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Did you notice any roles that are not listed, do you know what they might be?

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Captain America: The First Avenger - End Credits: Preview (2011) | HD

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(C) 2011 Paramount Pictures / Marvel Studios. (C) 2011 Paramount Home Media Distribtution / 2013 Walt Disney Studios Home Entertainment. Captain America: The First Avenger (2011) Steve Rogers volunteers to participate in an experimental program that turns him into the Super Soldier known as Captain America.

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John Carter - End Credits: Preview (2012) | HD

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(C) 2012 Walt Disney Pictures. (C) 2012 Walt Disney Studios Home Entertainment. John Carter (2012) Civil War vet John Carter is transplanted to Mars, where he discovers a lush, wildly diverse planet whose main inhabitants are 12-foot tall green barbarians.

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Star Trek Into Darkness Opening Enterprise

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Star Trek: Into Darkness - End Credits: Preview (2013) | SD

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Taken from: Star Trek: Into Darkness (2013) (C) 2013 Paramount Home Media Distribution. Star Trek Into Darkness (2013) When the crew of the Enterprise is called back home, they find an unstoppable force of terror from within their own organization has detonated the fleet and everything it stands for, leaving our world in a state of crisis.

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Oblivion - End  Credits: Preview (2013) | HD

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Taken from: Oblivion (2013) (C) 2013 Universal Pictures. (C) 2013 Universal Studios Home Entertainment. Source: Oblivion (Blu-ray) Screenshot: http://bit.ly/14OoShd Oblivion (2013) Set on a future Earth, civilization lives above the clouds and scavengers collect ancient artifacts from the polluted surface below.

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Can you spot some of the roles listed above in these clips of movie end credits?

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Involved with setting up and controlling lighting equipment.

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In a film crew there are two kinds of best boy: best boy electric and best boy grip. They are assistants to their department heads, the gaffer (in charge of electricians) and the key grip (lighting and rigging), respectively. In short, the best boy acts as the foreman for their department.

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A gaffer in the motion picture industry and on a television crew is the head electrician, responsible for the execution (and sometimes the design) of the lighting plan for a production. The term gaffer originally related to the moving of overhead equipment to control lighting levels using a gaff.

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A boom operator is an assistant of the production sound mixer. The principal responsibility of the boom operator is microphone placement, usually using a boom pole (or "fishpole") with a microphone attached to the end (called a boom mic), their aim being to hold the microphone as close to the actors or action as possible without allowing the microphone or boom pole to enter the camera's frame

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A production sound mixer, location sound recordist, location sound engineer or simply sound mixer is the member of a film crew or television crew responsible for recording all sound recording on set during the filmmaking or television production using professional audio equipment, for later inclusion in the finished product, or for reference to be used by the sound designer, sound effects editors, or foley artists. This requires choice and deployment of microphones, choice of recording media, and mixing of audio signals in real time.

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Production Accountants are responsible for managing finances and maintaining financial records during film or TV production, working closely with the producer and the production office. They will set up and manage accounting systems, and supervise assistant accountants and accounts trainees.

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In charge of all the finance and budget to the project, responsible for setting a well fitting budget that is accurate and ideal. Also used to manage this and set targets to run by.

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Steadicam Operators are responsible for the technical set-up of the Steadicam system and for balancing the camera on it. They liaise with Director, Director of Photography (DoP) and Actors to set up and perform the required shots.

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The DIT position was created in response to the transition from the long established film movie camera medium into the current digital cinema era.The DIT is the camera department crew member who works in collaboration with the cinematographer on workflow, systemization, camera settings, signal integrity and image manipulation to achieve the highest image quality and creative goals of cinematography in the digital realm

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Reporting to the Foreman, the Loader Operator is responsible for the safe and efficient operation of the Loader. This position operates loaders equipped with front-mounted hydraulically powered bucket or scoop which is used to transport aggregate or other materials, feed hoppers or chutes, and/or stock pile aggregates

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Second Camera Assistants have specific responsibilities involving camera maintenance and film or tape stock control. On productions shot on film, they load and unload the camera magazine (a removable section of the camera that houses each roll of film) and ensure that the correct stock (type of film) is used. They also charge camera batteries and ensure that other camera accessories are ready (standing by) in case the Director of Photography (DoP or DP) or Camera Operator requests them.
Second Camera Assistants are also responsible for the clapperboard and write daily camera reports, logging how much film has been shot, which shots are on each roll of film, and any special processing instructions, or the numbers of tapes used, and time-code details. They may also take the daily rushes (unedited material) to the laboratory or hand them over to the production office.

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First Camera Assistants (Focus Pullers) give more hands-on support to Camera Operators and DPs. They calculate the correct focus settings for each shot and all other camera variables. They prepare the camera and adjust it during filming so as to keep specific parts of the shot in focus (known as ‘pulling focus’). Throughout each shooting day, they also check and store (‘wrap’) the camera kit.

