# data[].attributes.headline
In Lorraine Hansberry's "A Raisin in the Sun", she uses two strong female characters to relay how a mother's love allows them to make debilitating sacrifices for their families. 

# data[].attributes.subject
In Lorraine Hansberry's "A Raisin in the Sun", she uses two strong female characters to relay how a mother's love allows them to make debilitating sacrifices for their families. 

# data[].attributes.headline
Olivia Hamilton, Liam Hudock, Tony Jackson, Cora Schipa  

# data[].attributes.subject
Olivia Hamilton, Liam Hudock, Tony Jackson, Cora Schipa  

# data[].attributes.body
Economic:
- "Travis (presently): Could I maybe go carry some groceries in front of the supermarket for a little while after school then?" (Hansberry 491)

- "Travis: Mama, and this Friday. (gleefully) Check something tomorrow, huh? Ruth: You get your mind off money and eat your breakfast" (Hansberry 490)

-"Ruth: Come on now, boy, it's seven thirty! (Her son sits up at last, in a stupor of sleepiness.) I say hurry up, Travis! You ain't the only person in the world got to use a bathroom! (The child, a sturdy, handsome little boy of ten or eleven, drags himself out of the bed and almost blindly takes his towels and 'today's clothes' from drawers and a closet and goes out to the bathroom, which is in an outside hall and which is shared by another family or families on the same floor)" (Hansberry 488)

Women:
- "Walter (growing impatiently): Don't call it that. See there, that just goes to show you what women understand about the world." (Hansberry 494)

Families:
- "Linder: ... It is a matter of the people of Clybourne Park believing, rightly or wrongly, as I say, that for the happiness of all concerned that our Negro families are happier when they live in their own communities" (Hansberry 553)

-"Walter: Talking 'bout life, Mama. You all always telling me to see life like it is. Well - I laid in there on my back today ... and I figured it out. Life just like it is. Who gets and who don't get. (He sits down with his coat on and caught.) Mama, you know it's all divided up. Life is. Sure enough. Between the takers and the 'token.' (He laughs)." (Hansberry 570).

# data[].attributes.headline
Saanvi Somani, Claire Delano, Sam Lamourie

# data[].attributes.subject
Saanvi Somani, Claire Delano, Sam Lamourie

# data[].attributes.body
p. 501: Mama: "You look like you could fall over right there."
Ruth: "I'm tired."

p.497-8: Walter: "Who the hell told yo you had to be a doctor? If you so crazy 'bout messing 'round with sick people - then go be a nurse like other women - or just get married and be quiet..."

P. 495: "I been married eleven years and I got a boy who sleeps in the living room! All I got to give him is stories about how rich white people live!"

# data[].attributes.body
around page 521 is the scene when Ruth says she wants to get rid of the baby because the family does not have room/ cannot afford to take care of another person in the family. This shows how dire their financial situation is.

# data[].attributes.headline
Sydney Maguire, Mason Carter,  Allison Wiggs

# data[].attributes.subject
Sydney Maguire, Mason Carter,  Allison Wiggs

# data[].attributes.body
"furnishings of this room were actually selected
with care and love and even hope—" (487) but..."Weariness has, in fact, won in this room" (487).

# data[].attributes.headline
Callie Andrew, Hailey Trujillo, Caroline Reece, Erin Lyons: "What do you want from me, Brother- that I quit school or just drop dead, which!" "Who the hell told you you had to be a doctor? If you so crazy 'bout messing 'round with sick people- then go be a nurse like other women- or get married and be quiet..." (497)

# data[].attributes.subject
Callie Andrew, Hailey Trujillo, Caroline Reece, Erin Lyons: "What do you want from me, Brother- that I quit school or just drop dead, which!" "Who the hell told you you had to be a doctor? If you so crazy 'bout messing 'round with sick people- then go be a nurse like other women- or get married and be quiet..." (497)

# data[].attributes.body
These quotes highlight restrictive societal female roles and how they translate into the environments that they live in.

"When the world gets ugly enough- a women will do anything for her family. The part that's already living" (523)
This quote emphasizes that women have little choice over all aspects of their lives (bodies, housing, jobs...)

# data[].attributes.headline
Grace Nichols, Erin Conklin, Rachel Nasby

# data[].attributes.subject
Grace Nichols, Erin Conklin, Rachel Nasby

# data[].attributes.body
In Lorraine Hansberry's A Raisin in the Sun, the utilization of environmental diction, elicits the expression of the inequities of resources, further cementing the sentiment that the american dream is truly a selective mirage.

# data[].attributes.body
In “A Raisin in the Sun,” Lorraine Hansberry highlights the implication of restrictive covenants on the lives of Black women through logos or appeals to emotion.

# data[].attributes.headline
Saanvi Somani, Claire Delano, Sam Lamourie

# data[].attributes.subject
Saanvi Somani, Claire Delano, Sam Lamourie

# data[].attributes.body
Hannsberry alludes to Langston Hughes' poem "Harlem" about "a dream deferred" by showing the way the dreams of each of her characters have been "deferred" by the effects of restrictive covenants on Black families.

# data[].attributes.headline
Olivia Hamilton, Liam Hudock, Tony Jackson, Cora Schipa

# data[].attributes.subject
Olivia Hamilton, Liam Hudock, Tony Jackson, Cora Schipa

# data[].attributes.body
Lorraine Hansberry, in her play, "A Raisin in the Sun," uses the financial, emotional, and relational struggles of a Black family in the South side of Chicago to discuss themes of dreams amidst racial discrimination.

# data[].attributes.body
pg 492: Ruth exhibits signs of a sapphire when she has to be the angry black women when it comes to money. Shes also tired, tired of the same routine that eats away at her.
pg 495: Ruth is tired of having to lsiten to her husband talk about the same dreams that have never come true. Yet, he never ask her what her dreams are, what does she want to do with her life.
pg 495: the sister enters and she employs the opposite of what Ruth and Grandma stand for in women expression. She believes that women deserve a right to be more than just women.

# data[].attributes.body
"You remember how we use to talk when Travis was born... about the way we were going to live.. the kind of house.. Well, it's all starting to slip away from us" (533).
"I don't know then. I can't make up my mind. Sometimes Mama asks me that too. And sometimes when I tell her I just want to be like you" (546). --Young black boy is too scared to dream big

# data[].attributes.body
In "A Raisin in the Sun", Lorraine Hansberry uses one families struggles to highlight how restrictive convents affected black communities.

# data[].attributes.body
Allison, Sydney, Mason

# data[].attributes.headline
Saanvi Somani, Claire Delano, Sam Lamourie

# data[].attributes.subject
Saanvi Somani, Claire Delano, Sam Lamourie

# data[].attributes.headline
Jaiden: "A Raisin in the Sun" describes a multitude of struggles with the black community. Lorraine Hansberry uses restrictive covenants as the focal point by illustrating the efforts of black families. 

# data[].attributes.subject
Jaiden: "A Raisin in the Sun" describes a multitude of struggles with the black community. Lorraine Hansberry uses restrictive covenants as the focal point by illustrating the efforts of black families. 