# data[].attributes.headline
Pontormo. The Descent from the Cross. 1525–1528.

# data[].attributes.subject
Pontormo. The Descent from the Cross. 1525–1528.

# data[].attributes.body
Mannerism
Oil.  In the Capponi Chapel of the church of Santa Felicita in Florence.

# data[].attributes.body
Installation Art

# data[].attributes.headline
Nam June Paik. Electronic Superhighway: Continental U.S. 1995

# data[].attributes.subject
Nam June Paik. Electronic Superhighway: Continental U.S. 1995

# data[].attributes.body
Installation Art

# data[].attributes.body
Feminist Art

# data[].attributes.headline
Christo and Jeanne-Claude.  Running Fence Sonoma and Marin counties, California. 1972–76

# data[].attributes.subject
Christo and Jeanne-Claude.  Running Fence Sonoma and Marin counties, California. 1972–76

# data[].attributes.body
Earth Works
Make art that doesn't last.

# data[].attributes.headline
Robert Smithson. Spiral Jetty, Great Salt Lake, Utah. 1970

# data[].attributes.subject
Robert Smithson. Spiral Jetty, Great Salt Lake, Utah. 1970

# data[].attributes.body
Earth Works

# data[].attributes.body
Minimalism

# data[].attributes.body
Minimalism Acrylic
There is no deep meaning to the artworks

# data[].attributes.headline
Andy Warhol. Campbell’s Soup Cans. 1961–64

# data[].attributes.subject
Andy Warhol. Campbell’s Soup Cans. 1961–64

# data[].attributes.body
Pop Art
Exemplifying the ordinary

# data[].attributes.body
Pop Art
Wanted to find the lowest art form and exploit it.

# data[].attributes.body
Installation Art
Interactive and fun for everyone!

# data[].attributes.body
Post Abstraction
Encasutic painting

# data[].attributes.body
Post Abstraction
In response to abstract art

# data[].attributes.headline
Louise Nevelson. Sky Cathedral—Moon Garden Plus One. 1957–60

# data[].attributes.subject
Louise Nevelson. Sky Cathedral—Moon Garden Plus One. 1957–60

# data[].attributes.body
Abstract Expressionism

# data[].attributes.headline
Helen Frankenthaler. Mountains and Sea. 1952

# data[].attributes.subject
Helen Frankenthaler. Mountains and Sea. 1952

# data[].attributes.body
Abstract Expressionism
America Oil and Charcoal

# data[].attributes.headline
Mark Rothko No. 61 (Rust and Blue), 1953

# data[].attributes.subject
Mark Rothko No. 61 (Rust and Blue), 1953

# data[].attributes.body
Abstract Expressionism
Wanted people to cry when they saw his work if they understood it. Russian-American

# data[].attributes.headline
Jackson Pollock Autumn Rhythm: Number 30. 1950

# data[].attributes.subject
Jackson Pollock Autumn Rhythm: Number 30. 1950

# data[].attributes.body
Abstract Expressionism
About the movement and experience of the art.

# data[].attributes.body
Cubism
World War II Oil

# data[].attributes.body
Social Realism in America
World War II, cities were quite empty. Oil

# data[].attributes.body
Mexican Art
Two sides of the artist. She was in an accident and had lots of health problems. Oil

# data[].attributes.headline
Jacob Lawrence, Migration of the Negro series, 1940-41

# data[].attributes.subject
Jacob Lawrence, Migration of the Negro series, 1940-41

# data[].attributes.body
Harlem Renaissance
America, Tempura

# data[].attributes.body
American Regionalism
The models are the artist's dentist and the artist's sister
Oil

# data[].attributes.body
American Regionalism Oil

# data[].attributes.headline
Piet Mondrian. Composition (Composition with Red, Blue, and Yellow). 1930

# data[].attributes.subject
Piet Mondrian. Composition (Composition with Red, Blue, and Yellow). 1930

# data[].attributes.body
De Stijl (The Style)
Netherlands Oil

# data[].attributes.body
Organic Sculpture
English artist

# data[].attributes.headline
Alexander Calder. Lobster Trap and Fish Tail. 1939 

# data[].attributes.subject
Alexander Calder. Lobster Trap and Fish Tail. 1939 

# data[].attributes.body
Organic Sculpture
America

# data[].attributes.headline
Meret Oppenheim. Object (Luncheon in Fur). 1936 

# data[].attributes.subject
Meret Oppenheim. Object (Luncheon in Fur). 1936 

# data[].attributes.body
Surrealism
German born swiss artist. Got this idea when she was at a café with Picasso and she had a fur bracelet on. He choked you could cover anything in fur and that is what sparked this idea.

