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https://www.ted.com/talks/brene_brown_the_power_of_vulnerability?language=pt-br#t-532537

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Brene Brown estuda a conexão humana, nossa habilidade de sentir empatia, pertencer, amar. Em uma palestra comovente e divertida no TEDxHouston, ela compartilha uma percepção profunda de sua pesquisa, que a levou a uma busca pessoal para conhecer a si mesma e entender a humanidade. Uma palestra para…

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"On Friday he released DAMN., his staggering fourth album, which brings together tightly wound beats, allusion-rich lyrics, political and personal reckonings—and, hey, even Bono!—to create a richly omnivorous album." - Time
"But DAMN. shows that if nothing else, fame has driven him even further inside his own head, making him almost obsessively reflective about his place in the world—as a pop star, as a black man, as an American in 2017." - Time
- "That’s the electric part about Damn.: 2Pac rapped through his contradictions; Lamar raps about his contradictions." - Rowling Stone
- "Kendrick Lamar sees himself as someone here to help people find the things they have lost" - Rowling Stone
- "I don't even wanna hear it (the people reaction to the album), you know, I just wanna give it to the people man, and let them take it" - Kendrick Lamar in Apple Music interview
- "I like to put a lot of different things and messages in my music, because I want to live further than two weeks, you know? Further than attetion span" -Kendrick Lamar in Apple Music interview
- "How we all were as kids, you know? We take it, we listen to it and we move on, but I want to live for the next 20 years, so you have to listen to it over and over and over again to fully understand the direction and the message I put in there, the execution of it, and I want you to do that, I want to challenge the way you think and challenge the way you take in music" -Kendrick Lamar in Apple Music interview

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Livro de Brené Brown: "A coragem de ser imperfeito" (Como aceitar a própria vulnerabilidade, vencer a vergonha e ousar ser quem você é) 

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Livro de Brené Brown: "A coragem de ser imperfeito" (Como aceitar a própria vulnerabilidade, vencer a vergonha e ousar ser quem você é) 

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"It was always me versus the world/ until I found it’s me versus me." - DUCKWORTH.
“I feel like a chip on my shoulders

I feel like I'm losin' my focus

I feel like I'm losin' my patience

I feel like my thoughts in the basement

Feel like, I feel like you're miseducated

Feel like I don't wanna be bothered

I feel like you may be the problem

I feel like it ain't no tomorrow, fuck the world

The world is endin', I'm done pretendin'” - FEEL.
"Is it wickedness?
Is it weakness?
You decide
Are we gonna live or die?" - BLOOD.

"I don't give a fuck, I don't give a fuck
I don't give a, I don't give a, I don't give a fuck

I'm willin' to die for this shit
I done cried for this shit, might take a life for this shit
Put the Bible down and go eye for an eye for this shit" - ELEMENT. (cabeça tumultuada)

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https://www.youtube.com/watch?v=nK0sBRgoxsE

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Every Sample On Kendrick Lamar’s ‘DAMN.’

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https://www.youtube.com/watch?v=zwNhoyDjAPg

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Kendrick Lamar: 'DAMN' Interview | Apple Music

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https://www.youtube.com/watch?v=lrpGqXKTRm0&t=1675s

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DAMN EXPLAINED: An Autobiography of Kendrick Lamar | OurThoughts Podcast

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Psicologia da vulnerabilidade por Brené Brown

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Psicologia da vulnerabilidade por Brené Brown

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https://www.ted.com/talks/brene_brown_the_power_of_vulnerability?language=pt-br

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Brene Brown estuda a conexão humana, nossa habilidade de sentir empatia, pertencer, amar. Em uma palestra comovente e divertida no TEDxHouston, ela compartilha uma percepção profunda de sua pesquisa, que a levou a uma busca pessoal para conhecer a si mesma e entender a humanidade. Uma palestra para compartilhar.

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https://hugoribeiro.com.br/biblioteca-digital/Napolitano-historia_musica.pdf (paginas 53 e 66)

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Review do álbum pela revista Rolling Stone

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Review do álbum pela revista Rolling Stone

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https://www.rollingstone.com/music/music-album-reviews/review-kendrick-lamar-moves-from-uplift-to-beast-mode-on-dazzling-damn-112650/

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Kendrick Lamar has already taken hip-hop to the outer galaxies of style, sound and resonance. Protesters in Chicago, Cleveland, Oakland and New York took to the streets singing his 2015 single "Alright" like it was the new "We Shall Overcome." His last album, To Pimp a Butterfly, will likely go down as the defining reflection of the America that spawned #BlackLivesMatter, in the same way Pablo Picasso's Guernica stands as the defining reflection of the Spanish Civil War.

