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TBWHTW water pumping scene - Laura and Haruko (7LLEC) 1:39:49-1:41:50 

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TBWHTW water pumping scene - Laura and Haruko (7LLEC) 1:39:49-1:41:50 

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In the movie TBWHTW, director Chiwetel Ejifor creates an uplifting and hopeful tone by using different types of shots so the audience can understand why the windmill and the water were so important to the people in the African village. In the beginning of the scene the sun is gleaming behind the windmill,  which symbolises hope and a new beginning for the people. The sun also symbolise positivity and happiness, the audience can understand that the windmill is the key to a new beginning and that the windmill will bring joy to the village. In addition the mellow music emphasises the hopeful and inspiring atmosphere in the scene. The camera went back and forth to the pump and to the people when the pump started to move and the water stared coming out. This shows the connection between the people, this made a dramatic build up and made a relieving atmosphere since the people can eat and live stress free. In between the movie the colour of the sky was dull and there was extreme weather but, in this scene the sky was light blue and the weather was beautiful. The scenery makes the audience feel a tone of joy and peacefulness. Creating an uplifting mood for the audience lets them understand the importance of water and how privileged they are and make them appreciate water more.

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In the movie, TBWHTW, director Ejiofor constructs a mournful and intense tone to show the grief and loss of hope in Malawi.  Early in the scene, he uses many high angle scenes of the cluttered crowd of people cheering as the natural sunlight points towards their faces so the audience can understand how desperate the people of Malawi are. This shows how the government sees Malawi as a weak and desperate community which is built upon by the high angle shots, making the crowd look small and helpless. The heat and dryness of the environment is again shown with the warm and natural lighting pointing at the cluttered crowd, also showing Malawi’s unity together. Next we see a birds eye view shot of the crowd running away as gunshots roar in the sky which allows the audience to see the dark green and brown colors, adding to the bond of the community. From this scene, the audience can see the desperation, helplessness and the community of Malawi as a whole and how they are in need of help. Overall, the audience can get a feeling of the weakness of Malawi, from the government’s point of view.

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In the movie TBWHTW, the director Ejiofor builds a depressing yet hopeful tone to express the depression of the people in Malawi, due to the drought, and the hopeful emotions as William builds the machine to produce water. In the chosen scene, the director uses a wide shot to show the farming community and how dry the land is. The lighting is quite bright, and the atmosphere is warm. He also included lots of close up shots of the machine William built, and shows how it gurgles before it sprays water, much to the villager’s joy. Also, the camera moves from the close up of the machine to the people, giving suspense and making the audience feel curious on what is going to happen. There is a medium shot that shows WIlliam and William’s father hugging tight in joy as the machine started working. In this scene, the facial expressions of the characters are visible. Therefore the audience can see, feel the joyful atmosphere and sympathize with it. Overall the audience can feel and see the storyline of the short scene in the movie that shows a great amount of indication on what happens in the whole movie. The storyline changes from depressing and desperate to joyful as William invents the machine that brings water to the community.

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The scene when there was not enough food for the whole family and Trywell gave his food to share around.  Curtis and Nono 7LLEC

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The scene when there was not enough food for the whole family and Trywell gave his food to share around.  Curtis and Nono 7LLEC

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The film, TBWHTW, directed by Chiwetel Ejiofor was entirely based on the hardships of the Malawi community in an African rural village, projecting through the lives of the Kamkwamba family who suffered poverty, harsh weather conditions which damaged their crops and starvation as a result of a corrupt and uncaring government but in the end the family managed to overcome the struggles when William succeeded in building a windmill through his perseverance and belief in himself. In the scene where the family gathered for their only meal of the day, Trywell sacrificed his own share of food so that the rest could have more to eat due to the lack of food the family possessed and the time, he had decided not to eat his share of the food and didn’t eat for the day. Harvest was bad as many were forced to sell their trees to the merchants who left them without much of a choice as they were desperate for money. Without the trees, the crops were left unprotected by the heavy rain. Hence, the family suffered when their crops were destroyed. When the dry season arrived, the drought affected the whole community as well driving the villagers to desperation and crime. Trywell’s family was robbed during his absence while Agnes and Annie were left alone to fend for their safety. With their shed emptied by the looters, they were plunged deeper into the dire situation of poverty and starvation. The corrupt government did not help its people and they were left on their own to face the hardships. In the end, the Kamkwamba family overcame their struggles when William succeeded in making a windmill and solved the problem of lack of water for the land. The family and the community no longer have to fear dry seasons and they could finally grow their crops.

