# data[].attributes.body
For the sequence in which the Huntsman fails to do away with Snow White and tells her to flee into the forest, the Huntsman was first conceived as a ruthless and dangerous killer, who looked forward to his job such that his face would light up when the Queen gave him new instructions. A large amount of dialogue would have been required to explain why he could not carry out his task and what Snow White then had to do. However, it was felt that this version of the story contained too delicate acting from the characters involved,Snow White and the Huntsman is a 2012 American fantasy film based on the German fairy tale "Snow White" compiled by the Brothers Grimm. The film is the directorial debut of Rupert Sanders, with a screenplay by Evan Daugherty, John Lee Hancock and Hossein Amini, from a screen story by Daugherty. The cast includes Kristen Stewart, Charlize Theron, Chris Hemsworth, Sam Claflin, and Bob Hoskins in his final film performance. In the film's retelling of the tale, Snow White grows up imprisoned by her evil stepmother, Queen Ravenna, a powerful sorceress. After Snow White escapes into the forest, Ravenna enlists Eric the Huntsman to capture her, but he becomes her companion in a quest to overthrow Ravenna.

# data[].attributes.headline
Snow white and seven Dwarfs Eminova E'zoza

# data[].attributes.subject
Snow white and seven Dwarfs Eminova E'zoza

# data[].attributes.body
One winter day, a queen is sewing by an ebony-framed window and looking out at the feathery snowflakes. She pricks her finger accidentally, and three drops of blood fall onto the snow. The red looks so beautiful on the white snow that the queen thinks, "If only I had a child as white as snow, as red as blood, and as black as the wood of the window frame."
Soon afterward the queen has a baby daughter whose skin is white as snow, cheeks red as blood, and hair black as ebony. The queen names her Snow White.
The queen dies shortly after giving birth. Within a year, the king has remarried a woman who is beautiful but vain. This new queen has a magic mirror that always tells the truth. Whenever she looks at her reflection, the Queen asks, "Mirror, mirror, on the wall, who's the fairest one of all?" The mirror always replies, "You, O Queen, are the fairest of all."
But Snow White is also becoming a beauty. When the child is only seven, her stepmother happens to ask the magic mirror her usual question. Instead of giving the customary answer, the mirror says, "My queen, you may be the fairest here, But Snow White is a thousand times more fair."
From then on, the queen hates her little stepdaughter. Envy and pride grow in her heart like weeds. When she can no longer bear these feelings, she summons a huntsman and orders him to take Snow White into the forest. There, he must kill her and return with her lungs and liver as proof that he has obeyed the queen.
Deep in the woods, the huntsman pulls out his knife. Weeping, Snow White begs for mercy. The huntsman relents and lets her run off, figuring she'll soon be eaten by wild animals anyway.
Conveniently, a young boar runs past the huntsman. He stabs the boar to death, removes its lungs and liver, and brings them back to the palace, where the evil queen eats them.
Snow White wanders through the forest, lost and alone. Just before nightfall, she finds a little cottage. Inside, all is spotless, dainty, and small. A little table is set with seven little plates and seven little cups; against the wall are seven little beds in a row. Snow White is so hungry that she takes a bite from each plate and drinks a drop of wine from each cup. Then she checks the beds and finds one the right size. She says her prayers and falls asleep.The little cottage belongs to seven dwarfs who mine ore and minerals in the mountains. This evening they arrive home after dark. When the dwarfs light their lanterns, they realize someone's been in the cottage. Before long they spy the sleeping girl and marvel at her beauty. They decide to let Snow White sleep through the night.
In the morning, the seven dwarfs welcome Snow White to their home and offer to let her stay if she becomes their housekeeper. They warn her not to let anyone into the house: her stepmother may still be trying to kill her.
Snow White settles into her new life, but the dwarfs are right: back at the palace, the magic mirror has again told the queen that Snow White, "with the seven dwarfs in her hideaway," is still the most beautiful female in the land.
Enraged with jealousy, the queen disguises herself as an old peddler woman and makes her way to the dwarfs' cave. There she tricks Snow White into trying on a pretty pair of lace stays, which the queen fastens so tightly that Snow White loses consciousness.
The dwarfs are horrified to find Snow White lying apparently dead. But they notice that her stays have been laced up too tightly. Once the stays are cut open, the girl recovers. The dwarfs tell her the peddler must have been her stepmother and once again warn her not to let anyone through the door.
This scenario repeats itself twice more. On her second visit, the disguised queen puts a poisoned comb into Snow White's hair. Again the dwarfs notice what's happened and revive her. On her third visit, the queen tempts Snow White with a poisoned apple. No sooner does she bite into the apple than she falls dead, and this time the dwarfs are unable to restore her to life.
Snow White looks so much like a person sleeping that the dwarfs can't bear to bury her. Instead, they make her a glass coffin that they place on a mountaintop, where they take turns standing vigil. Her body remains as fresh-looking as ever.
One day a prince finds the coffin and instantly falls in love with the motionless Snow White. He begs the dwarfs to let him have the coffin, saying he'll die himself unless he can gaze at the dead girl. "I will honor and cherish her as if she were my beloved," he assures the dwarfs, who are touched by his words and agree to let him take away the coffin.
When the prince's servants lift the coffin, they stumble momentarily. The coffin jolts, and the jolt knocks out the poisoned piece of apple that had lodged in Snow White's throat. She sits up, alive after all. Overjoyed, the prince proposes. Snow White has "tender feelings for him" by now, and they leave together for the prince's home. Whether the girl bids goodbye to the dwarfs is not mentioned.
The wedding is splendid but for one thing. The evil queen, who has once again heard that Snow White is alive, crashes the party. When she arrives, Snow White spots her at once. The queen is petrified with fear as "iron slippers [which have] already been heated for her over a fire of coals" are placed before her. The queen is made to dance in them until she drops dead.

# data[].attributes.body
One day, a Queen was sitting at a window in her castle. She was sewing with the window open, to watch the flakes of winter snow. She pricked her finger with her needle and three drops of blood fell onto the windowsill. The blood was red, the snow was white, the windowsill was black.
‘I wish I had a daughter with skin as white as snow, lips as red as blood, and hair as black as ebony,’ said the Queen.
Sometime later, the Queen gave birth to a little girl, who she named Snow White. But sadly, the Queen died giving birth and Snow White was left without a mother.
The King soon married again. His new wife was very beautiful, but she was also a witch. The new Queen also had a magic mirror. Every morning, she asked the mirror the same question: ‘Mirror, mirror, on the wall, who is the fairest of them all?’ Every morning, the mirror told the Queen that she was the fairest of them all. For years, the Queen was content, but one day, when Snow White was seven years old, the Mirror said that the princess was now fairer than the Queen.
The Queen couldn’t bear it. She was so jealous and angry that she ordered a huntsman to take Snow White into the woods and kill her. She told him to return with her heart as proof of her death.
But, when the Huntsman took Snow White into the forest, he found he couldn’t bear to kill her. As he raised the knife to kill her, Snow White begged for her life. She promised to run far away and never return to the castle again. Reluctantly, as he was very scared of the Queen, the Huntsman agreed and killed a wild animal instead, so he could present the Queen with its heart.

