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Created the first Kodak camera, the Brownie, in 1900. Revolutionized public access to cameras and taking photos.

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Photography company founded by George Eastman and Henry A. Strong. Created the Brownie which revolutionized public access to creating amateur photography.

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Originally marketed at $1. First affordable and accessible camera that was used outside of professional family portraits. Changed how the public interacted.

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Created by Kodak in 1908, it was a cheap way to send photographs to people. Printed photos on strong paper with space to write on the back. Paved way for photo montage.

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This changed how media was produced, creating another genre of news or advertisement communication to the public. Before this, news and writing was the only way to provide news. The magazines were produced of mostly pictures which was new at the time. It allowed the public to trust what was being told more and what was being adverstised.

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Worked for National Geographic. With the company at risk of losing customers and going out of business, he looked through a booklet of pictures from around the world

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News company that informed people about life in other places. Was starting to lose companies and feared going out of business. Worker Gilbert Grosvenor decided to include pictures in order to capture a new audience, one of the first informative or news outlets to include photos.

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It is a genre of photography that is mainly meant to directly convey authenticity. It captures moments or people in time and is mainly used to document exactly what is happening in the photo.

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Sought to capture his view of how Native Americans should be portrayed through his photos in his mind. Although it was a glamorized depiction, the photos were a service to the Native American people and community at the time. The photos let them be able to connect and display their pride for their heritage and culture through photographs.

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Captured a more authentic depiction of Native Americans at the time and their lifestyles. Contrasting Curtis' work, Matsura's work seems to be based more in reality rather than a caricature or fantasy. He sought to capture the realistic lives of the Native American people, and their daily selves, rather than a cultural conception or strictly their heritage. While Curtis' photographs gave Native Americans an expression of their cultural pride, Matsura's gave them their more substantial snapshot of their lives that they could be proud of too.

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A new format created in the infancy of amateur photography, its objective was to create a form of fine art within the photography medium. The effect was created by manipulating the picture after it was taken and in the physical format. Photographers painted over the film with chemicals or scratched out certain areas or details to create a painterly affect. This movement changed how photography is viewed, no longer used solely used for informative purposes, but also transformed into a medium of art.

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Pioneered the Pictorialism photography movement. He was determined to prove that photography was the same as any other fine art medium and it should be taken seriously as such.

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Originally, motion study photography took multiple photos at close intervals to reveal movement throughout when each photo was aligned correctly. However, Frank Bunker Gilbreth elevated this particular style of photography for analytical purposes in the work place. They were meant to measure the efficiency and productivity of workers. The motion was captured by adjusting the shutter speed for short intervals, then placing a light on the workers hands, small enough to see what they were doing. This revolutionized how the process of completing tasks workers was changed, and how much more orderly productivity came, some might say robotic.

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Frank Bunker Gilbreth created a form of motion studies to monitor and improve the efficiency of workers. This started when he entered a job involving brick laying in 1885. He was puzzled the different methods of brick laying he was begin taught. This lead to his fascination of motion studies to improve work efficiency and productivity, which he used photography as a vehicle to achieve his analyses.

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A popular phrase often heard in movies or shows, this famous line came from Frank Bunker Gilbreth's motion studies. His work became so influential to lead to this we.ll known quote. The motion studies discovered that surgeons spend most of their time finding the instruments than operating on the actual surgery. Work procedures were changed to doctors being handed tools and instruments by nurses, leading to the famous line, "scalpel please" in operating rooms.

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The fist major instance of social reform photography was Lewis Hine's body of photographic work. Since then, it has evolved to address many forms of different social issues. Its purpose is to convey a certain condition of a place, person, or thing in order to evoke an emotional reaction. They are mean to create an exigence to take a position or action against what is being portrayed in the photo.

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During the height of social reform, many writers strived to articulate the need for social change. However, printing photos only became available until the late 19th century. This us when Jacob Riis' work, which was one of the earlsits to include pictures along side it, was produced, it created a very influential impact on many social change advocates. One advocate included Lewis Hine, which saw this as his main inspiration for his own work.

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Lewis Hine was a teacher when he originally viewed and used photography solely as an educational tool. When he was hired by the National Child Labor Committee in 1906 in order to take photos for their campaign against child labor conditions, and have an affect similar to Jacob Riis' work. His photos ultimately led to revaluation of the harsh conditions to the public, and the end of child labor.

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After the start of the pictorialism movement and photography proved itself to be a valid art form, many photographers sought to create pictorialistic art with the camera. In 1915, Paul Strand was one of the emerging camera artists who came to pioneer the modernism movement.