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In the movie TBWHTW, director Ejiofor creates a demoralising and saddening atmosphere to show how William reacts and deals with the death of his dog. Early in the scene the director uses many medium shots to capture William and his dog in the scene. He also uses many High angle shots to show how WIlliam feels small and weak. The director had a dark colour palette. The director chose to have very dark and cold colours to give a depressing feeling to show what william is feeling in this moment. This gives the audience an understanding of the challenges William faces throughout the entire movie and the environment he’s living through. The environment gives the audience a look into his daily life and the dryness of the landscape. This scene affects the audience in many ways as the dog was a crucial part to making William happy. The facial expressions on William's face shows the tough difficult life William has to go through. The director chose to have William place his head on the dog at a medium high shot to show his weakness and sadness. Overall, the audience gets a sense of William’s living conditions and the personalities his dog brought to him. The dog plays a critical role in William’s life as it brings him joy and is one the few things William owns. After this scene the audience gets a sense of the difficult life William is going through.

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In the movie, TBWHTW, director Ejiofor chooses this scene to build a moody and sad scene to show how people would steal food from others. Early in the scene, he uses many wide shots, showing a brownish monochromatic and natural light. This shows their environment which is a very hot and dry environment that they have to face. The tilting shot of the mother crying after her food gets stolen by some people in the village so they can have food and the people look really skinny and tired suffering from hunger. Another tilting shot of a man trying to steal the mother’s cooked rice because he was really hungry and probably couldn’t afford to buy rice so he had to steal from her.Overall the audience gets an understanding of what they had to do for food and how they survived.

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Windmill scene - Lauren & Charlotte 7LLEI

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Windmill scene - Lauren & Charlotte 7LLEI

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In the movie TBWHTW, Director Chiwetel Ejiofor creates a joyful yet suspenseful scene where they finally finish the windmill. Early in the scene, they used a range of medium shots and zoomed in, showing how they are making the windmill in warm natural light to show the audience how they are making it and how dry it is during this season in Malawi. This captures a sense of community which is what the windmill represents, every part of the windmill represents the role of someone in the community and shows how working as a community is how they survive. The medium and the close-ups of the materials they are using and where they are getting the materials from show them how hard working and how much effort they are putting in to make a windmill for their crops to feed their families, they still work hard in dry and hot weather with their baggy and worn out clothes and their only way of light is in the day but since they want to finish the windmill fats they do it at night too with the only source of light is a single torch. Next, we see a wide shot of people from the village helping Trywell and William put together the last pieces of the windmill, this shows that as a community they are willing to work together in exchange for food and water. The audience can see the sense of community and family in Malawi making the audience relate to and have empathy for the characters.

Later we see a bird's eye of the people who are watching William finish the final details of the windmill, William is on top of the windmill working on it until it moves to capture the fact that the windmill is finished, the lightning in the natural warm color of the sun to show the audience the weather and the reaction on the peoples faces when the windmill started to move.

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Chiwetel Ejiofor, director of The Boy Who Harnessed the Wind, expresses the people of Malawi’s limited knowledge of technology and how people like William’s father can underestimate it. In the scene where William’s father screams at William for making machines instead of growing crops with him, the director chose to display him in a close-up low angle shot. Before this scene, his dad has gotten angry a few times, but this scene is definitely the angriest he has been this whole movie, so it will give readers quite a shock. The close-up on William’s father’s face shows his confusion, and that little bit of hostility hinted from his eyes. Throughout this scene, he is constantly being displayed from a low angle. This can make him look stronger, superior and perhaps menacing. In addition, the father is also looking down at William (literally), which can further emphasize those previously mentioned effects. In contrast to this, William himself is displayed from a slightly higher angle. Again, this is in contrast to his father, as this angle makes him look weak and inferior. This camera angle can also contribute to the emphasis of William’s father’s anger. After William’s father’s rant, he knocks the entire machine away with the swoop of his hand. This detail will hit the audience especially hard, as they know just how much work William went through to build this. This reflects how William's father does not know that William’s machine could actually be very useful and could save a lot of lives and money. While William’s father performed this action, the camera was at the eye-level. This increases the immersion that the audience has and allows them to feel greater emotion towards this scene. With the usage of these techniques, empathy is created for the poor William and we as the audience can guess that there are probably many others like William’s dad in Malawi.

