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Tracy Mackenna extends her heartfelt thanks to the people of Collemacchia and Filignano for their enduring interest in The Museum of Loss and Renewal's residency programmes, and for the generosity and kindness extended to each resident.

In particular, thanks go to Sandra Mancini (cook), Mauro Verrecchia (driver), and Adua Pacitti, Pierluigi Iannarelli and Giorgia (Caffè del Borgo).

Tracy is eternally indebted to residents Lee Cutter (UK; Eng), Shelley Davis (UK; Eng), Ellen Dubreuil (US), Harriet Forster (UK; Eng), Viktoria Mladenovski (DE, MK), Adeline Newman (US), Ingrid Tait (UK; Sco), Rose Montgomery-Whicher (CA) and to our invited partner Danica Maier. Through each of them, and the energy they created together, DRAWING DEEPLY was transformed from an idea and words on a page, to a rich lived experience that has led to new friendships and collaborations.

We acknowledge the land that DRAWING DEEPLY took place in and on, paying respect to the past, present and future custodians and elders of the Filignano community and the Molise region and the continuation of cultural, spiritual and educational practices of its peoples.

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DIALOGUE, publication produced by residents during the DRAWING DEEPLY Group Residency, 2023

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In addition to the work made by each individual resident, the group jointly produced the publication DIALOGUE, 2023. It now takes pride of place in The Museum of Loss and Renewal library's collection of artist's publications.

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DIALOGUE, publication produced by residents during the DRAWING DEEPLY Group Residency, 2023

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DIALOGUE, publication produced by residents during the DRAWING DEEPLY Group Residency, 2023

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DIALOGUE, publication produced by residents during the DRAWING DEEPLY Group Residency, 2023

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DIALOGUE, publication produced by residents during the DRAWING DEEPLY Group Residency, 2023

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DIALOGUE, publication produced by residents during the DRAWING DEEPLY Group Residency, 2023

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(stream of) Consciousness, Surrealism, Perspective, Memory, (dis)Connection

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Walking out of Collemacchia, into Colle Romano

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NIGHTRISE WALK was a journey that we made together, in silence, starting in Collemacchia in astronomical twilight, walking up and into Colle Romano, arriving at dawn.

Leaving Collemacchia village at 05:00 in complete darkness and without the aid of torches, Tracy led the group up, out of the village and higher into the hushed mountain.

The purpose of the walk was to bring us together towards the end of the Group Residency, in a way that was different to any of the work that we had done during the week. Moving almost imperceptibly from darkness into light allowed us to be attentive to ourselves, and to our fellow group members, while silence heightened our listening and attuning abilities.

Stillness enveloped us as we climbed the rough white limestone path, through a rising corridor of beech, birch, oak, wild cherry and pine. A viscous yet veil-like mist enshrouded our passage, dampening imminent sounds of animals, birds and insects and early rising farmers.

The soil’s own smell - petrichor - that comes from microscopic bacteria that continuously produce a compound called geosmin, was amplified by the air’s cloud-moisture and dew.

Invisible in the darkness, footfalls were the only new sounds in the dark mountain as we ascended towards Colle Romano and the beautiful stone Roman well that nourishes bone-white cows and wild horses who gather to share the water from the underground freshwater spring.

Following an animal track, we reached a recently exposed, very special, 'capanna'. For two hundred years this unique dry-stone pastoral hut has been supporting and is being supported by the long run of stone wall that stretches from on high to the valley below, traversing layers of dry-stone terraces.

At dawn, 07:24, we turned to walk carefully and quietly down and into Collemacchia, arriving in the light of 08:15.

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Dawn breaking, Nighrise Walk, Filignano, Italy

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The Church of San Eleuterio, Filignano, Italy

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Photograph by Tracy Mackenna, The Museum of Loss and Renewal, for DRAWING DEEPLY, 2023

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This walk from Collemacchia to Filignano took us to a meeting with one of Filignano's community elders, Eugenio Verrecchia, the Founder and Custodian of il Museo per la Memoria Storica del Territorio / The Museum for the Historical Memory of the Territory that occupies the top floor of Filignano's little Primary School.

To reach the Museum, we walked from the village of Collemacchia along the bottom of la Pineta, or the Pine Hill, to Filignano, passing the ossario (ossuary) by the ancient church of San Eleuterio that is strategically positioned between contemporary Filignano (Felënnànë in molisano) and the original settlement of Fundiliano.

Cleared by local people just before the start of the Covid pandemic, the ossuary stores the human bones of people initially buried in mass and unmarked graves, dating back to the plague that emanated from Naples in 1656, covering a large part of the Italian peninsula.

