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Taken in Savannah, GA, this photograph utilizes color and action to represent the transitional phase between life and death. The subject is depicted quite brightly, with the use of foreground lighting and the colors she is adorned in. However, the background is quite ominous, with extremely dark greens and slivers of light shining through. The differences in color/lighting, coupled with the subject's actions, constitutes a 'return to nature,' and a person's ordained fate to succumb.

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Just like the one previous, this photograph depicts a 'return to nature,' and the fate each person has to return to the manipulation of small creatures like this spider.

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Depicted here is a horse farm in Chapel Hill during a rather peculiar evening. Fog has set into the middle-ground, creating the disposition that there are no living beings in the pasture. Through this, we are left with a feeling of vacancy and abandonment.

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On the same horse farm, I captured one of the mares at this wildly personal angle. This photo reflects absurdity to me because of the focal point, angle, and the representation of the mare herself. I focus primarily on her left eye and leave everything else unfocused/blurred. I create the illusion that this is her most prominent feature, which is far from the truth. The angle contributes to her representation, making her appear rather compact. When in reality, she is over 16 hands in size.

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As I've worked with this photograph, I've come to like titling it "A Vision of Grace." It seems as though Grace is on the opposite end of a desolating event, having been left literally 'haunted.' To me, she represents one that has bore witness, and in doing so, has become nearly a shadow of her former self.