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Trywell talks with the cheif(38:51 / 39:37)

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Trywell talks with the cheif(38:51 / 39:37)

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The director, Ejiofor, wants to show how deplorable the drought is with the warm colors the sun engenders and the messed up dirt. and impotent crops just everywhere. the look of worry on the father's face just shows that nothing grew. the ground is too dry, and since the crops were already impotent from no dihydrogen monoxide, nothing was able to grow. the solemn tone the father uses when verbalizing with the chief shows that he is feeling helpless in the situation. the chief shows conspicuous doubt on his face when trywell asks him to verbally express something when the regime and other chiefs come.

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Director Ejiofor constructs a dire yet sanguine, hopeful tone in the film TBWHTW in Annie’s crying scene with her mother Agnes, establishing the strong familial and community bonds present in the village of Kasungu, Malawi. The scene starts with a wide shot lit only by moonlight of the argument taking place between Annie and Agnes in front of their house. This is used to help the viewer understand the situation more by having the two stand in front of their house- the house, and its contents, are all their family have. They were just robbed of one of their few, most valuable possessions, and couldn’t do a thing to stop it. The darkness further signifies their despair at being robbed of their food. The director then utilises an eye level shot of Annie shouting and then a lower-angle shot of Agnes before she strikes her across the face. The eye level shots are used to help the viewer feel a closer emotional connection to them, and further express how helpless someone can feel in such an environment, especially while living in poverty, at the mercy of so many people, all with power over them, whether legally, physically, financially or otherwise. They also almost make you feel like you could be there with them, in that situation, as vulnerable as they are, and it helps further show their utter powerlessness by letting the viewer see all of their facial expressions . After this, there is another short eye level shot of William and his father inside, candlelit. While they experience nearly all of these same issues, they cannot completely understand what this feels like- to be away from the only people capable of physically protecting you, weaker than them and not being able to do a thing to stop others,  and they are isolated from Annie and Agnes because of this. Following this, it shows Annie’s reaction to being hit and then shows her and her mother crying together- again with the director using an eye level shot. This helps the viewer sympathise with them by letting the viewer see what they feel and why, and it creates a hopeful atmosphere because no matter what happens, they have each other. Overall, TBWHTW may give the viewer feelings of desolation, but there is always the hope that things will get better, the hope that all the characters carry throughout the film that their lives will get better. It helps communicate the main message of the film: the powerful effects of the determination one can have.

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In the movie, The Boy Who Harnessed The Wind, director Ejiofor built an exciting but depressing tone to show how there is a big difference between William and Trywell’s attitude towards the invention that William made. Early in the scene, he uses tracking shot  to tilting shot and a wide two shot, warm natural light and a brown monochromatic palette to show the audience how the environment in their community is getting worse and they are suffering from that. The wide two shots of Trywell and William makes the audience feel they sympathize with their melancholic emotions due to the awful environment in their community. Later, he uses a slightly high angle shot for William and a low angle shot for Trywell to show the clear relationship between William and Trywell. The low angle shot of William can show the audience that William is small and still a child and he is dreaming. On the other hand, a high angle shot of Trywell shows the audience that he is mature, realistic and serious. That makes the audience respond to both William and Trywell’s emotions. Trywell wants a steady and secure life so he is dealing with the issue with something it has always been there, however, William who is dreaming is trying to deal with the issue by creating something new. The audience then can see how Trywell and William are different and they can’t accept each other.