Snow White walked through the forest for hours. Finally, she came to a small cottage. The door was unlocked, so she stepped inside. Everything in the cottage was small, and there were seven of everything. Snow White was very hungry, thirsty, and very tired. She ate some of the food, drank some of the wine and tucked herself up in one of the beds. She soon fell asleep.
A few hours later, she woke to find seven small men around her. The men were dwarfs, returned from a day of work in the mines. Though initially alarmed at the idea that someone had broken into their home, the dwarfs soon took pity on the little girl, when she explained her stepmother’s plan to kill her. They agreed that she could stay with them if she took on the cooking and cleaning of the cottage. Snow White was delighted.
‘One final rule,’ said the dwarfs. ‘You must be careful when alone at home. Don’t speak to any strangers, or let them in the house.’
Ten years passed. Snow White grew into a lovely, beautiful young woman, and she was getting on well with the dwarfs. The evil Queen, meanwhile, was still obsessed with the idea of her own beauty. She turned to her mirror again, and asked: ‘Mirror, mirror, on the wall, who is the fairest of them all?’
The mirror told her that Snow White was still the fairest of them all. The evil Queen was incensed. She thought she’d had Snow White killed ten years ago. She asked the mirror where Snow White was and, because the mirror was bound to always tell the truth, it showed her the cottage in the forest.
Having already been betrayed by the Huntsman, the Queen decided to kill Snow White herself. She set out to the cottage, disguised as an old peddler. She knocked on the door and, when Snow White answered, she showed her the beautifully laced bodices she was selling. She even offered to show Snow White how to lace them up. Snow White agreed but, as the Queen tied the laces, she pulled so tightly that Snow White couldn’t breathe and collapsed. Thinking Snow White was dead, the Queen left. But, luckily, the dwarfs returned and unlaced the bodice, just in time. Snow White took a huge gasp and was revived.
Pleased with herself, the evil Queen returned to the castle and turned to her mirror, asking: ‘Mirror, mirror, on the wall, who is the fairest of them all?’
‘Snow White,’ said the mirror.
Again, the Queen raged. She returned to the cottage, this time dressed up as a tradeswoman. She knocked on the door and showed Snow White a beautiful jewelled comb. She showed Snow White how to wear it but, of course, the comb was laced with poison. When the Queen tucked it into Snow White’s hair, Snow White collapsed.
Once again, the Queen was convinced that she’d killed Snow White and fled back to the castle. But, when the dwarfs returned home, they removed the comb from Snow White’s locks, and she revived.
The Queen asked her mirror: ‘Mirror, mirror, on the wall, who is the fairest of them all?’
‘Snow White,’ said the Mirror.
The Queen was livid. One final time, she made her way to the cottage. This time, she was dressed as a farmer’s wife. She knocked on the door and offered Snow White an apple. To make Snow White feel more comfortable about taking a bite, she cut the apple in half. The evil Queen took the green half and offered Snow White the red half.
‘You see?’ said the Queen, taking a bite. ‘It’s fine.’
Snow White took a bite and, of course, the red half was poisoned. She fell to the floor and, convinced that Snow White really was dead, the Queen fled back to the castle.
The dwarfs returned to the cottage and found Snow White lying on the floor. This time, nothing they did could revive her. Together, they placed her in a glass coffin outside and mourned her death.
The next day, a Prince was riding by. He came across the coffin and was struck by the beauty of the girl beyond the glass. He knocked on the door of the dwarfs’ cottage and asked for the story. The dwarfs told him all about Snow White and the witch, how they’d found Snow White lifeless on the floor for a third and final time. The Prince asked if he could take Snow White’s body back to her father’s castle, her rightful resting place. Reluctantly, the dwarfs agreed.
The Prince and his men transported the coffin through the forest. As they walked, one of his men tripped over a root and stumbled. He dropped his corner of the coffin and a piece of apple was dislodged from Snow White’s throat. Once it was free, she was magically revived.
The Prince opened the coffin and immediately asked for Snow White’s hand in marriage. She agreed and went with him to his kingdom. The Prince invited everyone in the land to their wedding.

# data[].attributes.body
Snow White is innocent, kind, gentle, sweet, and cheerful. Her generous, trusting and helpful nature can cause her trouble, as other people might take advantage of it, such as her vain and evil stepmother.She was kind and gentle and a friend to all animals Snow White is a princess who lives in a castle with her stepmother, who is a witch. The most important theme of this movie, Snow White and the Seven Dwarfs, is that true beauty comes from within. In the beginning of the movie, the mirror told the queen that she would not be the fairest because Snow White was the fairest of all. The queen was not pleased with that at all ordered her Huntsman to kill the young princess.Evil queen tries only once to kill Snow White (by a poisoned apple) and fails (this was likely to save time). She then dies by falling down a cliff and being crushed by a boulder, after the dwarfs had chased her through the forest.A year later, the prince learns of her eternal sleep and visits her coffin. Saddened by her apparent death, he kisses her, which breaks the spell and awakens her. The dwarfs and animals all rejoice as the prince takes Snow White to his castle.

# data[].attributes.body
First, a brief summary of the Snow White story. One day, a queen sat working at a window with an ebony frame, with the snow falling outside. She pricked her finger (presumably she was sewing or knitting, though her precise occupation, other than ‘queen’, is not usually stated), and, watching the drops of blood, she made a wish that her little daughter would grow up to be as white as snow, as red as her blood, and as black as the ebony window frame. And sure enough, the queen’s daughter grew up to have snow-white skin, cheeks as red as her mother’s blood, and hair as black as ebony.

First, a brief summary of the Snow White story. One day, a queen sat working at a window with an ebony frame, with the snow falling outside. She pricked her finger (presumably she was sewing or knitting, though her precise occupation, other than ‘queen’, is not usually stated), and, watching the drops of blood, she made a wish that her little daughter would grow up to be as white as snow, as red as her

When the queen died shortly after this, the king remarried a vain woman who became Snow White’s stepmother. This stepmother liked to look in her magical looking-glass and ask it who was the fairest in the land, to which the obliging mirror would always return the answer, ‘You, queen.’

Except that one day, when Snow White was seven years old and her beauty has surpassed her stepmother’s, the looking-glass returned the answer, when the queen asked it who was the fairest of them all, ‘Snow White is lovelier than you!’ The wicked stepmother can’t be doing with a beautiful rival, so she orders a huntsman to take Snow White out to the woods and kill her. The huntsman can’t bring himself to kill the little girl, so he merely abandons her in the forest.

Snow White wanders, lost and forlorn, through the forest until she comes to a cottage, which she enters in the hope of finding shelter. Instead, what she finds are seven places laid out for dinner, seven beds: seven of everything. She has a bit out of each of the food and drink set out at the dinner table, before trying each of the beds, until she finds one that’s comfortable, and falls asleep. Much like the situation the three bears come back to in the ‘Goldilocks’ story, the occupants of the cottage – seven dwarfs – then return from a hard day mining for gold in the nearby caves, and spot that an intruder’s been nibbling at their food.

But unlike the three bears, who are angry upon discovering a juvenile delinquent in their home, the seven dwarfs are so impressed by Snow White’s beauty that they are overjoyed to see her and leave her to sleep. In the morning she wakes and tells them her story, and they agree to let her stay with them, and look after the cottage while they go out to work.

They warn her, though, that the evil queen is bound to learn that she is still alive, and seek to kill her again. Meanwhile, the wicked stepmother’s talking mirror is busy blabbing about Snow White’s whereabouts, and when the evil queen asks it who is the fairest in the land, the bigmouthed looking-glass replies that Snow White still is, and adds where the girl can be found.

Having learned that her plan has been foiled and the girl still lives, the wicked stepmother disguises herself as a pedlar and travels to the dwarfs’ cottage, and sells the naïve Snow White some new laces for her shoes. She ties the girl’s laces so tightly that Snow White falls down, unconscious.

When the dwarfs return, they undo the laces and revive the girl, warning her to be more vigilant – they, unlike Snow White, have realised that the pedlar was the wicked queen in disguise. When the wicked queen gets home and learns from the mirror that her plan has been thwarted again, she sets off in a different disguise and convinces Snow White to take a comb as a gift. When the comb makes contact with Snow White’s black hair, she drops down again, and the wicked stepmother returns, her mission supposedly accomplished.

But once again the dwarfs manage to revive Snow White, and the wicked queen learns from the mirror that the girl is still alive. So she contrives a third plan, and sets off for the dwarfs’ cottage a third time, this time dressed as an old peasant’s wife.

# data[].attributes.body
The beautiful and kindhearted princess Snow White charms every creature in the kingdom except one - her jealous stepmother, the Queen. When the Magic Mirror proclaims Snow White the fairest one of all, she must flee into the forest, where she befriends the lovable seven dwarfs - Doc, Sneezy, Grumpy, Happy, Bashful, Sleepy, and Dopey. But when the Queen tricks Snow White with a poisoned apple and falling into a deep sleep, only the magic of true love's kiss can awaken her.For fear that Snow White's beauty will surpass her own, green with envy, the treacherous and vain Queen orders her loyal huntsman to take the princess deep into the impenetrable woods and kill her. But fate has other plans. In an act of unprecedented kindness, the pitiful hunter spares the maiden's life--and as Snow White finds refuge in the cozy cottage of seven friendly dwarfs--for once in her life, she feels what it is like to be safe. Eventually, with the curse of the Sleeping Death at her disposal, the disguised Queen will set off to trick the unsuspecting Snow White into eating a poisoned apple and falling into a deep sleep; nevertheless, is there a spell more potent than love?The first, and by far most memorable full-length animated feature from the Disney Studios, "Snow White and the Seven Dwarfs" may have been superseded technically by many of the films that followed it. But its simple story of a charming princess saved from the evil deeds of her wicked stepmother, the Queen, by a group of seven adorable dwarfs made history when it was first released in December 1937 and has since become an incomparable screen classic.

