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A genre is which aims to capture people in real-life situations

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The standard photographic film format for analog single lens reflex (SLR) still cameras and motion picture cameras

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A type of camera with two objective lenses of the same focal length, one takes the picture while the other acts as the view finder.

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Cameras that use sheet film sized 4x5'' or larger with the most common film sizes being 4x5" and 8x10", it was the first photographic method of making 1:1 prints before enlargers.

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The photographic process used with currently available black-and-white films and printing papers. A suspension of silver salts in gelatin is coated onto a support such as glass, flexible plastic or film, baryta paper, or resin-coated paper.

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A relatively new development that collect, exhibit, research, and maintain the photo collection at a museum. They are also responsible for the storage and presentation of photographical collections.

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A public display of works of art or items of interest, held in an art gallery or museum or at a trade fair.

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The role of any rule of composition is to draw the eye into a photograph which refers to using elements of a scene to create a frame within your frame

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A room or building for the display or sale of works of art.

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The exclusive legal right, given to an originator or an assignee to print, publish, perform, film, or record literary, artistic, or musical material, and to authorize others to do the same.

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A mark made upon a surface, it is one dimensional and can vary in width, direction, and length.

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An area of enclosed space that are two-dimensional which is flat, and can only have height and width.

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The direct consequence of reflection of light and one of the most important elements of art.

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The three-dimensional shape that has volume takes up shape, and gives illusion.

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The way a surface feels or how it looks like it would feel.

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The lightness or darkness of the color of an object.

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It is used to create the illusion of depth.

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The distribution of the visual weight of objects, colors, texture, and space.

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The use of several elements of design to hold the viewer’s attention and to guide the viewer’s attention and to guide the viewer’s eye through and around the work of art.

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The repeating of an object or symbol all over the work of art.

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The feeling of unity created when all parts (sizes, amounts, or number) relate well with each other

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The path the viewer’s eye takes through the work of art, often to focal areas.

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Taking the parts of a piece of art and unifying them in to something better as a whole.

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The part of the design that catches the viewer’s attention.

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A basic body plan in which the organism can be divided into similar halves by passing a plane at any angle along a central axis, characteristic of sessile and bottom-dwelling animals, as the sea anemone and starfish.

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A line that splits an object in half and, if both sides of the object are an exact mirror image of each other.

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Instead of mirror images or an equal weight on each side of the photograph, the image is balanced by the creative use of size, tone, and form of the subjects within the composition.

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Placing two things together in order to show a contrast.

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Exactly what it sounds like. Just one color. By picking different shades of the same color, you can highlight different areas of your photographs.

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A means of depicting a visual image that does not have an immediate association with the object world and that has been created through the use of photographic equipment, processes or materials.

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Description of colors that are calm or soothing in nature.

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Description of colors that are vivid or bold in nature.

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Pairs of colors which, when combined or mixed, cancel each other out by producing a grayscale color like white or black.

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Colors that don't usually show up on the color wheel.

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A "rule of thumb" or guideline which applies to the process of composing visual images such as designs, films, paintings, and photographs.

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A composition rule that is used for creating an image that is naturally more pleasing to the eye.

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A simple composition line concept in which the viewer's eyes are naturally drawn along vertical lines, parallel lines, diagonal lines and even strong horizontal lines.

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The main focus of a picture, while negative space refers to the background.

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The space around and between the subject(s) of an image.

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The main light (or one of the main lights) that is positioned in such a way that it faces the camera.

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A soft lighting with neither the intensity nor the glare of direct lighting.

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A light that is already present in a scene, before any additional lighting is added.

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The effect of light modeling in painting, drawing, or printmaking, where three-dimensional volume is suggested by the value gradation of color and the analytical division of light and shadow shapes—often called "shading".

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A view of an object or a scene consisting of the outline and a featureless interior, with the silhouetted object usually being black.

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Pairs of closely associated portraits, images or themed pictures are often used to off-set one another.

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A common style used in modern commercial artwork where the photographs are usually arranged with a plain border between them.

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Picture elements that are the smallest unit of information that make up a picture.

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The process of taking photographs during the time of the day

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The period of daytime shortly after sunrise or before sunset, during which daylight is redder and softer than when the Sun is higher in the sky.

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Standardized means of organizing and storing digital images.

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An image file that contains minimally processed data from the image sensor of either a digital camera, a motion picture film scanner, or other image scanner.

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A layered image file used in Adobe PhotoShop.

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a format for compressing image files.

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An image format file for high-quality graphics.

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A mode in a digital camera where the camera's software fully controls all aspects of the photograph, from the shutter speed to the aperture setting to the focus.