But two years later, the perils of fame and the exhaustion of fighting for social justice seem to weigh on Lamar. "Last LP I tried to lift the black artists," he laments on "Element," one of the many bruising, battle-scarred battle-raps on his fourth LP, Damn. "But it's a difference between black artists and wack artists."

Seemingly exhausted with the burden of constantly pushing hip-hop forward into concept operas, electric Miles explosions and Flying Lotus electronic burbles, Damn. seemingly takes a classicist route to rap music. If To Pimp a Butterfly was the best rap album in 2015, Damn. is the platonic ideal of the best rap album of 1995, a dazzling display of showy rhyme skills, consciousness-raising political screeds, self-examination and bass-crazy-kicking. Kendrick has many talents - pop star, avant-garde poet, lyrical gymnast, storyteller. But here he explores what we traditionally know as a "rapper" more than on any of his albums to date. The rhymes on songs like "DNA," "Element," "Feel," "Humble" and "XXX" come fast, furious and almost purist in nature. In an era where "bars" seems almost old-fashioned in the age of Drake's polyglot tunesmithery, Young Thug's Silly-Putty syllable stretching and Future's expressionist robo-croak, Lamar builds a bridge to the past.

On Butterfly, he untangled the mess in his mind with multiple personalities and distended voices, an Inside Out-esque spray where different emotions would almost require different timbres. Now he stares down almost everything with the same voice and a singular focus, whether his problems are external (Fox News, the prison-industrial complex, guns), internal (self-doubt, pride) or something in between (see the masterful "Lust," which treats news of Donald Trump's election as but a rumble in a monotonous Groundhog Daytimeline of existence). His flow remains exquisite without having fall back on the dramatic filigrees he brought to Butterfly. Producers like Mike Will Made It and Sounwave make Damn. feel state of the art - an album full of beat changes, tempo switches, backmasking, needle bounces and broken melodies - but Lamar's rapping is timeless enough to step into Ice Cube's Death Certificate Timberlands.

Of course, this is Kendrick Lamar, so if he's going to delve into a more classic style of rap, he's going to take a complex, multifaceted, strange, unexpected path to get there. His twists on vintage hip-hop are downright post-modern. Kid Capri, the DJ whose blends and airhorn voice were omnipresent on early Nineties mixtapes, shows up with his iconic voice. But instead of brassy hype, he drops existential koans like, "Y'all know, what happens on Earth stays on Earth." "XXX" is a vintage screed about clapping back at killer cops, perfectly in line with Rodney King-era revenge fantasies by Geto Boys, Paris and Lamar's personal hero 2Pac. But Lamar goes deeper into his own mind, painting blood-soaked hypotheticals and then juxtaposing them against his desires for gun control. (U2 are featured on the track, but their input sounds like maybe eight measures of a melody used like a sample.)

That's the electric part about Damn.: 2Pac rapped through his contradictions; Lamar raps about his contradictions. The theme here is humility, and Kendrick clearly has mixed feelings. On "Loyalty," he treats his boasts like a weakness, with Rihanna crooning "It's so hard to be humble." On "Pride," he treats his boasts as an annoying obligation, drolly saying "I can't fake humble just 'cause your ass is insecure." Then, on "Humble," he finally screams "Bitch, be humble" like he worked up the confidence. And even then, you can't help but wonder if he's talking to himself. On "Element," he'll say "I don't give a fuck" but then immediately follow it with "I'm willin' to die for this shit."

In the album's introduction, Lamar helps a blind lady searching for something on the ground, and she turns out to be a murderer. The meaning of this metaphor is open for debate, but one thing is indisputable: Kendrick Lamar sees himself as someone here to help people find the things they have lost -quite often, it seems, a sense of humanity itself. And that's a huge job for one man, especially since his peers can hold court on a relatively smaller part of the collective subconscious. Chance the Rapper raps like America's hope and optimism; Kanye West its untethered id and basest impulses. Hundreds of street-level mixtape rappers represent anger and nihilism; and mega-stars like Drake, J. Cole, Big Sean, Nicki Minaj and Eminem are all explorations of various ideas of self. Lamar, patient and meticulous, self-doubting yet bold, is left as pretty much the unofficial navigator of everything else, a wide, complex, occasionally paradoxical gulf of noise.