# data[].attributes.headline
      /charos/Snow white and seven dwarfs

# data[].attributes.subject
      /charos/Snow white and seven dwarfs

# data[].attributes.body
Once upon a time, there was a beautiful  castle in a land far far away. In the magnificent castle there lived the most beautiful queen.
The queen only had one wish to be happy and to have a beautiful baby girl. It was a cold winter day, the queen was sewing next to the window she saw a shooting star and made a wish to have a baby girl, with skin as white as snow, whose eyes are brighter than the shiniest jewel and has cherry red lips and her heart full of joy and happiness.
And one day the wish of the good-hearted queen came true she had a beautiful baby girl they named her Snow White.

The years went by, the queen becomes ill and soon after passed away. After a while, the king remarried another woman. The new queen had an evil heart. She was an arrogant and jealous woman. Every day the queen would look into her magic mirror and ask "Mirror Mirror on the wall who's the fairest of them all". The years went by fast and snow white grew up to be a beautiful young girl.
One day the queen was in front of her magic mirror and asked the same question. But this time the mirror answer "Well I am sorry but not you dear queen snow white is fairest of all.
The queen was furious hearing it.She immediately called her Huntsman and ordered him to kill snow white.
The huntsman took her to the woods but he couldn't hurt her. He asked her to run away from the castle and the evil queen.
She opened and entered the house. The house was very small and messy. Snow white started cleaning the house. They saw snow white sleeping in their bed. She told them about what had happened in the castle. the seven dwarfs wanted to protect her from the evil queen.The queen learned that snow white is still alive and decided to kill her. The evil queen disguised herself as an old woman and offered an apple to eat. Snow White took a bite of the apple and as she did she fainted. Dwarfs, while returning home saw the evil queen in the disguise of an old woman. They chased her to the top of the mountain. When she reached the mountaintop, she was hit by a lightning bolt and fell off from the mountain and died. when the dwarfs returned home they saw snow white lying on the ground, she was in deep sleep. She was cursed by the evil queen.  Dwarfs put snow white in a glass box made of most precious gems and kept the box in the forest.

One day the prince charming came to woods and found his dream girl lying there. He lifted her and kissed her. Snow White opened her eyes. It was the true love's first kiss that broke her curse. Snow White and the prince returned to the kingdom and lived happily ever after.

# data[].attributes.headline
Snow white and seven dwarfs summary(T. Durdona) 

# data[].attributes.subject
Snow white and seven dwarfs summary(T. Durdona) 

# data[].attributes.body
Snow White and the Seven Dwarfs" is a 19th-century German fairy tale that is today known widely across the Western world. The Brothers Grimm published it in 1812 in the first edition of their collection Grimms' Fairy Tales and numbered as Tale 53.This fairy tale is very well done and is one of the most loved ones today, in which the snow white is very beautiful and unique, but her mother is a stepmother and she hates the snow white and the king loves her daughter. but he also loved his wife. The stepmother poisons and kills her father, and orders the hunter to kill the girl, but he takes pity on the girl and takes the heart of another animal without killing her. With this, the snow white met the gnomes and lived with them, and was happy with them. But in the meantime, the prince appears and the queen learns that her snow white is alive, and plans to kill her herself, and prepares a poisoned apple to find her. He eats a poisoned apple and the girl faints, and the gnomes put her in a coffin and think she is dead. But after the prince comes and kisses her, the snow white comes back to life, and the prince goes and kills the snow white 's stepmother. With this, they live a happy life. The fairy tale is very wonderful and everyone likes it.

# data[].attributes.body
Like many other traditional tales, the story of Snow White and the Seven Dwarfs centres around a beautiful princess. The story also uses the trope of the evil stepmother, jealous of her stepdaughter’s beauty and goodness.

Snow White is a princess who lives in a castle with her stepmother, who is a witch. The witch uses an enchanted mirror to tell her who is the most beautiful woman in the kingdom. When the mirror answers ‘Snow White’, her stepmother has her taken into the forest to be killed. The huntsman charged with the task takes pity on the girl, and sets Snow White free. She comes across a little house where seven dwarfs live, and makes her home with them.

On discovering her stepdaughter is still alive, the witch disguises herself as an old woman and makes her way into the forest. She finds Snow White and gives her a poisoned apple to eat. Snow White instantly falls down as if dead. The dwarfs find her, apparently dead, when they return from work, and place her in a glass coffin.

The next day, a prince is riding through the forest and sees the beautiful Snow White in her coffin. He asks to take her back to her father’s castle. During the journey, one of the men carrying the coffin trips, and the piece of poisoned apple is dislodged from Snow White’s throat. She instantly wakes up, and she and the prince are married.

# data[].attributes.headline
Snow white and the seven dwarfs. (Marjona Muhiddinova)

# data[].attributes.subject
Snow white and the seven dwarfs. (Marjona Muhiddinova)

# data[].attributes.body
A beautiful but orphaned princess, Snow White, lives with her stepmother, the wicked Queen, who previously relegated her to servitude. The Queen is jealous because she wants to be known as "the fairest in the land" when Snow White's beauty surpasses her own. A prince passes by, hearing Snow White's singing, and falls immediately in love with her and her beauty. Witnessing this, the Queen summons her loyal huntsman to take Snow White into the forest and kill her, but he cannot bring himself to do so because of her innocence and beauty, and instead begs Snow White to run away into the forest and never return to the castle. The forest animals befriend Snow White and take her to a cottage, where seven dwarfs live. The dwarfs grow to love their unexpected visitor, who cleans their house and cooks their meals. But one day while the dwarfs are away at their diamond mine, the Queen arrives at the cottage disguised as an old peddler woman and persuades Snow White to take a bite of a poisoned apple, promising her it will make all her dreams come true. Snow White wishes for a reunion with the prince, takes a bite, falls into a deep sleep, and the peddler woman declares she's now the fairest in the land. The dwarfs, alerted by the forest animals, rush home to chase the witch away and she falls to her death, but they are too late to save Snow White. Thinking her dead, too, the dwarfs place Snow White in a glass and gold coffin in the woods and mourn for her. The prince, who had searched far and wide for Snow White, hears of Snow White asleep in the glass coffin and awakens her with love's first kiss. In conclusion that, the fairy tale ended well and they lived happily ever before.

# data[].attributes.body
The beautiful and kindhearted princess Snow White charms every creature in the kingdom except one - her jealous stepmother, the Queen. When the Magic Mirror proclaims Snow White the fairest one of all, she must flee into the forest, where she befriends the lovable seven dwarfs - Doc, Sneezy, Grumpy, Happy, Bashful, Sleepy, and Dopey. But when the Queen tricks Snow White with a poisoned apple and falling into a deep sleep, only the magic of true love's kiss can awaken her.
For fear that Snow White's beauty will surpass her own, green with envy, the treacherous and vain Queen orders her loyal huntsman to take the princess deep into the impenetrable woods and kill her. But fate has other plans. In an act of unprecedented kindness, the pitiful hunter spares the maiden's life--and as Snow White finds refuge in the cozy cottage of seven friendly dwarfs--for once in her life, she feels what it is like to be safe. Eventually, with the curse of the Sleeping Death at her disposal, the disguised Queen will set off to trick the unsuspecting Snow White into eating a poisoned apple and falling into a deep sleep; nevertheless, is there a spell more potent than love?