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SCENE where the water pump starts

1:40:16 to 1:41:20

In the scene where the boy's water pump finally starts to pump out water, the director of TBWHTW, Chiwetel Ejiofor, uses sound,colors and actors' movements to set the scene and to show the audience how important the water is to the people in Malawi. It makes you as an audience see how privileged we are and how unprivileged the farmers are. At the beginning, the director makes the ticking louder than it actually probably is, so everyone in the field can hear the ticking to make the audience feel the importance of the water pump. The close up of the pump also supports this and makes the audience focus on the water or the fact that there is no water at the start. Also when the water starts to flow out of the pump the farmers start to shout in joy that they finally have water, and happy music starts to play. The director uses color too by making the farm and clothes very dull and poor looking and the weather brown, dry and dusty.  When the water comes, the colors become warmer and more clear. Finally the director uses the actors’ posture and movements to make the audience feel the struggle and the pain the farmers are going through. At the beginning of the scene, everyone is bent over and very focused on farming the dry earth. When the water comes the farmers gather up, hug and dance and it is like life finally comes into the picture again when they run off to get seeds for vegetables.

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william collects the grain,1:05:00-1:08:00

In the movie TBWHTW, the director Chiwetel Ejiofor creates a fearful and depressing tone for this scene, showing viewers the lack of resources that people in Malawi have. Ejiofor uses a color palette of dry and dull colors, just like everyone's clothes, which are pale and tattered, showing depressingness in the people just queuing for the grain due to the shortage of it. This causes the viewers to feel empathy for the people who are having to queue for hours just to get some food since this shows how desperate people are to get food in the village. The land in the background is all dry and dead, showing difficulties with food shortages that are happening or are about to happen. With no lush green colors anywhere in the view of the scene instead, the only colors in the view are just harsh, dry, and stale colors, showing the audience that the future is not bright and very bleach. This makes people think that before, Malawi was a place of joy because, at the start of the movie, there were a lot of vibrant colors, like what people were wearing, and bright, vibrant green grass too. Once the food shortage starts happening the director starts to set a tone of depression for the veiwers due to the colors used in the later sence and the actual emotions of the characters aswell with that there was other sense of chaos too since the family had got robbed and we also had seen people fight for food showing a sense of depressions and chaos. This is the directors point of what he is trying to show the audience of what people in malawi have to live through and the director is trying to show this to the audience through the movie and make the audience feel empathy.

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DOG DEATH: 1:30:18-1:31:27
The director of TBWHTW creates a mournful and bitter tone, in the scene of the Dogs Death,  Khamba, to display William’s close connection with his dog. The naturalistic setting is monotone, all either shades of creme, or very washed-out tones. This makes everything look the same, including the dog; who looks like the ground; which looks like the building; the close-up, tracking shots of William and his dog are the only focused part of this scene. This is conveying what starvation, and not having enough resources can do to a village. The dog died because it didn't have enough food to keep its situation going because of dehydration and the inability of William who couldn't give him food.

The director uses a wide, slow tracking shot that moves a little bit shorter than William, to show him searching for his dog, almost desperately looking for comfort. The camera slows down right when the dog enters the frame, which helps set him up as the main focus. We see the dog early on, and how small it is compared to the old, dingy background behind them. We notice the dog first because, throughout the whole story before this, Khamba has been a symbol of comfort and relief for William. Seeing him lying on the floor; dead, makes the audience and William feel empathy, like they’ve lost something important. Chewetel Eijofor explores William and Khamba's connection to not only show a different side of William—vulnerable and in need of comfort—but also to develop this scene as not only a dog’s death, but also starvation and how this town’s situation has just claimed another victim.

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In the TBWHTW, the director, Ejiofor creates a depressing and desperate tone to show how people survive in difficult conditions and hardships.

Early on in the scene, the director uses many high angle shots to show that William and his family are weak and tired. They are also wearing faded and torn clothes, further illustrating the challenging conditions and poverty. Ejiofor also uses warm lighting to present the dryness and the weather making a somber atmosphere. The  author also uses wide shots casting a yellow and barren place illustrating the lack of food and reinforcing the difficult conditions. Even though the situation is needy, everyone in the scene is wearing bright colourful clothes to try to be optimistic. There is also a close-up shot on their faces displaying a lack of hope and anxiousness.

