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This is my first drawing at this class, and I want to put it here to remind me of the path I choose for, so that I will always strive for the best!

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I realize when  I use pencil on black paper it creates a metallic silver colour, which creates unique depth to the image, and I thought if I shadowing the image correctly, it can have a really nice effect. The triangle is the strongest to as it holds its shape and has a base which is very strong and also has strong support. The triangle is common in all sorts of building supports and trusses. It is strong because the three legs of a triangle define one and only one triangle. If all three sides are made of a rigid material, the angles are fixed and cannot get larger or smaller without breaking at the joints, unlike a rectangle, for example, which can turn into a parallelogram and even collapse totally. It is the strongest shape and I choose it because it connected to the word fragile. When shadowing correctly and stack them together smartly, it gives a glass-like look, so fragile and easy to break. And I want to tell a story of 2 broken souls, that's why I choose this design for the chocolate packaging

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I use ink to create these, each picture related to a different word

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I used different tools to create colors and marks. Tumeric powders for yellow, teryaki sauce for light brown, mascara for grey, I used the lighter and burn under the color yellow to create a heavier yellow, and also left marks under that color. I dip onions into the watercolor so that it created interesting patterns. I used charcoal, crushed it then used knife to spread the dust. I took a comb, put it into watercolor then roll on the paper, it created a weird patterns, but amusing to the eyes. Lipstick was also used tool. It's so fun!

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As someone who passionate in photography, I want to use its composition into my drawing. At first I thought, let's draw everything in the central of the paper. I tried then I felt the paper looked quite blank.

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Klimt's subject matter is simple, depicting a couple locked in an intimate embrace on the edge of a meadow, indicated by the luminous, almost quilt-like pattern of flowers that extends beneath them. The composition's construction suggests a high degree of familiarity with the Arts and Crafts movement. The flattened patterning of the meadow and the clothing of the figures, for example, resemble the fabrics produced by William Morris in the late-19th century. Klimt's use of fine materials, particularly gold and silver leaf, help highlight the precious nature of the work and point to a high degree of specialized craftsmanship for their use on canvas

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The painting is an incredibly detail oriented piece, showcasing the classic style of the theatre in it's original form. It illustrates the view of the theatre from the side of the stage, looking out into the audience. The floor of the theatre is covered in folded wooden chairs with red velvet covers. The seating extends into the sides of the theatre through four levels. The painting illustrates the luxurious life style of the high society, drenches in luxurious silks and pearls, spending their evening within the theatre. Klimt was able to incorporate the prosperity of the individuals while highlighting the beauty of the theatre, and all of the stories that took place within.

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Klimt, Vienna's most renowned artist of the era, one of the greatest decorative painters of the 20th century, while also producing one of the century's most significant bodies of erotic art. Initially successful in his endeavors for architectural commissions in an academic manner, his encounter with more modern trends in European art encouraged him to develop his own highly personal, eclectic, and often fantastic style

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AUSTRIAN PAINTER

Born: July 14, 1862 - Baumgarten, Austro-Hungarian Empire

Died: February 6, 1918 - Vienna, Austro-Hungarian Empire

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In this painting most of Kahlo's body is obscured from view. We are unusually confronted with the foot and plug end of the bath, and with focus placed on the artist's feet. Furthermore, Kahlo adopts a birds-eye view and looks down on the water from above. Within the water, Kahlo paints an alternative self-portrait, one in which the more traditional facial portrait has been replaced by an array of symbols and recurring motifs. The artist includes portraits of her parents, a traditional Tehuana dress, a perforated shell, a dead humming bird, two female lovers, a skeleton, a crumbling skyscraper, a ship set sail, and a woman drowning

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This early double-portrait was painted primarily to mark the celebration of Kahlo's marriage to Rivera. Whilst Rivera holds a palette and paint brushes, symbolic of his artistic mastery, Kahlo limits her role to his wife by presenting herself slight in frame and without her artistic accoutrements

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Frida Kahlo typically uses the visual symbolism of physical pain in a long-standing attempt to better understand emotional suffering. By literally exposing interior organs, and depicting her own body in a bleeding and broken state, Kahlo opened up our insides to help explain human behaviors on the outside. She gathered together motifs that would repeat throughout her career, including ribbons, hair, and personal animals, and in turn created a new and articulate means to discuss the most complex aspects of female identity

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MEXICAN PAINTER

Born: July 6, 1907 - Coyoacan, Mexico

Died: July 13, 1954 - Coyoacan, Mexico

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Rembrandt painted this large canvas between 1640 and 1642 on commission for the musketeer branch of a civic militia, a wealthy segment of Amsterdam society. Any of the members could be assigned to guard gates, police the streets, put out fires and maintain order. Their presence was also required at parades for visiting royalty and other festive occasions. Rather than using the accepted standard convention of a stately and formal pose, such as lining up in rows or sitting at a banquet, he presented a bustling, and semi-confused scene of members in preparation for an event.