# data[].attributes.body
Like many other  traditional tales, the story of Snow  White  and the  Seven Dwarfs  centres around  a beautiful princess. The story  also uses  thevtropeb of the evil stepmother, jealous  of her  stepdaughter's  beauty and   goodness.
Snow White is a princess who lives in a castle with her stepmother, who is a witch.The witch uses a enchanted mirror to tell b her who is the most beautiful woman in kingdom.When the mirror answers "Snow White", her stepmother has her taken into the forest to be killed . The hunts charged with the task takes pity on the girl, and sets Snow White free. She comes across a little house where seven dwarfs live, and makes her home with them.

# data[].attributes.headline
 (SITORA)Snow White and the seven Dwarfs

# data[].attributes.subject
 (SITORA)Snow White and the seven Dwarfs

# data[].attributes.body
This fairy tale is very interesting and we love watching it, especially childrenIn a fairy tale, there is a big king who has a beautiful princess and her stepmotherthe queen has a mirror and asks her who is beautiful and she says her stepdaughter is beautiful The queen is enraged and orders her to be killed, but the princess survives and goes to the home of the gnomes who live in the forest. there were seven gnomes in the forest, they were working in the mine, and one day when they came home, a beautiful princess was sleeping in their houseso the princess stayed with them, cleaning the houses and cooking until they came home from work  In the fairy tale, there was also a prince of the princess who was looking for the princessher stepmother found out that the princess was alive and brought a poisoned apple to find and kill her and gave it to the princess and she died Seeing this, the gnomes chased the queen, and the queen fell to her deathwhile the princess was sleeping, the prince came, and he also became sadthen the gnomes said that only a "kiss of love" could save the princess and the prince kissed the princess and the princess woke up.Everyone was happy at the end of the story.

# data[].attributes.body
An aunt is a single princess who lives with  her stepmother, the queen . The queen is always worried that Snow White will be more beautiful than her, so she forces Snow White to work as a servant, and every day she looks at the magic mirror and asks: "Mirror, tell me your secret, whose favor will stain the moon." One day, a magic mirror tells the Queen that Snow White is now "the most beautiful" on earth.
The Envious Queen orders the Hunter to take Snow White to the forest and kill him. He also tells the hunter to return Snow White's heart to the jewel box as proof that Snow White is dead. However, the hunter does not dare to kill Snow White . She cries and begs Snow White's forgiveness, and the queen tells her she wants him dead, urging her to run away into the forest and never look back. The frightened princess is befriended by the creatures of the forest, who take her to a small cabin in the middle of the forest. Snow White , who found seven small seats in the dining room of the hut.
In reality, these seats belong to seven older but smaller gnomes—Doc, Grumpy, Happy, Sleepy, Bashful, Sneezy, and Dopey—who work in a nearby mine. The gnomes return home to find their house clean and are horrified, suspecting that an intruder has broken into their home. Upstairs, the gnomes find Oppogoi sleeping on three beds

# data[].attributes.attachment_caption
Snow White and the Seven Dwarfs (1937 film) - Wikipedia

# data[].attributes.body
Once upon a time, a princess named Snow White lived in a castle with her father, the King, and her stepmother, the Queen. Her father had always said to his daughter that she must be fair to everyone at court. Said he: “People come here to the castle when they have a problem. They need the ruler to make a fair decision. Nothing is more important than to be fair.”

The Queen, Snow White’s stepmother, knew how much this meant to her husband. At the first chance, she rushed to her magic mirror.  “Mirror, mirror, on the wall,” said the Queen.  “Who is the fairest of them all?”

“Snow White is the fairest of them all!” said the Magic Mirror.

“What?!” yelled the Queen.  “No one is more fair than I!  The Queen must have the best of everything - everyone knows that.  What could be more fair?”

“Snow White is the fairest of them all!” repeated the Magic Mirror.

“What do you know – you’re a mirror!” roared the Queen.  And she stormed off.

Still, the Queen was bothered.  So bothered was she that the Queen decided to be rid of the girl, once and for all.

“I cannot wait another day!” she declared.  The Queen called for her servant, a huntsman.  “Find a reason to take Snow White deep into the woods,” she said, pointing her long finger at the servant. “Then kill her.”

The huntsman was shocked!  But she was the Queen and what could he do?  The next day he took Snow White into the woods.  As he drew his knife to slay her, Snow White turned around.

“Look,” she said, taking something out of her pocket.  “You have always been good to me.”  She held in front of him six perfect arrowheads that she had carefully shaped. “Do you like them?” she said.  “They are for you.”

“Snow White,” said the huntsman.  “I cannot do this!”

“Of course you can take these,” said Snow White.

"That's not what I meant," said the servant.  He dropped to his knees.  “How can I say this to you?  The Queen, your step-mother, ordered me to kill you,” he said.  “But I cannot!”

“She did what?” Snow White called out with alarm.

“You must run away!” said the huntsman.  “Far into the woods.  Now!  And never come back to the castle!”

Snow White turned and ran into the woods as fast as she could.  Deeper and deeper she ran.  It was getting dark, and the wolves were starting to howl.  She tripped and her skirt was torn.  Tall tree branches seemed to reach down to the very ground to grab her.  She was scratched, bleeding and scared.  Yet she ran on and on.

Then all of a sudden, far away, there was a light.  Who was living so deep in the woods?  She stepped up closer.  It was a cottage!  Yet no sound came from the cottage, only light from the windows.

“Hello?” she said, knocking softly on the door.  “Hello?” No answer.  The door was a little bit open.  She opened it some more and stepped in.  “Hello, is anyone home?”

She looked around.  What a mess!  She had never seen a messier living room.

“This cottage may be the biggest mess I ever saw,” she thought.  “But it's a roof over my head for tonight. Maybe if I clean up around here, I can earn my sleep.”

As she cleaned, she thought of someone she already missed.  Before her father had re-married, she and a Prince who lived in the next kingdom were getting to know each other.  They would take long walks in the royal garden and tell each other stories, and laugh.

After the Queen had moved into the castle, her stepmother had made a new rule – no more visitors.  Now the Prince had to slip over the palace gate in secret. He would call out to her from under her window and they could talk a bit that way. It wasn’t as good as the long walks but it was the best they could manage.

Now that she had to run away from home, would she ever see him again?

After Snow White cleaned up the living room, she went upstairs.  On the second floor, there were seven little beds lined up in a row, as if for children.  Tired from cleaning, Snow White yawned and lay across all seven of the beds.  Soon she fell fast asleep.

# data[].attributes.attachment_link.readable_text
Snow White and the Seven Dwarfs is a 1937 American animated musical fantasy film produced by Walt Disney Productions and released by RKO Radio Pictures. Based on the 1812 German fairy tale by the Brothers Grimm, it is the first full-length traditionally animated feature film and the first Disney animated feature film. The story was adapted by storyboard artists Dorothy Ann Blank, Richard Creedon, Merrill De Maris, Otto Englander, Earl Hurd, Dick Rickard, Ted Sears and Webb Smith. David Hand was the supervising director, while William Cottrell, Wilfred Jackson, Larry Morey, Perce Pearce, and Ben Sharpsteen directed the film's individual sequences.

Snow White premiered at the Carthay Circle Theatre in Los Angeles, California on December 21, 1937. It was a critical and commercial success and, with international earnings of more than $8 million during its initial release (compared to its $1.5 million budget), it briefly held the record of highest-grossing sound film at the time. The popularity of the film has led to its being re-released theatrically many times, until its home video release in the 1990s. Adjusted for inflation, it is one of the top-ten performers at the North American box office and the highest-grossing animated film. Worldwide, its inflation-adjusted earnings top the animation list.

Snow White was nominated for Best Musical Score at the Academy Awards in 1938, and the next year, producer Walt Disney was awarded an honorary Oscar for the film. This award was unique, consisting of one normal-sized, plus seven miniature Oscar statuettes. They were presented to Disney by Shirley Temple.

In 1989, the United States Library of Congress deemed the film "culturally, historically, or aesthetically significant" and selected it as one of the first 25 films for preservation in the National Film Registry. The American Film Institute ranked it among the 100 greatest American films, and also named the film as the greatest American animated film of all time in 2008. Disney's take on the fairy tale has had a significant cultural effect, resulting in popular theme park attractions, a video game, a Broadway musical, and an upcoming live-action film.