Later on in the scene, we see William and his family gathered around with very few amounts of corn. The close up shots in the scene show that they are devastated. The director uses eye level shots to make it look like you're there. Soft melancholy music is used to reinforce sadness and despair. The scene is simplistic to exhibit that the family is poor and doesn't have much illustrating harsh conditions. Ejiofor uses dim lighting to show darkness and death as if the family is thinking they aren't going to survive.

All these elements in this scene conveying difficult conditions, destitution, desperation and sadness.

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The scene starts with Annie grinding food. The director Chiwetal Ejiofor wants us to see their life's pressure on their dark clothes and dust and dirt. The environment is so dim that it implies they have a hardship in life. Their facial emotions tell us their fatigue and hopelessness to the future. This tells the audience what their life looks like after their food gets stolen and makes the audience generate mercy with them. We can see their vicissitudes in their eyes because they already lost their light in their eyes. This eye-contact gives suspense to the audience and it emphasizes again about their hopelessness. Later, Trywell starts to dig the dry ground. He wasn’t wearing a shirt that’s very dim. This hints that he had never given up to find hope. So the director intentionally sets the sun on the right side of the scene and Trywell on the left side of the scene. This implies that Trywell is slowly moving to the hope, and he is close to the sun, which means that he is going to find the way to plant enough food for his family and for the people living in Malawi.

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Tree cutting scene- Ben (7LLEC) 23:30-24:10

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Tree cutting scene- Ben (7LLEC) 23:30-24:10

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In the tree cutting scene in the film TBWHTW, director Ejiofor uses a sad tone to illustrate the environmental problems in Malawi. The scene has a soft calm sound effect played in a minor key, so it has a sorrow feeling attached. At the same time the audience can hear the trees getting cut down and the animals fleeing. Which develops a depressing feel. In the scene there are many eye-level wide shots that brings the audience in and feel the sadness that William is feeling when watching the trees get cut down. The sound of animals fleeing and the birds losing their home foreshadows the same problem with the villagers. Deforestation is bad for the environment. It implies that cutting down the trees will make the villagers lose their harvest. Then, the camera changes focus to a villager in traditional clothing and mask on another hill also watching the trees getting cut. This scene is a symbolism for the traditional and the modern. William’s mother talks about making the rain happen instead of praying for rain. It suggests a competition between the traditional and the modern. Both thinking of a solution to fix this problem. The wide shot presents how big the forest is and it is all getting cut down. Trees are very important to us, cutting down this many trees would a huge loss for the environment in Malawi. It also shows the small trees Infront of the forest. The small trees haven’t grown up yet and the people are already cutting down the trees. This informs that people in Malawi cut down trees faster than we plant them. Which is a huge problem and tells the audience should care about the environment.

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1:38:54 ~ 1:39:26

Chiwetel Ejiofor, the director of TBWHTW, creates a cheerful and holy tone when William starts the windmill, showing villagers’ hope rising at the same time William starts the windmill, and the light colours in the scene instead of dark colours show hopefulness. In the opening scene, Ejiofor used the low-angle tracking shot, making a 360-degree tracking shot around William. Especially the low angle, it’s the same view as the villagers on the ground. With the natural radiant light on the top of William’s head, it makes the audience feel that the scene looks hopeful, William is the same as a holy god, standing on the top of the windmill. And then the camera slowly turns the low angle is the close-up shot with William’s whole face. The close-up shot shows more details on a character’s facial expression, William, who is the character in the close-up shot, the huge smile on his face is showing the proud, also thinking how hard he has been done for this windmill, also a significant relief - and the stress, worry, nervous on his face when he’s overlooking the villagers, William knew that if his windmill wouldn’t work, then what he did before are all gone away. But William looking up again shows that the hope is bigger than anything - at least the first step is doing well. The shots are changing frequently between William and the working windmill, Ejiofor is using this as a little break for the audience to remember how hard William had worked hard for this. When the second time William is overlooking the villagers, he is very confident and looking at his father, It makes the audience feel that William is looking at his father confidently, trying to use eye contact to tell his father: “See? I’ve told you I can do it”. Chiwetel Ejiofor used a change of shot frequently between two things in this scene to show hopefulness, and also it expresses how William looks in the view of villagers (except in the last shot when William’s father is looking up at William). Also, something had changed between William and William’s father, and this scene shows the full of hopefulness and holiness with bright colours and a lot of tracking low-angle shots. The natural radiant light on the top of William’s head, making this scene vibrant and warm, foretells good things are about to happen.

