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A socially-just, learner-centered future for education, committed to the creation of
a racially just and equitable world.

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Education Reimagined believes a new future of learning is emerging-one that celebrates the wonder, creativity, and endless imagination in every child.

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US : 1er réseau social écocitoyen entre écoles du monde

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At the DNA level, Enspiral is nothing but a group of individuals who got together because of a shared purpose — and turned it into action.

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You can do work you love, with people you love, on the biggest issues of our time and get paid well for it. At Enspiral we encourage and support each other to do just that.

We're a collective of individuals who not only believe in, but practice a new way of organising.

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You can do work you love, with people you love, on the biggest issues of our time and get paid well for it. At Enspiral we encourage and support each other to do just that. We're a collective of individuals who not only believe in, but practice a new way of organising.

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RECIPROCITY COMMITMENTS
We are committed to making all our resources open access under creative commons and to support our artistic and research partners in the best ways we can. In the context of the current crises, we have Indigenous partners in Brazil and Canada who are in need of more immediate support. Please donate to this emergency fundraiser for communities here if you can.

Gesturing Towards Decolonial Futures (GTDF) is an arts/research collective that uses this website as a workspace for collaborations around different kinds of artistic, pedagogical, cartographic, and relational experiments that aim to identify and de-activate colonial habits of being, and to gesture towards the possibility of decolonial futures.

GTDF is also a practice that is multi-layered and rather difficult to explain, but we will give it a go.

1. It is about hospicing worlds that are dying within and around us with care and integrity, as well as attention to the lessons these deaths offer, while also assisting with the birth of new, potentially wiser possibilities, without suffocating them with projections;
.

2. It is about facing our complicity in violence and unsustainability and its implications with the courage of really seeking to connect with the collective pain, past, present and future;
.

3. It is about composting our individual and collective shit with humility, joy, generosity and compassion, trying to "dig deeper and relate wider";
.

4. It is about holding space for difficult conversations and silences without relationships falling apart;
.

5. It is about recognizing and taking responsibility for harmful modern-colonial habits of being (in ourselves and around us) that cannot be stopped by the intellect, by good intentions and by spiritual, artistic or embodied practices alone;
.

6. It is about interrupting modern-colonial addictions, in particular addictions to the consumption of knowledge, of self-actualization, of experiences, of critique, of alternatives, of relationships and of communities;
.

7. It is about recognizing that we are an extension of the land-metabolism that is the planet, not the other way around, preparing for the end of the world as we know it, and showing up differently so that "another end of the world" becomes possible;
.

8. It is about dis-investing in desires for unrestricted autonomy, authority, certainty, control, protagonism, purity, popularity, superiority and validation to create space for acccountabilities, for response-abilities, for exiled capacities and for deeper intimacies;
.

9. It involves learning and unlearning, disarming and de-centering, dethroning and de-arrogantizing, detoxifying and decluttering, mourning, grieving and healing, digesting and metabolizing, seeing ourselves as cute and pathetic, so that the wider metabolism can breathe and move more easily within and around us;
.

10. It involves loosening our attachments to our self images and to what we think we want, so that we might instead step up, own up, clean up, grow up, wake up and show up to do what is really needed, whether or not it fits with our personal agendas.
.

If this practice appeals to you, maybe you will connect with (and even enjoy) the experiments that are shared by the GTDF collective here.
Please read our "pedagogical warning" before engaging with the experiments and resources on this website.
Drawing by Mo Drescher.

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RECIPROCITY COMMITMENTSWe are committed to making all our resources open access under creative commons and to support our artistic and research partners in the best ways we can. In the context of the current crises, we have Indigenous partners in Brazil and Canada who are in need of more immediate support.

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Olá! Criamos esse material para te apoiar a desenvolver (ou amadurecer) espaços coletivos de aprendizagem, ancorados em confiança, diversidade e escuta.

"Adquirir complexidade cognitiva para lidar com os problemas que o mundo está enfrentando no contexto atual é algo que uma pessoa sozinha não consegue fazer. Complexidade cognitiva requer inteligência coletiva." Daniel Schmachtenberger
Acreditamos que as organizações precisam criar um espaço de troca e conversa tanto dentro das equipes, quanto entre equipes e fora da organização. Só assim conseguimos estimular que a aprendizagem realmente seja parte importante da cultura. Você pode utilizar esse material para aprofundar seu aprendizado no festival Control to Culture, mas também fora dele. Nosso sonho é que esse material seja uma semente para que muitas pessoas consigam implementar espaços de aprendizagem em suas organizações.
Conte com a gente!