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A mode on a camera that allows the photographer to determine the exposure of an image by letting them select an aperture value and a shutter speed value.

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A setting on some cameras that allows the user to set a specific aperture value (f-number) while the camera selects a shutter speed to match it that will result in proper exposure based on the lighting conditions as measured by the camera's light meter.

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A mode in which manually chooses a shutter speed setting while the camera automatically adjusts the aperture for each shot.

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A mode in which the camera still sets the exposure for you and it chooses the correct aperture and shutter speed for the light available, so your shot is correctly exposed.

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International Organization of Standardization, which is the main governing body that standardizes sensitivity ratings for camera sensors (among many other things).

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The commonly-used term to describe visual distortion which looks similar to grain found in film photographs, but can also look like splotches of discoloration when it's really bad, and can ruin a photograph.

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A scale created by the American Standards Association, but it is no longer widely used.

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A film photography term, and its digital counterpart is “noise,” though the two terms are sometimes used interchangeably in digital photography.

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A sensor that detects and conveys information used to make an image.

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Denoting or relating to a camera that combines the optics and mechanisms of a single-lens reflex camera with a digital imaging sensor, rather than photographic film.

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A set of data describing and providing information about rights and administration of an image.

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A small image that represents a larger one which are often used to provide snapshots of several images in a single space.

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“Straight Out Of Camera”, simply meaning that an image can be good enough to print straight from the camera without further processing.

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An image stabilization technology that minimizes blur caused by camera shake.

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Points that a camera uses to focus on a subject.

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The general technique of taking several shots of the same subject using different camera settings.

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The vertical bar under the scale that predicts a photo's exposure, relative to the standard exposure, taken with the current meter reading and using the current exposure settings.

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A technique for adjusting the exposure indicated by a photographic exposure meter, in consideration of factors that may cause the indicated exposure to result in a less-than-optimal image.

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Sports mode or continuous high speed mode, is a shooting mode in still cameras.

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a camera setting corresponding to a particular f-number.

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The unit of measurement that defines the size of the opening in the lens that can be adjusted to control the amount of light reaching the film or digital sensor.

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The aesthetic quality of the blur produced in the out-of-focus parts of an image produced by a lens.

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The distance between the closest and farthest objects in a photo that appears acceptably sharp.

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A measure of how strongly the system converges or diverges light; it is the inverse of the system's optical power.

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The length of time when the film or digital sensor inside the camera is exposed to light, also when a camera's shutter is open when taking a photograph.

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A momentary-action mode that holds shutters open for as long as a photographer depresses the shutter-release button.

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The apparent streaking of moving objects in a photograph or a sequence of frames, such as a film or animation.

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A term used to define the act of accidentally shaking a camera during shooting due to unsteady hands, which results in blurry images. It generally occurs more often if you're shooting on a low shutter speed or with a heavy lens, and can be avoided by using a tripod and cable release setup.

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A three-legged stand for supporting a camera or other apparatus.

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A feature many digital cameras and video cameras use to accurately balance color.

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Light that comes more or less directly from sun: it varies very widely in brightness, color and quality.

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Out of sunlight [uncountable] slight darkness or shelter from the direct light of the sun made by something blocking it a plant that needs a lot of in the shade (of something)

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Even light is falling over your entire scene. A bright sun and well-defined clouds create strong light and powerful shadows. If you don't want those shadows yet love natural light, shoot when it's overcast.

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An artificial lighting source (like a lamp or ceiling fixture) that emits heat and produce a “warmer” or reddish color. It is distinguished from fluorescent lighting (which generates much lower heat), and strobe lighting.

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This mode is used for getting brighter and warmer shots while compensating for the cool shade of fluorescent light.

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A device used to produce a flash of artificial light (typically 1/1000 to 1/200 of a second) at a color temperature of about 5500 K to help illuminate a scene.

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Description of the darkest parts of an image.

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Range of tones which lie between highlights with detail and shadows with detail.

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A bright spot in a photograph.

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A form of photographic print toning – a tone added to a black and white photograph in the darkroom to “warm” up the tones (though since it is still a monochromatic image it is still considered black and white).

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Process of editing the data captured by camera while taking the photo to enhance the image.

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A kind of photography involves using a long-duration shutter speed to sharply capture the stationary elements of images while blurring, smearing, or obscuring the moving elements.

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A technique whereby the frequency at which film frames are captured is much more spread out than the frequency used to view the sequence.

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The Art Form of using handheld lights to paint and/or draw in a scene while the shutter of a camera is left open during a long exposure photograph.