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In the movie, TBWHTW, Ejiofor explores fairness and development through brutal natural disaster occurrences that affected the villagers' safety and food security.

The scene starts with a muted and pale color in a food barn, the light of the food barn was dim with natural light. The shot begins from a wide shot and then panning to a medium shot with only showing villagers’ feet.

The scene was dim with natural light and full of muted, pale light. It shows the poor environment and no electricity, which means Malawi’s poor development. The food barn was dusty, villagers ran past to make the dust splash. It can show villagers need food, the food in the barn can save their life. The camera shot uses a wide shot to show the food barn and villagers, in the wide shot audience can see the food barn was easy to build, while the medium shot of villagers’ feet running indicate the food the government could provide were limited in quantity, not everyone can get proshent of eat.

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In the fill TBWHDW the part where the scene show the oppression of the villagers director Chiwetel Ejiofor shows a paranoid and cruel theme, in the background it used pale color,warm color and the color is a bit faded using a fast and rapid pace it shows the audience the tension inside the speech to let the audience understand the stress of the villagers. In the beginning of the speech it uses a pale and faded color in the background of the scene to foreshadow the oppression of the villager later, therefore the audience can feel the unwillingness and disappointment of the village. The color of the background shows tension pointing the result of the speech will be in vain. In contrast the flags in the background use bright colors , to show that there is still hope even if the result is disappointing. All the information I said today shows the oppression of the villages  in Malawi.

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56:58-58:12 Expulsion Scene - Kyra & Dippy

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56:58-58:12 Expulsion Scene - Kyra & Dippy

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In the expulsion scene in TBWHTW, director Chiwetel Ejiofor creates an uncomfortable, foreboding tone to express how they way people in Malawi handle education is dependant on their financial situation and even if you are able to afford it, the quality is below the global average. The way the setting is presented displays how the school is currently losing students and as a result of that, decreasing it's revenue. The tattered posters on the wall and deteriorating tables tell the audience that the building is in need of renovation. However, the intricately carved windows hint that the school used to be prosperous. The dim, dappled lighting foreshadows that something unfortunate is about to happen. The way the scene is shot and cut creates a sense of tension between the two main characters. The establishing, close up shot of William foreshadows to the audience that he is the one who is about to face something. The shot is followed by a slightly high angled, wide shot with the other students shows how they about his secret. The next shot is a slightly tracking, medium pov shot from William's perspective, showing that the principal has arrived and he is doomed. There's another shot and then the camera shows the principal from a low angle making him look taller, and therefore more powerful. All these elements in this scene create a tension filled mood for the audience.

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In the film TBWHTW, Chiwetel Ejiofor creates a solemn tone to convey the idea that this government is full of corruption and will not help support the citizens of Malawi when the famines strike. During the start of the scene we see the chief being ushered off the stage by a  government official who is a wearing dark, formal, upper class suit while the chief and all the citizens of the village are all wearing cheap, tattered, colourful clothes this suggests that the government is “evil” because they are wearing darker colours and they aren’t supporting the villagers even though they have the money to, instead they keep the money to themselves. As the scene continues we see the chief being led behind a house and a group of government officials starts brutally attacking the chief. This shows the audience that the government does not support the morals of the village and is willing to kill somebody in order to combat the rebellions. The design of the scene is very cluttered, this gives out the image that the village is disorganised because the government is not willing to help the village with the money they clearly have. Since there is no shelter over where the villagers are standing, it is full of bright, natural light, and it is more dim over where the “bad” government is sitting because there is shelter over their heads, this shows that the government is at the more powerful position since they have shelter and don’t need to deal with the sun, but they are not giving it to the people of the village, on top of that, because there is a shadow casting over the government it seems like they are evil since it’s darker where they are situated, and it is brighter where the villagers are standing, it gives off a kind of “light side” and “dark side” effect. This allows the viewer to understand the villagers and government relationship.

