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To see more of Kimothy Joy's work head over to her website, Instagram or Facebook. To read more of HuffPost's Women's History Month coverage head here, or follow along with HuffPost on Facebook, Twitter and Instagram.

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18 Quotes From Women Who Have Made History

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To see more of Kimothy Joy's work head over to her website, Instagram or Facebook. To read more of HuffPost's Women's History Month coverage head here, or follow along with HuffPost on Facebook, Twitter and Instagram.

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The Lily is always dedicated to telling the stories of women, regardless of the day, month or year. But for Women's History Month 2018, we decided to focus on women who have been the first of their kind.

We enlisted four female illustrators to depict 31 women, from modern day icons like Rihanna - the first woman to win "Shoe of the Year" - to figures who paved the way long before we were born: Liliʻuokalani, the first queen of the Kingdom of Hawaii, ruled more than a century ago.

You may see some familiar faces. Others, we hope you find to be new and surprising.

First female film director

In 1896, Alice Guy Blaché wrote, produced and directed her first film, " La Fée aux Choux" ("The Cabbage Fairy"), incorporating techniques she learned as a still photographer. The French creative went on to direct and produce 600 silent films and 150 short films with sound before moving on to feature-length movies. She moved to the United States, and in 1910, she became the first woman to run a studio when she started the Solax Film Company. Two years later, she built a $100,000 production facility in Fort Lee, N.J.

In her quest to become the first female ordained minister, Antoinette Brown Blackwell faced opposition. After completing the literary curriculum at Oberlin College in 1847, Blackwell was accepted into the school's theology program. Women were not ordained at the time, and despite Blackwell's insistence, Oberlin refused to give her a license to preach. Her family balked, too: "Your mother and I are shocked by your boldness and lack of wisdom," her father wrote.

Finally, in 1853, Blackwell was ordained as a minister of the Congregational Church in South Butler, N.Y. She left after less than a year to join the Unitarian Church. Blackwell wrote and published at least nine books, and she became actively involved in the women's rights movement alongside her friend and sister-in-law, suffragist Lucy Stone. She founded the New Jersey Women's Suffrage Association in 1867, and went on to hold public speaking engagements around the country.

First woman to design, build and fly an aircraft

First black woman to earn a commercial pilot's license in the U.S.

Bragg passed the flight test for her commercial license twice, but she was denied the first time. In 1943, she received her commercial license at the Pal-Waukee Airport near Chicago. During World War II, she applied to the Women's Auxiliary Service Pilots, but was rejected. A trained nurse, she tried to join the military nurse corps. They, too, refused to admit her.

Actress and activist Laverne Cox became the first openly transgender person to be nominated for an Emmy award in 2014. She was recognized for her role as Sophia Burset, a transgender woman in "Orange is the New Black." The category was outstanding guest actress in a comedy series.

Dominique Crenn is the first woman in the United States to have won two Michelin stars for her San Francisco restaurant, Atelier Crenn. The French chef doesn't offer guests traditional menus. Instead, at the start of their meal, diners receive a poem that, in a beautifully cryptic way, describes the food they're about to consume. In 2016, the World's 50 Best Restaurants named Crenn best female chef. That year, she was featured in season two of " Chef's Table " on Netflix.

Marie Curie is credited with coining the term "radioactivity," and she developed mobile radiography units that provided X-ray services to hospitals during World War I. She died in 1934 of aplastic anemia from exposure to radiation.

In the 1940s and 1950s, most major tennis tournaments were closed to African Americans. That changed in 1950, when tennis player Althea Gibson broke color barriers by becoming the first African American to play in the U.S. Nationals, now the U.S. Open. The firsts didn't stop there: The following year, she competed in Wimbledon, and in 1956, she won the French Championships, taking home her first Grand Slam title. In 1957, she defeated Darlene Hard to win Wimbledon. Until Gibson, no other African Americans had accomplished these feats. Gibson eventually took on another white sport: golf.

