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HOW TO USE PADLET PART 1.docx

HOW TO USE PADLET PART 2.docx

HOW TO USE PADLET PART 3.docx

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You will need a1 and a2 paper pencils rubbers charcoal willow Biros boards and easels 

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You will need a1 and a2 paper pencils rubbers charcoal willow Biros boards and easels 

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Disclaimer

The details on this website were correct at the time of being published. However, changes to provision may occur. We issue this information as a general guide and reserve the right to modify or alter without prior notice.

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Home | Burton and South Derbyshire College

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The details on this website were correct at the time of being published. However, changes to provision may occur. We issue this information as a general guide and reserve the right to modify or alter without prior notice.

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Download from your mobile phone App Store - the Kaleido Paint app

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Download from your mobile phone App Store - the Kaleido Paint app

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select new drawing the bottom/ press on to the piece and select open/ choose a pattern symmetry/ here you can select to have grids on or off/ or select to have colour by symmetry on or off/ on your piece every touch will created a repeated line./ play around with different brush thicknesses/ different brush colour ways/ different ways of touching the screen to achieve patterns/ - Create and colour 5- 6 patterns.

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create pattern drawings inspired by the work of Natasha Bugg. Work on A3 Cartridge paper. Use Pencils and black biro

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create pattern drawings inspired by the work of Natasha Bugg. Work on A3 Cartridge paper. Use Pencils and black biro

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PHOTOGRAPH AND UPLOAD THEM

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KRISTI O'MEARA - http://www.kristiomeara.com/

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Kristi O’Meara is an artist and designer based Chicago, IL. She is the founder and designer at The Patternbase. O’Meara received her bachelor of fine arts in 2009 from the Kansas City Art Institute, where she studied painting, design, and fiber arts.

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Create pattern drawings inspired by the work of Kristi O’Meara. Work on A3 Cartridge paper. Use Pencils and black biro.

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Create pattern drawings inspired by the work of Kristi O’Meara. Work on A3 Cartridge paper. Use Pencils and black biro.

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PHOTOGRAPH AND UPLOAD THEM

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How to Create Digital Print

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Brainstorming example

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Embroidery is the art of decorating fabric or other materials using a needle to apply thread or yarn. Embroidery may also incorporate other materials such as pearls, beads, quills, and sequins. In modern days, embroidery is usually seen on caps, hats, coats, overlays, blankets, dress shirts, denim, dresses, stockings, scarfs, and golf shirts. Embroidery is available in a wide variety of thread or yarn colour. It is often used to personalize gifts or clothing items.

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USE THE BELOW TO SUPPORT YOU WHEN ANNOTATING THE WORK OF OTHERS

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USE THE BELOW TO SUPPORT YOU WHEN ANNOTATING THE WORK OF OTHERS

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USE THE BELOW TO SUPPORT YOU WHEN ANNOTATING YOUR OWN WORK 

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USE THE BELOW TO SUPPORT YOU WHEN ANNOTATING YOUR OWN WORK 

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From the Past, into the Present, for the Future
Chelsea Textiles was formed in 1990 to faithfully recreate antique textiles by hand, the originals of which are becoming vanishingly scarce. Over the past thirty years, Chelsea Textiles have not simply stayed rooted in their original mission, but have broadened their scope to include bedcovers, cushions and furniture. Similarly, they have extended their view of 'antique' to encompass vintage designs of the first half of the twentieth century, in both fabrics and furniture.

The company prides itself on using only authentic materials, hand-worked by master craftsmen into unique pieces which will stand the test of time, to become the antiques for future generations.

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From the Past, into the Present, for the Future Chelsea Textiles was formed in 1990 to faithfully recreate antique textiles by hand, the originals of which are becoming vanishingly scarce. Over the past thirty years, Chelsea Textiles have not simply stayed rooted in their original mission, but have broadened their scope to include bedcovers, cushions and furniture.

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DELIVERY OF NEW PROJECT BY SURB / PORTFOLIO PROJECT AND PROGRESSION TASKS 

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DELIVERY OF NEW PROJECT BY SURB / PORTFOLIO PROJECT AND PROGRESSION TASKS 

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TASK 1 - CREATE A POWERPOINT AND NAME THIS PORTFOLIO/PROGRESSION/ CREATE A MINDMAP INTO PORTFOLIOS/ RESEARCH INTO DIFFERENT TYPES OF PORTFOLIOS/ WHAT IS THE ROLE OF A PORTFOLIO?