Lamar's gift is not just that he can say why he's the best ("I got power, poison, pain and joy inside my DNA"), but also that he articulate how this responsibility feels ("I feel like the whole world want me to pray for 'em/But who the fuck prayin' for me?"). He can paint pride and agony with the same brush, and it's that ability that makes "Fear" probably the most emotionally rich song in his entire discography. Like Sigmund Freud meets Scarface, Lamar connects the dots from the seven-year-old terrified of catching a beating from his mother to the 17-year-old terrified of being murdered by police to the 27-year-old terrified of fame. "I practiced runnin' from fear, guess I had some good luck," he raps with ease. "At 27 years old, my biggest fear was bein' judged."

Much like the recent A Tribe Called Quest record, Damn. is a brilliant combination of the timeless and the modern, the old school and the next-level. The most gifted rapper of a generation stomps into the Nineties and continues to blaze a trail forward. Don't be confused if he can't stay humble.

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Review: Kendrick Lamar Moves From Uplift to Beast Mode on Dazzling 'Damn.'

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Kendrick Lamar has already taken hip-hop to the outer galaxies of style, sound and resonance. Protesters in Chicago, Cleveland, Oakland and New York took to the streets singing his 2015 single "Alright" like it was the new "We Shall Overcome."

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https://www.biography.com/musician/kendrick-lamar#synopsis

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Who Is Kendrick Lamar?

Kendrick Lamar Duckworth, who performs as Kendrick Lamar, was born in Compton, California, on June 17, 1987. After writing stories as a child, he put to music some lyrics about the rough Compton streets he grew up on. He rapped under the name K-Dot, releasing a series of increasingly popular mix tapes, which brought him to the attention of hip-hop super-producer Dr. Dre. Lamar's debut major-label recording, good kid, m.A.A.d City, was released to great acclaim and impressive sales for an up-and-coming recording artist. He continued to receive accolades for his 2015 album, To Pimp a Butterfly, and his 2017 follow-up, DAMN.; both won Grammys for Best Rap Album, while DAMN. also made history as the first of its genre to earn a Pulitzer Prize.

Background and Early Life

Kendrick Lamar Duckworth (who dropped his last name to perform as Kendrick Lamar) was born in Compton, California, on June 17, 1987. His parents had moved to Compton from Chicago to escape the city's gang culture, although Lamar's father had been associated with the notorious Gangster Disciples gang. As the 1980s crack trade and West Coast gang presence increased, Lamar grew up around precarious street activity, but he seemed more influenced than harmed by it. He was a good student who enjoyed writing, first stories and poems, and then lyrics.

Lamar's family was directly touched by the violence of the streets, yet he remained thoughtful and soft-spoken, ever the keen observer, even as a child. He adopted the moniker K-Dot and began performing his lyrics as a rapper. At age 16, in 2003, he circulated a mix tape called Youngest Head Nigga in Charge, which drew a lot of interest in his native Southern California and beyond.

The project was enough to get Lamar a record deal with Top Dawg Entertainment, a respected California independent label and feeder to major labels. He went on to release two other acclaimed mix tapes, Training Day (2005) and C4 (2009), steadily working with other up-and-coming West Coast rappers like Jay Rock, Ab-Soul and Schoolboy Q. Lamar and these other performers eventually formed their own rap collective, Black Hippy.

Meeting Dr. Dre

In 2010 Lamar dropped the K-Dot tag and began using his own name. He also put out a fourth mix tape, Overly Dedicated. That same year, Lamar released his first full-length independent album under Top Dawg Entertainment. Titled Section.80, it was released exclusively on iTunes.

Lamar continued writing music and lyrics, and continued to tour and collaborate with more popular recording artists such as Young Jeezy, The Game, Talib Kweli, Busta Rhymes and Lil Wayne. Dr. Dre, one of hip-hop's most respected and influential producers, took the young artist under his wing, becoming his mentor in both music and business.