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Exploring the ossuary; on the roof, at the Church of San Eleuterio, Filignano, Italy

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Photograph by Tracy Mackenna, The Museum of Loss and Renewal, for DRAWING DEEPLY, 2023

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Walking from the ossuary to Il Museo per la Memoria Storica del Territory / The Museum for the Historical Memory of the Territory, Filignano, Italy

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Photograph by Tracy Mackenna, The Museum of Loss and Renewal, for DRAWING DEEPLY, 2023

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Il Museo per la Memoria Storica del Territory / The Museum for the Historical Memory of the Territory, Filignano, Italy

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Photograph by Tracy Mackenna, The Museum of Loss and Renewal, for DRAWING DEEPLY, 2023

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Il Museo per la Memoria Storica del Territory / The Museum for the Historical Memory of the Territory, Filignano, Italy

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Photograph by Tracy Mackenna, The Museum of Loss and Renewal, for DRAWING DEEPLY, 2023

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Il Museo per la Memoria Storica del Territory / The Museum for the Historical Memory of the Territory, Filignano, Italy

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Photograph by Tracy Mackenna, The Museum of Loss and Renewal, for DRAWING DEEPLY, 2023

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Guided walk, from Collemacchia through La Pineta, to Filignano Vecchio

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Photograph by Tracy Mackenna, The Museum of Loss and Renewal, for DRAWING DEEPLY, 2023

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Menu, communal evening meal, made by our local cook Sandra Mancini

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Parco dell'Olivo / Venafro's ancient olive groves, Molise, Italy

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Photograph by Tracy Mackenna, The Museum of Loss and Renewal, for DRAWING DEEPLY, 2023

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Charcoal from olive tree burnt in wildfire, Parco dell'Olivo / Venafro's ancient olive groves, Molise, Italy

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Photograph by Tracy Mackenna, The Museum of Loss and Renewal, for DRAWING DEEPLY, 2023

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Shari Tishman defines slow looking as 'taking the time to carefully observe more than meets the eye at first glance'.

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Working in Venafro's Archaeological Museum / Museo Archeologico di Venafro the group engaged in a series of SLOW LOOKING exercises based on Shari Tishman's book ‘Slow Looking'.

Through drawing the group was prompted to spend time giving attention. Building on the time spent on each exercise the invitation was to look slowly and differently through and with drawing.

This process used various focal explorations such as scatter vision, list making, drawing movement and sound and what is felt, drawing one site from different perspectives, and micro and macro looking.

Photograph by Tracy Mackenna, The Museum of Loss and Renewal, for DRAWING DEEPLY, 2023

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Drawing Exercises, Archaeological Museum Venafro / Museo Archeologico di Venafro, Molise, Italy

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Photograph by Tracy Mackenna, The Museum of Loss and Renewal, for DRAWING DEEPLY, 2023

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Harriet Forster reading from Ursula Le Guin, The Dispossessed, Panther Science Fiction (1976), above Filignano

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Video by Tracy Mackenna, The Museum of Loss and Renewal, for DRAWING DEEPLY, 2023

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Tracy Mackenna reading from Lines: A Brief History, Tim Ingold (2007), on La Pineta path

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Photograph by Edwin Janssen, The Museum of Loss and Renewal, for DRAWING DEEPLY, 2023

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Residents and facilitators, Il Museo, Collemacchia, Italy

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Photograph by Tracy Mackenna, The Museum of Loss and Renewal, for DRAWING DEEPLY, 2023

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Dry-stone terraces, Colle Romano, Filignano, Italy

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An excerpt from Dr Lydia Halcrow’s presentation, collapsing the distance between England and Collemacchia, Italy during DRAWING DEEPLY

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To expand the residency in time and space the programme included a presentation by the international relevant expert Dr Lydia Halcrow, artist and academic, whose work explores ways of collaborating with a place through her walking body.

Lydia joined the Group Residency via Zoom, making a presentation about key areas of her work, and setting the drawing and walking exercise TOUCH + TEXTURE for residents, to be undertaken throughout Collemacchia.

Lydia's presentation and the exercise she devised were particularly relevant as she is a former resident of The Museum of Loss and Renewal's Taking Time / Prendendo Tempo Individual Residency programme.

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Lydia Halcrow Presentation DRAWING DEEPLY TMoLaR 2023_Clip

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Roman well, Colle Romano, Filignano, Italy

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The Museum of Loss and Renewal library, Collemacchia, Italy

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Photograph by Tracy Mackenna, The Museum of Loss and Renewal, for DRAWING DEEPLY, 2023

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To set the tone for each new day, and to introduce residents to each new location, texts were selected by residents and facilitators to read to the group.

