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How does the character relate to the identity of the writer? 

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How does the character relate to the identity of the writer? 

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How have the scene(s) in this play transformed the meaning of the text? 

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How have the scene(s) in this play transformed the meaning of the text? 

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In what ways, does the writer help the reader imagine the play? 

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In what ways, does the writer help the reader imagine the play? 

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How does this text represent the culture it describes? 

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How does this text represent the culture it describes? 

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How are the characters hindered or not hindered by the structure or style of the play?

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How are the characters hindered or not hindered by the structure or style of the play?

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How does the poet's perspective show through his/her/their writing? 

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How does the poet's perspective show through his/her/their writing? 

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How does the drama represent the time and place of the text? 

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How does the drama represent the time and place of the text? 

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Jashelle, Araceli, Martin,Callum

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Isaiah Juarez
River Richart
Jeffery Debuck
Angelina Gonzalez

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Ki, Anais, Isaac, Chris, Ariana

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Salvador, Están, Jessica, Arin and Arianna a

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Shakespeare uses specific diction, tone, and syntax, as well as apostrophe for each character in order to represent and describe cultural aspects of Venetian society.

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Shakespeare represents the world he lives in through recurring motifs of racism, sexism, and power in Othello.

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“And she, in spite of nature, of years, of country, credit, everything, to fall in love with what she feared to look upon!”
Act 1 Scene 3, Lines 112-116
In this quote, Brabantio’s angry and disgusted tone and diction towards Othello reveals the cultural judgement and oppression towards the Moors.

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Iago 1.1.45-47 “I follow him to serve my turn upon him. We cannot all be masters, not all masters cannot truly be followed.” We see Iago putting in question the true power of his “master” which he follows in order to earn more power for himself. Shakespeare shows that the society he lives in (1600s Europe) has an unhealthy power structure where people like Iago seek to manipulate their masters to their own ends.

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Shakespeare uses sexism, the representation of social class, and dramatic irony to demonstrate his perspective of society in the 1600s.

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Shakespeare uses sexism, the representation of social class, and dramatic irony to demonstrate his perspective of society in the 1600s.

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Shakespeare uses the presence of sexism through the male characters when they treat the women like they’re unworthy or as useful as prostitutes to give recognition to sexism and demonstrate his perspective on sexism. (4.2, 82-84)
Shakespeare uses dramatic irony of Iago’s planning and the effects it causes others to show his perspective on the people’s blindness of the flaws of society in the 1600’s. There are many of Iago’s soliloquies throughout the play and the person Iago is talking about in these soliloquies do not know what’s going on in the mind of Iago. (1.3, 426-447)

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Shakespeare uses emotion and character to help the reader interpret the play. He uses the devices of diction, motif and imagery to show off emotion and the develop of characters

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“I will a round unvarnished tale deliver
Of my whole course of love-what 🤬, what charms,
what commutation, and what mighty magic
(for such proceeding I am charged withal)
I won his daughter.”
Act 1 Scene 3 Lines 106-111

Othello’s complex, flowing syntax and advanced diction creates an elegant tone that reveals the power, respect, and prestige Othello and other military leaders have in Venetian society.

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IAGO

Will you think so?

OTHELLO

Think so, Iago!

IAGO

What,

To kiss in private?

OTHELLO

An unauthorized kiss.

IAGO

Or to be naked with her friend in bed

An hour or more, not meaning any harm?

OTHELLO

Naked in bed, Iago, and not mean harm!

It is hypocrisy against the 🤬!

They that mean virtuously, and yet do so,

The 🤬 their virtue tempts, and they tempt heaven.
Act 4 scene 1 lines 0-11
Shakespeare uses the motif of Iago persuading Othello that Desdemona is cheating on her. Shakespeare uses Iago to bring out Othellos emotion by Iago telling Othello that Desdemona was kissing Cassio and was naked in bed with Desdemona, Iago hinting that Cassio and Desdemona we’re having sex. This scene gives helps us interpret the conflict within the story
Sals part

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Iago 1.1 96-101 “ Your heart is burst. You have lost your soul. Even now, now, very now, an old black ram is tupping your white ewe. Arise, arise! Awake the snorting citizens with the bell, or else the 🤬 will make a grand sire of you. Arise, I say!” Shakespeare demonstrates the racism inflicted towards black people at the time by white people. Rather than referring to Othello by his name, Iago uses metaphors and symbolism to describe Othello as a diabolical monster.