As the buzz on Lamar continued to build, Dr. Dre signed him to his independent record label, Aftermath Entertainment, alongside more established rap stars Eminem and 50 Cent (in a joint venture with Top Dawg). Aftermath was distributed by major label Interscope (Universal Music), which would have the marketing, sales and distribution muscle to take Lamar's career to the next level. Now the quiet, observant kid who made good grades in school was poised to become rap's newest superstar.

'good kid, m.A.A.d city'

In October 2012, Lamar's highly anticipated major-label debut album, good kid, m.A.A.d city, was released to wide acclaim. ( Lady Gaga recorded a song with Lamar for the album, but it ultimately was not included due to "creative differences.") Hit singles like "Swimming Pools (Drank)" and "Poetic Justice," and the rapper's emergence as a talent to watch, cleared the way for him to make major American television appearances while promoting the album, including Saturday Night Live, Late Night With David Letterman and Late Night With Jimmy Fallon. This solidified his fan base, not only among hard-core hip-hop heads, but also among college students and fans of alternative rock.

The Revival of Hip-Hop

Lamar's appeal to the masses didn't stop there. The thought-provoking lyrics on his debut album caught the attention of hip-hop critics as well, with MTV naming him the "Hottest MC" of 2012-putting him in the company of other rappers who have earned the title, including Lil Wayne, Jay-Z and Kanye West.

Additionally, critics took note of Lamar's verse on the song "Control," by rapper Big Sean. Although the track was penned by another artist, Lamar's verse drew attention because of his challenge to several other popular names in the hip-hop world, including Drake, J. Cole and Big Sean himself. The bold claims in the controversial verse rapped by Lamar brought about a vibe that was reminiscent of the classic hip-hop era, drawing appreciation from critics, rappers and fans alike.

Lamar remains popular for his sharp observations of street culture, often examining the psychology of the victims of crimes. "That's the most interesting story to me," he told the British newspaper The Guardian. "At first, I was scared to show fear because you can never be sure how people will perceive you. But I dared myself to do that, to stand out."

'To Pimp a Butterfly' and 'DAMN.'

In 2015, Lamar released his next album, To Pimp a Butterfly, featuring artists like Bilal, Snoop Dogg and Pharrell Williams, among others. Butterfly was another highly acclaimed outing known for its funk-laden mix of bravura, community politics and vulnerability. Lamar was nominated for a whopping 11 Grammys later that year and won the first award of the 2016 show, specifically for Best Rap Album. (He'd already received four other Grammys pre-telecast, making him the biggest winner of the night.) He later brought the house down with a politicized performance of "The Blacker the Berry" and "Alright" that fused spoken word, live jazz, traditional African dance and a reference to the death of teen Trayvon Martin.

In March 2016, Lamar released untitled unmastered, a compilation of tracks that were unfinished demos for To Pimp a Butterfly. The release went to the top of the U.S. Billboard 200.

The artist continued to wow fans with the April 2017 release of DAMN., which featured such tracks as "Humble" and "Loyalty," a collaboration with Rihanna. Along with achieving double-platinum status, DAMN. was named by BBC news as the critics' favorite album of 2017, based on the compilation of year-end polls.

Nominated for seven Grammys, Lamar kicked off the 2018 awards show with a politically charged performance that also featured Dave Chappelle and Bono and the Edge of U2. He went on to sweep the rap categories, claiming Best Rap Album for DAMN. and Best Rap Song for "Humble," en route to an impressive five Grammy wins for the night.

Pulitzer Prize Winner

Lamar made history in April 2018 when he won a Pulitzer Prize for music for DAMN., making him not only the first person to win a Pulitzer for a hip-hop album, but also the first artist to win the prize for music that isn't classical or jazz. The Pulitzer board called the album "a virtuosic song collection unified by its vernacular authenticity and rhythmic dynamism that offers affecting vignettes capturing the complexity of modern African-American life."

Along with the hardware, Lamar stood to benefit from the expiration of his publishing deal with Warner/Chappell Music. Lamar's management company, Top Dawg Entertainment, was said to be considering offers between $20 million and $40 million for the rapper-songwriter's catalog.