Learning Pods são grupos de pessoas que se apoiam no processo de aprendizagem, através de incentivo, reflexão, aprofundamento e troca entre os membros.

1. Aprofundar sua relação e conexões com pessoas com interesses parecidos

2. Nossa capacidade de pensar e aprender é potencializada quando estamos em ambientes de escuta, nos quais sabemos que não seremos interrompidos

3. Damos significado ao que aprendemos através do diálogo

4. Temos mais coragem de ir mais longe e criar experimentos práticos para potencializar o aprendizado quando temos uma rede de apoio e segurança

5. Ampliamos nossas referências de conteúdos, pessoas, experiências e redes através da curadoria coletiva

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"Adquirir complexidade cognitiva para lidar com os problemas que o mundo está enfrentando no contexto atual é algo que uma pessoa sozinha não consegue fazer. Complexidade cognitiva requer inteligência coletiva." Daniel Schmachtenberger Acreditamos que as organizações precisam criar um espaço de troca e conversa tanto dentro das equipes, quanto entre equipes e fora da organização.

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fundação sem fins lucrativos para pesquisa transcontextual em amor, inteligência relacional e interações em sistemas complexos. Apoia e incentiva projetos de pesquisa que examinam as relações e interações e tem como objetivo aumentar nossa capacidade de compreensão das dinâmicas das relações e interações humanas.

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*cultura de aprendizagem

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programa DFC

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Política de Privacidade e Cookies

O CRIATIVOS DA ESCOLA, uma iniciativa do Instituto Alana utiliza cookies que são necessários para o funcionamento adequado de suas páginas. O CRIATIVOS DA ESCOLA também poderá utilizar os cookies para melhorar a sua experiência de acesso, permitir o início de sessões seguras, gerir a sessão, gravar os detalhes de seu início de sessão, funcionalidades das páginas, coletar estatísticas e oferecer conteúdos adequados aos seus interesses.
Para mais informações, consulte a nossa Política de Privacidade através

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O Criativos da Escola é um programa do Instituto Alana que encoraja crianças e adolescentes a transformarem suas realidades.

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Creemos que la educación genera oportunidades
Ver más
Llevamos a cabo proyectos de cooperación en América Latina, África, Asia y Europa. Defendemos los derechos de las poblaciones vulnerables, especialmente de la infancia, las mujeres y niñas víctimas de violencia y las poblaciones migrantes y refugiadas.
Ver más
En Entreculturas creemos firmemente que la educación es la herramienta más poderosa para combatir las desigualdades. Es un derecho humano que, a su vez, sirve de llave para acceder al resto de derechos fundamentales.
Ver más
La Red Solidaria de Jóvenes conecta con nuestra propuesta de Educación para la Ciudadanía Global, que pretende que las personas jóvenes sean agentes de cambio en sus realidades más cercanas y promuevan una sociedad más justa a nivel global.

Rozalén vuelve a colaborar con Entreculturas como mejor sabe hacerlo: componiendo, cantando y aportando solidaridad.

Nos ha querido dedicar su nueva canción 'Aves Enjauladas'. Con cada reproducción, nos apoyarás y apoyarás la red de pisos de acogida del SJM en Valencia en su trabajo con familias, mujeres e infancia en situación de riesgo y desigualdad social.
Ver más
Ante la pandemia global del Covid19 estamos trabajando más que nunca para apoyar a las comunidades y personas que más lo necesitan. Nos preocupa la situación que estamos viviendo en nuestro entorno más cercano y en muchos lugares del mundo, donde las condiciones sociales y sanitarias son aún más adversas.

En respuesta a ello, ALBOAN y Entreculturas estamos apoyando distintas acciones de solidaridad.

Ante este contexto lleno de complejidades e incertidumbre, desde Entreculturas creemos que es momento de cuidar y cuidarnos.
Ver más
Rozalén y Bea estuvieron en febrero con #laluzdelasniñas a Chad. Adéntrate en su viaje y conoce su experiencia de primera mano.

