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Task 2- Editing Techniques and Tutorials.docx

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- I wasn't able to take this book out of the library because it was only for viewing only so I took some pictures of a few pages that had information relevant to me so I could then look back at them and see if I could find any quotes.

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Diefenbach, Donald L (2007) Video Production Techniques, Routledge

Quotes-
' Some directors are known to give the editor wide latitude in making editorial choices'

'The editor commonly constructs scenes in on to two stylistic directions. These two models include analytic and synthetic styles of editing'

' The editor has many options in selecting a cutting point. A cutting point can determine by a need for a shift in attention'

'Before going into the editing room, it is essential to be prepared and get organised. The editor and director should start by reviewing the footage and becoming familiar with the material'

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Patmore, Chris (2005), Get Started in Short Filmmaking, A & C Black Publishers

Quotes-
In Editing-
' During the shoot, keep accurate list of every shot, with reel number, timecode, description and an indication of the shots usability'

'Editing software come with many different transitions and effects. there is always a temptation to use them but they may not be the best things for your movie'

In text and Credits-
'Try to avoid the generic faces that come with your computer; Times Roman is a classic and sued discreetly, can look impressive, but you should select something that exemplifies your movies story or theme.'

' To create dynamic titles, you need to start considering their design as early as possible so that they can become part of the look of the production and promotion package.'

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The Rules of Attraction - Split screen scene

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Film and video editors use creative and technical skills to assemble recorded raw material into a finished product, suitable for broadcasting

As a film/video editor, you'll manage material such as camera footage, dialogue, sound effects, graphics and special effects to produce a final film or video product. This is a key role in the post-production process and your skills can determine the quality and delivery of the finished result. You'll usually work closely with the director to achieve the desired end result.

Employment tends to be on a freelance basis, and you'll most likely work on short-term contracts for post-production studios, television companies and corporate employers.

Digital technology, specialist computer software and high-quality digitisation of sound and pictures have effectively replaced the traditional manual method of cutting film. In some instances, you may be given creative freedom, while in others you'll just be required to operate the necessary machines.

Types of film/video editor

You may work on a variety of productions, including:

Responsibilities

As a film or video editor, you'll need to:

work to a brief, and maybe an outline of footage and/or a shot list, script, or screenplay

assemble raw footage, with camera shots, either recorded or transferred onto video tape in preparation for inputting into the computer

input uncut rushes and sound, and synchronise and store them into files on the computer

digitally cut files to put together the sequence of the film and decide what's usable

create a 'rough cut' (or assembly edit) of the programme/film and determine the exact cutting for the next and final stages

reorder and fine-tune the content to ensure the logical sequencing and smooth running of the film/video.

You may also need to:

Salary

Starting salaries for assistant editors employed by a television or post-production studio are in the region of £18,000 to £25,000.

With experience as a film or video editor, you could earn £21,000 to £35,000.

At a senior level, your earnings could potentially reach £37,000 to £70,000, but the higher end of this scale is only available to senior editors working on big-budget projects.

A film/video editor is not an entry-level job and it's normally necessary to start at a lower-paid level, possibly as a runner, where salaries could be around the national minimum wage. You may then progress to assistant editor where you could expect to earn more, before reaching the full editor position.

Most editors work as freelancers and are paid on a contract basis. Rates vary, so it's best to check for current freelance rates with individual companies or the Broadcasting Entertainment Cinematograph and Theatre Union (BECTU). If you get work through an agency, they will negotiate rates and then take either a percentage or flat fee.

Income figures are intended as a guide only.

Working hours

Hours of work vary depending on the production. You may be able to do standard office hours for some employers, but a 50-hour working week is likely if you're working on television or feature film projects.

Shift work may be required if editing studios are booked at night. When there are deadlines to meet, you should expect to work long hours and overtime.

What to expect

Qualifications

You don't need a foundation degree, HND or degree to be a film or video editor, but it's important that you show commitment and determination to get into the industry.

You need to be able to demonstrate that you have the necessary skills, and so a degree or HND that offers film or media production experience may be helpful. The following subjects are relevant:

You'll need to be proficient in using specific editing software packages, such as Avid or Final Cut Pro. Courses that cover these applications are available at varying levels, but they can be expensive, so make sure you research them fully to find a course that matches your career and training aims.

It's vital you have a good level of computer literacy and an aptitude for working with digital equipment. Having experience of the very latest technology may help you stand out from the competition.

A postgraduate qualification isn't essential but there are relevant courses available that will provide you with extra skills and may give you an advantage over other applicants. Search for postgraduate courses in media production.