Underscoring his expanding influence, Lamar in June 2018 was invited to join the Academy of Motion Picture Arts & Sciences' music branch, for his work on the Black Panther and Divergent soundtracks. The following month, he made his acting debut in 50 Cent's crime drama Power, as a homeless man.
(Profile photo of Kendrick Lamar by Jason Merritt/Getty Images)

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Kendrick Lamar Duckworth, who performs as Kendrick Lamar, was born in Compton, California, on June 17, 1987. After writing stories as a child, he put to music some lyrics about the rough Compton streets he grew up on.

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https://www.rollingstone.com/music/music-news/kendrick-lamars-damn-a-track-by-track-guide-114407/

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Last night, the world's most vital, critically acclaimed rapper, Kendrick Lamar, dropped his fourth studio album, Damn. Initial reactions suggest that like all his work, the 14-track LP is both pointed and intimate, this time a mix of scathing treatises on the media mixed with Lamar's celebrated knack for personal reflection. Here's a guide to understanding the album's producers, songwriters, guests and key themes.

1. "Blood"
This short intro ends with an excerpt from Fox News personalities Eric Bolling and Kimberly Guilfoyle dismissing Lamar the day after he performed at the 2016 Grammy awards. Additional vocals and production on "Blood" are credited to Bekon, a.k.a. Dr. Dre collaborator Daniel "Danny Keyz" Tannenbaum, who appears multiple times on the LP.

The simple, vicious loop at the center of "DNA" sets the musical tone for Damn. - a marked contrast with the elaborate, shape-shifting instrumentals that were common on To Pimp a Butterfly. Fox News appears again as a punching bag. This time the track contains a snippet from another talking head, Geraldo Rivera, who condemned hip-hop during the same segment sampled in "Blood." "This is why I say that hip-hop has done more damage to young African-Americans than racism in recent years," Rivera says. Lamar responded to these comments during a conversation with TMZ. "Hip-hop is not the problem," the rapper asserted. "Our reality is the problem of the situation."

"DNA" is the first of three Damn. beats from Mike Will Made It, the producer behind Beyoncé's "Formation" and Rae Sremmurd's "Black Beatles," among other hits. He brings a touch to the album that's both radio-ready and street-level booming. Lamar recently contributed to Mike Will's recent Ransom 2 mixtape, appearing alongside Rae Sremmurd and Gucci Mane on "Perfect Pint."

3. "Yah"
Lamar continues to joust with Fox on "Yah," calling out the network and Rivera by name. "Fox News wanna use my name for percentage," the rapper asserts. "Somebody tell Geraldo this nigga got some ambition."

Sounwave, an in-house producer for Lamar's label, Top Dawg Entainment, helped put together the "Yah" beat. In the past, he's worked on some of Lamar's most vigorous songs, including "King Kunta" and "Alright." Sounwave had help on this one from DJ Dahi, a versatile producer who helped craft fizzy tracks like Drake's "Worst Behavior" and Schoolboy Q's "Hell of a Night." With those credits, you might expect a Sounwave and Dahi collaboration to be searing and urgent, but the two ended up making a lax, understated beat.

In 2015, Dahi spoke with Rolling Stone about working in the studio with Lamar on music that ultimately ended up being shelved. "He was trying to describe his album - 'I want this song to be this color,'" Dahi remembered. "It was like [the color of] fire, green leaves burning in the fire. It didn't fit the album, but hopefully, people will hear it one day. I still listen to it and I'm like, 'Man, we've got to do something with this. This shit is incredible.'"

4. "Element"
"Element" milks a contrast between blistering drums and discordant shards of piano. James Blake, who specializes in a morose brand of soul, helped write and produce the track. He has quietly become a go-to collaborator for the stars - last year the English singer appeared as a featured vocalist on Beyoncé's Lemonade and a producer on Frank Ocean's Blonde.

Blake produced "Element" along with Sounwave and Ricci Riera. Riera has worked with Lamar before in an oblique manner: He is credited as a producer on "Collard Greens," a Schoolboy Q song that features a guest verse from Lamar. Last year, Riera's name also appeared on albums from Drake and Travis Scott. When Lamar shared the album artwork for Damn. this week, Riera announced his involvement with the LP on Twitter: "Proud to be a part of this," he wrote. Kendrick is aided by an energetic intro from the famous DJ Kid Capri, who defined New York mixtapes in the early Nineties.

