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Shape is cool because you can make it geometric or however you want it to look.

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I really enjoy how the glass is the main point of the peice it is not something specific but it is interesting to look at 

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I really like color because you can change a pictures' mood by using different color. 

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color is a very important element of design. without it the world would be boring and colorless.

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texture is awsom because you can make somthing looked textured and not be textured

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I thought that texture was awsome because you can make a piece of art look like it feels one way but acshuly feel a different way.

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Write Texture, the world wwouldnt be anuything without texture. Everywhere you look or fell its texture. texture can be soft , hard , rough or smooth. those all descride texture. 
your message here

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Texture. It's the x-factor in painting. . . it can mean the difference between a mediocre painting and a good one, or a good painting and fantastic one.

This week's featured artist, Trisha Lamoreaux, has found a way to use the textural, 3-dimensional quality of oil paint to her advantage. Using only a palette knife, Trisha's paintings are ALL about the texture-well, texture and color, that is.

Here Trisha's used just her palette knife and three bold colors (purple, white, and yellow) to "abstract" a group of flowers into a sort of modern impressionist painting.

The beauty of using a palette knife is that each color can be laid onto the canvas as pure as you'd like it to be. Many of those purple petals are made with just one sweep of the knife, forming crisp slices of color over the top of other paint.

And, as this next piece illustrates, you can also use a palette knife to vary the texture of the paint on your canvas-it doesn't all have to be thick, impasto work.

Scraping a palette knife more thinly across your canvas will compress the color into flatter planes, which is how Trisha painted much of the sky in the piece above. This, of course, allows the textured clouds to visually (and literally) pop out towards the viewer.
SEE MORE: Textured oil paintings for sale at NUMA Gallery
In the painting below, New York Traffic, the texture is practically everywhere, however.

And yet it feels right, doesn't it? The gridlock traffic, the rush and bustle of a major metropolitan area. . . it becomes more physical when created in such a textural way.

If you have a moment, visit Trisha Lamoreaux's website and check out the rest of her work. Her paintings seem to be ever-changing, from landscapes to abstract florals, to pure abstracts, and most recently, to a new series of city abstracts.

It'll certainly be interesting to see where her work goes in the future as well.
NOTE: You may also be interested in EE's step-by-step drawing guide for artists. Click below to learn more!
This post may contain affiliate links.

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The Art of Texture: Impasto Oil Paintings by Trisha Lamoreaux - EmptyEasel.com

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This week's featured artist, Trisha Lamoreaux, has found a way to use the textural, 3-dimensional quality of oil paint to her advantage. Using only a palette knife, Trisha's paintings are ALL about the texture - well, texture and color, that is.

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I think that the element of line is interesting because I do not know if there would be anything without line. 

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There are soo many different elements and principles of design to use in art. 

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