The READINGS took place in buildings, and on the move where the group paused to share through voice, listening and attentiveness. These texts created a larger, new text and became a living bibliography, a mobile, collective resource.

Words, made material through the voice, moved out of the body to become part of the architecture, land and air.

Residents read from books that they had carried with them from their homes and studios around the world to Collemacchia, Tracy Mackenna read from books in The Museum of Loss and Renewal's library and Danica Maier read from a texts selected in advance.

Danica described the readings as being "Intended as considerations or contemplation on the focus of the day. While the readings link to the day's activities they are also intended to build on each other every day. I would invite you to be aware and consider the links across as well as within the gaps and spaces between the words, lines of texts, and readings."

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This is a small selection of readings that took place during DRAWING DEEPLY:

Adeline Newmann read from /

Vincent Ialenti, Deep Time reckoning: How future thinking can help the earth now, MIT Press, (2020)

David Farrier, Intimacy: The Poetics of Thick Time, In Anthropocene poetics: Deep time, sacrifice zones, and extinction, Essay, University of Minnesota Press, (2019)

Ellen Dubreuil read from /

Robert Louis Stevenson, Travel. A Child’s Garden of Verses, (1913)

Harriet Forster read from /

Ursula Le Guin, The Dispossessed, Panther Science Fiction, (1976)

Ingrid Tait read from /

Margaret Tait, Seeing’s Believing And Believing’s Seeing, from Poems, Stories and Writings, ed. Sarah Neely, Manchester, (2012)

Rose Montgomery-Whicher read from /

John Berger, Drawn to that moment, In Berger, J. Berger on Drawing (65-74), Aghabullogue, Ireland: Occasional Press, (2005)

Shelley Davies and Viktoria Mladenovski read from /

Rick Rubin, The Creative Act: A Way of Being, (Hardback); Edition: Main; Publisher: Canongate Books, (2023)

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Dawn chorus, Colle Romano, Filignano, Italy, 13 June 2023

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Setting out on TOUCH + TEXTURE drawing and walking exercise, Collemacchia, Italy

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Touch + Texture exercise, Dr Lydia Halcrow for DRAWING DEEPLY, 2023

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Remembering - a Visual Exploration, zine; capturing rooms from the abandoned house, oil pastel on tracing paper, Viktoria Mladenovski, DRAWING DEEPLY, 2023

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Guided walk, from Collemacchia through La Pineta, to Filignano Vecchio

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Video by The Museum of Loss and Renewal, for DRAWING DEEPLY, 2023

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Memory images, made when back in Berlin; memories of spaces entered during the residency, drawn as colourful shapes, Viktoria Mladenovski, DRAWING DEEPLY, 2023

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Manifesto, that found its way into this world so naturally and effortlessly after almost a week in residence, Viktoria Mladenovski, DRAWING DEEPLY, 2023

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Nancy Kline, ‘The Difference’ in The Promise that Changes Everything: I Won’t Interrupt You, pp. 7, 10, 11, 12, 13

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Charlotte Higgins, ‘Turning away’ in Red Thread: Mazes and Labyrinths, p. 62

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Minna Salami, (2020) from 'Of Knowledge in Sensuous Knowledge: A Black Feminist Approach for Everyone', Bloomsbury Publishing, London, pp. 14-15, 21, 24

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Thich Nhat Hanh, ‘Stopping and Looking Deeply’ in How to See, p. 33

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Collemacchia, Apennine and Mainarde mountains, Italy

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Photograph by Tracy Mackenna, The Museum of Loss and Renewal, for DRAWING DEEPLY, 2023

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Michelle Boulous Walker, ‘Introduction: On Being Slow and Doing Philosophy’ in Slow Philosophy: Reading Against the Institution, pp. 8, 9, 10, 11, 12, 15

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The Group Residency took place in Collemacchia, a small village within Italy’s National Park of Abruzzo, Lazio and Molise, a protected area of exceptional significance and beauty. Engagement with the natural world begins on the doorstep and the stunning mountainous landscape offers an excellent environment for reflective practice. The ancient, undisturbed and extensive terrain holds a rich and complex history visible in the area’s architecture, customs, agricultural lands and forests.

The area is sparsely populated by villages that are largely trilingual Italian-French-English due to the large community of emigrants who continually move between European nations, stemming from economic migration dating from approx. 1850. The village has been home to Tracy Mackenna’s family for centuries and as the curator of The Museum of Loss and Renewal she fosters strong links with the local community which is highly supportive of the Residency Programme.

