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After everything goes back to normal or a 'new normal' in the Act III resolution, where the story question is answered to yours and the viewers' satisfaction, something happens that flips the story question's answer the other way.

An example of this would be in the short film Switch when audio after the credits suggests that the boy was slapped by the purple tentacle.

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What change do they need to make to overcome the obstruction?

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What change do they need to make to overcome the obstruction?

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Who is your character and what do they want

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Who is your character and what do they want

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the padlets in blue show how the 4-point character framework conforms to the 3-Act Structure

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What you can see from the above examples is that your shot lengths and the story beat action these reveal, will evolve depending on how you cluster those beats

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What you can see from the above examples is that your shot lengths and the story beat action these reveal, will evolve depending on how you cluster those beats

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In this example, Shot 3 conforms to length of the Act III resolution

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In this example, Shot 2 includes the inciting incident action, all of the Act II conflict and the Climax of the conflict.

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In this example, Shot 1 conforms to length of Act I action setting up character and scene.

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In this example, Shot 3 includes climax and Act III resolution action

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In this example, Shot 2 includes further Act II incidents

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In this example, Shot 1 includes Act I action, Inciting Incident and first part of Act II action

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In this example, Shot 3 conforms to length of the Act III resolution

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In this example, Shot 2 conforms to length of Act II action and includes climax

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In this example, Shot 1 conforms to length of Act I action including Inciting Incident

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Below are different examples of how shots might cross the acts depending on how you cluster your story beats in the adaptation of your story...

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Below are different examples of how shots might cross the acts depending on how you cluster your story beats in the adaptation of your story...

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Story question gets answer the opposite of the Act III resolution answer. Either yes or no.

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in the set-up, the story question has the potential to be answered the same as your Act III resolution answer. Either yes or no.

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What is your story question that the film will answer?

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What is your story question that the film will answer?

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Make sure your story question has a binary answer, yes or no. Decide how you answer it, that's how your film resolves the question prompted by the story.

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Everything 'back to normal' or moved on to a 'new normal' in a positive way.

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Write out all possible plot ideas for what this might look like. The reason is to run as many ideas by yourself as possible, so you select the most appropriate and not just settle for idea No.1.

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Act II conflict is dramatically resolved

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What does the character start to do to overcome these obstacles? This is the story's conflict. The 'rule of threes' works well in short-form filmmaking:
1. character tries something = a phenomenon
2. character tries same thing again = pattern to the phenomenon
3. character learns from previous and tries something different = breaks the pattern which leads to the climax

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Your story question gets asked here?

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What change occurs that shakes up the world of Act I. For character-based ideas, what obstruction stops the character getting what they want? Another character? Their environment? Themselves?

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In here you can write ideas for setting, characters (who are they? what do they want?) and ideas for what they're doing. Write out all the ideas that come into your head, don't settle for idea No.1