audio ): when the distance to the sound source double the level will decrease by 6dB (decibel ).
- Decible changes :
> +1dB = not a perceivable charge
> +3dB = barely noticeable
> +10dB = about twice as loud

2.1 Analog to Digital Conversion
- Sample Rate
- example :
> taking a snapshot of the audio frozen in time.
> the sample rate is simply how many time the audio to digital converter takes a snapshot of the audio per second.
> CD audio sample rate = 44k
( 44.1k = 44.1kHz = 44.1kiloheartz )
> Video work = 48k
- Stereo Recorder
- 16-bit/44.1kHz = 1.4MB/s
- 24-bit/44.1kHz = 2.1MB/s
- 24-bit/48kHz = 2.3MB/s (standard)
- 24-bit/96kHz = 4.6MB/s

2.2 Intro to Microphone
- Convert acoustic energy into an electrical signal
- Types of microphone:
- Dynamic and Condenser Dynamic Mic
- Condenser Mic
- Shotgun Mic

2.3 Polar Patterns and Proximity
- The proximity effect ( in audio ) is an increase in bass or low frequency response when a sound source is close to a microphone.

2.4 Preamps and DIS ( Direct Box )
- Preamps- Types of amplifier specifically designed to amplify very weak signal before they are fed to subsequent gain stages/devices.
- Used to connect a high impedance line level unbalanced output to a low impedance microphone level balanced input usually via XLR connector.
> connect an electric guitar elective bass or keyboard to microphone input.

2.5 Cables and Connectors
- Cables
> balanced - reject external noise from radio and electromagnetic source
> unbalanced

2.7 Audio Interface, Studio Monitors, Headphones
- Audio Interface is a device that is designed to allow input and output of audio from a personal computer running audio software.
> connect to the computer using :
- FireWire
- USB
- Types of level input :
> microphone level input
> line level input
> instrument level input
> line level output
> S/PDIF-optical or coaxial Digital input and output
> AES/EBU- digital input and output
> ADAT optical-8 channel digital input and output
> headphones output with volume control
> MIDI input and output
- Studio Monitor are special speaker designed to give a very precise uncolored reproduction of sound.

# data[].attributes.attachment_link.title
Audio Production: Learn the Fundamentals

# data[].attributes.body
NURLIANA BINTI ABDUL KHALIL
18DDV19F1031
DDV4B

# data[].attributes.body
NUR HAFIZATULNATASHA BINTI NOR HAFFIZI
18DDV19F1039
DDV4B

# data[].attributes.body
18DDV19F1016
DDV4B(1)

# data[].attributes.body
NAMA:NUR AYU NATASYA
CLASS: DDS4C
NO MARTIKS:18DDS19F1061

https://drive.google.com/file/d/1VL1wsPpWT9GCzUOgRlbwPZ7Ktr3IN4Lh/view?usp=drivesdk

# data[].attributes.body
Nama: MOHD FIRDAUS DANIAL BIN NORAZMI
No. Matrik: 18DDS19F1073
Kelas: DDS4A

# data[].attributes.body
Purnaa A/P Murugarajoo
18DDS19F1041
DDS4B

# data[].attributes.body
KIRTHANA A/P KANDASAMY
18DDS19F1035
DDS4B

# data[].attributes.body
18DDS19F1020
DDS4A2

# data[].attributes.body
NAMA : DURGHASHINI A/P THISAISELVAN
NO MATRIK : 18DDS19F1006
NAMA : DAKHSHAYANI A/P RAMISH
NO MATRIK : 18DDS19F1022
NAMA :CHAKEREVERTHI A/L THAMIL CHELVAM
NO MATRIK : 18DDS19F1010

# data[].attributes.body
NAMA: MUHAMMAD AIMAN HAKIM BIN RASLI@ROSLI
NO MATRIK: 18DDV19F1010
KELAS: DDV4A1

( Klik link di bawah untuk melihat video kerana saiz video melebihi 10mb)
https://drive.google.com/file/d/1P3uZJ7wg33sYQC2UYlBENzLnxDzFiauS/view?usp=drivesdk

# data[].attributes.body
Video introduction
MUHAMMAD ANAS HAKIM BIN ABDUL RAHIM
18DDV19F1041
DDV4B

# data[].attributes.body
18DDV19F1040
DDV4A2
klik link untuk lihat video kerana saiz video melebihi 10mB
https://drive.google.com/file/d/1BLl-yrgkMVndU7SI75zD5WT24upyneam/view?usp=sharing

