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Identified an object to work with and proposed an idea for a treatment or action that could transform it into an artwork

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Identified an object to work with and proposed an idea for a treatment or action that could transform it into an artwork

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Please upload a picture of your chosen object and/or your proposed idea for turning it into an artwork. You can include photos, drawings, attachments, thoughts, or anything else that helps explain your idea. You can upload images, files, and videos to this Padlet.

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Identify an archive or a collection within an archive that you feel connects to your current themes or practice.

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Identify an archive or a collection within an archive that you feel connects to your current themes or practice.

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Please note this time your name may* be visible

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Write a short reflection on what draws you to this archive, and how it might connect to the ideas, materials, or questions you’re exploring in your practice.

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Write a short reflection on what draws you to this archive, and how it might connect to the ideas, materials, or questions you’re exploring in your practice.

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Please note this time your name may*be visible

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Where in your own practice do you notice this tension between ideas and action?

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Write a short journal* entry mapping your current practice     

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Write a short journal* entry mapping your current practice     

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*Padlet can function as the 'journal' for now!

What do think of as your beliefs (what drives your work)?

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Write a short journal* entry mapping your current practice     

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Write a short journal* entry mapping your current practice     

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*Padlet can function as the 'journal' for now!

What habits are involved (things you repeat, consciously or unconsciously)?

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Write a short journal* entry mapping your current practice     

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Write a short journal* entry mapping your current practice     

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*Padlet can function as the 'journal' for now!

What are your methods (what do you actually do)?

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Would you describe it more as a set of methods, a belief system, or a habit?

Or something else entirely?

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Have you ever deliberately disrupted your own habits or routines as part of making

art?.. How!

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Hi

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Have you ever deliberately disrupted your own habits or routines as part of making

art?.. How!

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cat.

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This

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Thisss

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it was a nice afternoon

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france.

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Who

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yass

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Passport

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they see me rolling

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uncle ian

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E

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Swag

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diva

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Hey

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Glasgow

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Griffin

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baz took this

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his names arlo

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Dog

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Lil

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budlea in Portland

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Where in your own practice do you notice this tension between ideas and action?

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Do you see your practice more as a habit, as an application of ideas, or both?

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Would you describe it more as a set of methods, a belief system, or a habit?

Or something else entirely?

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- How and what objects are used — what methods or techniques were applied?

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- How and what objects are used — what methods or techniques were applied?

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- How and what objects are used — what methods or techniques were applied?

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- How objects are used — what methods or techniques were applied?

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- How objects are used — what methods or techniques were applied?

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- How objects are used — what methods or techniques were applied?

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If you have not done so yet - indentify an archive or a collection within an archive that you feel connects to your current themes or practice.

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If you have not done so yet - indentify an archive or a collection within an archive that you feel connects to your current themes or practice.

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This is a speculative research exercise — you do not need to contact the archive or carry out the research in full. The aim is to consider how your work might connect to wider collections, materials, and research processes.

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Record something each day for at least seven days — a snapshot of a week in your life.

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Record something each day for at least seven days — a snapshot of a week in your life.

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If you’re comfortable sharing, please upload your responses here. You can include photos, attachments, drawings, thoughts, or anything else that represents your week. You should be able to upload images, photos, attachments, and even videos to this Padlet

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My work explores my daily habit of collecting tree bark each morning. I feel deeply connected to trees and the natural world around me, so this daily routine helps me feel relaxed and mindful. When I collect the bark, I like to imagine each tree has its own backstory, and it feels almost like a quiet conversation between us.

In this piece, I will paint a landscape that overlooks the morning sky, with a large tree in the . However , rather than painting the entire tree, I will only paint half of the tree to portray the idea that that we do not fully get the entire picture, only fragments. I will then attach real pieces of bark that I gathered over seven days. Each piece comes from a different tree, each with its own texture, colour, and character.

This piece reflects themes of time, memory, and connection. It highlights how small, everyday actions can hold meaning.Through this work, I hope that those who view it pause feel a sense of peace when they reflect on their own relationship with nature.

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Yasmin Archive Museum of Everyday Life and Utopi

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I want to work with little sealable plastic bags that I use to hold my pills together when I leave my house before having food and being ready to take them. They mean a lot to me when to others they look like disposable waste. I want to add helium to them and add stings to make them float like balloons. I will have to research how to get helium to stay in a resealable bag.

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I would like to work with newspapers, magazines, clippings etc. To make artwork with a collage look to them. In a sense it pays homage to archival work in the form of it being a broken up collection of sorts.

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14th November Notes -

Identify artists that may potentially link to your work now:

Christian Boltanski – Archive linked to memories of personal items

Susan Hiller – Repetition of collecting and forming an archive over time, I specifically like the use of the same image again with slight change to reinstall the repetition idea. (Rough seas archive)

Object that is going to be used in your assessment:

Glass seashell – may investigate changing, repeating, warping, collaging all in digital format. I may return to scans verse to explore 3D creation.

For assessment

-> Collage artists from the dada movement, people like Hannah Hoch I'm interested in, working in digital format of collaging or maybe cyano typing my objects.

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https://www.youtube.com/watch?v=YmNkkuBjZqg

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Art Practice Presentation (for art practice lecture)

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Art Practice 2025 Isabelle Lee (Formative)