Skills

You'll need to show:

a keen eye for detail and a critical mind

creativity and a passionate interest in film and video editing

patience and concentration

the ability to listen to others and to work well as part of a team

a high level of self-motivation, commitment and dedication

organisational and time management skills

the ability to work under pressure and to deadlines

communication skills, both written and oral.

Work experience

You need to be extremely determined to succeed in editing and should be willing to get involved and be prepared to do the most basic of tasks. Carrying out work experience in other areas of media production will give you the chance to demonstrate this and help you to decide if you feel suited to the work.

You'll be expected to have pre-entry experience and will need to show evidence of having worked on film or video production or post-production, preferably via an up-to-date and well-prepared showreel.

If you're at university, you can join the film-making society and learn editing techniques there. Any films you work on can be used as a portfolio to evidence your skills when you're starting out.

Find out more about the different kinds of work experience and internships that are available.

Employers

Film and video editors are employed by:

animation companies

broadcast companies

film companies

independent production companies

post-production companies/facilities

video/computer games companies.

Some post-production companies and larger independent companies offer long-term contracts and employ a few editors in-house. Broadcast and film companies employ their own editors, but they all use freelancers on a regular basis, with some companies only using freelance editors.

The television industry is increasingly project-based, and as a result, there has been a rise in the number of freelance staff employed at all levels. You may apply for freelance opportunities to build a portfolio of work and accompanying reputation.

Look for job vacancies at:

Vacancies for film and video editors are rarely advertised and competition is fierce, even for entry-level jobs such as a runner. Send speculative applications, which detail your specific skills, to as many production companies and post-production houses as possible. To help identify relevant contacts use key industry resources such as:

Getting to know people in the industry and building good working relationships is very helpful for finding work. Once you have experience of working on a freelance basis you can also advertise your services through dedicated websites.

Professional development

Learning while you're working in the industry is the most effective way of developing relevant skills. A combination of observing experienced professionals and experimenting with your own work is the best way to develop the necessary technical and creative skills.

Short courses are available, covering relevant topics such as:

the use of software editing packages

post-production audio

visual effects

finance for freelancers.

ScreenSkills provides a list of approved training providers.

It's also important to keep up to date with technology and new equipment. You may choose to extend your skills into camera or sound work in order to open up more employment opportunities and to maintain a network of contacts. A range of courses are available through BECTU.

Career prospects

You'll typically start as a runner or trainee before working your way up to a position as an assistant editor. You can expect to work as an assistant editor for around three to four years before moving on to become a qualified editor.

A proactive approach and willingness to start at the bottom are essential for forging a career in this fast-changing industry. If you're able to relocate for a job this may also be helpful, particularly in the early stages of your career.

In post-production or broadcasting companies, progression may be from runner, digitiser, or assistant editor to senior editor. Larger employers provide well-structured career paths. Experienced in-house editors may ultimately move to management roles.

For freelancers, career development takes the form of progressing from small productions to larger or more prestigious projects. It's vital to establish a good reputation and develop your networking skills to succeed. Building strong working relationships with freelance directors, production managers and producers is valuable, as they're often able to take preferred editors with them onto new projects.

While relevant qualifications may be beneficial, career development is based more on experience and practical involvement within the industry and on developing a strong network of contacts.

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Discover what it takes to be a Film/video editor. Find out expected salary, working hours, qualifications and more.

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The Martian - Color grading [original/before]

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Paul Hirsch, A.C.E. has edited over 40 films, among them the first "Star Wars" written and directed by George Lucas, for which he received an Academy Award in 1978, and "The Empire Strikes Back"; 11 films for Brian De Palma, including "Carrie", "Blowout" and "Mission: Impossible"; four for Herbert ...

Star Wars, The Empire Strikes Back, Ferris Bueller's Day Off, The Adventures of Pluto Nash, Date Movie, Deck the Halls, Mission Impossible: Ghost Protocol

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Paul Hirsch, A.C.E. has edited over 40 films, among them the first "Star Wars" written and directed by George Lucas, for which he received an Academy Award in 1978, and "The Empire Strikes Back"; 11 films for Brian De Palma, including "Carrie", "Blowout" and "Mission: Impossible"; four for Herbert ...

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(500) Days of Summer (4/5) Movie CLIP - Expectations vs. Reality (2009) HD

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How to make FARGO STYLE SPLIT SCREENS side by side in Adobe premiere Pro

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Adobe Premiere Pro Tutorial: How to create Split Screen Side by Side Video Effect

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Make iPhone Text imessage Effect Tutorial for Adobe After Effects template CC

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VIDEO in TEXT Shape Effect - How to Animate Letter by Letter (Adobe Premiere Pro CC Tutorial)