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Noisia have always been some of the top tier composers and sound engineers in electronic drum & bass music to me, they have always been at the top of my pedestal, incredibly textured and hi-fi sound design with the incredible immersive mixing to match. I often use their songs for referencing when I want to push the envelope on a track in mixing. Their custom floating studio design is a goal of mine one day and hopefully I will become successful enough to build something like it.

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When i first heard Telefon Telaviv i was in year 11 and they just blew my mind. The way their production seamlessly flows from one song to the next, from one minute to the next, constantly evolving and building using a combination of experimental electronic sounds to control the pacing and intensity of their songs over a stable acoustic instrument at the center of it all, holding that foundation and keeping you emersed the whole way. Telefon Telaviv are one of my all time favorite and i find inspiration everytime i listen to one of their tracks, whether it be from a mixing or writing perspective i always manage to find something i never noticed before no matter how many times i listen to their albums.

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Not much description is given whenever Telefon Telaviv mention Aphex twin but if you listened to their music it would need little explanation of why they rate Aphex Twin so highly. The dark glitchy and chaotic songs and structure to Aphex Twin make light of a lot of similliarities in Telefon Telaviv's music. In an article by Alex Rawls on the website 'myspiltmilk.com' Rawls (2023) mentions some of the artists that influenced them such as "Aphex Twin and Autechre, the duo were influenced by Steve Reich, The Sea and Cake, Tortoise, Stereolab, and New Orleans bounce."

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In the article written by Ken Taylor in 2019 in which Telefon Telaviv gave away some of their music creation tips and secrets, they had a specific technique inspired directly by Steve Reich. Taylor (2019) describes this method as 'making tape loops of their drums and running against themselves', " slightly slower or faster, and make this kind of Steve Reich phasing thing happen, as on “Your Every Idol,”. (Taylor, 2019)

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"Eutow’ is the best electro track I have ever heard and people don’t hear it as electro – but it’s 100% electro" (Hanley, 2013), this is how Telefon Telaviv described Autechre's track 'Eutow' in 2013 during an interview with 'huckmag.com'. They further discussed how Autechre really "set the mark" (Hanley, 2013), this clearly shows how much admiration Telefon Telaviv had for Autechre's production and compositions.

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Noisia described in an interview with Jayne Robinson (Robinson, 2012) how they "set out to be a bit like the Prodigy genre wise", i believe this is quite obvious in the fact that they both mostly produce 'Drum & Bass' music, the main source of inspiration though was how iconic Prodigy's sound was, Noisia describe "they can do any tempo and people will recognise it as them" (Robinson, 2012).

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On many occasions Noisia mention Fatboy Slim being of significant influence in the electronic music genre, in an interview with Computer Music in 2013 they mention this influence, "The Prodigy, obviously. Fatboy Slim. And all the darker drum 'n' bass stuff like Ed Rush & Optical, Bad Company UK" (Music, 2013).

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It's not said exactly how Miles Davis influenced the trio but in an interview with Marko Kutlesa in 2017 they explained that they "studied composition and production in music school" (Kutlesa, 2017) and during this time since they became familiarised with "Everything from classical, counterpoint, jazz band recording" (Kutlesa, 2017). As Miles Davis is in their list of influences this would explain how that came to be.