Having lost both of her parents at a young age, Snow White is a princess living with her wicked and cold-hearted stepmother, the Queen. Fearing that Snow White's beauty will outshine her own, the Queen forces her to work as a scullery maid and asks her Magic Mirror daily "who is the fairest one of all." For years, the mirror always answers that the Queen is, pleasing her.

One day, the Magic Mirror informs the Queen that Snow White is now the fairest in all of the land. On that same day, Snow White meets and falls in love with a prince who overhears her singing. Angered, the Queen orders her Huntsman to take Snow White into the forest, kill her, and bring back her heart in a jeweled box. However, the Huntsman cannot bring himself to kill Snow White. He begs for her forgiveness and reveals the Queen wants her dead. He then urges her to flee into the woods and never return.

Lost and frightened, Snow White is befriended by woodland creatures who lead her to a cottage deep in the woods. Finding seven small chairs in the cottage's dining room, Snow White assumes the cottage is the untidy home of seven orphaned children. With the animals' help, she proceeds to clean the place and cook a meal.

As it turns out, the cottage actually belongs to seven adult dwarfs named Doc, Grumpy, Happy, Sleepy, Bashful, Sneezy, and Dopey, who work in a nearby mine. Returning home, they are alarmed to find their cottage clean, and suspect that an intruder has invaded their home. The dwarfs find Snow White upstairs, asleep across three of their beds. Snow White awakes to find the dwarfs at her bedside and introduces herself, and all of the dwarfs eventually welcome her into their home after she offers to clean and cook for them. Snow White keeps house for the dwarfs while they mine for jewels during the day; and at night, they all sing, play music, and dance.

Back at the castle, the Magic Mirror reveals that Snow White is still living, and with the dwarfs. Enraged that the Huntsman had tricked and betrayed her, the Queen creates a poisoned apple that will put whoever eats it into a sleep-like death. She learns the curse can be broken by "love's first kiss," but is certain Snow White will be buried alive before this can happen. Using a potion to disguise herself as an old hag, the Queen goes to the cottage while the dwarfs are away. The animals attack her, but Snow White defends her. Unable to warn Snow White, the animals rush off to find the dwarfs. Claiming the apple is a magical, wish-granting one, the Queen fools Snow White into biting into it. As Snow White falls asleep, the Queen proclaims that she is now the fairest of the land.

The dwarfs return with the animals as the Queen leaves the cottage, and give chase, trapping her on a cliff. She tries to roll a boulder onto them, but lightning strikes the cliff before she can do so, causing her to fall and get crushed to death by the boulder.

In their cottage, the dwarfs find Snow White being kept in a deathlike slumber by the poison. Unwilling to bury her out of sight in the ground, they instead place her in a glass coffin trimmed with gold in a clearing in the forest. Together with the woodland creatures, they keep watch over her.

A year later, the prince learns of her eternal sleep and visits her coffin. Saddened by her apparent death, he kisses her, which breaks the spell and awakens her. The dwarfs and animals all rejoice as the prince takes Snow White to his castle.

Production

Development on Snow White and the Seven Dwarfs began in early 1934, and in June 1934, Walt Disney announced the production of his first feature, to be released under Walt Disney Productions, to The New York Times. One evening that same year, Disney acted out the entire story of Snow White and the Seven Dwarfs to his staff, announcing that the film would be produced as a feature-length film.

Before Snow White and the Seven Dwarfs, the Disney studio had been primarily involved in the production of animated short subjects in the Mickey Mouse and Silly Symphonies series. Disney hoped to expand his studio's prestige and revenues by moving into features, and estimated that Snow White and the Seven Dwarfs could be produced for a budget of US$250,000; this was ten times the budget of an average Silly Symphony.

While not the first animated feature film, Snow White and the Seven Dwarfs was to be the first full-length cel animated feature in motion picture history. As such, Walt Disney had to fight to get the film produced. Both his brother and business partner Roy Disney and his wife Lillian attempted to talk him out of it, and the Hollywood movie industry derisively referred to the film as "Disney's Folly" while it was in production. He had to mortgage his house to help finance the film's production, which eventually ran up a total cost of $1,488,422.74, a massive sum for a feature film in 1937. Midway through, Disney needed a $250,000 loan to finish the film. Disney ran a rough cut for Joseph Rosenberg of Bank of America, who sat impassively during the showing. Then Rosenberg turned to the worried Disney and said, "Walt, that thing is going to make a hatful of money" and approved the loan.

Story development

On August 9, 1934, twenty-one pages of notes-entitled "Snowwhite suggestions"-were compiled by staff writer Richard Creedon, suggesting the principal characters, as well as situations and 'gags' for the story. As Disney had stated at the very beginning of the project, the main attraction of the story for him was the Seven Dwarfs, and their possibilities for "screwiness" and "gags"; the three story meetings held in October and attended by Disney, Creedon, Larry Morey, Albert Hurter, Ted Sears and Pinto Colvig were dominated by such subjects. At this point, Disney preferred to begin actual work on Snow White's discovery of the cottage of the Seven Dwarfs. Disney had suggested from the beginning that each of the dwarfs, whose names and personalities are not stated in the original fairy tale, could have individual personalities. The dwarfs' names were chosen from a pool of about fifty potentials, including Jumpy, Deafy, Dizzey, Hickey, Wheezy, Baldy, Gabby, Nifty, Sniffy, Swift, Lazy, Puffy, Stuffy, Tubby, Shorty, and Burpy. The seven finalists were chosen through a process of elimination. The leader of the dwarfs, required to be pompous, self-important and bumbling, was named Doc; others were named for their distinguishing character traits. At the end of the October story meetings, however, only Doc, Grumpy, Bashful, Sleepy, and Happy of the final seven were named; the other two dwarfs were named Jumpy and "Seventh," who was deaf and spry.

Along with a focus on the characterizations and comedic possibilities of the dwarfs, Creedon's eighteen-page outline of the story written from the October meetings, featured a continuous flow of gags as well as the Queen's attempt to kill Snow White with a poisoned comb, an element taken from the Grimms' original story. After persuading Snow White to use the comb, the disguised Queen would have escaped alive, but the dwarfs would have arrived in time to remove it. After the failure of the comb, the Queen was to have the Prince captured and taken to her dungeon, where she would have come to him (story sketches show this event both with the Queen and the Witch) and used magic to bring the dungeon's skeletons to life, making them dance for him and identifying one skeleton as "Prince Oswald", an example of the more humorous atmosphere of this original story treatment. It is written in story notes that the Queen has such magical power only in her own domain, the castle. With the Prince refusing to marry her, the Queen leaves him to his death (one sketch shows the Prince trapped in a subterranean chamber filling with water) as she makes her way to the dwarfs' cottage with the poisoned apple. The forest animals were to help the Prince escape the Queen's minions and find his horse. The Prince was to ride to the cottage to save Snow White but took the wrong road (despite warnings from the forest animals and his horse, whom he, unlike Snow White, could not understand). He, therefore, would not have arrived in time to save her from the Queen but would have been able to save her with love's first kiss. This plot was not used in the final film, though many sketches of the scene in the dungeon were made by Ferdinand Hovarth.

Other examples of the more comical nature of the story at this point included suggestions for a "fat, batty, cartoon type, self-satisfied" Queen. The Prince was also more of a clown, and was to serenade Snow White in a more comical fashion. Walt Disney encouraged all staff at the studio to contribute to the story, offering five dollars for every 'gag'; such gags included the dwarfs' noses popping over the foot of the bed when they first meet Snow White.

Disney became concerned that such a comical approach would lessen the plausibility of the characters and, sensing that more time was needed for the development of the Queen, advised in an outline circulated on November 6 that attention be paid exclusively to "scenes in which only Snow White, the Dwarfs, and their bird and animal friends appear". The names and personalities of the dwarfs, however, were still "open to change". A meeting of November 16 resulted in another outline entitled 'Dwarfs Discover Snowwhite', which introduced the character of Dopey, who would ultimately prove to be the most successful of the dwarf characterizations. For the rest of 1934, Disney further developed the story by himself, finding a dilemma in the characterization of the Queen, who he felt could no longer be "fat" and "batty", but a "stately beautiful type", a possibility already brought up in previous story meetings. Disney did not focus on the project again until the autumn of 1935. It was believed that the Silly Symphony short The Goddess of Spring (1934) may have placed doubt in his studio's abilities to animate a realistic girl. Apparently, a three-month trip to Europe that summer restored his confidence. At this point, Disney and his writers focused on the scenes in which Snow White and the dwarfs are introduced to the audience and each other. He laid out the likely assignments for everyone working on the film in a memorandum of November 25, 1935, and had decided on the personalities of the individual dwarfs.

