# data[].attributes.headline
Journal Article 1- A Sense of Place, a Sense of Time

# data[].attributes.subject
Journal Article 1- A Sense of Place, a Sense of Time

# data[].attributes.body
J.B. Jackson, author of "A Sense of Place, a Sense of Time" emphasizes what a place is. Your place isn't simply about a location, but about what it makes you feel. The place doesn't have to be quiet, or loud, crowded, or lonely. It's the atmosphere of the place and the emotion that it evokes from you. Jackson states, " What brings us together with people is not that we live near each other, but that we share the same timetable: the same work hours, the same religious observances, the same habits and customs. That is why we are more and more aware of time, and of the rhythm of the community. It is our sense of time, our sense of ritual, which in the long run creates our sense of place, and of community."

# data[].attributes.headline
Journal Article 2: Theorizing a Sense of Place in a Transnational Community

# data[].attributes.subject
Journal Article 2: Theorizing a Sense of Place in a Transnational Community

# data[].attributes.body
Jennifer D. Adams talks about what a sense of place is for people who are from a different country, and how children develop a sense of place. According to Adams, a child will "develop a sense of place based both on the meanings she and her family ascribe to a place or multiple places."

# data[].attributes.body
This song is my sense of place because it reminds me of my childhood. I was very obsessed with Hannah Montana and Disney Channel as a whole. I spent most of my time in my room with the television on watching Disney Channel, and anytime I hear one of her songs, I get taken to my safe place.

# data[].attributes.attachment_link.title
This Is The Life (From "Hannah Montana"/Soundtrack Version)

# data[].attributes.body
I chose to display Letizi Battaglia's work because she is able to capture people in a way where you can sense their character. It counts as a sense of place for me because she captures people in their environment.

# data[].attributes.attachment_link.readable_text
This website stores cookies on your computer. These cookies are used to collect information about how you interact with our website and allow us to remember you. We use this information in order to improve and customize your browsing experience and for analytics and metrics about our visitors both on this website and other media. To find out more about the cookies we use, see our Privacy Policy.

# data[].attributes.attachment_link.description
This website stores cookies on your computer. These cookies are used to collect information about how you interact with our website and allow us to remember you. We use this information in order to improve and customize your browsing experience and for analytics and metrics about our visitors both on this website and other media.

# data[].attributes.body
Lauren Greenfield also does a great job at capturing what someone's life is like in the moment and what their usual setting is. Unlike Letizia Battaglia, Greenfield's sense of place photos feel more in touch with modern times

# data[].attributes.attachment_link.readable_text
This website stores cookies on your computer. These cookies are used to collect information about how you interact with our website and allow us to remember you. We use this information in order to improve and customize your browsing experience and for analytics and metrics about our visitors both on this website and other media. To find out more about the cookies we use, see our Privacy Policy.

# data[].attributes.attachment_link.title
Enrique, 17, Hollywood High School senior class president, pays for a limousine outside his prom date's home, South Central Los Angeles

# data[].attributes.attachment_link.description
This website stores cookies on your computer. These cookies are used to collect information about how you interact with our website and allow us to remember you. We use this information in order to improve and customize your browsing experience and for analytics and metrics about our visitors both on this website and other media.

# data[].attributes.body
Nikki S. Lee creates a sense of place by photographing different American subcultures. In this case, it's a photograph of a workplace. Her work differs from Battaglia and Greenfield since she puts herself in these sense of places.

# data[].attributes.attachment_link.readable_text
This website stores cookies on your computer. These cookies are used to collect information about how you interact with our website and allow us to remember you. We use this information in order to improve and customize your browsing experience and for analytics and metrics about our visitors both on this website and other media. To find out more about the cookies we use, see our Privacy Policy.

# data[].attributes.attachment_link.description
This website stores cookies on your computer. These cookies are used to collect information about how you interact with our website and allow us to remember you. We use this information in order to improve and customize your browsing experience and for analytics and metrics about our visitors both on this website and other media.

# data[].attributes.body
Renoir's painting "Luncheon of the Boating Party" depicts different social classes in Paris, France having lunch. He created a scene where different classes come together to socialize in a luncheon. I consider this a sense of place because most of the people shown in the painting, frequently go there the hangout and Renior was often at this place.