# data[].attributes.body
Surrealism

# data[].attributes.headline
Salvador Dalí. The Persistence of Memory. 1931 

# data[].attributes.subject
Salvador Dalí. The Persistence of Memory. 1931 

# data[].attributes.body
Surrealism
Spanish Oil

# data[].attributes.headline
René Magritte, The Treachery of Images, 1928-29

# data[].attributes.subject
René Magritte, The Treachery of Images, 1928-29

# data[].attributes.body
Surrealism
Again, questioning what is art. France Oil

# data[].attributes.body
Surrealism
Artist had no food so he painted what he hallucinated. Spanish
oil

# data[].attributes.body
German Expressionism
Was created for the Socialist Working-Class Youth for the Central German Youth Day in Leipzig. Lithograph

# data[].attributes.headline
Hannah Höch, Cut with the Kitchen Knife through the Beer-Belly of the Weimar Republic, 1919

# data[].attributes.subject
Hannah Höch, Cut with the Kitchen Knife through the Beer-Belly of the Weimar Republic, 1919

# data[].attributes.body
Dada
Collage, can b kind of broken up into four quadrants. Artist was not happy with the German government.

# data[].attributes.headline
Raoul Hausmann. Mechanical Head (Spirit of the Age). ca. 1920 

# data[].attributes.subject
Raoul Hausmann. Mechanical Head (Spirit of the Age). ca. 1920 

# data[].attributes.body
Dada
Germany, are we losing our humanity?

# data[].attributes.headline
Hans Arp, Squares Arranged According to the Laws of Chance, 1916-17

# data[].attributes.subject
Hans Arp, Squares Arranged According to the Laws of Chance, 1916-17

# data[].attributes.body
Dada
Switzerland Collage

# data[].attributes.headline
Giorgio de Chirico. Mystery and Melancholy of a Street. 1914  

# data[].attributes.subject
Giorgio de Chirico. Mystery and Melancholy of a Street. 1914  

# data[].attributes.body
Responses to Modernism
France Oil

# data[].attributes.body
Responses to Modernism
Is this really art?

# data[].attributes.headline
Umberto Boccioni. Unique Forms of Continuity in Space, 1913

# data[].attributes.subject
Umberto Boccioni. Unique Forms of Continuity in Space, 1913

# data[].attributes.body
Italian Futurism
Broke a lot of the futurism rules had curved lines, looks like something.

# data[].attributes.headline
Giacomo Balla, Dynamism of a Dog on a Leash, 1912

# data[].attributes.subject
Giacomo Balla, Dynamism of a Dog on a Leash, 1912

# data[].attributes.body
Italian Futurism
Interest in motion pictures. Oil

# data[].attributes.body
German Expressionism
You can almost hear the sounds of the birds. Maybe this is a coo-coo clock. Watercolor pen and ink oil transfer.

# data[].attributes.body
German Expressionism Pure geometric shape is the only thing that can adequately express emotion. Watercolor