Setting out from Collemacchia always on foot, drawing activities took place amongst Samnite and Roman paths, architectural structures, and water sources. The mountains' dry-stone terraces that were once fully productive provided a geographical structure on which to walk, read aloud, draw, converse and share.

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Collemacchia, in piazza 'compass', Filignano, Italy

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Photograph by Tracy Mackenna, The Museum of Loss and Renewal, for DRAWING DEEPLY, 2023

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Photograph by Tracy Mackenna, The Museum of Loss and Renewal, for DRAWING DEEPLY, 2023

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Trace, Memory, Journey, Body, Healing

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Stuart Firestein, ‘A Short View on Ignorance’ in Ignorance: How it Drives Science, pp. 11, 12, 15, 16

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The SPRINT REVIEW was a space for residents to loop back to the introductions each made at the start of the Group Residency, framed by the considerations 'where are you now, what new questions do you have?'.

Residents made short presentations to the group, highlighting key thoughts, ideas and considerations from the week's activity by talking through work in progress.

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Land clearing and fuel, above Collemacchia

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Photograph by Tracy Mackenna, The Museum of Loss and Renewal, for DRAWING DEEPLY, 2023

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Walking the path from Collemacchia to Cerreto, to VISUAL DIALOGUE session: a devotion to Alessandro Coia, hand painted ceramic glazed tiles, 1899

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Photograph by Tracy Mackenna, The Museum of Loss and Renewal, for DRAWING DEEPLY, 2023

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Connection, Observation, Pace, Phenomenology, Time

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Immersive, Metamorphosis, Worldbuilding, Embodiment, Complexity

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Co-production, Marginalised groups, Access, Care, Long term growth

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Mark-making, Monochrome, Landscape, Layering, Patina

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Rose Montgomery-Whicher, DRAWING DEEPLY, 2023

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Rose Montgomery-Whicher, DRAWING DEEPLY, 2023

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Landscape/contours, Distance/Close-up, Texture, Colour, Looseness

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This is the Way to Collemacchia, graphite on graph paper, 100 x 100 cms, Harriet Forster, DRAWING DEEPLY, 2023

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David Bohm, ‘On Dialogue’ in On Dialogue, pp. 6,7

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Photograph by Tracy Mackenna, The Museum of Loss and Renewal, for DRAWING DEEPLY, 2023

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Photograph by Tracy Mackenna, The Museum of Loss and Renewal, for DRAWING DEEPLY, 2023

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Rose Montgomery-Whicher, DRAWING DEEPLY, 2023

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Rose Montgomery-Whicher, DRAWING DEEPLY, 2023_01

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Dialogue with a House, digital still (1), Adeline Newmann, Shelley Davies, Lee Cutter, improvised performance in abandoned house, Cerreto, DRAWING DEEPLY, 2023

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Forest Walk, ink on paper, Lee Cutter, DRAWING DEEPLY, 2023

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Collecting, Psychology, Creatures, Objects, Fables

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Drawing from collaborative video, Dialogue with abandoned House, a silent visual dialogue exercise, graphite, Shelley Davies, DRAWING DEEPLY, 2023

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Outside in Cerreto, watercolour, acrylic, pencil, masking fluid on watercolour paper, Ingrid Tait, DRAWING DEEPLY, 2023

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IngridTait_Outside In Cerreto, (watercolour, acrylic, pencil, masking fluid on watercolour paper.PNG

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Feet, coloured pencil on paper, A5, Harriet Forster, DRAWING DEEPLY, 2023

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Drawing while walking, during GREETING PLACE: a guided walk, Collemacchia to Filignano Vecchio

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Video by Tracy Mackenna, The Museum of Loss and Renewal, for DRAWING DEEPLY, 2023

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Marion Milner, ‘Two ways of looking’ in  A Life of One’s Own, pp. 77,78

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Photograph by Tracy Mackenna, The Museum of Loss and Renewal, for DRAWING DEEPLY, 2023

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Located within a poignantly abandoned former home in the village of Cerreto, residents were paired and invited to engage in a silent VISUAL DIALOGUE between themselves and the site. The village is largely quiet, the majority of houses having been vacated due to economic migration, with many still containing personal possessions left behind in haste.

Prompted by David Bohm’s thoughts on how, through dialogue, ideas or information is not intended to be made common but rather that something in common is created or made new together. Bohm advocates for '... deeper listening and more open communication to cope with the complex problems facing our organizations, businesses and societies'.

The pairings of residents with the non-human third participant of site worked jointly to develop modes of visual dialogues through drawing, sound, movement, and site responsive installation.