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Bauhaus - the German art school known for its use of geometric shapes, sharp lines and pops of colour - may be 100 years old this year, but it remains as current as it was a century ago. From David Bowie's Ziggy Stardust jumpsuit to the Ikea flat-pack furniture in our living rooms, elements of the Bauhaus ethos have worked their way effortlessly into our lives. Read more: 10 Things to Know About Anni Albers

Beyond an aesthetic movement, it is the Bauhaus's experimentation with colour and geometry that we most readily recognise today. Not least because it has regularly been transposed onto the catwalk. Think of Jonathan Saunders' interlinking shapes and bold lines in his SS05 collection; Roksanda Ilincic's signature use of primary block colour; and Mary Katrantzou's incorporation of Bauhaus posters in her AW18 collection. Elsewhere, Hugo Bos s's AW15 collection featured checks inspired by the wall hangings of Anni Albers; while Paul Smith has also been drawn to the textile artist's work. "What [the Bauhaus] tried to establish through artists like Paul Klee and Wassily Kandinsky was this idea of essential forms, and colour relations," explains Grant Watson, co-curator of Bauhaus Imaginista, a major exhibition marking the 100th anniversary of the art school at Berlin's Haus der Kulturen der Welt.

The Bauhaus was also concerned with functionality and simplicity of form. "The early Bauhaus was very expressionist. Later on, it became more of this functional aesthetic, stripping down to a set of essentials," explains Watson. These clean-line principles inspired some of the most influential fashion designers of the 1960s, including André Courrèges, Mary Quant and the celebrated minimalist Jil Sander. "My roots are in the Bauhaus movement, which applied functional rationality to the design of practical everyday life," Sander told Vogue 's Suzy Menkes in a 2017 interview. "Streamlined beauty, clear structures, reduction to the essential and free movement."

The interdisciplinary approach of the Bauhaus, which saw the blurring of boundaries between art, architecture and design, is also one that has been adopted by the fashion world. Hussein Chalayan, for example, is known for merging art and technology, echoing the work of Oskar Schlemmer, a key figure from the Bauhaus theatre workshop, with his dramatic catwalk designs.

As Bauhaus turns 100, three top fashion designers tell Vogue how the movement has influenced their work... Read more: David Bowie: Our Style Hero

Roksanda Ilincic

"Bauhaus has been a huge influence, particularly with colour blocking which I've been using ever since my first show. Artist Josef Albers is always on my mood boards. His use of colour always draws me to him, particularly the way he juxtaposes colours that we don't see could go with each other. It is this experimentation with colour, the pushing the boundaries of what is harmonious and what is not, that I aspire to.

"Architect Mies van der Rohe is another one of my great idols. I discovered him as a student and absolutely fell in love with his work. The fluidity of his architecture, the way that he designed houses that were beautiful - very airy on the inside, protective on the outside - these elements exist in my work. At the beginning of my career, I was designing drape dresses made out of fluid fabrics with this type of architecture in my head."

Paul Smith

"I became aware of the Bauhaus when I was growing up in Nottingham. Students from the local art college told me about 'the Bauhaus'; I thought it was a council estate at first! The beginnings of my career can really be traced back to those conversations.

"There's a practicality and functionality to the work [of the Bauhaus] that is very important to what I do. I also love the idea of the creative collective and the collaboration that the Bauhaus celebrated. Working together, sharing ideas and taking inspiration from all the various fields that they covered.

"It was my collection for AW15 that most directly took inspiration from the work of artists Josef and Anni Albers. More recently we worked on a small collection inspired by Anni's textiles to coincide with the exhibition that opened in Tate Modern. One of my major considerations was respecting Anni's amazing history of weaving and making sure my designs represented her work in the most sensitive and accurate way possible."

Mary Katrantzou

"As a school of thought, Bauhaus epitomises how designers think about design in today's world. I think fashion, as an applied design discipline, has to always find an equilibrium between creativity and commerce; looking at the functionality of design, while communicating something for our times. That is as relevant today as it was then.