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Iago 2.1 163-168 and 175 “ She that was ever fair and never proud, had tongue at will and yet was never loud, never lacked gold and yet went never gay, fled from her wish, and yet said ‘Now I may,’ She that being angered , her revenge being nigh, bare her wrong stay and her displeasure fly... To suckle fools and chronicle small beer.” Shakespeare uses poetry and free verse to describe the misogyny and sexism of the time, men were much more dominant and felt like women were objects that needed to obey to their husbands and male superiors  rather than treating them equal.

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“But for my sport and profit, I hate the Moor, and it is thought abroad that twixt my sheets has done my office.”
Act 1, Scene 3, Lines 429-431

This is an apostrophe, where one character addresses the audience or talks to themselves to give the reader an insight into a characters mind. In this case, Iago refuses to name Othello. He instead simply calls him The Moor, which is derogatory  towards Othello by simply calling him by his race. In addition, name-calling rarely uses compliments, meaning being Moorish in Venetian society is like being inferior to others.

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Shakespeare uses the main character Othello to show how the political, and racial tensions between Europeans and non - Europeans. Othello is represented as a racial representation in Shakespeare's days. In the book Othello is depicted as a black moor, and a christian. This makes the readers during the 16th century to reconsider racial status during the early 16th century.

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In the play Othello, William Shakespeare uses iago’s soliloquy’s to advance the plot and share critical information to the audience throughout the play.

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In Othello Act 2 scene 3 lines 404-410 it states, “two things are to be done. My wife must move for Cassio to her mistress. I’ll set her on. Myself the while to draw on the moor apart and bring him jump when me may find Cassio soliciting his wife. Ay that’s the way. Dull not device by coldness and delay.” This structure helps Iago advance the plot by creating tension in the upcoming scenes through the use of dramatic irony.

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Shakespeare demonstrates the difference in social class in Venice through the diction of the male characters such as Othello and Iago when talking to the female characters such as Desdemona and Emilia to show his view on the social class in the 1600’s. Shakespeare was not poor nor wealthy, so he  had a broad view on both sides of the social class. (1.3, 109-111)

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Othello
The handkerchief!

Desdemona
I pray, talk me of Cassio

Othello
The handkerchief!

Desdemona
A man that all his time
Hath founded his good fortunes on your love;
Shared dangers with you—

Othello
The handkerchief!

Desdemona
I’faith, you are to blame

Othello
(Zounds) Othello exits

In act #3 scene #4 lines 106-115 it talks about how the author uses imagery on Othello when he finds out the handkerchief that Desdemona has is his mothers and shows a symbol of Othello and Desdemona’s love. It shows the audience that their love is slowing dying apart.
Estan’s part

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Act 1 Scene1 pg.17
Iago: "Farewell, for I must leave you. It seems not meet nor wholesome to my place To be producted, as if I stay I shall, Against the moor"

Act 1 Scene 3 pg.33
First Senator: " Here come Brabantio and the valiant Moor"

Act 1 Scene 3 pg.41
Desdemona "So much I challenge that I may profess due to the Moor my lord."

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In othello act 1 scene 3 it states, “thus do I ever make my fool my purse, for I mine own gained knowledge should profane if I would time expand with such a snipe but for my sport and profit.” In this scene Iago is revealing his intentions towards Roderigo as he states that Roderigo will basically function as his “purse”. This scene reveals the true nature of iago’s treacherous character as the audience learn more about him through his soliloquy’s.

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In othello act 1 scene 3 it states, “thus do I ever make my fool my purse, for I mine own gained knowledge should profane if I would time expand with such a snipe but for my sport and profit.” In this scene Iago is revealing his intentions towards Roderigo as he states that Roderigo will basically function as his “purse”. This scene reveals the true nature of iago’s treacherous character as the audience learn more about him through his soliloquy’s.

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In othello on act 2 scene 3 it states, “so will I tryna her virtue into pitch and out of her own goodness make the net that shall Enmesh them all.” In this scene Iago is revealing his intentions in manipulating Desdemona into setting a trap for Othello using her kindness. Shakespeares Dramatic irony  helps advance the plot and develop the characters by revealing critical information to the audience through the use of iago’s soliloquy’s.