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This project was inspired by Jade garments. Jade garments were used as funerary garments for the emperors of the Han dynasty in China.  In order to make their corpses immortal, they used expensive jade garments, but when they died all that was really left was their tattered flesh, and all that remained for posterity to see was the jade clothes they wore and their inner desires.

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Many people in China don't usually go to temples and only go to pray when they have a purpose, such as when they want to get a promotion or pray for good luck. What drives them to go to the temple is actually their inner desire and the desire to use external forces to fulfil their desires. And do people's desires go away? It doesn't seem so, one desire disappears and there is another one.

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It is an exploration of the theme of human desire and illusion; can you see your own desires in the twisted and tattered textile?

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The lace is a material with a lot of delicate patterns to express people's desires, but its core and result are sad and desolate, so the pattern obtained by this technique is broken and incomplete.

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​​​​​​​Air bubble paper Rubbings Technique:

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​​​​​​​Air bubble paper Rubbings Technique:

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This group of fabric designs is based on the same technique as the lace, the difference is that this time the fabric is coated with acrylic on air bubble paper and then topped directly onto the fabric. The mottled feel of the bubble paper print subtly destroys the underlying lace form, and the beautiful bubble-like desire and fragility is what I wanted to convey.
The bubble paper print and the lace print can be fused together and wait for one layer to dry before overlaying the other to create a different pattern and the fabric will be quite layered.

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I happened to notice the fabric glue and thought I might be able to use a combination of fabric glue and stretch fabric. I started by making wooden frame and then stretched the stretch fabric to the maximum and fixed it to the frame.After the glue had dried and the stretch fabric was removed, I found that the part of the glued fabric remained the same, but the rest of the fabric shrank back to its original size, which created an odd twist.

I felt that this twist in the fabric was exactly what I was looking for. So I experimented more with different line patterns, different fabric glues, different fabric glue dilution ratios and different stretch fabrics.

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​​​​​​​Testing the effect of different fabric glues and different dilution ratios on the results.  The choice was 1:2 (water: Aleene glue), other glues did not come out hard enough.

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Tested different stretch fabrics and found that the greater the stretch the better the result and that thicker stretch fabrics work better.

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I wanted to cover the stretch fabric with a lighter layer so that it could better convey an illusionary visual effect. So I tested fabrics such as lace, chiffon and organza and finally chose silk chiffon.

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Looking at the work, I felt distorted, as if I had fallen into another world. In another world, it is as if I see people's twisted desires. In these twisted desires, people's real bodies look so small. So I wanted to bring this sense of distortion to my project.

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Looking at the paintings makes me feel a pull that pulls me to a vague and hazy dream world. I therefore wanted to use the colours in her paintings to represent the unreal and vague sense of people's desires

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Nuo opera is one of the oldest dances of the Han Chinese people to worship the gods and dance with ghosts, to drive away the plague and avoid epidemics.

During the Nuo opera performance, the people seem to change into a different state. The beads flying from their bodies, the cloth floating up and the bulging costumes seem to form a huge protective shield that protects them.

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A pattern engraved on funerary bronze vessels called the 'Pan Chi‘ pattern,  which is a pattern made up of snakes.