It had first been thought that the dwarfs would be the main focus of the story, and many sequences were written for the seven characters. However, at a certain point, it was decided that the main thrust of the story was provided by the relationship between the Queen and Snow White. For this reason, several sequences featuring the dwarfs were cut from the film. The first, which was animated in its entirety before being cut, showed Doc and Grumpy arguing about whether Snow White should stay with them. Another, also completely animated, would have shown the dwarfs eating soup noisily and messily; Snow White unsuccessfully attempts to teach them how to eat 'like gentlemen'. A partially-animated sequence involved the dwarfs holding a "lodge meeting" in which they try to think of a gift for Snow White; this was to be followed by the elaborate 'bed-building sequence', in which the dwarfs and the forest animals construct and carve a bed for the princess. This was also cut, as it was thought to slow down the movement of the story. The soup-eating and bed-building sequences were animated by Ward Kimball, who was sufficiently discouraged by their removal to consider leaving the studio; Disney, however, persuaded him to stay by promoting Kimball to supervising animator of Jiminy Cricket in his next feature (1940).

The primary authority on the design of the film was concept artist Albert Hurter. All designs used in the film, from characters' appearances to the look of the rocks in the background, had to meet Hurter's approval before being finalized. Two other concept artists-Ferdinand Hovarth and Gustaf Tenggren-also contributed to the visual style of Snow White and the Seven Dwarfs. Hovarth developed a number of dark concepts for the film, although many other designs he developed were ultimately rejected by the Disney team as less easily translated into animation than Hurter's. Tenggren was used as a color stylist and to determine the staging and atmosphere of many of the scenes in the film, as his style borrowed from the likes of Arthur Rackham and John Bauer and thus possessed the European illustration quality that Walt Disney sought. He also designed the posters for the film and illustrated the press book. However, Hovarth didn't receive a credit for the film. Other artists to work on the film included Joe Grant, whose most significant contribution was the design for the Queen's Witch form.

Don Graham really knew what he was teaching, and he "showed" you how to do something - he didn't just talk. He taught us things that were very important for animation. How to simplify our drawings - how to cut out all the unnecessary hen scratching amateurs have a habit of using. He showed us how to make a drawing look solid. He taught us about tension points - like a bent knee, and how the pant leg comes down from that knee and how important the wrinkles from it are to describe form. I learned a hell of a lot from him!

Art Babbitt, an animator who joined the Disney studio in 1932, invited seven of his colleagues (who worked in the same room as him) to come with him to an art class that he himself had set up at his home in the Hollywood Hills. Though there was no teacher, Babbitt had recruited a model to pose for him and his fellow animators as they drew. These "classes" were held weekly; each week, more animators would come. After three weeks, Walt Disney called Babbit to his office and offered to provide the supplies, working space and models required if the sessions were moved to the studio. Babbitt ran the sessions for a month until animator Hardie Gramatky suggested that they recruit Don Graham, an art teacher from the Chouinard Institute. Graham taught his first class at the studio on November 15, 1932, and was joined by Philip L. Dike a few weeks later. These classes were principally concerned with human anatomy and movement, though instruction later included action analysis, animal anatomy and acting.

The first duty of the cartoon is not to picture or duplicate real action or things as they actually happen-but to give a caricature of life and action-to picture on the screen things that have run thru the imagination of the audience to bring to life dream-fantasies and imaginative fancies that we have all thought of during our lives or have had pictured to us in various forms during our lives [...] I definitely feel that we cannot do the fantastic things, based on the real, unless we first know the real. This point should be brought out very clearly to all new men, and even the older men.

Though the classes were originally described as a "brutal battle", with neither instructor nor students well-versed in the other's craft, the enthusiasm and energy of both parties made the classes stimulating and beneficial for all involved. Graham often screened Disney shorts and, along with the animators, provided critique featuring both strengths and weaknesses. For example, Graham criticised Babbitt's animation of Abner the mouse in The Country Cousin as "taking a few of the obvious actions of a drunk without coordinating the rest of the body", while praising it for maintaining its humour without getting "dirty or mean or vulgar. The country mouse is always having a good time".

Very few of the animators at the Disney studio had had artistic training (most had been newspaper cartoonists); among these few was Grim Natwick, who had trained in Europe. The animator's success in designing and animating Betty Boop for Fleischer Studios showed an understanding of human female anatomy and, when Walt Disney hired Natwick, he was given female characters to animate almost exclusively. Attempts to animate Persephone, the female lead of The Goddess of Spring, had proved largely unsuccessful; Natwick's animation of the heroine in Cookie Carnival showed greater promise, and the animator was eventually given the task of animating Snow White herself. Though live action footage of Snow White, the Prince and the Queen was shot as reference for the animators, the artists' animators disapproved of rotoscoping, considering it to hinder the production of effective caricature. Nevertheless, all of the above-mentioned characters were fully rotoscoped and utilized by their respective artists, some more, some less. Despite Graham and Natwick's objections, however, some scenes of Snow White and the Prince were directly traced from the live-action footage.

It proved difficult to add color to Snow White's and the Queen's faces. Eventually, they found a red dye that worked and which was added with a small piece of cotton wrapped around a tipple pencil on each individual cel. Helen Ogger, an employee at the ink department, was also an animator and decided to use the same system used in animation. The method was so time-consuming that it was never used again on the same scale. It was also used to a smaller degree in Pinocchio and Fantasia but, after Ogger left the studio in 1941, there was no one else with the same skills who could replace her.

The studio's new multiplane camera gave a three-dimensional feeling in many sequences and was also used to give a rotating effect in the scene where the Queen transforms into a witch.

Music and Records

The songs in Snow White and the Seven Dwarfs were composed by Frank Churchill and Larry Morey. Paul J. Smith and Leigh Harline composed the incidental music score. Well-known songs from the film include " Heigh-Ho", " Someday My Prince Will Come", and " Whistle While You Work". Since Disney did not have its own music publishing company at the time, the publishing rights for the music and songs were administered through Bourne Co. Music Publishers, which continues to hold these rights. In later years, the studio was able to acquire back the music rights from many of their other films, but not Snow White, Pinocchio, Dumbo or most Silly Symphony cartoons. Snow White became the first American film to have a soundtrack album, released in conjunction with the feature film. Before Snow White and the Seven Dwarfs, a film soundtrack recording was unheard of and of little value to a movie studio.

Cinematic influences

At this time, Disney also encouraged his staff to see a variety of films. These ranged from the mainstream, such as MGM's Romeo and Juliet (1936)-to which Disney made direct reference in a story meeting pertaining to the scene in which Snow White lies in her glass coffin-to the more obscure, including European silent cinema. Snow White and the Seven Dwarfs, as well as the two Disney films to follow it, were also influenced by such German expressionist films as (1922) and The Cabinet of Dr. Caligari (1920), both of which were recommended by Disney to his staff. This influence is particularly evident in the scenes of Snow White fleeing through the forest and the Queen's transformation into the Witch. The latter scene was also inspired by Dr. Jekyll and Mr. Hyde (1931), to which Disney made specific reference in story meetings.

Original theatrical run

Snow White and the Seven Dwarfs premiered at the Carthay Circle Theatre on December 21, 1937. The film received a standing ovation at its completion from an audience that included Judy Garland, Marlene Dietrich and Charles Laughton. Six days later, Walt Disney and the seven dwarfs appeared on the cover of magazine. Three weeks later, it opened at the Radio City Music Hall in New York City and a theater in Miami in January 1938, in which the strong box office sales encouraged RKO Radio Pictures to place the film into general release on February 4. It became a major box-office success, earning rentals of $4.2 million in the United States and Canada during its initial release, becoming the most successful sound film of all time, in which it displaced Al Jolson's The Singing Fool (1928). Snow White would soon be displaced from this position by Gone with the Wind in 1939.