Una red de personas comprometidas

El voluntariado es uno de los valores más importantes para Entreculturas. Más de 650 personas de diversa edad, experiencia y formación comprometidas con la transformación social participan en nuestros equipos, tanto en la sede central de Madrid como en nuestras 28 delegaciones. Además, cada año, decenas de voluntarios y voluntarias forman parte de nuestro programa de voluntariado de larga duración (VOLPA), mediante el cual, tras un periodo de formación, se incorporan durante uno o dos años en proyectos que se desarrollan en algunos de los países donde estamos presentes en América Latina y África, adquiriendo una experiencia transformadora, de encuentro y empatía que les acompañará el resto de su vida.

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Creemos que la educación genera oportunidades Ver más Llevamos a cabo proyectos de cooperación en América Latina, África, Asia y Europa. Defendemos los derechos de las poblaciones vulnerables, especialmente de la infancia, las mujeres y niñas víctimas de violencia y las poblaciones migrantes y refugiadas.

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The keywords that define our brand are fun, education, global, networking, children, and innovation. We strongly believe that we have a responsibility as older members of the society to take care of the status quo of our young ones, in order to inspire them to the right path as they transmogrify into future adults. To build a strong, prosperous and harmonious society, now is the time when we must fold our sleeves and cultivate that culture. But come to think of this, the world is changing, and we are constantly trying to figure out how to discover ourselves and actualize our individual potentialities. Every so often, you will hear an adult complain that they wish they had a chance to change their career trajectory, only that it is too late in their lives to do so. If you have been there, this is one of the saddest experiences ever to happen, as the unforgiving world will hardly ever allow you to stop and mend past decisions. This is the philosophy behind FEGNe and many other players in the industry are working hard to ensure our posterity is self-aware and begins to build their future now. How? through making education fun as well as a global networking tool.

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The keywords that define our brand are fun, education, global, networking, children, and innovation. We strongly believe that we have a responsibility as older members of the society to take care of the status quo of our young ones, in order to inspire them to the right path as they transmogrify into future adults.

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Encontros e Conexões Pedagógicas em Campinas - Formação para educadores

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30 March 2020

All around us we see signs that patriarchal capitalism and exploitative business models place profit over privacy, and efficiency over agency. They pit individuals against the collective. At their core, they are hierarchical and exclusionary.

We designed tools and frameworks to help us see the world in new ways, but they also changed how we think. We shaped frameworks, and in turn they shaped us. 20th century approaches like design thinking, human-centered design, and jobs to be done too often look at people solely as individuals. Or, worse yet, only as consumers. They don't consider people in relation to their communities or to wider society. And society itself is ignored by design.

Similarly, data protection frameworks like GDPR or CCPA express our rights only as individuals. This individualistic lens has shaped how we now design for digital rights. But data rarely represents a single person - it usually describes many people.

We've had enough. We demand better. Better design approaches and tools, better measures of success, better data protection standards. We need a new framework for design and data that is purpose-built for the 21st century.

We want to move beyond human-centered design to society-centered design. We must design for the collective. We must design for society.

Designing for society means designing for the broader context of systems that we impact and shape. We can redefine our social contract with each other, and with the world that we steward. To do this, we must be intentional about citizen empowerment, civic commons, public health, equity, and the planet:

Citizen empowerment: how might we give people more rights and capabilities?

Civic commons: how might we create shared resources that strengthen communities?

Public health: how might we protect the safety and improve the physical and mental health of communities?

Equity: how might we design products, services and standards that are fair to everyone, not just the most privileged?

The planet: how might we better care for our world?

Society-centered design has these principles:

As more of our lives are connected, we need to create systems that earn trust with people. Products, services, and standards that can be open, resilient and promote citizen empowerment.

Empowering collective agency starts with radical inclusion of the most vulnerable. We should be creating a new civic commons by making economic opportunity for the many.

Ensure fair and just oversight

Without fairness and justice we cannot have equity. Too often, "the commons" is shorthand for "the majority". So we need to place mechanisms for fair and just oversight inside our design systems, so society can hold the powerful to account.

The issues we face are intertwined, complex and ever-shifting. We live in radical times. And radical times require radical solutions. Doing nothing only favors a deadly status quo: we must act boldly and defiantly.