"For AW18, I was looking at incredible Bauhaus posters and images, and I found Bauhaus-isms in my past work. There was this picture of figures wearing different geometric shapes, which reminded me of silhouettes I've played with in the past, like the lampshade skirts from 2011. In my AW18 collection, Bauhaus represented this purity of form, the pragmatic nature of design and how that directly translated into fashion. Graphically, we looked a lot at Bauhaus posters, the utilisation of geometry, which we translated as knitwear."

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How A Century Of Bauhaus Has Influenced Fashion

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Bauhaus - the German art school known for its use of geometric shapes, sharp lines and pops of colour - may be 100 years old this year, but it remains as current as it was a century ago.

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TASK 2 - RESEARCH INTO CREATIVE JOB ROLES / COMPARE AND CONTRAST DIFFERENT JOB ROLES / DO A JOB SEARCH ON INDEED JOBS FOR CREATIVE ROLES / WHAT TYPES OF JOB ROLES CAN YOU GO INTO? / WHAT DO THESE JOB ROLES INVOLVE? 

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TASK 2 - RESEARCH INTO CREATIVE JOB ROLES / COMPARE AND CONTRAST DIFFERENT JOB ROLES / DO A JOB SEARCH ON INDEED JOBS FOR CREATIVE ROLES / WHAT TYPES OF JOB ROLES CAN YOU GO INTO? / WHAT DO THESE JOB ROLES INVOLVE? 

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TASK 4 - RESEARCH INTO PORTFOLIO LAYOUTS / STYLES / CREATE A PINTEREST FOLDER AND NAME THIS LAYOUTS /RESEARCH INTO DIFFERENT TYPES OF PORTFOLIO LAYOUTS 

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TASK 4 - RESEARCH INTO PORTFOLIO LAYOUTS / STYLES / CREATE A PINTEREST FOLDER AND NAME THIS LAYOUTS /RESEARCH INTO DIFFERENT TYPES OF PORTFOLIO LAYOUTS 

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TASK 5 - CREATE A CV / LOOK AT EXAMPLES OF CV / EMAIL CV TO SURBJIT.SINGH@BSDC.AC.UK/ TASK 6 - VISIT UNI OPEN DAYS / ORDER PROSPECTUSES / RESEARCH INTO UNIVERSITIES/ TYPES OF COURSES / COURSE CONTENT / REVIEWS / STUDENT WORK / PROGRESSION / 

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TASK 5 - CREATE A CV / LOOK AT EXAMPLES OF CV / EMAIL CV TO SURBJIT.SINGH@BSDC.AC.UK/ TASK 6 - VISIT UNI OPEN DAYS / ORDER PROSPECTUSES / RESEARCH INTO UNIVERSITIES/ TYPES OF COURSES / COURSE CONTENT / REVIEWS / STUDENT WORK / PROGRESSION / 

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TASK 7 - RESEARCH INTO UCAS / START A UCAS APPLICATION / LOOK AT EXAMPLES OF PERSONAL STATEMENTS / WRITE A PERSONAL STATEMENT / EMAIL THIS TO SURBJIT.SINGH@BSDC.AC.UK

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TASK 7 - RESEARCH INTO UCAS / START A UCAS APPLICATION / LOOK AT EXAMPLES OF PERSONAL STATEMENTS / WRITE A PERSONAL STATEMENT / EMAIL THIS TO SURBJIT.SINGH@BSDC.AC.UK

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TASK 9 - CREATE A DIGITAL PORTFOLIO ON POWERPOINT OF 15-20 SLIDES 

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TASK 9 - CREATE A DIGITAL PORTFOLIO ON POWERPOINT OF 15-20 SLIDES 

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TASK 10 - CREATE A END OF PROJECT EVALUATION

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TASK 10 - CREATE A END OF PROJECT EVALUATION

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RESEARCH INTO WAYS OF SPEAKING ABOUT WORK IN GROUP CONTEXT / RESEARCH INTO INTERVIEW QUESTIONS / MOCK INTERVIEWS / PRESENT YOUR PORTFOLIO TO GROUP AND PANEL 

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RESEARCH INTO WAYS OF SPEAKING ABOUT WORK IN GROUP CONTEXT / RESEARCH INTO INTERVIEW QUESTIONS / MOCK INTERVIEWS / PRESENT YOUR PORTFOLIO TO GROUP AND PANEL 