# data[].attributes.body
1. CHING YONG EN
18DDS19F1030
2. PURNAA MURUGARAJOO
18DDS19F1041
3. NUR SYUHADA BINTI ZAINOL
18DDV19F1004

# data[].attributes.body
MUHAMMAD FAUZI BIN ABD MALEK
18DDV19F1048
DDV4A2
(klik link untuk lihat video kerana saiz video melebihi 10mb)
https://drive.google.com/file/d/1-OvW7OSNgjmVfFRa2_wXEYDU5uxCD33Y/view?usp=sharing

# data[].attributes.body
Muhammad Fauzi Bin Abd Malek (18DDV19F1048)
Aiman Fikri Bin Mohd Sharif (18DDV19F1040)
Muhammad Aiman Hakim Bin Rasli@Rosli (18DDV19F1010)

# data[].attributes.body
NOM MATRIKS - 18DDV19F1058
KELAS :DDV4B

# data[].attributes.body
CHING YONG EN
18DDS19F1030
DDS4B

# data[].attributes.body
MUHAMMAD FADZIL BIN NORDIN
18DDS19F1047
DDS4C

# data[].attributes.body
Nama:Muhd Afiq Bin Aziz
No Matrik:18DDS19F1062
Kelas:DDS4c

Nama:MUHAMMAD FADZIL BIN NORDIN
No Matrik:18DDS19F1047
Kelas:DDS4c

Nama: NUR AYU NATASYA
No Matrik:18DDS19F1061
Kelas:DDS4c

# data[].attributes.attachment_link.title
Pink Green and Yellow Flat Graphic Lab Safety Rules Chemistry Poster (2)

# data[].attributes.body
NAMA : MUHAMMAD ASRUL BIN ALI
NO.MATRIKS : 18DDV19F1020
KELAS : DDV4B1

NAMA : NURLIANA BINTI ABDUL KHALIL
NO.MATRIKS : 18DDV19F1031
KELAS : DDV4B1

NAMA : NUR SARA ELISA BINTI UMAR
NO.MATRIKS : 18DDV19F1058
KELAS :DDV4B2

# data[].attributes.body
NAMA: HAZIQAH BINTI HAZIZE
KELAS: DDS4A
NO.MATRIKS: 18DDS19F1008

# data[].attributes.body
NAMA: SITI NUR FARAHIN BINTI MOHD BADRI
KELAS: DDS4A
NO MATRIKS: 18DDS19F1014

# data[].attributes.body
Nama:Muhd Afiq b. Aziz
No Matrik:18DDS19F1062
Kelas:DDS4C

# data[].attributes.body
Nama : MUHAMMAD HARRIS HAIKAL BIN HARUN
No Matrik : 18DDV19F1003
Kelas : DDV4B

# data[].attributes.body
NAME: TISYA RUBASHRIE SRIMAHRAN
MATRICS NUMBER: 18DDS19F1029
CLASS: DDS4B1

# data[].attributes.body
NAMA : MUHAMMAD ASRUL BIN ALI
NO. MATRIKS : 18DDV19F1020
KELAS : DDV4B1

# data[].attributes.attachment_link.title
MUHAMMAD ASRUL BIN ALI - 18DDV19F1020 - DDV4B1 - VIDEO PENGENALAN DIRI

# data[].attributes.body
NAMA : NORNABIELA BINTI MOHAMMAD NASIR
NO. MATRIK : 18DDS19F1004
KELAS : DDS4A

# data[].attributes.body
NAMA : KAUSALYAH A/P A.RAMES
NO. MATRIK : 18DDS19F1028
KELAS : DDS4B

# data[].attributes.body
NAMA :
TISYA RUBASHRIE
KIRTHANA KANDASAMY
KAUSALYAH A/P A. RAMES

NO.MATIK : 18DDS19F1028
18DDS19F1029
18DDS19F1035

KELAS : DDS4B

# data[].attributes.body
NAMA: NURSYAFIZAH BINTI RASDI
MATRIKS: 18DDS19F1009
KELAS: DDS4A

# data[].attributes.body
NAMA : MUHAMMAD ARIFF BIN SAAIDON
NO. MATRIK : 18DDV19F1018
KELAS : DDV4B1

# data[].attributes.body
Name :Dakhshayani Ramish
Matric number :18DDS19F1022
Class: Dds4A