Co-signed by

Aaron Teng

Abby Rose

ADAM LIPTON

Adam Reineck

Adam Zeiner

Adiam Sertzu

Adrian Van Cooten

Adrien Cadiot, Adrien Cadiot

adé abegunde

Agz Deberny Gomes

AJ Adams, Local Design Studio, LLC

Akil Benjamin

Al Jeffery

Alan Schulman

Alan Williams

Alankar Sudarsan, fromalan.com

Alasdair Ben Dixon, Collective Works

Alastair Parvin

Aldo DeJong

Alejandro Preusche

Alex Bradley

Alex Mohebbi

Alex Sher

Alexander Darlington

Alexander Fefegha

Alicia Jarvis

Alis Cambol

Allison Bouganim

Alysha Naples

Amina Dieng

Amit Kalra

Amogh Lux

Amy Newnham

Ana Milicevic

Anab Jain

Andrea Newton

Andrea Nicosia

Andrean Nechev

Andreas Wolters

Andrew Boardman, Manoverboard

Andrew Copolov

Andrew DeVigal

Andrew Eland

Andrew Mendosa

André Moreira Dias

Andréia Matos

Angela Capillo

Angelos Arnis, Joint Frontiers

Aniela Fider Wieruszewska

anita kocsis

Aniyia L. Williams

Anna Dorothea Ker

Anna Youngs, Novoda

Anne Stowell

Anthony DeCosta

Antonella Frisiello

Antonio García

Antonio Grillo

Arianna Correia, Proyecto Zoom

Ariel Cardeal, Neon

Arif Yusop, Royal College of Art

Arne Petersen

Ash Ling, Belong

Ashni SHAH

Avantika M, -

Ayse KARATAY

Barbara Paul

Barton Friedland, University of the Arts London

Becca Kennedy

Becky Miller

Becky Priebe

Bedannita M.