With round, textured notes from the Grammy-winning bass virtuoso Thundercat and a rickety, rim-shot drum pulse, "Feel" nods to the live-musician inflections of To Pimp a Butterfly - or the sixth track from last year's untitled unmastered. In a jarring shift after the chest-thumping "Element," Lamar's nerves are frayed here, and his patience is wearing thin: "The world is ending, I'm done pretendin'/And fuck you if you get offended/I feel like friends been overrated/I feel like the family been fakin'." The song includes a mid-song energy shift where Lamar suddenly lunges forward like weary boxer finding a second wind.

Sounwave produced "Feel" and helped Lamar write it. "Kendrick really trusts my ear," the producer explained in 2015. " ... When you've been around somebody so much, you kind of understand what they like."

6. "Loyalty" feat. Rihanna
Here, Lamarsurrounds himself with his most trusted collaborators - producers who have worked with him since his 2009 EP (Sounwave), his 2011 debut LP Section.80 (Terrace Martin) and his 2012 breakthrough Good Kid, m.A.A.d City (DJ Dahi). But, of course, it's notable that this marks his first collaboration with Rihanna. While interpolating a Jay Z line from 2000's Dynasty: The Roc Familia ("It's a secret society, all we ask is trust"), they rap-sing meditations about how, despite a dollar bill reading "In God We Trust," the rest of society chooses money first.

"I know the walls, they can listen, I wish they could talk back," Kendrick muses. It's lyrical callback to To Pimp a Butterfly's "These Walls," revisiting the same subject matter - how pride prevents us from finding world peace. The slow-building, psychedelic epic features ominous vocals by both newcomer Steve Lacy (The Internet's Ego Death, J. Cole's "Folding Clothes") and hypnotic songwriter Anna Wise, who also appeared on "These Walls."

8. "Humble"
Lamar received a little bit of backlash for skewering Instagram beauty standards on this, the album's first single. The track, produced by Mike Will Made It, is currently the Number Two song in the country.

9. "Lust"
On "Lust," Lamar toggles between different narrative threads. He's overwhelmed by sexual desire during the chorus, describes banal day-to-day activities during the first verse and, by the second verse, turns his attention to the rise of President Trump. "Lookin' for confirmation, hopin' election wasn't true," Lamar raps. "All of us worried, all of us buried, and the feeling's deep/None of us married to his proposal, make us feel cheap."

"Lust" is produced in part by BadBadNotGood, an instrumental jazz-funk outfit from Toronto that frequently records with rappers like Ghostface Killah, Earl Sweatshirt and Freddie Gibbs. Kaytranada, an in-demand producer known for mixing house music with neo-soul, appears here in an unusual role - instead of crafting a beat, he's a contributing vocalist. Kamasi Washington, the acclaimed jazz saxophonist who also played on To Pimp a Butterfly, assisted with string arrangements.

10. "Love" feat. Zacari
"Love," a spacious ballad that wouldn't be out of place on a Rihanna album, is perhaps the most conventional moment on Damn. Lamar, a master of unusual, idiosyncratic flows, chooses to adopt a sing-song, pop-radio-friendly delivery to fit the gentle swells of the instrumental. The Top 40 appeal of this track is no accident: One of the producers and writers here is Greg Kurstin, who has helped Adele, Kelly Clarkson and Katy Perry storm the charts.

"Love" features additional vocals from Kid Capri, who punctures the track's calm surface with another boisterous interjection - "another world premiere!" - and Zacari, who previously contributed to other projects on TDE from Isaiah Rashad and Ab-Soul. In an interview with Pitchfork, Zacari described "Love" as "a whole new genre." "This song, this beat, the singing, the rapping - I don't think it can really be compared to another song," Zicari continued. "It's a whole new wave."

11. "XXX" feat. U2
When the iTunes credits revealed that rock icons U2 would appear on Damn, some wondered whether producer Mike Will Made It was sampling the band or if the rapper was actually working with them. It's not a fake-out: Shortly after the midpoint of "XXX," Larry Mullen Jr.'s familiar military-style drum rolls come in, we hear Bono's voice, and the Edge lays out a mournful piano riff akin to the band's classic "New Year's Day." "It's not a place/To me this country is a sound," Bono sings. The effect isn't jarring, reminiscent of Rod Stewart's appearance on A$AP Rocky's 2015 single "Everyday." Meanwhile, Lamar continues with a stinging criticism of America's treatment of people of color. "It's nasty when you roll the dice and set us up then batter's up/You overnight the big rifles then tell Fox to be scared of us," he raps.