Snow White proved equally popular with foreign audiences. In September 1938, Variety reported that the film was having a remarkably long box-office run at theaters in Sydney, Australia. In that city, it noted, "Walt Disney's 'Snow White' (RKO) experienced no difficulty at hitting 11 weeks, with more ahead." Variety reported as well that Snow White was having even longer runs in other cities overseas, such as in London, where the film had generated greater box-office receipts than during its exclusive New York screenings at Radio City Music Hall:

'Snow White' (RKO) is in its 27th week at the New Gallery, London, and will continue to be shown through the regular London release dates, Sept. 19 for North London, and Sept. 26 for South London. There is a likelihood that the New Gallery first-run will run until Christmas. Picture reported to have exceeded $500,000, passing Radio City's five-week mark, which just fell short of the $500,000 mark.

According to RKO, Snow White and the Seven Dwarfs had earned $7,846,000 in international box office receipts by the end of its original theatrical run. This earned RKO a profit of $380,000.

Re-releases

Snow White and the Seven Dwarfs was first re-released in 1944, to raise revenue for the Disney studio during the World War II period. This re-release set a tradition of re-releasing Disney animated features every few years, and Snow White and the Seven Dwarfs was re-released to theaters in 1952, 1958, 1967, 1975, 1983, 1987 and 1993. Coinciding with the 50th-anniversary release in 1987, Disney released one of many authorized novelizations of the story, this one written by children's author Suzanne Weyn.

In 1993, Snow White and the Seven Dwarfs became the first film to be entirely scanned to digital files, manipulated, and recorded back to film. The restoration project was carried out entirely at 4K resolution and 10-bit color depth using the Cineon system (10 bits each of red, green and blue-30 in total) to digitally remove dirt and scratches.

Snow White and the Seven Dwarfs has had a lifetime gross of $418 million across its original release and several reissues. Adjusted for inflation, and incorporating subsequent releases, the film still registers one of the top-10 American film moneymakers of all time, and is the highest-grossing animated film.

Critical reaction

The film was a tremendous critical success, with many reviewers hailing it as a genuine work of art, recommended for both children and adults. Although film histories often state that the animation of the human characters was criticized, more recent scholarship found that contemporary reviewers praised the realistic style of the human animation, with several stating that audiences had forgotten that they are watching animated humans rather than real ones. Frank S. Nugent of The New York Times felt that "Mr. Disney and his technical crew have outdone themselves. The picture more than matches expectations. It is a classic, as importantly cinematically as The Birth of a Nation or the birth of Mickey Mouse. Nothing quite like it has been done before; and already we have gone impolite enough to clamor for an encore." observed that "[so] perfect is the illusion, so tender the romance and fantasy, so emotional are certain portions when the acting of the characters strikes a depth comparable to the sincerity of human players, that the film approaches real greatness." Harrison's Reports wrote Snow White was "entertainment that should be enjoyed by every one. Intelligent adults will marvel at the mechanical ingenuity that went into the making of it; and it is something to marvel at, for at times the characters seem lifelike. That is brought about by the expert synchronization of the action with the music and the dialogue."

At the 11th Academy Awards, the film won an Academy Honorary Award for Walt Disney "as a significant screen innovation which has charmed millions and pioneered a great new entertainment field". Disney received a full-size Oscar statuette and seven miniature ones, presented to him by 10-year-old child actress Shirley Temple. The film was also nominated for Best Musical Score. " Some Day My Prince Will Come" has become a jazz standard that has been performed by numerous artists, including Buddy Rich, Lee Wiley, Oscar Peterson, Frank Churchill, and Oliver Jones; it was also the title for albums by Miles Davis, by Wynton Kelly, and Alexis Cole.

Noted filmmakers such as Sergei Eisenstein and Charlie Chaplin praised Snow White and the Seven Dwarfs as a notable achievement in cinema; Eisenstein went so far as to call it the greatest film ever made. The film inspired Metro-Goldwyn-Mayer to produce its own fantasy film, The Wizard of Oz, in 1939. Another animation pioneer, Max Fleischer, decided to produce his animated feature film Gulliver's Travels in order to compete with Snow White. The 1943 Merrie Melodies short Coal Black and de Sebben Dwarfs, directed by Bob Clampett, parodies Snow White and the Seven Dwarfs by presenting the story with an all- black cast singing a jazz score.

Critical re-evaluation and industry recognition

Snow White and the Seven Dwarfs is referred by many critics as one of the greatest animated films in history. Rolling Stone ranked it as the 4th Greatest Animated Movies ever, calling it the one that "changed the future of animation." magazine ranked the film as the 13th Best Animated films of all time. Harper's Bazaar listed the film as the number one animated film of all time, crediting it as the one that started it all.

In 1987, Snow White was inducted into the Hollywood Walk of Fame, a rare feat for a fictional character and is currently the only Disney Princess to do so.

The American Film Institute (AFI), an independent non-profit organization created in the United States by the National Endowment for the Arts, releases a variety of annual awards and film lists recognizing excellence in filmmaking. The AFI 100 Years... series, which ran from 1998 to 2008, created categorized lists of America's best movies as selected by juries composed from among over 1,500 artists, scholars, critics, and historians. A film's inclusion in one of these lists was based on the film's popularity over time, historical significance and cultural impact. Snow White and the Seven Dwarfs was selected by juries for inclusion on many AFI lists, including the following:

On October 28, 1994, the film was released for the first time on home video on VHS and LaserDisc as the first release in the Walt Disney Masterpiece Collection. The LaserDisc edition contained the film along with several bonus material such as a making-of documentary, an archival interview of Walt Disney, and deleted scenes. By 1995, the film had sold 24million home video units and grossed $430 million. As of 2002, the film sold 25.1million home video units in the United States.

Snow White and the Seven Dwarfs was released on DVD on October 9, 2001, the first in Disney's Platinum Editions, and featured, across two discs, the digitally restored film, a making-of documentary narrated by Angela Lansbury, an audio commentary by John Canemaker and, via archived audio clips, Walt Disney. It sold a record 1 million copies in 24 hours. A VHS release followed on November 27, 2001. Both versions were returned to the Disney Vault on January 31, 2002. As of 2001, the film grossed a combined $1.1 billion from box office and home video revenue.

Snow White and the Seven Dwarfs was released on Blu-ray on October 6, 2009, the first of Disney's Diamond Editions, and a new DVD edition was released on November 24, 2009. The Blu-ray includes a high-definition version of the movie sourced from a new restoration by Lowry Digital, a DVD copy of the film, and several bonus features not included on the 2001 DVD. This set returned to the Disney Vault on April 30, 2011.

Walt Disney Studios Home Entertainment re-released Snow White and the Seven Dwarfs on Blu-ray and DVD on February 2, 2016, as the first of the Walt Disney Signature Collection line. It was released on Digital HD on January 19, 2016, with bonus material.

Cultural impact and legacy

Following the film's release, a number of Snow White themed merchandise were sold, including hats, dolls, garden seeds, and glasses. The film's merchandise generated sales of $8 million, equivalent to over $100 million adjusted for inflation. The film's intellectual property has been franchised across a diverse range of mediums, including a Broadway musical, video games and theme park rides.

Snow White's success led to Disney moving ahead with more feature-film productions. Walt Disney used much of the profits from Snow White and the Seven Dwarfs to finance a new $4.5 million studio in Burbank - the location on which The Walt Disney Studios is located to this day. Within two years, the studio completed and and had begun production on features such as , , Alice in Wonderland and .

Comics adaptations

The Silly Symphony Sunday comic strip ran a four-month-long adaptation of Snow White and the Seven Dwarfs from December 12, 1937, to April 24, 1938. The comic was written by Merrill De Maris, and drawn by Hank Porter and Bob Grant. This adaptation was republished several times as a comic book, most recently in 1995.

Mondadori, the official Italian publisher of Disney comics, produced several comic book sequels of the 1937 film. The first story was published in 1939.