Beenen Paul

Ben Bashford

Ben Nottingham, PwC

Ben Reizenstein

Ben Rowe

Ben Serbutt

Benjamin de la Peña, Makeshift Mobility

Beth Zimmer, Kauffman Foundation supported ESHIP Community

Beto Saavedra, bolivia.ai

Birgit Geiberger

Blessing Yen

Bradley Wajcman, Rise Branding Inc

Branden Byers

Brandon Meyer, The Collaborative Anthropology Network

Brenda Michelle

Brenna Marketello

Brian Kinnee

Brigitte Sauvage, --

Britta Boyer, Loughborough University

Brittany Nguyen

Bruno Cambraia, Sicredi

Caio Braga

Calvin Chong

Camilla Golestaneh

Camille Sabino

Carina Gonzalez

Carlos Hernandez Tellez

Carlos Iwi, Glamping hub

Carlos Nogueira

Carlos Robles-Shanahan, Duo Development

Caroline Kyungae Smith

Caroline Sinders

Casey Rieder

Cassie Robinson

Cat Drew

Catalina Cernica

Catalina Hepp

Celia M. Marco

Chad Borlase

Charles Bauer

Chiara Ogan, 3 Cats Studio

Chih-Wei Huang, Eux Lab

Chiho Sasaki, infield design

Chris Haynes

Chris Palmatier

Chris Thorpe

Chrissy Martin Meier, Consultant, Inclusive Finance

Christian Cerullo

Christian Contemori

Christian Solorzano, Chicago Graphic Design Club

Christina Chen

Christopher 'Bibby' Howett

Christy Knell

Cindy Kaufman

Cindy Yang

Clara Elisabeth August

Claudio Martins, NGO

Clayton Dewey, DevCollaborative

Clayton Dewey

Clémence Martin-Beaumont

Coca Rivas

Collette Swindells

Cristian rus

Curtis James

CV Harquail

Célia Castelo

DaHee Kang

Daljeet Singh

Damola Morenikeji

Dan Hill

Daniel Charny

Daniel Demmel

Daniel Graham

Daniel Harvey

Daniel Llamas

Daniel Silva

Danny Spitzberg

Darien LaBeach

Darrell Duane

Dave de Bakker

Dave Donegan

David Justh

David Marques

David Novak

David Torres

Davide Onestini

Debasish Panda, IBM

Deborah Szebeko

Dení Morales

Devin Mancuso

Dhanesha Gungapersand

Donagh Horgan

Dorin Vancea

Drew Fagin

Dreyson Queiroz

Duncan Geere

Dylan Demanski

Dzoara Fonseca

Edgaras Benediktavicius

Eduardo Sánchez

Eileen Kahler

Eilís Delany

Eirini Malliaraki

Eleanor Hagopian

Eli Montgomery

ELISA MARCO UTRILLA

Elizabeth Pizzuti

Elizabeth Resnick

Elizabeth Yoste Whittington

Elizma Benade

Ella Britton

Ellen Lovelidge

Elliot Chapman, Elliot Watson Design Ltd

EMILY NABNIAN

Emily Tulloh

Emily Weltman, coFLOWco

Eric Quint

Erik Aremyr

Estela Muñoz

Esther Correa

Fabien Imbault

Fabricio Teixeira

Fanny Breteau, Fanny Breteau Design

Faz Kamisan

Federico Cuppoloni

Fernando Garcia, Designium

Finn Williams

Fivos Avgerinos

Flavius Frantz, Strictul Necesar

Florian Lepinard, A.UD UCLA

Francesco Cagnola

Francisco Nunes Neto

Frederic Audet

Gabriela Suarez

Gabriela Suarez

Gabrielle Micheletti

Gaz Aston

Geetika Kejriwal

Georgia Vincent

Georgia Vincent

Georgina Bourke

Geraldine Perez

Geunhee Lee

Gina Soloperto

Ginger Yifan Chen, Blue Pepper

Grace Lihn

Grace Wickerson

Grit Hartung

Grit Hartung, CPC

Guaxara Medina

Guillaume Demers

Gunjan Singh

Gustav Stromfelt

Gustavo Muraro

Guy Moorhouse

Guy Rush

Haidee Bell, Wellcome Trust

Hanna Steingrimsdottir

Hau-Ben Benjamin Shih, KTH Royal Institute of Technology

Heather Losey McGeachy, Mozilla

Heather Quintal, none

Helen Job, Neu Futur

Hildreth England

Hillary Carey, Carnegie Mellon University

Humanner

Hyeryoung Kim

Ian Bach

Ian Bellchambers

Idan Grady

Imran Hafiz

Isaac Girard

Isabella Bonfitto, PET-CoCE

Ivan Rodriguez

Ivan Vuksanov

Jack Nicholls, UOC

Jack Sharples

Jacqueline Costa

Jacquelyn Yakira Halpern

Jade Richardson

James A. Reeves

James Columbine

James Gregory

James Reeve

Jamie Sunderland

Jan Belon

Jane Headon , Publicis Sapient

Janice Pang

Janmesh Gharat, VMware

Janos Deak

Jared Beaumont Williams, iloomi

Jason Cremerius

Jason Huff

Jason Polkovitz

Jasper Bunschoten, -

Javier Herrera, WELOVECORNER

Javier Montañés

Jaymie Gill

Jean-Gardner Singleton, Gaia Wellness Project

Jeff Turner

Jeff Zych

Jennie Winhall

Jennifer Brandel

Jennifer McDermott

Jenny Comiskey

Jenny Lam

Jensie Miksich

jeremy dumont, pourquoitucours

Jess Holbrook

Jesse Weaver

Jessi Baker

Jessi Baker

Jessica Borich, Prism X Strategy

Jill Graves

Jo Szczepanska, Co-design tools

Joana Casaca Lemos

Joanna, Webbing Alive

Joanna Stabler

Joawe Yang, UCL - MSc Digital Anthropology Student

Joel Krieger

Joel Palencia , Cuiir

John Bell

John Caswell

John Maeda

Jon Skivenes

Jonas Haefele

Jonas Schmidt

Jonathon Reed

Joni Steiner

Joniel Franco da Silva

Joost MF Liebregts

Jordan Young, Jordan Young LLC

Jorik Elferink

Jose Ramón Texeira Ponce

Joshua Richey

Josie Hartzell

Joy Fuller

Juan Aís

Juan Mediavilla

Julia Schaeper

Julien Cook, That Product Studio Ltd

Julien Venne, malsamamind

Juyoung Chang, Dongseo University, Asia Design Center for Future(ADCF)