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Forming from the Pictorialism movement, it was meant to capture aesthetic rather than information or narrative. Modernism differed with seeking clearer and more sharp imagery, whereas Pictorialism was characterized by a looser, painterly style. New modernists wanted to capture concise and clear photographic images, steering away from the old paint-like styles of before. This particular style went from strictly art to forming into a medium of advertisement.

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Previously, advertisements were either written columns or drawn out in newspapers, television, or other forms of media. This was a somewhat adequate way of advertising products, however, it did not allow the public to fully trust what was made up in description or illustration. So when the discovery of photography being used for advertisement was realized, it revolutionized the medium of advertisement and the public's trust with products they're being solicited. Directly influenced by the Modernism movement, advertisement photography utilized some of the style to capture clear and clean images to make the solicited object most appealing, almost like a work of art.

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Propaganda wasn't new, however in 1917 propaganda photography was new. In its infancy, it was used to promote the support for WW1 and keep the public form worrying about the US' decision to fight in the war. Since then it has taken different forms and different messages to either support, oppose, or think a certain way about a topic. It is still used today in many regions.

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In 1917 President Woodrow Wilson established the propaganda agency, which made way for photographers to shoot propaganda photography. Wilson and the US government utilized this new medium by restricting what photographers were allowed to shoot and how to shoot photos to better portray the government's picture. Combat photos were taken very distant from action or posed, and no dead soldiers were allowed to be photographed or printed. This shaped how citizens viewed the war and their support for it.

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Usually appears as an exaggeration of news to appeal to who views it, and incite them to want to buy it. It centers around pictures, and often bright colors and big text to catch a potential customer's attention.

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Created in 1919, the Daily News is the oldest tabloid newspaper. It was the first of its kind to have the main selling point be pictures.

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At the time, one of the trials that was getting the most news coverage was the Ruth Snyder case, in which she murdered her husband with an iron bar. The infamous news cover of Ruth Snyder being electrocuted with large print text "DEAD!" printed overhead, came from the Daily News, a tabloid journalism company. The photographer with the Daily News concealed a camera attached to his ankle and smuggled it into where the execution took place. This was a major point in tabloid journalism, one where anything shocking was to take lace on the cover of each magazine.

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Even thought Tabloid Journalism was already an exaggerated form of media with pictures being the main competent, the New York Evening Graphic took this to the extreme. It based its content off of gratuitous information, the majority being the subject of salacious or scandalous topics or imagery. Many pictures where part of what is called a Composograph, creating a false image of people or events that did not exist the way they did in the photograph.

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Before this photographic genre, the public never felt very connected celebrities. Once celebrities were photographed then included in magazine columns and advertisements, it changed the public view of celebrities, they felt more related to their lives. Celebrities were able to sell products through advertisement, capture the interest of the general public, or become new celebrities through photographs.

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One of the most influential celebrity photographers of the 20s. Best known for his photographs of Hollywood actors and actresses. He specialized in the technical components of portraiture as well as the aesthetics

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One of the other most influential celebrity photographers of his time. He also was well known for his Hollywood portraiture. He sought to capture the icons mainly for advertisement and marketing purposes, such as fashion magazines or product promotion.

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Celebrity photography made it possible for products to have celebrities endorse their products so customers would buy them. This was the first time company and advertisements were able to achieve this, making celebrities faces synonymous with selling products.

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Rodolfo Guglielmi, or Valentino, was a product for the effect celebrity photography had on the public. He was famed more for his image, rather than his acting, which was on multiple celebrity tabloids and magazines. This built his connection with individuals in the public who saw his photo in tabloids that sensationalized him. When he died at age 31 from a burst appendix, his death turned into a frenzy of media coverage and public outcry. His funeral home was surrounded by a gaggle of people in a riot, injuring hundreds, and Angeline Celestina killed herself upon her numerous photos of Valentino after hearing the news. Had celebrity photography been less of a force in this case, the reaction would have not lived up to this great effect.

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First time photos could come through telephone or satellite right after they've been taken to be given to news stations everywhere. The first time everyone saw the same picture at once for news coverage.

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On January 1, 1935, the first AP transmission was of a plane crash. It was transferred to many news stations. This made way for other famous pictures and events to be relayed to numerous news stations instantaneously and the public to see it simultaneously.

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In 1937, Murray Becker remained ready for the Hindenburg's landing unlike the other photographers waiting in the waiting room. Because of this, Becker captured the first blow of the Hindenburg explosion before anyone else.