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Making the Bed again nicely, drawings from Dialogue with a House, blue and red fineliner on cotton paper, Adeline Newmann, DRAWING DEEPLY, 2023

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Walking into Dawn, ink on tracing paper, Lee Cutter, DRAWING DEEPLY, 2023

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Detail, II Museo per la Memoria Storica del Territorio, photograph with graphite pencil where photo was overexposed, Ellen Dubreuil, DRAWING DEEPLY, 2023 

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Drawing from collaborative video, Dialogue with abandoned House, a silent visual dialogue exercise, graphite, Shelley Davies, DRAWING DEEPLY, 2023

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Moss Mountain, moss on cartridge paper, Ingrid Tait, DRAWING DEEPLY, 2023

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IngridTait_Moss mountain (moss on cartridge paper)

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Collected tiles mosaic made with Rose Montgomery-Whicher, Visual Dialogue exercise, Harriet Forster, DRAWING DEEPLY, 2023

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The performative reading ‘Associated thoughts on: The End’ was given by Danica on the penultimate night of the group residency. It consisted of reading the final pages of a number of books chosen from The Museum of Loss and Renewal library

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Video by Tracy Mackenna, The Museum of Loss and Renewal, for DRAWING DEEPLY, 2023

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Drawing Exercises, Archaeological Museum Venafro / Museo Archeologico di Venafro, Molise, Italy

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Photograph by Tracy Mackenna, The Museum of Loss and Renewal, for DRAWING DEEPLY, 2023

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Managing rewilding, dry-stone terraces around Collemacchia, Italy

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Photograph by Tracy Mackenna, The Museum of Loss and Renewal, for DRAWING DEEPLY, 2023

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Photograph by Tracy Mackenna, The Museum of Loss and Renewal, for DRAWING DEEPLY, 2023

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Rose Montgomery-Whicher, DRAWING DEEPLY, 2023

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Rose Montgomery-Whicher, DRAWING DEEPLY, 2023_03

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Hiking up a mountain sketchbook (2), brush pen and fineliner on cotton paper, Adeline Newmann, DRAWING DEEPLY, 2023

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Walking into the Night, ink on paper, Lee Cutter, DRAWING DEEPLY, 2023

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Line Branch, Micron pen on paper, 11.43 x 15.24 cms, Ellen Dubreuil, DRAWING DEEPLY, 2023

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Ten minute drawing of one object with addition of another ten minute drawing, Archaeological Museum, Venafro, graphite, Shelley Davies, DRAWING DEEPLY, 2023

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Looking onto contemporary Filignano (1800-), from Filignano Vecchio (Old Filignano)

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Photograph by Tracy Mackenna, The Museum of Loss and Renewal, for DRAWING DEEPLY, 2023

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Tabletop Landscape, charcoal stick and ink on cartridge paper, Ingrid Tait, DRAWING DEEPLY, 2023

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IngridTait_Tabletop landscape (charcoal stick and ink on cartridge paper)

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A path with hayfever, Harriet Forster, DRAWING DEEPLY, 2023

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TOUCH + TEXTURE drawing and walking exercise, Collemacchia

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Photograph by Tracy Mackenna, The Museum of Loss and Renewal, for DRAWING DEEPLY, 2023

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GREETING PLACE was our first collective guided drawing walk, led by Tracy Mackenna. It took residents through Collemacchia's lanes and off the main road, into the pine hill, La Pineta. Ascending slowly, walking mostly in single file along the narrow footpath, Tracy told of how the pine trees were planted by many of Collemacchia and Filignano's community elders when, as primary school children, a significant percentage of their educaiton tookm place outdoors.

Emerging from the shade of the trees, the land and how it has been formed and 'scaped' by changing labour patterns and by war opened up, framed by the Apennine and Mainarde mountain ranges.

Conversation revolved around the interrelationships of place, people and time, as Tracy recounted stories about the local community, its people's histories, issues currently being faced due to ageing and depopulation, changes in work and employment opportunities and how the community might reconsider or reconfigure itself in the post Covid pandemic era.

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Collemacchia, in the Apennine and Mainarde mountains

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Photograph by Mark Kilsdonk Janssen for The Museum of Loss and Renewal

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Photograph by Tracy Mackenna, The Museum of Loss and Renewal, for DRAWING DEEPLY, 2023

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Drawing Exercises, Archaeological Museum Venafro / Museo Archeologico di Venafro, Molise, Italy

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Photograph by Tracy Mackenna, The Museum of Loss and Renewal, for DRAWING DEEPLY, 2023

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Photograph by Tracy Mackenna, The Museum of Loss and Renewal, for DRAWING DEEPLY, 2023

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Rose Montgomery-Whicher, DRAWING DEEPLY, 2023

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Rose Montgomery-Whicher, DRAWING DEEPLY, 2023_04