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Camera operator: job description. Camera operators physically control cameraequipment both in studio and on location for film, television and video broadcasts and recordings. Most camera operators enter the profession as trainees, assistant camera operators or 'runners'.

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Main role is to pitch to the producer possible locations to shoot.

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Helps out the manager in finding location and who needs to be on set and at what times. They are the first on set and maintain the clenliness of the set

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The Location Managers' primary role is to identify and find ideal locations for a film shoot. They report to the Producer, Director and Production Designer.

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An actor (or actress for female) is a person who portrays a character in a performance. The actor performs "in the flesh" in the traditional medium of the theatre, or in modern mediums such as film, radio, and television. The analogous Greek term is ὑποκριτής (hupokritḗs), literally "one who answers"

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A stunt coordinator, usually an experienced stunt performer, is hired by a TV, film or theatre director or production company for stunt casting that is to arrange the casting (stunt players and stunt doubles) and performance of stunts for a film, television programme or a live audience.

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Casting Directors organize and facilitate the casting of actors for all the roles in a film. This involves working closely with the director and producer to understand their requirements, and suggesting ideal artists for each role, as well as arranging and conducting interviews and auditions.

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Storyboard Artists take a screenplay and turn it into a series of illustrations, like a comic book. This helps the Director get a clear idea of exactly what they want to achieve and shows what's needed, e.g., prosthetics for make-up, Computer Generated Images (CGI) for visual effects, props for the Art Department, etc.

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Hairdressers for film are responsible for researching, styling and overseeing continuity for hair for actors and extras on set.

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The makeup artist focus simply on the make up of the actors. Also ensuring that their hair, prosthetic and other aspects fit into the role that they are playing.

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The property master, often called the prop(s) master, is an artistic and organizational employee in a film, television or theatrical production who is responsible for purchasing, acquiring, manufacturing, properly placing, and/or overseeing any props needed for a production.

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It is the Art Director's job to realise the Production Designer's creative vision for all the sets and locations that eventually give productions their unique visual identity. ... On feature films, they act as project managers for art departments and are usually appointed by the Production Designer.

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A costume designer is a person who designs costumes for a film, stage production or television. The role of the costume designer is to create the characters and balance the scenes with texture and colour, etc

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A script supervisor (also called continuity supervisor) is a member of a film crew and oversees the continuity of the motion picture including wardrobe, props, set dressing, hair, makeup and the actions of the actors during a scene.

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A screenplay writer, screenwriter for short, scriptwriter or scenarist is a writer who practices the craft of screenwriting, writing screenplays on which mass media such as films, television programs, comics or video games are based.

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The role of the Executive Producer is to oversee the work of the producer on behalf of the studio, the financiers or the distributors. They will ensure the film is completed on time, within budget, and to agreed artistic and technical standards.

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The production coordinator serves under the production manager, producer or UPM to coordinate the various groups and personnel that come together in filmmaking to a movie and video production to make a television show. It is a supervisory position to the Production assistant staff.

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Casting Directors organize and facilitate the casting of actors for all the roles in a film. This involves working closely with the director and producer to understand their requirements, and suggesting ideal artists for each role, as well as arranging and conducting interviews and auditions.

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A cinematographer or director of photography (sometimes shortened to DP or DOP) is the chief over the camera crews working on a film, television production or other live action piece and is responsible for making artistic and technical decisions related to the image.

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The role of an assistant director on a film includes tracking daily progress against the filming production schedule, arranging logistics, preparing daily call sheets, checking cast and crew, and maintaining order on the set. They also have to take care of the health and safety of the crew.

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Typically, a Line Producer manages the budget of a motion picture. Alternatively, or in addition, they may manage the day to day physical aspects of the film production, serving a role similar to the unit production manager. Line Producers usually do not act as part of the creative team for a picture.

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Production designers are responsible for the visual concept of a film, television or theatre production. They identify a design style for sets, locations, graphics, props, lighting, camera angles and costumes, while working closely with the director and producer.

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Film producers fill a variety of roles depending upon the type of producer. Either employed by a production company or independent, producers plan and coordinate various aspects of film production, such as selecting script, coordinating writing, directing and editing, and arranging financing

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Production Managers organize the business, finance and employment issues in film and television productions. As a Production Manager, you would be in charge of how the production budget is spent and making sure that everything runs smoothly during filming.

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Generally, a film director controls a film's artistic and dramatic aspects, and visualizes the script while guiding the technical crew and actors in the fulfillment of that vision. The director has a key role in choosing the cast members, production design, and the creative aspects of filmmaking.

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Roles in pre-production can include anything from before the project  has started to when it is full production. These could include Story-boarding, location manager, costume designer etc.

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Roles in pre-production can include anything from before the project  has started to when it is full production. These could include Story-boarding, location manager, costume designer etc.