# data[].attributes.attachment_link.readable_text
Luncheon of the Boating Party French: Le Déjeuner des canotiers is an 1881 painting by French impressionist Pierre-Auguste Renoir. Included in the Seventh Impressionist Exhibition in 1882, it was identified as the best painting in the show by three critics. It was purchased from the artist by the dealer-patron Paul Durand-Ruel and bought in 1923 (for $125,000) from his son by industrialist Duncan Phillips, who spent a decade in pursuit of the work. It is now in The Phillips Collection in Washington, D.C. It shows a richness of form, a fluidity of brush stroke, and a flickering light.

The painting, combining figures, still-life, and landscape in one work, depicts a group of Renoir's friends relaxing on a balcony at the Maison Fournaise restaurant along the Seine river in Chatou, France. The painter and art patron, Gustave Caillebotte, is seated in the lower right. Renoir's future wife, Aline Charigot, is in the foreground playing with a small dog, an affenpinscher; she replaced an earlier woman who sat for the painting but with whom Renoir became annoyed. On the table is fruit and wine.

The diagonal of the railing serves to demarcate the two halves of the composition, one densely packed with figures, the other all but empty, save for the two figures of the proprietor's daughter Louise-Alphonsine Fournaise and her brother, Alphonse Fournaise, Jr, which are made prominent by this contrast. In this painting Renoir has captured a great deal of light. The main focus of light is coming from the large opening in the balcony, beside the large singleted man in the hat. The singlets of both men in the foreground and the table-cloth all work together to reflect this light and send it through the whole composition.

The painting is thought to show the influence of Italian Renaissance painter Paolo Veronese on Renoir's style, in particular, The Wedding Feast at Cana (1563), one of Renoir's favorite Veronese paintings at the Louvre, which depicts a similar banquet theme to that of the Luncheon.

Subjects depicted

As he often did in his paintings, Renoir included several of his friends in Luncheon of the Boating Party. Identification of the sitters was made in 1912 by Julius Meier-Graefe. Among them are the following:

The seamstress Aline Charigot, who is holding an affenpinscher dog, sits near the bottom left of the composition. Renoir married her in 1890, and they had three sons.

Charles Ephrussi-wealthy amateur art historian, collector, and editor of the Gazette des Beaux-Arts-appears wearing a top hat in the background. The younger man to whom Ephrussi appears to be speaking, more casually attired in a brown coat and cap, may be Jules Laforgue, his personal secretary and also a poet and critic.

Actress Ellen Andrée drinks from a glass in the center of the composition. Seated across from her is Baron Raoul Barbier, former mayor of colonial Saigon.

Placed within but peripheral to the party are the proprietor's daughter Louise-Alphonsine Fournaise and her brother, Alphonse Fournaise, Jr., both sporting traditional straw boaters and appearing to the left side of the image. Alphonsine is the smiling woman leaning on the railing; Alphonse, who was responsible for the boat rental, is the leftmost figure.

Also wearing boaters are figures appearing to be Renoir's close friends Eugène Pierre Lestringez, a bureaucrat, and Paul Lhote, himself an artist. Renoir depicts them flirting with the actress Jeanne Samary in the upper righthand corner of the painting.

In the right foreground, Gustave Caillebotte wears a white boater's shirt and flat-topped straw boater's hat as he sits backwards in his chair next to actress Angèle Legault and Italian journalist Adrien Maggiolo. An art patron, painter, and important figure in the impressionist circle, Caillebotte was also an avid boatman and drew on that subject for several works.

At the Seventh Impressionist Exhibition in 1882, the painting generally received praise from critics. "It is fresh and free without being too bawdy," wrote Paul de Charry in , March 10, 1882. In La Vie Moderne (March 11, 1882), Armand Silvestre wrote, "...one of the best things [Renoir] has painted...There are bits of drawing that are completely remarkable, drawing - true drawing - that is a result of the juxtaposition of hues and not of line. It is one of the most beautiful pieces that this insurrectionist art by Independent artists has produced." Alternatively, published Albert Wolff's comment on March 2, 1882: "If he had learned to draw, Renoir would have a very pretty picture..."

# data[].attributes.attachment_link.title
Luncheon of the Boating Party - Wikipedia

# data[].attributes.attachment_link.description
Luncheon of the Boating Party French: Le Déjeuner des canotiers is an 1881 painting by French impressionist Pierre-Auguste Renoir. Included in the Seventh Impressionist Exhibition in 1882, it was identified as the best painting in the show by three critics.