Kait Silva Forsythe

Kaleb Prokupek, LGBT

Kaleigh Flynn

Kamaruzzaman

Karina Klińska

Karyn Campbell

Kate Moon

Katherine Hepworth

Kathy Meyers

Katia F. Oliveira

Keith Saunders

Kelly Small, Author of The Conscious Creative

Keng Pitakmongkol, -

Kenneth Yau

Keshin Govender

Kevin Webb

Kieron Leppard

Kiran Dulay

Kiran Dulay

KITE Design Research, KITE Design Research GmbH

Kris Ma

Krissy Carr Groom

Kristan Nielson, PeopleLead

Kristian Klok

Kyle Outlaw, Publicis Sapient

L.-Eduardo Ernst

Lalo Gonzalez

Lan Nguyen

Lara Bolito

Lara Mendonca

laudio Martins, NGO

Laura Bustaffa

Laura Gonzalez

Laura Kennett

Lauren Austin

Lauren Barless

Lauren Pleydell-Pearce

Leah Wilson-Moore

Leo Rayman

Lesli Caballero

Leticia Alameda

Lidiia Suslova

Lien De Ruyck

Ligia Ferlin

Lilly Marques

Lilu Guzman

Lindsay J. Grow, The Philadelphia Inquirer

Lingjing Yin

Lisa Angela

Lisa Maione

Liz Nenning, Mas mujeres en UX Argentina

Lizzie Reid

Louie Morais

Louise Helliwell, Folk

Louise Krstic

Lucas Anderson

Luciano Albuquerque, Wisnet Consulting

Lucie Lavickova

Ludvik Herrera

Luis Cárdenas

Luis de Sousa

Luis Huizi

Lukas Flynn, Independent Researcher

Lydia Caldana

Lyel Resner, Adjunct Professor, NYU | Civic Data Fellow, MIT

Lyondhur Picciarelli

M Kuznetsov

M Otterson

Mahesh Velliyur

Maksim Morozov, FOR A WHILE LTD.

Manlin Yao

Mansi Gupta

Mara Provenzano

Marc MacIntosh

Marco Sousa

Marco van Hout

Marco Zamarato

Mariam Bagersh

Mariana Aguirre Salazar , UOC Student

Mariana de Luca

Mariana Ponce

Marina Terteryan, The Why Lab

Marine Boudeau

Marine Vola, kokot studio

Mario Menoscal

Mark Simpkins

Mark Wagner

Marta Axpe

Martha Koenig

Marti Cot

Martin Dowson

Martin S. Christensen

Martina Monelli

Marvic Camilleri, MVDesign

Mateus Oazem, gira.

Mathieu Phaneuf

Matt Gardner

Matt Malpass, Central Saint Martins

Matt Stevens

Matteo Roversi

Matthew Kreiling

Matthew Solle

Maurice Timp, Timp Design

Mauricio Franco

Mauro D'Alessandro

Mauro Fernandez , Innovation Pills

Meg Douglas Howie, Snook

Megan Anderson , Felt software

Merijn de Been

Micha Nicheva

Michael Davis-Burchat

Michael Hagel

Michael Johnston, Jr.