First female Fortune 500 CEO

Katharine "Kay" Graham was elected president of The Washington Post in 1963 after her husband, Phil Graham, committed suicide. She took the company - purchased by her father, Eugene Meyer, in 1933 - public in 1971, and the following year, she became the first female CEO of a Fortune 500 company.

First female professor in China

Amy Hughes ran 53 marathons in 53 days in the United Kingdom. "I wanted to inspire young people, especially young women," she wrote in an essay for #Fuel567. Hughes is still running, and she started the 53 Foundation to help people with disabilities and to encourage an active lifestyle.

Under her leadership, tribe enrollment tripled and employment went up. She oversaw the construction of new housing and health centers in Oklahoma, where most tribal members live. Mankiller improved the Cherokee's education and health-care systems, and infant mortality declined during her tenure.

Phyllis Lyon and Del Martin founded the Daughters of Bilitis, the first U.S. lesbian political and social organization, in 1955. Martin became DOB president, and Lyon edited the monthly magazine, the Ladder. The couple started small in San Francisco, but other chapters began popping up in New York, Los Angeles, Chicago and Rhode Island. At meetings, women who identified as lesbian or bisexual were able to safely and freely discuss their sexuality and issues that affected them. The national chapter eventually folded around 1970 over leadership disagreements, but the DOB's impact lived on.

First woman to win "Shoe of the Year"

Marla Runyan was determined to compete in the Olympics. The legally-blind track and field athlete first qualified in 1996, but she didn't make the team. In 2000, her training and persistence paid off. Runyan became the first legally-blind athlete to compete in the Olympics. The runner placed 8th in the 1500-meter event at the Summer Games in Sydney. She returned to the Olympics in 2004, competing in the 5,000-meter race.

Tabei survived an avalanche to reach Everest's summit, checking one peak off her list of seven. She is the first woman to have completed the "Seven Summits." Each summit represents the tallest mountain on each continent.

"Life is not forever," she said. "I don't think people should leave behind a fortune, or things. When I die, I want to look back and know that my life was interesting. I want to leave behind a personal history."

Margaret Thatcher, the first female prime minister of Britain, led her country for 11 years. She took office in May 1979, vowing to change Britain "from a give-it-to-me" country to "a do-it-yourself nation." Her policies - now known as Thatcherism - were controversial, and many said she didn't care about the poor.

Before becoming a political activist and America's first female self-made millionaire, Madam C.J. Walker - born Sarah Breedlove in 1867 - was concerned about hair loss. During the early 1900s, lack of indoor plumbing and electricity made bathing difficult. Americans weren't able to wash their hair as much, and some women began to go bald. After selling hair and beauty products for Annie Turnbo Malone in St. Louis, Walker went on to start her own company in 1906. One of her first products? Madam Walker's Wonderful Hair Grower. She incorporated the Madam C.J. Walker Manufacturing Company in 1910 and went on to redesign the hot comb by giving it wider teeth. Other well-known products included the Tetter Salve, meant to treat dandruff, and Glossine, a pressing oil.

Many embraced the move, but other question if it's what the artist would have wanted

From Alma Woodsey Thomas to Amy Sherald

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This International Women's Day, pay respect to these 31 inspiring figures - The Lily

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The Lily is always dedicated to telling the stories of women, regardless of the day, month or year. But for Women's History Month 2018, we decided to focus on women who have been the first of their kind.

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Happy Birthday, RBG!

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HappyBirthday to Supreme Court Justice Ruth Bader Ginsburg. Ginsburg attending Cornell University, earning a BA, and then Harvard Law School. She also earned a LL.B. from Columbia Law School....

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National Women's History Museum, Alexandria, Virginia. 485K likes. The National Women's History Museum affirms the value of knowing Women's History, illuminates the role of women in transforming...

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I Am Malala: The Story of the Girl Who Stood Up for Edu…

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I come from a country that was created at midnight. Whe…

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The Feminine Mystique book. Read 1,333 reviews from the world's largest community for readers. Landmark, groundbreaking, classic-these adjectives barely ...