# data[].attributes.headline
Vasily Kandinsky. Sketch I for   “Composition VII.” 1913 

# data[].attributes.subject
Vasily Kandinsky. Sketch I for   “Composition VII.” 1913 

# data[].attributes.body
German Expressionism Oil

# data[].attributes.headline
Vasily Kandinsky, Improvisation 28 (second version), 1912

# data[].attributes.subject
Vasily Kandinsky, Improvisation 28 (second version), 1912

# data[].attributes.body
German Expressionism
Get down to pure emotion and not about subject matter.Oil

# data[].attributes.headline
Ernst Ludwig Kirchner, Street, Berlin, 1913

# data[].attributes.subject
Ernst Ludwig Kirchner, Street, Berlin, 1913

# data[].attributes.body
Die Brucke (The Bridge) Oil

# data[].attributes.headline
Ernst Ludwig Kirchner. Street, Dresden. 1908 

# data[].attributes.subject
Ernst Ludwig Kirchner. Street, Dresden. 1908 

# data[].attributes.body
Die Brucke (The Bridge) Germany Oil

# data[].attributes.headline
Pablo Picasso. Guitar, Sheet Music, and Wine Glass. 1912

# data[].attributes.subject
Pablo Picasso. Guitar, Sheet Music, and Wine Glass. 1912

# data[].attributes.body
Synthetic Cubism
A collage

# data[].attributes.body
Analytical Cubism
Wanted to view different perspectives all at once. Oil

# data[].attributes.headline
Pablo Picasso. Les Demoiselles d’Avignon (The Young Ladies of Avignon). 1907

# data[].attributes.subject
Pablo Picasso. Les Demoiselles d’Avignon (The Young Ladies of Avignon). 1907

# data[].attributes.body
Cubism, Oil

# data[].attributes.body
Fauvism
Artist didn't want there to be space rendered. Oil

# data[].attributes.headline
Henri Matisse. Femme au chapeau (Woman with a Hat). 1905 

# data[].attributes.subject
Henri Matisse. Femme au chapeau (Woman with a Hat). 1905 

# data[].attributes.body
Fauvism
Fauvism means wild beasts. Depicts Matisse's wife. French Oil

# data[].attributes.headline
Constantin Brancusi. Bird in Space. 1928

# data[].attributes.subject
Constantin Brancusi. Bird in Space. 1928

# data[].attributes.body
Early Modernism
Focused on animals movement
America

# data[].attributes.headline
White on White by Kasimir Malevich, 1918 

# data[].attributes.subject
White on White by Kasimir Malevich, 1918 

# data[].attributes.body
Suprematism
World War I was happening at the time he made this art. He called his style of painting Suprematism. His art can be considered Utopian because he was trying to show the possibilities for a bright future through his artwork. By getting down to pure geometric shapes he was trying to show the endless possibilities for the future and how the people could make their future into whatever they wanted it to be.

# data[].attributes.body
You can see the influence of Cubism as he renders geometric shapes and patterns. You can also see the influence of Fauvism with his bright use of colors to try and trigger a certain feeling within the viewer. He combines these things as he shows his love and reminiscence for his hometown in Russia and how the Jews can finally start adapting a culture of their own.

# data[].attributes.headline
Marcel Duchamp’s Nude Descending a Staircase, 1912 

# data[].attributes.subject
Marcel Duchamp’s Nude Descending a Staircase, 1912 

# data[].attributes.body
Cubism
Some artistic influences on this work were that of cubism, and artists were also trying to get optical effects not so much by color but by rendering space. He also entered it into the exhibition Association of American Painters and Sculptors. Duchamp probably didn’t care too much for technology, but he could not deny the fact that that was where mankind was heading. He revealed that in his work by making the woman figure look and move robot like. All critics either didn’t like it or were shocked and disgusted by his painting. He painted the one thing art was never supposed to paint: the logic of industrial production.