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In this piece, Rembrandt's carefully rendered and illuminated faces stare at the corpse or glance out at the viewer to establish their sense of importance and inclusion. The scene is highly staged and dramatic with the esteemed physician wearing his hat to denote his status for the rapt audience. Rembrandt ensures that the viewer understands the narrative without distraction by limiting the colors to simply dark or brightly lit except for the bloody left forearm being dissected near the center of the composition.

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Incredibly gifted as an artist from a very young age, he became a master of portraits of all types, historical, biblical, and mythological scenes, as well as simple, charming but dramatic landscapes. He used many types of materials and techniques with unusual sensitivity and spontaneity to develop his message. His approaches to composition, color usage, and shadow were everchanging to produce the most powerfully moving but most natural moments of human existence

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Born: July 15, 1607 - Leiden, the Dutch Republic

Died: October 4, 1669 - Amsterdam

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I use cotton swab and toothbrush to draw this tree.

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I try different light directions, and also experiment with pen.

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I crush the core of the pencil then use the paint roller to roll over the paper

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Yellow Islands was produced in one of Pollock's last productive years of painting. Made during a period when he was concentrating on black and white pictures, Yellow Islands likely began as a purely black canvas. Swift and aggressive gestures are interspersed with a large amount of black paint that was clearly poured onto the canvas while it was in a vertical position. After allowing a certain amount of stain, Pollock added areas of yellow and crimson with a brush on top of the black. He then lifted the canvas upright while the paint was still wet, allowing it to run.

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Blue Poles, or Number 11, 1952, contains shoe and footprints and even shards of glass embedded in canvas - telling traces of Pollock's vigorous working methods and turbulent life.

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American painter who was a leading exponent of Abstract Expressionism, an art movement characterized by the free-associative gestures in paint sometimes referred to as “action painting.” During his lifetime he received widespread publicity and serious recognition for the radical poured, or “drip,” technique he used to create his major works

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BORN

January 28, 1912
Cody, Wyoming
DIED

August 11, 1956 (aged 44)
East Hampton, New York

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The dark ambiance of The Kiss is representative of Munch's ambivalence regarding romance.
Munch's painting reflects his personal demons, showing the couple against a heavy dark background, their faces merged into a featureless blank outline

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Inspired by a hallucinatory experience in which Munch felt and heard a “scream throughout nature,” it depicts a panic-stricken creature, simultaneously corpselike and reminiscent of a sperm or fetus, whose contour are echoed in the swirling lines of the blood-red sky. In this painting anxiety is raised to a cosmic level, ultimately related to the ruminations on death and the void of meaning that were to be central to Existantalism

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Norwegian painter and Printmaker whose intensely evocative treatment of psychological themes built upon some of the main tenets of late 19th-century Symbolism and greatly influenced German Expressionism in the early 20th century. His painting The Scream, or The Cry (1893), can be seen as a symbol of modern spiritual anguish.

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BORN

December 12, 1863
Loten, Norway
DIED

January 23, 1944 (aged 80) near Olso, Norway

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Delicate - smooth - soft

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Painting by Vincent van Gogh

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Rough - Vulgar - Inelegant - Coarse

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Painting by Francisco Goya

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Grand - Bold - Expressive

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Painting by Edvard Munch

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Painting by Edvard Munch

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Painting by Edvard Munch

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Painting by Andrew Wyeth

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Painting by Rembrandt

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Painting by To Ngoc Van

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Painting by Nguyen Sang

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Painting by Bui Xuan Phai

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Painting by Jackson Pollock

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Painting by Pablo Picasso

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Painting by Diego Velázquez

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Painting by Johannes Vermeer

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Painting by Leonardo da Vinci

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Painting by Paul Cézanne

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Painting by Claude Monet

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Painting by Pablo Picasso

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Fragile - Gentle - Cautious - Careful

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Painting by Jacques-Louis David