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I learned that everyone took away something different from these panel videos. But as I went through everyone elses padlets I saw a few that were the same.

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Work on that cut!

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you have a film maker and their job is to have a vision

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You as a producer have to deal with the art of the possible

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see all the money be put on the screen

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walk on the set in the morning knowing exactly what you want to do

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having a nose for good material

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sports movies can be hard, but they can be great metaphors

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You walk this line of trying to support the vision, the film maker, and getting the movie done, but also protect the investment of the studio

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After the first couple films you know what to be nervous about

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we dig into the process

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"I'm a very slow writer"

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The biggest gift of it all was how much time we spent writing the script

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As a story teller you're always looking for a problem for your character that the audience doesn't see a clear easy solution to.

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Your answer is almost always there

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If your own moral compass is broken theres the sony legal department to help you out

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We are going to start with this mystery and where are we gonna go? what is gonna make this happen?

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In the cutting room every little beat and every little rhythm losing two minutes can either make you dig the film or feel like something was weird with that film.

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There's a long while that doesn't look like writing. To a casual observer, it would look a lot like laying on my couch and watching ESPN

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The longest process on any project is the beginning, the research, and doing the treatment