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Universally recognized as patron of music, this primitive martyr already had wide reverence and recognition by the Christian community within  the fourth century of our era, and has later on been commemorated in each the East and therefore the West.
The church commemorates the death of St.  Cecilia, a noble family lady who died in an undetermined year between 180 and 230 of our era once being tortured for her conversion to Christianity.  It appears that a lot of its history is thought because of the looks within the  middle of the fifth century of texts referred to as 'Acts of the martyrdom of St. Cecilia'.
They indicate that the young woman converts to Christianity that her parents married her to a noble pagan who, on the wedding night, the bride makes it understood that she has given herself to God.By this it means that he keeps his virginity for him and that it is guarded by an angel.
Naturally, the puzzle groom wants to see the angel, and Cecilia convinces him that he can only see him if he is baptized, that he finally does and therefore the man is convert to the religion of his beloved wife.
They were not good times in Rome for Christians and were condemned to die in cruel ways. In Cecilia's case, they initially tried it inside the thermal baths of her own house, trying to steam her without managing it.
Then an executioner was sent to cut off hes head: the story says that he threw his axe at her 3 times without killing her, he left her bleeding yet she was alive.
Although she died three days later. Of there in some works of art it's already pictured dead body with a cut in her neck, such as the marble  sculpture of Stéfano Maderno (1576-1636), that is found within the church of Santa Cecilia in Rome, wherever purportedly rest her remains,  In several paintings it's seen, however, between musical instruments, commonly playing an organ.

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(1576-1636)

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By Nicolas Poussin.
Around the 1635.

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Why is she the patron Saint of musicians? 

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Why is she the patron Saint of musicians? 

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A clarification is based on the explanation that the lady devoted herself internally to singing to God, while the musicians played at their wedding.
The Pope who named her patron mentioned that he had demonstrated "An irresistible attraction to the melodious chords of the instruments.  Her sensitive and fervent spirit of this art, therefore, created his name an emblem of music.

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