# data[].attributes.headline
Alphonse Mucha, Dreaming (Reverie), lithograph, 1897

# data[].attributes.subject
Alphonse Mucha, Dreaming (Reverie), lithograph, 1897

# data[].attributes.body
Art Nouveau
France

# data[].attributes.headline
Victor Horta. Interior stairwell of the Tassel House, Brussels. 1892–93

# data[].attributes.subject
Victor Horta. Interior stairwell of the Tassel House, Brussels. 1892–93

# data[].attributes.body
Art Nouveau
Belgium

# data[].attributes.headline
Auguste Rodin. The Burghers of Calais. 1884-89

# data[].attributes.subject
Auguste Rodin. The Burghers of Calais. 1884-89

# data[].attributes.body
Symbolism

# data[].attributes.headline
Henry Ossawa Tanner. Angels Appearing before the Shepherds. ca. 1910 

# data[].attributes.subject
Henry Ossawa Tanner. Angels Appearing before the Shepherds. ca. 1910 

# data[].attributes.body
Symbolism
France, African American

# data[].attributes.body
Symbolism
Germany, Austrian

# data[].attributes.headline
Henri Rousseau, The Sleeping Gypsy, 1897

# data[].attributes.subject
Henri Rousseau, The Sleeping Gypsy, 1897

# data[].attributes.body
Symbolism
France

# data[].attributes.body
Symbolism
Norway or Germany

# data[].attributes.headline
Odilon Redon. The Eye Like a Strange Balloon Mounts Toward Infinity, 1878

# data[].attributes.subject
Odilon Redon. The Eye Like a Strange Balloon Mounts Toward Infinity, 1878

# data[].attributes.body
Symbolism
France

# data[].attributes.headline
Paul Gauguin. The Vision after the Sermon, 1888

# data[].attributes.subject
Paul Gauguin. The Vision after the Sermon, 1888

# data[].attributes.body
Post-Impressionism
France

# data[].attributes.body
Post-Impressionism
Dutch

# data[].attributes.body
Post-Impressionism
Dutch

# data[].attributes.headline
Henri de Toulouse-Lautrec. La Goulue. 1891 

# data[].attributes.subject
Henri de Toulouse-Lautrec. La Goulue. 1891 

# data[].attributes.body
Post-Impressionism
France

# data[].attributes.headline
Henri de Toulouse-Lautrec, At the Moulin Rouge, 1892

# data[].attributes.subject
Henri de Toulouse-Lautrec, At the Moulin Rouge, 1892

# data[].attributes.body
Post-Impressionism
France

# data[].attributes.headline
Paul Cézanne. Mont Sainte-Victoire Seen from Bibemus Quarry. ca. 1900 

# data[].attributes.subject
Paul Cézanne. Mont Sainte-Victoire Seen from Bibemus Quarry. ca. 1900 

# data[].attributes.body
Post-Impressionism
France

# data[].attributes.headline
Paul Cézanne. Mont Sainte-Victoire. ca. 1885–87 

# data[].attributes.subject
Paul Cézanne. Mont Sainte-Victoire. ca. 1885–87 

# data[].attributes.body
Post-Impressionism
France

# data[].attributes.headline
Paul Cézanne. Still Life with Apples in a Bowl. 1879–83

# data[].attributes.subject
Paul Cézanne. Still Life with Apples in a Bowl. 1879–83

# data[].attributes.body
Post-Impressionism
France

# data[].attributes.body
The Aesthetic Movement
France

# data[].attributes.headline
James Abbot McNeill Whistler. Nocturne in Black and Gold: ca. 1875

# data[].attributes.subject
James Abbot McNeill Whistler. Nocturne in Black and Gold: ca. 1875

# data[].attributes.body
The Aesthetic Movement
England, originally from America

# data[].attributes.headline
William Morris (Morris & Co.). Green Dining Room (William Morris Room). 1867

# data[].attributes.subject
William Morris (Morris & Co.). Green Dining Room (William Morris Room). 1867

# data[].attributes.body
Arts and Crafts Movement
England

# data[].attributes.headline
John Everett Millais. Christ in the Carpenter’s Shop. 1849–50

# data[].attributes.subject
John Everett Millais. Christ in the Carpenter’s Shop. 1849–50

# data[].attributes.body
Pre-Raphaelite Brotherhood
England

# data[].attributes.headline
Angelica Kauffmann, Cornelia Presenting Her Children as Her Treasures, ca. 1785. The Awakening Conscience. 1853 

# data[].attributes.subject
Angelica Kauffmann, Cornelia Presenting Her Children as Her Treasures, ca. 1785. The Awakening Conscience. 1853 

