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SCULPTURE AND RELIGIOUS IMAGERY
The spanish school of sculpture wanted to capture religious sentiment and represent spirituality
It produced many altarpieces, funeral monuments and religious imagery, specially in pollichrome.
The main sculptors of the era were Bartolomé Ordóñez, Alonso Berruguete and Juan de Juni

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ARCHITECTURE
Spanish Renaissance architecture began in the beginning of the 16th century and was developed in three stages:
-The Plateresque style introduced new decorative elements to Gothic buildings. Its name comes from the use of reliefs, reminiscent of the work of silversmiths.
-The Classical style was modelled on classical architecture (collums, lintels and gables).
-The Herrerian style was characterised by its lack of ornamentation, strightlines and cubic volumes

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In the 16th century Italian and Flemish influence, as well as Spanish artist who had travelled to Italy, introduced the new
PAINTING. EL GRECO
Spanish Renaissance artists were also concerned with light, colour and perspective, and they focus in religious themes. Valencia was the centre of artistic activity, and had strong Italian influences.
Domenikos Theotokópoulos (1541-1614), known as El Greco, was the genious of Spanish Renaissance painting. He travelled to Italy to learn from the Renaissance masters. He settled in Toledo in 1577 and produced very original masterpices. His work is know for its vivid pigmention, with reddish and bluish tones, and contrast of light. He produces complex compesitions, with elongated figures that give the idea of the spirituality. His most famous painting are The Burial of the Count of Orgaz, The Disrobingof Christ and The Nobleman with his Hand on his Chest.

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Italian art was not as influential in Flanders.
16th century Flemish painting had its own style, a reflection of the burgeois society that bought works of art. It was original for its:
-obsession with detail and realism.
-exclusion of classical mythological themes and religious themes.
-depiction of landscapes, escene from everyday life and family portraits.

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Italian influence start in France at the end of the 15th century.
It was solidified during the reign of Francis I (1515-1547), a great humanism and patron of the arts. Many Italian artists, including Leonardo da Vinci, worked at his court.
What stands out most is the architecture, with new palaces and castles constructed, such us those at Chambord, Chenonceaux and Fontainebleau. They have classical façades and steep gabled roofs, topped with chimneys and dormers.

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Since the Lutheran Reformation, German artists worked with religious themes as well as creating many portraits, landscapes and mithological scenes.
The Renaissance aesthetic was introduced in German by Albrecht Dürer, a painter,printmaker and engraver. His works focused on the proportion and harmony of the human body.
Hans Holbein the Younger and Lucas Cranach the Elder, they supported Lutheranism and paint portraits of its founder.

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In this sculpture we can see emotions and feelings, like pain and sadness. It also focus in the volume

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In the David we can see that it trie to represent a perfect body. it have perfect proportions and harmony.

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This architecture symbolises the power of the catholic churc and a harmonious space.

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The picture have a thirth dimension. Also include architectural frameworks. It have vanishing point.
This picture creates an illusion of distand.

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This picture is very realistic. We can see the sfumato technique, which consist in modifying colours in an attempt to simulate reality. We can see that in the mona lisa they use the light and the shade to give volume and contrast to figures and objects. The picture have a different texture, so we can say that it was painted with oil paint, wich is more suitable for this effects and textures.

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Basílica Santa Croce de Florencia(Quattrocento)

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Basílica Santa Croce de Florencia(Quattrocento)

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This architecture have ordely elements. We can see matematical proportiond