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Unforgettable Meeting by Vasily Yefanov 1936 - Brynna Arrol

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Unforgettable Meeting by Vasily Yefanov 1936 - Brynna Arrol

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The example painting I chose to represent/depict socialist realism is Unforgettable Meeting, painted in 1936 by Vasily Yefanov. The art depicts several individuals gathered together, in what looks to be a party and/or celebratory atmosphere and there appears to be some sort of conversation; that seems to have gone well given the facial expressions of the female character---and the other being Joseph Stalin. The handshake provides key details in the characteristics of socialist realism, including the glorification of political and governmental figures (i.e. Joseph Stalin.) In this particular scene, Stalin is meant to be meeting with the wives of Soviet industrial workers. The fictitious meeting is intended to symbolize the unification between state officials and working-class women, reinforcing the idea of women’s freedom and their role in building and promoting socialism. The image is seemingly flawless, in that there are no indicators of poverty, inequality, or oppression of any sort. Thus, abiding by all of the regulations of 1930's Soviet society.

Link: 8 Most Important Works of Socialist Realism | TheCollector

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Bread by Tatiana Yabonskaya 1949 - Patrick Bean

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Bread by Tatiana Yabonskaya 1949 - Patrick Bean

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I chose "Bread" by Tatiana Yablonskaya for my painting depicting socialist realism. There's really quite a lot to look at, on a surface layer we have a group of women working in what looks like sand. What looks like sand is actually grain! we see in the background grain trucks, tractors and wagons ready to carry the processed wheat to wherever it's intended to go. But upon closer inspection this painting has a lot more to it than the collection and transportation of grain. The artwork gives an impression of optimism, which is portrayed in a couple key ways. First of all the lighting is rather bright, there is no gloom or darkness displayed here. But more importantly we see optimism on the face of the woman rolling up her sleeves, she's smiling and preparing to work. She's also looking ahead, in the moment towards what work lays ahead of her, but metaphorically we could interpret this as her looking forward to the future. What's interesting is that this is a painting of collective farm labor. One interesting thing to consider, under collectivization Ukrainians experience a famine. But the painting demonstrates that collectivized systems provide abundance, so much grain that you can walk on it, enough grain to be the foremost visible material in the painting. Especially interesting is that this painting won multiple state awards, it won the Stalin prize. The painting demonstrates what could be considered a reality closer to propaganda, rather than the actual conditions experienced by Ukrainian farmers in a recently-post WWII soviet republic undergoing a famine.

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Spring Window by Yuri Pimenov, created in 1948 - Justice Jones

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Spring Window by Yuri Pimenov, created in 1948 - Justice Jones

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My example of socialist realism is Spring Window by Yuri Pimenov, created in 1948. The painting shows a woman standing near a window in a simple, everyday setting. Instead of showing a powerful political figure or a major historical event, the painting focuses on ordinary life and the experiences of everyday Soviet citizens. The woman represents the importance of women in Soviet society, especially during a time when many women were taking on more responsibilities and becoming part of the workforce.

This painting connects to socialist realism because it presents Soviet life in a positive and hopeful way. The bright colors that looks like sunlight and peaceful atmosphere make everyday life seem meaningful and valuable. Socialist realism often showed workers and regular people as important members of society, and this painting reflects that idea by showing the beauty and dignity of a normal moment. It encourages viewers to see Soviet citizens and their daily lives as something worth celebrating.

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The district of tomorrow, 1957, 142×119 cm by Yuri Ivanovich Pimenov: History, Analysis & Facts | Arthive

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New Moscow by Yuri Pimenov 1937- Sherin Boby

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New Moscow by Yuri Pimenov 1937- Sherin Boby

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I chose Yuri Pimenov’s New Moscow because it shows the upbeat and modern image of the Soviet government that the government wanted people to believe in during the 1930s. The painting shows a young woman confidently driving through a rapidly modernizing Moscow, which was something that was strange at the time because women rarely drove. Her presence behind the wheel symbolizes a modern Soviet citizen embracing progress, and the city around her is bright and full of construction which suggests that socialism is transforming everyday life for the better. Although the real 1930s were marked by fear and repression under Stalin, Pimenov’s painting shows a different reality that is filled with hope and optimism. This vision matches the goals of socialist realism because it presents life as the Communist Party wanted people to believe it was, rather than what it was really like. This painting encourages people to believe that life in the Soviet Union was improving and that socialism would lead to a better future.

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Юрий Пименов

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Новая Москва, 1937 - Юрий Пименов - WikiArt.org

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‘Новая Москва’ was created in 1937 by Юрий Пименов in Social Realism style. Find more prominent pieces of cityscape at Wikiart.org – best visual art database.

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March in a Village by Arkady Plastrov 1947-1948

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March in a Village by Arkady Plastrov 1947-1948

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I chose March in a Village by Arkady Plastov, painted in 1947-1948. The painting shows everyday life in a Soviet village during the spring. It includes a woman, a young boy, a horse, and the countryside surrounding them. The bright colors and peaceful atmosphere gives the picture a happy and hopeful feeling. I think the painting fits Socialist Realism because it depicts ordinary people and rural life in a positive way. Rather than focusing on poverty or the struggles people faced, the painting makes village life look peaceful and enjoyable. Socialist Realism was created to show Soviet society in an optimistic way and usually focused on workers, farmers, and everyday citizens. Plastov's painting does just that through showing ordinary people living and working in the countryside. Overall, I think that March in a Village is a strong example of Socialist Realism because it shows average Soviet life in a positive and more idealized way. It gives the perspective of life in the Soviet countryside as peaceful, meaningful, and full of hope.

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March in a Village - Arkady A. Plastov (1893-1972) - Google Arts & Culture

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Arkady Plastov’s artistic style developed under the influence of the Itinerant school and the masters of the Russian Artists’ Union. From the mid-1930s Pla…

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The Gymnasts of the USSR by Dmitry Zhilinsky, 1964-1965 - Abby Popma

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The Gymnasts of the USSR by Dmitry Zhilinsky, 1964-1965 - Abby Popma

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The Gymnasts of the USSR by Dmitry Zhilinsky is a group of athletes who are Soviets who look like they are standing seriously but peaceful. This painting presents the athletes are strong and dedicated healthy people. This conforms to the guidelines of socialist realism because it shows the ideal citizen in the Soviet Union. It focuses on a group of individuals to show that working together and having commitment to your country will promote success. It portrays Soviet life as successful through strong organized citizens. This realistic and positive view on Soviet life supports socialist realism.

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Isaak Brodsky's Lenin in Smolny (1930) is a strong example of socialist realism because it presents Vladimir Lenin as a dedicated, hardworking, and inspiring leader devoted to the Soviet people. The painting shows Lenin working alone at his desk in the Smolny Institute during the Russian Revolution. Instead of depicting him as tired or overwhelmed, Brodsky portrays him as calm, focused, and completely committed to the Communist cause. The simple surroundings emphasize that Lenin is a humble servant of the people rather than someone seeking personal wealth or luxury.

The painting follows the guidelines of socialist realism by idealizing Soviet leadership and promoting Communist values. Rather than showing reality with its hardships and political conflicts, it presents an optimistic image of Lenin as a heroic role model whose actions will lead the nation toward a better future. The artwork reinforces loyalty, patriotism, and faith in the Communist Party while educating viewers to admire and emulate Lenin.