Michelle Sheu

Mick Champayne

Miguel Salvador

Mikey Hougland

Miriam Isaac

Miroslav Azis, IBM

Mishell Orta

Miyanda Nehwati

Mo Morgan

Molly Bonnell, United Matters

MyData Design

Nage Dales

Nagesh Shinde, University of Wisconsin-Stout

Nat Hunter

Nat Ortiz

Nate Harrell

Nathan Kinch

Neha Bhatia

Neil Fergusson

Nele Van den Broeck

Neve Foresti

Niall Smith

Nic Price

Nick Colley

Nick Ritchie

Nico Mériot

Nicola Felasquez Felaco

Nicolas Grootjans, Nicogs

Nicolas Nicogs Grootjans, Nicogs Collection

Nicole Catino

Nicole Cousino

Nicole Harper

Nicole Majeske

Nicole Tallon

Nicolò Volpato

Nikishka Iyengar

Nish Agarwal

Nora Gailer

Odonelso Betiatto Junior

Oliver Smith

Olivia Sy

Onygox, Onygox

Oscar Escallada

Osmary

Pablo Zarate, PabloZarate™

Palak Dudani

Pallav Singh, Kruzr

Pandu Supriyono, Opinionated Digital Studio

Paolo Austria

Pat Casey

Patcharaphon Phonsangsri

Patricia Núñez

Patrick Sanwikarja

Patti Hunt

Paul Sternberg, Ravensbourne University London

Paulo Vita

PBM, Go Logo LLC

Pedro Piñera

Peter Bihr

Peter W

Phil Golub

Philip Willoughby

Phillippa Rose, University of the Arts, London

Ploipailin Flynn

Prakhar Bhardwaj

Puja Parekh

Pyc

Rachel

Rachelle Dunstan

Rafael Puyana

Raian Velasco

Rainey Straus

Ravi Shukla

Ravid Me

Raymond Vazquez

Renato Steiner

Renato Winnig, Natura &Co

Renu Pavate, Publicis Sapient

Renuka Arjunan

René Clausen Nielsen, UN Global Pulse

Rich Cahill, richmak.es

Richard Beaumont

Rick Williams, More Human Future

Rina Strydom

Rob Boyett

Rob Dewey

Rob Estreitinho

Roberta Fischli, University of St. Gallen, Switzerland

Roberta Pesce

Robin Bonn

Rodney Resella

Rodrigo Rivera, Diseñoverde

Ross Breadmore

Ross Hegtvedt

Rui Eduardo

Ruslan Hétu

Rémi Kircher

Sadhana S

Sagar Ghoting

Sam Judge

Sameer Kumar

Samuel Lopez-Lago

Samuel Medrano

San Misra

Sandra Gatica

Sarah Drummond

Sarah Flynn

Sarah Gold

Sarah Mann

Saskia H. Herrmann

Scott Boylston, Savannah College of Art and Design

Scott Smith

Scott Sumio Ichikawa

Sen Lin

Setthasiri Chanjaradpong, Syyeww

Shannon Delaney

Shannon Mattern

Sharon Lo

Sheila Maceira

Shreshta Jaisingh

Shunsuke kamata, amana Inc.

Silvio Verrier

Simon Dixon

Simon Weller

Simon Wiscombe

Sindhuja Shyam

SL-Jones, urbandecoy.co

Society Union

Sofia Rolland

Sonal Starr, IBM

Sophie Preuss

Sophie Taylor

Stacey Edelstein

Stef Monaco

STEFANO BOSCUTTI

Stephanie Sherman

Stephen Johnson

Stephen Poon, Asia Pacific University of Technology & Innovation

Sucharita Beniwal, National Institute of Design, Ahmedabad, India

Sudebi Thakurata

Sue Jenkins

Suhit Anantula , Humanomics Studios

Suneet Pansare

suzi grishpul

Sven Ehmann

Sven Grammes

Sy Chonato, www.elect.in.th,punchup.world

Taylor Frances Lewis

Taylor Westoby

Temi Lasade-Anderson

Terry Peters

Tess Hannel

Thoz

Tiago Abrantes, Flour Consulting

Tiffany Vurek

Tobias Hofmann

Todd Meckenstock

Tom Castle

Tom Hornbrook

Tom Kennedy

Tyler Gindraux

Umesh Pandya

Valerie Sara Tonolli

Vicki Tan

Viktor Miruchna

Vinish Garg

Vitor Freire, Imagination of Things

Vova Ulyanov, Work Hard Studio

VUCA Law

Wilhelm Wanecek

Will Hogan, Bequia Securities, LLC

Wolfgang Weicht

Woodie MacDuffie

Xavier Lim

Yi Wu

Yonca Braeckman, Impact Shakers

Yosuke Ushigome

Yueh Fang Feng

Yunus Tunak, None

Zac Ioannidis

Zac Prosser, Things & That

Zach Thomas, General Assembly

Zahra Ebrahim

Zhiyang Ong

Zoe Stavrou

Zung Nguyen Vu

ÁLVARO PICHÓ, u-serexperience.com

Íris Dórdio

Öznur Özkurt

石澔斌, KTH Royal Institute of Technology

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Human-centered design is not enough. We must look past the individual to society itself. We must design for the collective.

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Criança primeiro. Esse é o nosso porquê.