# data[].attributes.body
Pre-Raphael Brotherhood
England

# data[].attributes.body
Impressionism
France, artist originally from America.

# data[].attributes.body
Impressionism
American artist, painting shown in France

# data[].attributes.body
Impressionism
France

# data[].attributes.body
Impressionism
France

# data[].attributes.headline
Camille Pissarro. Climbing Path, L’Hermitage, Pontoise. 1875

# data[].attributes.subject
Camille Pissarro. Climbing Path, L’Hermitage, Pontoise. 1875

# data[].attributes.body
Impressionism
France

# data[].attributes.headline
Auguste Renoir. Luncheon of the Boating Party. 1881

# data[].attributes.subject
Auguste Renoir. Luncheon of the Boating Party. 1881

# data[].attributes.body
Impressionism
France

# data[].attributes.headline
Auguste Renoir. Dance at La Moulin de la Galette, 1876

# data[].attributes.subject
Auguste Renoir. Dance at La Moulin de la Galette, 1876

# data[].attributes.body
Impressionism
France

# data[].attributes.body
Impressionism
France

# data[].attributes.headline
Claude Monet. The Gare Saint-Lazare: Arrival of a Train. 1877

# data[].attributes.subject
Claude Monet. The Gare Saint-Lazare: Arrival of a Train. 1877

# data[].attributes.body
Impressionism
France

# data[].attributes.headline
Claude Monet. Impression, Sunrise. 1872 

# data[].attributes.subject
Claude Monet. Impression, Sunrise. 1872 

# data[].attributes.body
Impressionism
France
"Exhibition of the Impressionists" in Paris in April, 1874.

# data[].attributes.headline
Thomas Eakins, Max Schmitt in a Single Scull, 1871 (Realism in America)

# data[].attributes.subject
Thomas Eakins, Max Schmitt in a Single Scull, 1871 (Realism in America)

# data[].attributes.body
Realism

# data[].attributes.body
Realism
France

# data[].attributes.headline
Édouard Manet. The Luncheon on the Grass (Le Dejeuner sur l’Herbe). 1863

# data[].attributes.subject
Édouard Manet. The Luncheon on the Grass (Le Dejeuner sur l’Herbe). 1863

# data[].attributes.body
Realism
France

# data[].attributes.headline
Rosa Bonheur. Plowing in the Nivernais. 1849

# data[].attributes.subject
Rosa Bonheur. Plowing in the Nivernais. 1849

# data[].attributes.body
Realism
France

# data[].attributes.headline
Gustave Courbet. The Stone Breakers. 1849

# data[].attributes.subject
Gustave Courbet. The Stone Breakers. 1849

# data[].attributes.body
Realism
France

# data[].attributes.headline
Gustave Courbet. Burial at Ornans. 1849–50

# data[].attributes.subject
Gustave Courbet. Burial at Ornans. 1849–50

# data[].attributes.body
Realism
France

# data[].attributes.headline
Eugène Delacroix, Death of Sardanapalus, 1827 

# data[].attributes.subject
Eugène Delacroix, Death of Sardanapalus, 1827 

# data[].attributes.body
Romanticism
From a poem. France

# data[].attributes.headline
Eugène Delacroix,Liberty Leading the People, 1830

# data[].attributes.subject
Eugène Delacroix,Liberty Leading the People, 1830

# data[].attributes.body
Romanticism
France

# data[].attributes.headline
Eugène Delacroix, Scenes from the Massacre at Chios, 1824

# data[].attributes.subject
Eugène Delacroix, Scenes from the Massacre at Chios, 1824

# data[].attributes.body
Romanticism
France

# data[].attributes.headline
Géricault, The Raft of the Medusa, 1818–19

# data[].attributes.subject
Géricault, The Raft of the Medusa, 1818–19

# data[].attributes.body
Romanticism
France

# data[].attributes.headline
Antoine-Jean Gros, Napoleonin the Pesthouse at Jaffa, 1804

# data[].attributes.subject
Antoine-Jean Gros, Napoleonin the Pesthouse at Jaffa, 1804

# data[].attributes.body
Romanticism
France

# data[].attributes.headline
Jean-Auguste-Dominique Ingres. Portrait of Napoleon on His Imperial Throne. 1806 

# data[].attributes.subject
Jean-Auguste-Dominique Ingres. Portrait of Napoleon on His Imperial Throne. 1806 

# data[].attributes.body
Romanticism
France

# data[].attributes.headline
Caspar David Friedrich. Abbey in an Oak Forest, 1809–10

# data[].attributes.subject
Caspar David Friedrich. Abbey in an Oak Forest, 1809–10

# data[].attributes.body
Romanticism
Germany

# data[].attributes.headline
Caspar David Friedrich, Monk by the Sea, c. 1810

# data[].attributes.subject
Caspar David Friedrich, Monk by the Sea, c. 1810

# data[].attributes.body
Romanticism
Germany

# data[].attributes.body
Romanticism
Britain