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Read 9,772 reviews from the world's largest community for readers. The #1 New York Times Bestseller. Set amid the civil rights movement, the never-before-t...

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The Girls in the Picture has 1,531 ratings and 469 reviews. Jennifer ~ TarHeelReader said: 5 epic, huggable, flickering stars to The Girls in the Picture...

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Brazen: Rebel Ladies Who Rocked the World

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Brazen has 116 ratings and 40 reviews. emma said: my skin is clear. my gpa is up. spring has come early. i'm hydrated. i have been cured of my nearsighte...

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Any bookstore you walk into will have a table piled high with the newest releases. But how do you separate the best from the rest when you've also got countless emails to answer, several shows queued up on Netflix, and maybe a date to go on or a day care to choose?

Below you'll find our list of books out now or very soon, as well as a small selection of older books that are fitting for our particular time.

This novel will take you from Hollywood to a tropical island and back. Charlie Outlaw is a newly discovered actor, suddenly famous and making all the missteps that fame can cause. Charlie flees his life, his missteps and his breakup on a remote island, where he gets kidnapped. It's not quite satire, because Leah Stewart respects the craft of actors too much to rag on them entirely, but it's still a lighthearted and loving book to curl up with.

The author died in 2016

#31days31firsts | From Wilma Mankiller to Rihanna

'Science makes God unnecessary'

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The Lily's Book List: 15 titles we recommend - The Lily

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Any bookstore you walk into will have a table piled high with the newest releases. But how do you separate the best from the rest when you've also got countless emails to answer, several shows queued up on Netflix, and maybe a date to go on or a day care to choose?

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In 2016, the feminist press Emily Books held a panel in Brooklyn titled, a bit cheekily, "What Is Women's Writing?" There was no consensus, much laughter and a warm, rowdy vibe. Eileen Myles read from a memoir in progress and Ariana Reines read a poem, wearing a dress with a pattern of a city on fire. All of this felt exactly right.

But even if it puts your teeth on edge to see "women's writing" cordoned off in quotes, you can't deny the particular power of today's women writers - their intensity of style and innovation. The books steering literature in new directions - to new forms, new concerns - almost invariably have a woman at the helm, an Elena Ferrante, a Rachel Cusk, a Zadie Smith.

For Women's History Month, The Times's staff book critics - Dwight Garner, Jennifer Szalai and myself, Parul Sehgal - sat down together to think about these writers who are opening new realms to us, whose books suggest and embody unexplored possibilities in form, feeling and knowledge.

As we put together a reading list, we introduced a few parameters, for sanity's sake. We confined ourselves to books written by women and published in the 21st century. And we limited our focus to fiction, but not without some grief. Memoir has emerged as a potent political and literary force in recent years (see the terrain-shifting work of Maggie Nelson, for example). And poets like Claudia Rankine, Solmaz Sharif and Tracy K. Smith are some of the most distinctive voices working today.

The books we selected are a diverse bunch. They are graphic novels, literary fiction and works inflected with horror and fantasy. They hail from Italy, Canada, Nigeria and South Korea. They are wildly experimental and staunchly realist.

Any list, especially one as idiosyncratic as ours, is bound to leave off some worthy contenders, like "Wolf Hall," say, or "Gilead" or "A Visit From the Goon Squad" (to name just a few). This is not a comprehensive list, far from it. We hope it will be seen as a start - a way to single out these extraordinary books and the ability of fiction to challenge and reimagine the world. Some of the books we selected, like "Americanah," bring a fresh slant to the novel's natural concerns about character and fate and belonging. Others, like "How Should a Person Be?," pluck new questions out of the air, in this instance about authorship and authenticity. They ransack classic stories ("American Innovations") and invent genres out of whole cloth ("Her Body and Other Parties").

Every one of these books features a woman at the center. She is brainy (Rachel Cusk's "Outline" trilogy), grimy ("Homesick for Another World"), terrorized ("The Vegetarian") and all of the above (the new mother in "Dept. of Speculation"). Each book's utterly distinct style emerges as its women try to invent a language for their lives.