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In the film, TBWHTW, director Chiwetel Ejofor explores fairness and development throughout natural disaster occurrences affecting the villagers food supply.The director uses a medium shot to show that the william’s mum and sister are facing the camera frame with a man pressing towards them. The man pressing towards them made them fear, and William's sister stared at the man.Then the close up shot shows the corn, which represents the food that they use to survive.

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In the film, TBWHTW, director Chiwetel Ejofor explores fairness and development throughout natural disaster occurrences affecting the villagers food supply.The director uses a medium shot to show that the william’s mum and sister are facing the camera frame with a man pressing towards them. The man pressing towards them made them fear, and William's sister stared at the man.Then the close up shot shows the corn, which represents the food that they use to survive.

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Long yin

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Ejiofor creates an inspirational tone to knows William’s growth and final success. When the government decides lets villager to cutting the trees, villagers found cutting trees can earn have lots of money and decides to cutting down the trees. The director using William’s angle and long shot to show trees is being cutting down, also shows the disaster and danger is arriving in this village. When the Glue Wamkulu arrives, the director uses wide and longshot, to establishes their belief and faith in their country. The villager's choice of cutting trees also shows the greed of humans. They only can find Immediate benefits but they do not care about the danger in future. So the  inspirational tone in this film lets the audiences to know som people can only see immediate benefits, never caring danger in future.

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TBWHTW windmill being built-kahn at the end

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TBWHTW windmill being built-kahn at the end

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In the film tbwhtw , the director Chiwetel Ejiofor uses the weather and the effect of natural disasters to create a scenario where there is no food in the village and where he can show how the village develops with the windmill. In the ending scene when william asks his dad for the bike and he finally agrees to give the bike .  william builds the windmill and shows how many problems it solves showing that he was correct and the sacrifice was worth it.

And the part where william wants to take mr kachigunda’s dynamo foreshadows that it is a very important part of the windmill and the plot. In the drought there is no food and no water with the drought , and the picture on the book about energy and the dynamo that foreshadows the windmill being built and the development of the village

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TBWHTW Khambas Death - Jacob and Haoyang (7LLEC) 1:30:00-1:30:20

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TBWHTW Khambas Death - Jacob and Haoyang (7LLEC) 1:30:00-1:30:20

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In the movie, TBWHTW, Director Ejiofor shows us the effect and power of the drought. Eventually this leads us to the darker point of the movie, this builds upon a more depressed feeling while still keeping the looks of the movie bright, this conveys a feeling of uncertainty and also feels odd as the feeling combined with the look isn't the same. This shows that there is no hope as crops are being stolen and people are starving and will be a very big impact to the movie, this brings us back to the feeling of no hope. This builds onto the fact that the movie is getting darker and that more people/things might die.  Ejiofor also continues this feeling of no hope and death by showing Khamba, William's dog, dead. During the shot we see WIlliam on a road in a wide shot, which then focuses on Khambas body laying down, the shot then zooms in on William as he hugs Khambas body, Showing him crying, Khamba dies in the movie to develop on the fact that the drought will kill and affect the people of malawi, this is also a point in the movie where William focuses on how he can stop the starvation by building windmills.

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In the film TBWHTW, director Chiwetel Ejiofor creates an optimistic and cheerful tone by showing the landscape mixed with bright, bold colors using a relaxed slow pace, so the audience can understand the people in the rural African village where the story takes place. In the opening scene, the ground on the farm is brown, dull, with warm natural light and an overall low saturation of color to foreshadow the drought in the village and show corn as an essential crop. Therefore, the audience can see how important the challenging situations are for the community.  Similarly, the landscape shows how harsh and dry the region is and points to their harsh living conditions illustrating how long the area has not had rain in a long period of time. In contrast, the villagers wear worn out and tattered clothing in bright colors to show them in opposition to the land and highlight their bright personalities and rich culture. The audience sees the difference between casual, modern clothing and traditional cultural outfits which expresses the movement towards a modern life, instead of relying on traditions. Introducing the story in this way, the audience begins to compare themselves to the community members, realizing their privilege and what they take for granted. This allows the audience to sympathize with the characters as the story begins.