12. Fear
The career of "Fear" producer Alchemist dates back to the mid-Nineties and an unheralded stint in the Whooliganz (alongside future actor Scott Caan). Thanks to mentoring from Cypress Hill producer DJ Muggs, he's been cranking out sample-heavy bangers ever since, including Schoolboy Q's 2014 hit "Break the Bank." Kendrick's opening words are spun backwards before he lets out a handful of "I'll beat your ass" threats. By the third verse, he's rapping, "When I was 27, I grew accustomed to more fear/Accumulated 10 times over throughout the years." Whether it's being scared of falling off and returning to Section 8 housing, or simply being judged by others, Lamar sounds haunted by the feeling: "Fear - what happens on Earth stays on Earth/And I can't take these feelings with me so hopefully they disperse."

13. God
"This what God feels like," sings Kendrick in a free, ecstatic voice. The glitchy, 8-bit laptop blasts come courtesy of Illinois producer Cardo, who has known Lamar since 2010; Manhattan Beach's Ricci Riera, who worked on Lamar's "m.A.A.d. City"; and TDE in-house producers Sounwave and DJ Dahi. By the second verse, Lamar has begun rapping again: "Seen it all, done it all, felt pain, more/For the cause, I done poured blood on sword." Yung Exclusive, who co-produced Travis $cott and Lamar's 2016 hit "Goosebumps," and Mike Hector also claim that they worked on the track. But neither appears in the official credits.

14. "Duckworth"
Earlier this month, 9th Wonder reminisced to djbooth.net about how a relatively unknown Kendrick tweeted at him in August 2010. He didn't respond, but coincidentally met Lamar at Rock the Bells in San Bernardino the next day. The two eventually paired up (alongside Murs and Warren G) for "Enjoy (West Coastin')," a track on 9th's 2011 production showcase The Wonder Years. However, collaboration "Duckworth" is a more substantial outing. It kicks off with Kid Capri's voice again, shouting, "Just remember what happens on Earth stays on Earth! We're going to put it in reverse!" Then Lamar weaves an incredible story of how TDE co-founder Anthony "Top Dawg" Tiffith, in an earlier life as a career criminal, nearly shot Lamar's father during a robbery. If Kenny Duckworth had died and Top had been imprisoned, he would never had found and nurtured Kendrick into international fame as the best MC of his era. Paying homage is an appropriate way for Lamar to end an intimate, spiritually powerful album.
Kendrick Lamar Enlists Rihanna, U2 for New LP 'Damn.' Watch here.

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Kendrick Lamar's 'Damn.': A Track-by-Track Guide

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Last night, the world's most vital, critically acclaimed rapper, Kendrick Lamar, dropped his fourth studio album, Damn. Initial reactions suggest that like all his work, the 14-track LP is both pointed and intimate, this time a mix of scathing treatises on the media mixed with Lamar's celebrated knack for personal reflection.

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https://pt.surveymonkey.com/mp/quantitative-vs-qualitative-research/#:~:text=Dados%20qualitativos%20coletam%20informa%C3%A7%C3%B5es%20que,e%20as%20atitudes%20das%20pessoas.

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Diferença entre pesquisa qualitativa e quantitativa

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A pesquisa quantitativa é desenvolvida para coletar fatos concretos. Já a qualitativa coleta dados que buscam descrever um tema em vez de medi-lo.

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https://time.com/4741238/kendrick-lamar-damn-review/

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Kendrick Lamar’s DAMN. Proves He’s the Most Important Rapper in America

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The tightly constructed rhymes, sly allusions to religion and karma, and intricate sketches solidify his status as one of the greatest MCs.

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https://www.blackpast.org/african-american-history/kendrick-lamar-kendrick-lamar-duckworth-1987/

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Kendrick Lamar/Kendrick Lamar Duckworth (1987-) •

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Kendrick Lamar Duckworth is an American Rapper and record producer. Lamar was born to Kenny Duckworth and Paula Oliver in Compton, California on June 17, 1987. His parents named him after Eddie Kendricks, with the R&B music group, The Temptations. Growing up in Compton, many … Read MoreKendrick Lam…

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Kendrick Lamar/Kendrick Lamar Duckworth (1987-)