# data[].attributes.attachment_link.title
Lofi Brasil Rádio Mix | 2 Horas de Lofi Hip Hop BR [brazil songs playlist]

# data[].attributes.body
Does your personality make its way into your poems?

What does your voice sound like?

Who do you imagine reading you work?

Or who do you hope is your audience?

Do you want to make your poetry accessible or have more academic language?

# data[].attributes.body
18:00-21:00

# data[].attributes.attachment_link.title
Coolors - The super fast color palettes generator!

# data[].attributes.attachment_link.description
Generate or browse beautiful color combinations for your designs.

# data[].attributes.attachment_link.readable_text
Title: These Few Words of Mine

Author: Ed Edmo

Description: Inscribed by Edmo on the title page. Staple bound in card wraps. Droplet blemish on front cover; rear cover shows a bit of soiling and publisher's price blacked out. Interior is clean. 20 unnumbered pages. 8.25 x 5.5 inches.

Collection of poems by the Native American (Shoshone-Bannock), West Coast poet and lecturer Ed Edmo. Oregon locations referenced in a few poems: Portland, Celilo Falls. Cover art by Sandra Nelson Okuma.

Binding: Staple bound soft cover
Condition: Good

Publisher: Blue Cloud Quarterly Press
Place: Marvin, South Dakota
Year: 1985

Language: English

ISBN: n/a

Keywords: Native American poets, Portland, Oregon, poetry, Northwest,

# data[].attributes.attachment_link.title
Native American Poetry: These Few Words of Mine by Ed Edmo SIGNED 1985 Blue Cloud Quarterly Press

# data[].attributes.attachment_link.description
Title: These Few Words of Mine Author: Ed Edmo Description: Inscribed by Edmo on the title page. Staple bound in card wraps. Droplet blemish on front cover; rear cover shows a bit of soiling and publisher's price blacked out. Interior is clean. 20 unnumbered pages. 8.25 x 5.5 inches. Col

# data[].attributes.attachment_link.title
the namei carved into bleeding stone.       

# data[].attributes.body
This reference to the cultural preservation work performed by monks centuries ago is perhaps the most concise explanation Tvedten has ever given for the potential risks and conflicts he was willing to face by publishing authentic voices and experiences. Not allowing the volumes of this important publication to fade into the archives is the responsibility of an academic community interested in continuing to amplify the voices first shared by a small abbey press in South Dakota.

# data[].attributes.body
The first step the new editor of the BCQ took to change the magazine came in the late summer of 1968. It was the third installment of volume fourteen, and instead of featuring the daily happenings of the abbey, it contained lyrics written by the well-known singer/songwriter Cree artist, Buffy Sainte-Marie.

# data[].attributes.body
More than seventy-five chapbooks were published during the time it was dedicated to American Indian issues and writers, and they are each rich with opportunity for additional study. Although theBCQpublished various anthologies and chapbooks throughout its lifetime, at its heart, it always remained a quarterly literary magazine that fit precisely within what Chielens's and Hoffman's definitions of little magazines had in common: it was always pushing boundaries. The BCQwas the first outlet dedicated almost exclusively to Native poetry that published regularly and reached broad readership.

# data[].attributes.body
Writing exercise two
Play with your own ambiguous meanings. Create a sentence that could be interpreted at least two ways. Think of the word “blue”—is it indicating color or mood? Or consider using qualifiers like “perhaps” or “should.” Let this sentence constitute the first few lines of a new poem, and keep playing with this concept of double interpretation throughout.

# data[].attributes.attachment_link.readable_text
A member of the Tohono O'odham (formerly Papago) Nation, Ofelia Zepeda grew up in Stanfield, Arizona. She earned a BA, an MA, and a PhD in linguistics from the University of Arizona. She is the author of a grammar of the Tohono O'odham language, A Papago Grammar (1983). Zepeda's poetry collections include Ocean Power: Poems from the Desert (1995) and Jewed'l-hoi/Earth Movements, O'Odham Poems (1996).

Zepeda's poetry touches on linguistics, O'odham traditions, the natural world, and the experience of contemporary O'odham life. Her work is influenced by traditional Papago themes and songs. Dennis Holt, reviewing Zepeda's work for Drunken Boat, identified the "cultural mélange" of her work, commenting that "a number of Zepeda's poems display varying patterns of bilingualism, including code-switching and immediate interlinear translation."

Zepeda was honored with a MacArthur Fellowship (1999) for her contributions as a poet, linguist, and cultural preservationist. She received a grant from the Endangered Language Fund for her work on the Tohono O'odham Dictionary Project. Zepeda has been a professor of linguistics and director of the American Indian Studies Program at the University of Arizona, as well as director of the American Indian Language Development Institute. She edits Sun Tracks, a book series devoted to publishing work by Native American artists and writers, at the University of Arizona Press.

# data[].attributes.attachment_link.description
A member of the Tohono O'odham (formerly Papago) Nation, Ofelia Zepeda grew up in Stanfield, Arizona. She earned a BA, an MA, and a PhD in linguistics from the University of Arizona. She is the author of a grammar of the Tohono O'odham language, A Papago Grammar (1983). Zepeda's poetry...

# data[].attributes.attachment_link.readable_text
Layli Long Soldier earned a BFA from the Institute of American Indian Arts and an MFA with honors from Bard College. She is the author of the chapbook Chromosomory (2010) and the full-length collection Whereas (2017), which won the National Books Critics Circle award and was a finalist for the National Book Award. She has been a contributing editor to Drunken Boat and poetry editor at Kore Press; in 2012, her participatory installation, Whereas We Respond, was featured on the Pine Ridge Reservation. In 2015, Long Soldier was awarded a National Artist Fellowship from the Native Arts and Cultures Foundation and a Lannan Literary Fellowship for Poetry. She was awarded a Whiting Writer's Award in 2016.

Long Soldier is a citizen of the Oglala Lakota Nation and lives in Santa Fe, New Mexico.

# data[].attributes.attachment_link.description
Layli Long Soldier earned a BFA from the Institute of American Indian Arts and an MFA with honors from Bard College. She is the author of the chapbook Chromosomory (2010) and the full-length collection Whereas (2017), which won the National Books Critics Circle award and was a finalist for the...

# data[].attributes.body
Writing exercise one
On apologies:
Write 5 lines about an apology from someone you would have never expected.
OR write 5 lines apologizing to the land you are currently on or where you are are from

# data[].attributes.body
Themes in Zepeda's work: Sonoran Desert, O'odham culture, Rain, spirituality

# data[].attributes.body
Themes in Longsoldier's work: Native identity, language, Lakota history

# data[].attributes.body
Themes in Belcourt's work:
love, NDN queer identity, sexuality, art and joy amid the compounding brutalities of settler colonialism