You could say these books are on the vanguard, but to suggest just one vanguard feels so insufficient. What makes these books so rich is their plenitude, the variety they contain and embody. "My story flows in more than one direction," Adrienne Rich once wrote. "A delta springing from the riverbed/with its five fingers spread." - Parul Sehgal

'Americanah' by Chimamanda Ngozi Adichie

If you were paying attention, you might have seen this book coming. Chimamanda Ngozi Adichie's first novel, "Purple Hibiscus," was longlisted for the Man Booker Prize. Her second, "Half of a Yellow Sun," won the Orange Prize. In 2008, she was awarded a MacArthur "genius" grant. But "Americanah" more than paid off on this writer's promise. It's a resonant and fiercely intellectual novel about a Nigerian woman named Ifemelu who leaves Africa for America and suffers here before starting a blog called "Raceteenth or Various Observations About American Blacks (Those Formerly Known as Negroes) by a Non-American Black" and winning a fellowship at Princeton. Adichie works both high and low; she's as adept at dissecting internet and hair salon culture as she is at parsing the overlapping and ever-changing meanings of class and race in the United States. "Americanah" brings news, on many fronts, about how a new generation of immigrants is making its way in the world. It has lessons for every human about how to live. - Dwight Garner

Read The Times's review of "Americanah"

'The Essential Dykes to Watch Out For' by Alison Bechdel

Long before "Fun Home" (2006) - perhaps the greatest, most consequential graphic memoir since Art Spiegelman's "Maus" - Alison Bechdel published a comic strip following the entanglements of a group of queer women living in the Midwest. The comics were funny, sexy and very frank - "half op-ed column and half endlessly serialized Victorian novel," Bechdel said. It was also a lifeline in an era when representations of queer life were few and far between. The strip ran from 1983 to 2008, and was collected into a book that still feels at the cusp of something new: a way of folding the world into fiction, of examining how the personal and the political intersect in intimate life. Over 20 years, Bechdel's radical, sweetly earnest crew falls in and out of love, marches on Washington, flirts, bears children, goes broke, reads novels, gets sick - in short, ages. As they refine and redefine their notions of gender, kinship and community, the strip grows up alongside them. And this all happens in Bechdel's beautifully crowded panels, in the matter-of-fact diversity of her men and women and their bodies: femme, butch, slim, scrawny, ample. Her lines feel like a caress. These characters are loved - and you fall right in love with them too. - Parul Sehgal

Read The Times's review of "The Essential Dykes to Watch Out For"

'Outline' by Rachel Cusk

"Outline" is a crisp, poised and cerebral novel that has little in the way of straightforward plot yet is transfixing in its unruffled awareness of the ways we love and leave each other, and of what it means to listen to other people. The book's events take place over the several days that a divorced English writer named Faye spends in Athens, where she has gone to teach a writing class. Little happens but everything seems to happen. Rachel Cusk creates conversations that are as condensed and vivid as theater. Sometimes the chapters in "Outline" bring Harold Pinter or Wallace Shawn or Annie Baker to mind, at other times J. M. Coetzee or Diane Johnson. With no traditional narrative to hang onto, no moving in and out of rooms, Faye is left with the sound of her own mind, and it's a mind that is subtle, precise and melancholy. This is an exacting novel with no wasted motion. - Dwight Garner

Read The Times's review of "Outline"

The Neapolitan Novels by Elena Ferrante

Elena Ferrante's blockbuster novels, translated from the Italian by Ann Goldstein, follow the entwined lives of two childhood friends with an intensity and psychological acuity that put contemporary fiction on notice. The books are also social novels of remarkable and subtle power, offering a history of postwar Italy and the terrorism of the Camorra. But everything comes filtered through the personal lives of Lila Cerullo and Elena Greco, ordinary women who would never make it into the history books. Lila and Elena grew up in the slums of Naples, in a clinch so ardent and dangerous that to call it friendship feels hideously inadequate. The series carries us through 50 years, as the women rescue and betray each other, struggle to escape the slums and their mothers, and become mothers themselves. Ferrante captures the barely contained violence of domestic life and is taboo-shattering in her unsparing and relentless exploration of the secret lives of women - their ambivalence and shame. Like Lena, these books give off "an odor of wildness." Their intelligence cuts into the skin. - Parul Sehgal