O Alana é um grupo de impacto socioambiental que promove e inspira um mundo melhor para as crianças. Um mundo sustentável, justo, inclusivo, igualitário e plural. Um mundo que celebra e protege a democracia, a justiça social, os direitos humanos e das crianças com prioridade absoluta. Um mundo que cuida dos seus povos, de suas florestas, dos seus mares, do seu ar.

Vivemos um momento extraordinário de urgências interconectadas com cruéis e avassaladoras ameaças. Fome, desigualdade, crise climática, ambientes digitais sem regulamentação. Criar um mundo melhor para as crianças é buscar transformar esta realidade.

Somos a reunião de educadores, cineastas, advogados, cientistas, jornalistas, administradores, ativistas, comunicadores, designers, pedagogos, conteudistas, empreendedores e artistas trabalhando juntos todos os dias para promover e inspirar novas possibilidades de mundo. Um mundo onde a floresta é viva, as tecnologias são centradas no humano, com condições dignas de vida para todos. Um mundo melhor para as crianças. Um mundo melhor para todas as pessoas.

Três esferas de atuação

O Alana é um ecossistema de três esferas interligadas, interdependentes, de atuação convergente, orientadas pelos Objetivos de Desenvolvimento Sustentável da ONU. O encontro de um Instituto, uma Fundação e um Núcleo de Negócios de Entretenimento de Impacto. Um combinado único de educação, ciência, entretenimento e advocacy que mistura sonho e realidade, pesquisa e cultura pop, justiça e desenvolvimento, articulação e diálogo, incidência política e histórias bem contadas.

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O Alana é uma organização de impacto socioambiental que promove e inspira um mundo melhor para as crianças.

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Powered by the principles of design thinking, Design for Change offers a simple 4 step framework FIDS (Feel-Imagine-Do-Share)- to unleash the I CAN superpower in every child.

Using this framework, children are encouraged to 'FEEL' (observe and identify any situation that bothers them), 'IMAGINE' (brainstorm a way to make it better), 'DO' (work in teams to implement their solution) and finally, 'SHARE' (their solution of change with the world) to inspire others to say, 'I CAN'!

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Powered by the principles of design thinking, Design for Change offers a simple 4 step framework FIDS (Feel-Imagine-Do-Share)- to unleash the I CAN superpower in every child.

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ProFuturo - Programa de educación digital impulsado por Fundación Telefónica y Fundación "la Caixa"

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Eustache Nshimiyimana es profesor en la escuela Sainte Anne, Ruanda. Con la llegada de la COVID-19, apostó por la educación a distancia apoyada por los materiales de ProFuturo que le hicieron ganador de un premio nacional por el uso de las TICS en el aula .

"La tecnología es nuestra aliada, no es una enemiga. Si nosotros aprendemos a emplearla correctamente vamos a mejorar la calidad de los aprendizajes de nuestros estudiantes"

"Las matemáticas son más fáciles que cualquier otra cosa, mucho más que el idioma kambeba. Me encantan."

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Eustache Nshimiyimana es profesor en la escuela Sainte Anne, Ruanda. Con la llegada de la COVID-19, apostó por la educación a distancia apoyada por los materiales de ProFuturo que le hicieron ganador de un premio nacional por el uso de las TICS en el aula .

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DESIGN FOR CHANGE

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#DFC Connect - Design for Change, Singapore

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JUNE Update: More than 80 children between the age of 8-15 years have been through the DFCConnect sessions. With 10% feeling positive before the session, after the session about 70% felt more optimistic about the current situation.

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DESIGN FOR CHANGE

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After one day in class when the teacher in a school of ethnic-education asked her students who were indigenous and none raised their hand, the students realized that they are ashamed of their race, believing it was synonymous with inferiority, They realised they had been ignoring the origins of their race, history, language and traditions, so they decided to recover the historical memory of their ancestors with the creation of a thematic museum on the exploitation of rubber, where the most outstanding events occurred that celebrated their ancestors.

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After one day in class when the teacher in a school of ethnic-education asked her students who were indigenous and none raised their hand, the students realized that they are ashamed of their race, believing it was synonymous with inferiority, They realised they had been ignoring the origins of their race, history, language and traditions, so they decided to recover the historical memory of their ancestors with the creation of a thematic museum on the exploitation of rubber, where the most outstanding events occurred that celebrated their ancestors.