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Brabantio is treating Desdemona like an animal. He asks her who she will "obey" which implies that she has a master. He is calling her his "child" instead of his daughter even thought she is a grown woman who can make her own decisions now.

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Iago is telling Roderigo that he can't believe how much he would let go of for a woman. He thinks it is unmanly, and that he shouldn't let love influence him that much.

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Iago is pretending to be on Othello's side. He is the one back stabbing him. He is telling him that he was trying to defend him. The truth being that he blamed him in the first place.

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Iago is saying that he hates Othello because he did not choose him for the job he wanted. He says that many nobleman asked him to give Iago the position, however he chose Cassio.

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Iago refers to Othello as a "Black ram" and to Desdemona as a " White lamb". Not only is this racism, but it is also labeling two people as a certain way through anger. A white lamb represents purity, and innocence as the black ram represents the polar opposite.

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Iago: "But he kept chattering so foolishly, talking about you in such insulting and despicable terms, that it was hard for me to restrain myself..." (Shakespeare, p.19)

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Iago: "...And who does he choose? A guy who knows more about numbers than fighting!"
(Shakespeare, p.3)

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Iago: "If you do that, i'll never respect you again. Why, you silly man!" (Shakespeare, p.53)

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Iago: "... At this very minute an old black ram is having sex with your little white lamb..." (Shakespeare, p.9)

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Theme 4: Manhood, Reputation, and Honour

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Theme 4: Manhood, Reputation, and Honour

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Theme 3: Appearances vs Reality  (Lies vs the Truth)

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Theme 3: Appearances vs Reality  (Lies vs the Truth)

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Theme 2: Jealousy as a Part of Human Nature

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Theme 2: Jealousy as a Part of Human Nature

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Theme 1: Identity and Prejudice within a society

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Theme 1: Identity and Prejudice within a society

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Brabantio: "Please let her speak. If she admits she wanted this, then I won't blame Othello. Come here, my child. Who do you obey here?"
(Shakespeare, p.43)