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Murry Becker and the Speed Graphic camera

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Murry Becker and the Speed Graphic camera

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The Speed Graphic is a large camera that takes lots of steps to operate. He used a Speed Graphic camera to capture the moment in about a minute.

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Photographed what was too scary in real life, but people wanted to see in photographs like death, harm, or destruction. Took photos of crimes and criminal activity or disaster.

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Form of news media for various topics, created by Henry Luce which centered mostly around pictures to convey its messages. Universally understandable because it was mainly pictures. Utilized the photographic essay, focused on photos of ordinary lives.

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Created Life magazine, his idea was to center it around the idea of pictures as the main focal point of the news. Saw and utilized the value of pictures to tell a story or emotions, so he implemented this in life magazine.

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Used by Life magazine, photos that conveyed a full story just in its picture. The viewer should have a good idea of what is being portrayed or is meant to feel after solely off of photo.

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During the Great Depression, the Farm Security Administration, ran by Roy Stryker, founded a propaganda agency using pictures to promote Roosevelt's campaign. Photographers were hired to carry out this project, such as Dorthea Lange, Arthur Rothstein, Russell Lee, and Walker Evans.

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Lent itself to lots of photographs that depicted the time period, most from the FSA. Many pictures evoke emotional responses and help connect the reality to the viewer with what was happening in the photos.

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One of the photographers working with the FSA during the great depression, she photographed one of the most famous and recognizable pictures in the world. She photographed what is now named Migrant Mother, this left a major impact on America and the Great Depression.

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Former FSA photographer that was hired to use photography to combat racial discrimination. After experiencing and understanding the racial discrimination against African Americans at the time for himself, he used his medium, photography, to capture or portray racial discrimination in order to incite a change.

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Valued American landscapes and viewed them as America's natural and historical art. Focused on weather rather than the landscape features themselves. He was also part of the Sierra Club, an environmental preservation organization where his work was originally issued. At first his work got little recognition until the world under went hard times like Great Depression and when preserving the planet or land became relevant.

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Ansel Adams' work was a major component in the nature conservation and the development of national parks. He worked with the Sierra Club which helped his photographs reach a broader influence. The beauty he captured in his landscapes inspired the need to preserve those areas, thus leading to the development of national parks.

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Created by Ansel Adams, it is an eleven tone photograph.

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A big opportunity for photographers from different backgrounds to capture the event. Military and propaganda photographers as well as the Associated Press and other press photographers jumped at the chance to photograph this major historical event as it happens.

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Photography promoted "demonizing the enemy" and Life Magazine's picture of the week displayed this as well. It depicted Natalie Nickerson with the skull of a Japanese soldier that her WW2 Navy boyfriend promised he'd bring back to her. This was only one of the many forms of media that normalized the idea of dehumanizing and demonizing the Japanese more than any other US enemy at the time.

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During WW2, Betty Grable became the most famous pin-up girl of her time because of her photo. She was well known among WW2 soldiers who depicted her photo on many different things. She was the face of the 1940s pin-up girl and her success succeeded the armed forces due to her photograph.

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Taken by Robert Capa, a seasoned war photographer, was sent by John Morris, Life Magazine employee, in 1943. His objective was to capture the invasion right away. Reportedly, most of the photos suffered from heat damage during the development process, leaving little pictures left that were legible, but they were enough to impact the US.

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Shot by Joe Rosenthal depicts soldiers on Mt. Suribachi raising the American flag at the end of the war. It was significant to the American people who were waiting for the war to end, and symbolized this feeling of the citizens as the war came to a close. That is why it's impact makes it an icon that has withstood time.

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Before the introduction of the photographs taken of the holocaust, people did not know the extent of the conditions. News of this was only relayed in written descriptions, but nothing to truly prove the extreme conditions of the holocaust to skeptics. The photographs connected the reality of the public and revealed the horrible conditions prisoners underwent, and changed how the event was viewed.

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After WW2, there was a need to connect all walks of life. Created by Edward Steichen on January 24th, 1955, this exhibit it included various photographs that was meant to convey the unification of mankind. His goal was to bring everyone together. It included people of different cultures, backgrounds, stages of life, necessities, and situations. It resonated with audiences of the public all over the world who viewed it.

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Captured peoples' clothing in photographs in the most appealing way, revolved around portraying it as a piece of art in the photograph more than it looked like in real life. Formed how people wanted to look based off how the clothing was presented.

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Fashion photographer who captured clothing as a piece of art more than it was in real life. He sought to sell the fashion as beautiful to any viewer who saw it.