Theme parks

Snow White's Enchanted Wish (named Snow White's Scary Adventures until 2020) is a popular theme park ride at Disneyland (an opening day attraction dating from 1955), Tokyo Disneyland, and Disneyland Paris. Fantasyland at Walt Disney World's Magic Kingdom underwent an expansion from 2012 to 2014. The Snow White's Scary Adventures ride was replaced with Princess Fairytale Hall, where Snow White and other princesses are located for a meet and greet. Included in the 2013 expansion of Fantasyland is the Seven Dwarfs Mine Train roller coaster. Snow White, her Prince, the Queen, and the Seven Dwarfs are also featured in parades and character appearances throughout the parks. Disneyland's Fantasyland Theater hosted Snow White: An Enchanting Musical from 2004 to 2006.

Video games

Walt Disney's Snow White and the Seven Dwarfs was released for the Game Boy Color system in 2001.

Snow White also makes an appearance in the PlayStation 2 game Kingdom Hearts as one of the seven fabled Princesses of Heart. A world based on the movie, Dwarf Woodlands, appears in Kingdom Hearts: Birth by Sleep for the PSP.

In 2013's free-to-play mobile game Snow White: Queen's Return (also known as Seven Dwarfs: The Queen's Return), an uncanonical continuation of the film, the Queen has survived the fall at the climax of the film and then reverted to her youthful form to cast a curse on Snow White and the dwarfs and their entire forest.

Radio City Music Hall Stage musical

Snow White and the Seven Dwarfs was the first Disney-produced musical on the New York stage. Unknown Mary Jo Salerno played Snow White in the Disney-produced Snow White and the Seven Dwarfs (televised as Snow White Live!) at the Radio City Music Hall. Music and lyrics for four new songs were created by Jay Blackton and Joe Cook, respectively; titles included "Welcome to the Kingdom of Once Upon a Time" and "Will I Ever See Her Again?". It ran from October 18 to November 18, 1979, and January 11 to March 9, 1980, a total of 106 performances. A cast album was issued by Buena Vista Records.[1]

Canceled prequel

In the 2000s, DisneyToon Studios began development on a computer-animated prequel to Snow White and the Seven Dwarfs, titled The Seven Dwarfs. Director Mike Disa and screenwriter Evan Spiliotopoulos pitched a story explaining how the Dwarfs met, and how the Evil Queen killed Snow White's father and took the throne. According to Disa, DisneyToon management changed the prequel's plot to center around how Dopey lost his voice upon witnessing the death of his mother. After Disney purchased Pixar in 2006, John Lasseter, DisneyToons' new Chief Creative Officer, canceled The Seven Dwarfs.

Exhibition

A behind-the-scenes exhibition titled Snow White and the Seven Dwarfs: The Creation of a Classic took place at The Walt Disney Family Museum from November 15, 2012 to April 14, 2013. The event celebrated the film's 75th anniversary by displaying more than 200 pieces of rare concept art and animation. It also detailed the entire story of the film's production, its release and the worldwide recognition it has earned through the years. Two extensive companion books, The Fairest One of All: The Making of Walt Disney's Snow White and the Seven Dwarfs and Snow White and the Seven Dwarfs: The Art and Creation of Walt Disney's Classic Animated Film were written by J.B. Kaufman and published by Weldon Owen on October 16, 2012.

Live-action adaptation

In October 2016, a live-action adaptation of Snow White and the Seven Dwarfs was announced. The script will be written by Erin Cressida Wilson; while Benj Pasek and Justin Paul, who also wrote new song material for the 2019 live action adaptation of , will write new songs for the project. In 2019, Marc Webb had signed on as director. Principal photography was originally scheduled to begin in March 2020, in Vancouver, but filming was then delayed to the summer or fall of 2020 because of the COVID-19 pandemic. In May 2021, it was reported that Webb was still attached to direct the film but would not begin work on it until later that year, owing to his schedule with the TV series Just Beyond. On June 22, 2021, Rachel Zegler was cast as Snow White, and production was slated to begin in 2022. Filming took place in the United Kingdom, beginning March 2022. Deadline Hollywood reported on November 3, 2021, that Gal Gadot is in final negotiations to portray the Evil Queen. Gadot confirmed her casting during the premiere of the film . During that month, it was reported that Greta Gerwig had worked on the most recent draft on the film's script. On January 12, 2022, The Hollywood Reporter reported that Andrew Burnap had been cast in an unspecified "male lead" role, not the prince or huntsman. Peter Dinklage criticized Disney for what he described as "hypocrisy" for being "proud" of casting a Latina actress as Snow White while making a film about "seven dwarfs living in a cave together". Following Dinklage's criticism, Disney announced that the film will use unidentified "magical creatures" in place of them. The film will also simply be titled Snow White due to the absence of the Seven Dwarfs. In March 2022, the set of the film caught on fire at Pinewood Studios just before production began. Filming wrapped in July of that year. During that month, Martin Klebba announced that he would be playing Grumpy.

Other appearances

The Seven Dwarfs made rare appearances in shorts, despite their popularity; they simply were too numerous to animate efficiently. Commissioned shorts The Standard Parade (1939), The Seven Wise Dwarfs (1941, using mostly recycled footage), All Together (1942) and The Winged Scourge (1943) all include appearances.

The 1984 film used the cartoon in the theater scenes.

The animated television series House of Mouse, which included many Disney character animated cameos, included the characters in the special Mickey's Magical Christmas: Snowed in at the House of Mouse. The Evil Queen appeared in a starring role in the film Once Upon a Halloween as well. In the arena of live action, the fantasy television series Once Upon a Time (produced by Disney-owned ABC Studios) regularly includes live-action interpretations of these characters including Snow White, the Prince, the Evil Queen and Grumpy.

An animated television series featuring a new version of the seven dwarfs titled premiered on Disney XD on July 7, 2014, and ended its run on November 5, 2016. The show takes place 30 years before the events of the original film.

In the 2015 Marvel television series Agent Carter episode " The Iron Ceiling", the film was used to teach the children at the Red Room to speak english.

Snow White also appears in the 2018 film Ralph Breaks the Internet, which was released on November 21, 2018.

At the end of the 2022 Marvel film Doctor Strange in the Multiverse of Madness, Wanda Maximoff's sons can be seen watching Snow White and the Seven Dwarfs on the television in the living room.

References in popular culture

In the Femme Fatales episode "Girls Gone Dead", cameraman Jay Roma bets his assistant Kip $40 that he can't name all of the Seven Dwarfs from the 1937 animated Walt Disney film Snow White and the Seven Dwarfs.

References

Works cited

Barrier, Michael (1999). Hollywood Cartoons: American Animation in Its Golden Age. New York: Oxford University Press. ISBN 978-0-1980-2079-0.

Canemaker, John (2001). Walt Disney's Nine Old Men and the Art of Animation. New York: Disney Editions. ISBN 978-0-7868-6496-6. Archived from the original on January 13, 2022.

Green, Stanley (1999). Hollywood Musicals Year by Year (2nd ed.). Hal Leonard Corporation. ISBN 0-634-00765-3.

Kaufman, J. B. (2012). Snow White and the Seven Dwarfs: The Art and Creation of Walt Disney's Classic Animated Film. San Francisco: Weldon Owen. ISBN 978-1-6162-8437-4. Archived from the original on August 18, 2017.

Kaufman, J. B. (2012). The Fairest One of All: The Making of Walt Disney's Snow White and the Seven Dwarfs. San Francisco CA: Weldon Owen. ISBN 978-1-61628-438-1. Archived from the original on March 2, 2016.

Thomas, Bob (1991). Disney's Art of Animation: From Mickey Mouse to Beauty and the Beast. New York: Hyperion. ISBN 1-56282-899-1.

Thomas, Bob (1994) [1976]. Walt Disney: An American Original. New York: Hyperion. ISBN 978-0-7857-5515-9.

Thomas, Frank; Johnston, Ollie (1981). The Illusion of Life: Disney Animation. New York: Hyperion. ISBN 0-7868-6070-7.

External links

Streaming audio

# data[].attributes.attachment_link.title
Snow White and the Seven Dwarfs (1937 film) - Wikipedia

# data[].attributes.attachment_link.description
Snow White and the Seven Dwarfs is a 1937 American animated musical fantasy film produced by Walt Disney Productions and released by RKO Radio Pictures. Based on the 1812 German fairy tale by the Brothers Grimm, it is the first full-length traditionally animated feature film and the first Disney animated feature film.