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It began in ITALY and expanded to the rest of europe

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It is divided into two periods Quattrocento ( 1400 which began in  FLORENCE and flourished under the medici family. and Cinqueto (when the capital of art moved to ROME and the pope acted as pastor

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Renaisscence architecs wanted to creat HARMONIOUS SPACEs with simples ,ordely elemets. they includedclassical elements suchas Lintels,Friezes,Greek columns Semi circular arches and Rome domes in churche ,palaces and other buildings

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Renaisscence architecs wanted to creat HARMONIOUS SPACEs with simples ,ordely elemets. they includedclassical elements suchas Lintels,Friezes,Greek columns Semi circular arches and Rome domes in churche ,palaces and other buildings

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Painters recreate classical mythology, religeus scenes and psychological portraits

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Painters recreate classical mythology, religeus scenes and psychological portraits

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In medieval paintings , the illusion of depth was  created by overlapping figures and scenery. Sometimes figures in the foreground were made large while those in the background were smaller ,but proportion was not respected. Using perspective to créate the illusion of depth was one of the Renaissance eras`great contributions to paintig 

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In medieval paintings , the illusion of depth was  created by overlapping figures and scenery. Sometimes figures in the foreground were made large while those in the background were smaller ,but proportion was not respected. Using perspective to créate the illusion of depth was one of the Renaissance eras`great contributions to paintig 

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LINEAR  AN GEOMETRIC perspective                                 ,In the Quattrocento. Painters created a third dimension by an imaginary opening in the background (vanishing point).                                    ERIAL OR ATMOSPHERIC  perspective:Took place in the Cinquecento. Painted the air. The sfumato  and the chiaroscuro were used.          

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LINEAR  AN GEOMETRIC perspective                                 ,In the Quattrocento. Painters created a third dimension by an imaginary opening in the background (vanishing point).                                    ERIAL OR ATMOSPHERIC  perspective:Took place in the Cinquecento. Painted the air. The sfumato  and the chiaroscuro were used.          

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they used LAWS OF PRESPECTIVE , wich aare based on geometry and advances in optical instruments                                                             Sculptors were interested in the human body and tried to represent it in perfect life-like PROPORTIONS and HARMONY

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they used LAWS OF PRESPECTIVE , wich aare based on geometry and advances in optical instruments                                                             Sculptors were interested in the human body and tried to represent it in perfect life-like PROPORTIONS and HARMONY

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They created freestanding sculptures as well as decorative relief for building and bust of important peoplew of the time.For the first time since Ancient History there was a return  to equestrian sculpture  

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They created freestanding sculptures as well as decorative relief for building and bust of important peoplew of the time.For the first time since Ancient History there was a return  to equestrian sculpture  

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In the Quattrocento artist valued proportion and harmony. In the Cinquecento , their focus shifted to volume ,emotions and feelings

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In the Quattrocento artist valued proportion and harmony. In the Cinquecento , their focus shifted to volume ,emotions and feelings

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The Renaissance in the rest of europe                                                                                          Germany :They worked a lot in religious themes, portraits, landscapes and mythologycal scenes.  Alberch Dürer   introduced the renaissance in germany                                        France :french was influenced by the italians  at the end of the 15th century. It was solidified at the reign of Francis 1 (1515-1547). But apears more on the architecture, new palaces and castles.

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The Renaissance in the rest of europe                                                                                          Germany :They worked a lot in religious themes, portraits, landscapes and mythologycal scenes.  Alberch Dürer   introduced the renaissance in germany                                        France :french was influenced by the italians  at the end of the 15th century. It was solidified at the reign of Francis 1 (1515-1547). But apears more on the architecture, new palaces and castles.

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Painting                                    , EL GRECO  :At the 16th century, the  paintings were with with light, colour and perspective. But with religious themes.El greco(1541-1614)Borned on 1541 .He traveled to Italy and learnt from the Renaissance masters. His work had vivid pigmentation and contrasts of light and complex compositions tried to do spirituality                                                                                    Architecture:Started at the beginning of the 16th century, it has three parts;Platesquere : putted new elements Classical : modelled on classical arquitecture ( colums,lintels and gables)Herrerian : was composedby  its ornamentation, staright lines and volumes.

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Painting                                    , EL GRECO  :At the 16th century, the  paintings were with with light, colour and perspective. But with religious themes.El greco(1541-1614)Borned on 1541 .He traveled to Italy and learnt from the Renaissance masters. His work had vivid pigmentation and contrasts of light and complex compositions tried to do spirituality                                                                                    Architecture:Started at the beginning of the 16th century, it has three parts;Platesquere : putted new elements Classical : modelled on classical arquitecture ( colums,lintels and gables)Herrerian : was composedby  its ornamentation, staright lines and volumes.