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Captured a more raw and authentic portrayal of life and photography. Street photography doesn't have the technical structure of professional photographs, it is meant to break those rules. Its characterized by capturing unpredictable and unplanned moments of real people, and to convey that to the viewer through the camera.

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Famous street photographer that pioneered this genre of photography. He wanted to capture authentic lives in photographs how you'd see in real life.

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At the time of Emmett Till's murder, racism crimes were frequent in the South. This was exceptional for his case with the help of the black press, who was the only outlet to publicize this image. His case, especially the photo of his mutilated face, reached many Southerners.

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After many young black Southerners witnessed the news of the brutality of Emmett Till's case, many decided to in time they would take action against it. Many black Southerners that took this Civil Rights Movement as the decade went into the 60s, these people were known as the Emmett Till generation.

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Photographers like Danny Lyon documented the Civil Rights movement in the South. They took photos of the Jim Crow laws in place at that time such as the segregation policies, signs, and differences in white's and black's daily lives, such as using a water fountain or public transport. They also photographed Civil Rights events and brutalities, all of which were not previously documented to this extent. Helped complete the change for the Civil Rights movement.

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Photographs had a big impact on how Americans viewed the Vietnam war. The photographers who had the biggest impact were Malcom Browne, Eddie Adams, Phan Thi Kim Phuc, and John Filo. The Vietnam photos hit more people the most, there was more accessible coverage of the event and it was documented without restriction of the violence or shock that came with the war.

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The Burning Monk, Malcom Browne. When this came to the public, the then president, John F. Kennedy effectively ended the alliance with Diem regime after seeing this photograph, changing the course of the Vietnam war.

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Saigon Execution, Eddie Adams. This picture impacted citizens viewing it for the first time, because they were also viewing death captured in a photograph for the first time. This formed the perspective of the Vietnam war with the public, resonating with the reality of the violence of the war.

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The Napalm Girl, Phan Thi Kim Phuc. Brought the news of tragedy in the war emotionally to American audiences more than a written news article. People could emotionally and visually connect with the photograph, as well as empathize with this image.

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Sometimes referred to as the Kent State Pietà, John Filo. The photograph brought the shock and empathy to the public when seeing the image, it gave Americans a reason to disagree with the actions of the National Guard in this incident.

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Life Magazine published the faces of all the soldiers who died in the war that week, this hit Americans and allowed them to see the amount of damage coming from the war. This changed American's participation in the war.

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In 1966, the whole earth had only been seen by astronauts and and space professionals, never ordinary people. Steward Brand came up with the idea to obtain a photograph of the whole earth, he petitioned for this idea to become a reality. In 1968, the photographs of Earth were taken by astronaut William Anders in Apollo 8. This lead to an environmental conservation movement.

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Before this movement, African Americans were portrayed as unrealistic such as inaccurate caricatures, portrayed with prejudice, lowly or miserable. When this movement of Ethnic Self Representation gained momentum, black photographers and subjects, or even the general public, could represent themselves on their own terms, correct past falsehoods, and chose how they saw themselves.

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Prosecutors used this for crime scene documentation prove events or to sway the judge/jury to sway their vote via sympathizing with the client or villanizing someone against the client. Photographic evidence wasn't just used in citizen cases, they were also used in mass/governmental tragedies, such as the Nuremberg case involving the holocaust.

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This captured the presidents in the way they wanted to be portrayed to the American people, and what message they wanted to be conveyed, which this allowed them to control that in a photographic sense. Presidents could perform to the camera and tell it their message or their identity, and the photographers could capture that and strengthen it with the lens. These photographs would reach the American audience more than a written document or a speech because they could visually see it. It is important because how the president or the photograph turns out, it shows the public that image. It forms their opinion or impression of the president through the picture. It can be considered propaganda by the way it's composed to relay a certain message rather than the reality.

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Taken by David Turnley, this photograph shows the reality of the Gulf War. His goal was to capture an authentic view of the war that wasn't restricted or composed by government officials. His photographs froze raw emotions in a picture for the public to reach out to with empathy and see that it wasn't as glamorous as the government or media made it out to be. His photograph almost went unpublished until he convinced the minder abiut showing the world the reality of war.

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Computers changed how photographs are altered, including removing, or combined pictures. It and still is used in advertisements, media, and other things.

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How did pictorials become fine art photography. who did tis?

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How has photography progressed into the 2000s? What is different now?

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How has photography progressed into the 2000s? What is different now?

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Poeple use phones and digital cameras, more high quality.