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The Boy who Harnessed the Wind - Ending Scene  (7LLEC - Gia)

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The Boy who Harnessed the Wind - Ending Scene  (7LLEC - Gia)

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Time Stamp: 1:40:01 - 1:41:40

In this movie, the director Ejifor expresses how the characters are feeling after they witness the working water pump. The mood and tone shows that the characters are shocked, relieved,  happy and anticipated. It also gives an optimistic and tensed atmosphere between the audience and the characters in the movie. Ejiofor explores fairness and development by showing the process of how the community developed their village and how their systems came to be. He is trying to express that the fairness around the world is different for everyone and some people start off with less than others. The music and lighting is slow, dull and dark which tells the audience how hard they had to work and how the tension in the scene built up. The dim lighting is there so that the audience can focus on the characters emotions in different ways through the lighting, music and setting. They mainly used wide medium shots and I think this is because they wanted to show  the reactions of all the community so that the audience can see how much they needed the water supply. The setting also looks dry , dull  and depressing which represents the problem of the story, the drought. The costumes look worn out and torn which tells the audience how the characters had to live during the drought and how little they had. My analysis is that the scene is meant to make the audience feel compassion and excitement for the characters as their hard work paid off. It shows that William inspires people as he uses the windmill to represent innovation and creation and he uses his abilities to help his community. It shows a symbol of hope and determination. I think the message that this gives to people is that  people is some parts of the world have to go through a lot to get things that we get on a daily basis without any trouble. Education, food, water.
This is important because it tells the audience to be grateful that we have these things.

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In the movie, TBWHTW, director Ejiofor builds a depressing but joyful tone to show how the people in Malawi deal with death and hardship. Early in the scene, he uses many wide shots, showing a brown monochromatic palette and warm natural light so the audience could understand the harsh and dry rural environment. This highlights the poverty and their need to live off of the land even though resources are scarce. The bird’s eye view of the community working together makes them appear weak and tired as they work in tattered and worn out clothing, reinforcing the need for hard work and cooperation. Next we see a low to high tilting shot of a slow moving weak worker who collapses and dies, illustrating how weak people are and implying that starvation is a big issue in this part of Africa. Later, after a wide shot of the Gule Wamkulu ceremony, there is an eye-level panning shot at the funeral which allows the audience to see the facial expression and bright clothing of the community members. The audience can then see the traditional culture, values, and how the people cope with loss and hardship. Overall, the audience gets a sense of the living conditions and the personalities of the people. Through cultural practices it implies that though it is a difficult life, the people remain optimistic.

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The director of TBWHTW, Chiwetel Ejiofor, creates a solemn but joyful tone full of optimism for the opening scene of the film to spread awareness of the limited resources that the people of Malawi have available. Early in the scene, the director uses dull, faded colors while the people who work the fields wear muted and tattered clothing while working on the dry, dead farm. This makes the audience feel pity towards the people of the village and foreshadows the possibility of hunger and starvation.The land is dry meaning that crops may no longer grow to support the local families. The lack of lush green color and use of more washed out tones signals to the audience that the future is looking extremely bleak.  In contrast, the director signals that maybe the people are still happy, wearing bright colors and using warm, natural, radiant light. Later, after a farmer collapses and dies, the director purposefully uses villagers wearing duller, muted colors to emphasize sadness and grief. This is in contrast to the previous scene with brighter colors and it reminds the audience that death may be coming to the village. Then the director introduces the Gule Wamkulu to make the audience curious about the cultural traditions of the village. The mysterious dancers have quick and energetic movements and parade towards the funeral service. At the service, the tone remains melancholy but the people wear bright contrasting colors to maintain an optimistic tone overall. Ejiofor introduces the setting of his story to give a view of Malawi that is complex, cultural and vibrant. Viewers are then shown the terrible and harsh living conditions, struggles, and challenges that the people of this village face. As the audience is likely to be from a more privileged background, empathy is built early on in the story.