Read The Times's review of "Those Who Leave and Those Who Stay," Book 3 of The Neapolitan Novels

'American Innovations' by Rivka Galchen

At the heart of Borges's short story "The Aleph" is a dead woman, forced to stay silent even as the plot orbits around her. In one of the stories in Rivka Galchen's witty, winning collection, the silent woman finally speaks. Each story remixes a classic of the form - Thurber's "The Secret Life of Walter Mitty," Gogol's "The Nose," James Joyce's "Araby" - but plops a woman at the center. They're clever women - "I language along," one says of arguing with her husband - trained in quantum mechanics and epigenetics but baffled by surreal developments (one suddenly sprouts a breast on her back) or merely the sundry ordinary indignities of being someone's daughter, someone's wife. The DNA in these stories may be old, but Galchen has uncovered a new register and a new space for the domestic and the fantastic to meet. There might be no better model for looking to the past in order to move forward. - Parul Sehgal

Read The Times's review of "American Innovations"

'Asymmetry' by Lisa Halliday

Mozart supposedly said that music is not in the notes, but in the silence between them. Lisa Halliday's masterly first novel plays out in these spaces - in the gulf between two story strands that never intersect: a May-December romance between a young woman and an older writer, and an Iraqi-American economist detained at an airport. In that silence, as you uncover the points of congruence, so too do you uncover Halliday's beautiful argument about the pleasure and obligations of fiction. She asks difficult questions about the ebb and flow of power in relationships, and about the fetishizing (and limitations) of storytelling as a vehicle for empathy. It feels as if the issues she has raised - both explicitly and with the book's canny structure - have sown seeds that fiction will harvest for years to come. - Parul Sehgal

Read The Times's review of "Asymmetry"

'How Should a Person Be?' by Sheila Heti

The protagonist of Sheila Heti's thorny novel is a young divorced woman, living in Toronto, who is a heap of contradictions. She has a Jungian analyst yet works at a beauty salon. She's writing a play for a feminist theater yet is in sexual thrall to a man named Israel. She is concerned with the biggest questions ("How do you build your soul?") but realizes that "to go on and on about your soul is to miss the whole point of life." Heti's prose is dark and perceptive. She has a special gift, given to few, of being able to deliver prose that feels like actual, flickering, unmediated, sometimes humiliating thought. Speaking about art with a friend, Heti's narrator says: "You have to know where the funny is, and if you know where the funny is, you know everything." There is wit in Heti's novel, for sure, but also a sense that she is drawing from a deep well, and that this will not be her last major book. - Dwight Garner

Read The Times's review of "How Should a Person Be?"

'The Vegetarian' by Han Kang

Don't be fooled by the innocuous title; Han Kang's triptych of a novel, translated by Deborah Smith, is surreal, shocking and savage. After a terrifying and bloody dream, a Korean housewife named Yeong-hye stops eating meat; it's a renunciation that feels unbearably threatening to her narcissistic, conventional husband and her bitter tyrant of a father, both of whom try to force her back to conformity. Women's bodies are never culturally neutral, and Yeong-hye makes the objectification explicit, registering her resistance the only way she knows how: with unrelenting passivity. Her sister institutionalizes her. Her brother-in-law becomes erotically obsessed with her. Eventually Yeong-hye stops eating much of anything and starts sunning herself, in a bid to leave the animal world altogether and photosynthesize into a different life-form. In Smith's elegant translation, the story proceeds deliberately, a steady march of corporeal horror and carnal dread. - Jennifer Szalai

Read The Times's review of "The Vegetarian"

'The Flamethrowers' by Rachel Kushner

Rachel Kushner's "The Flamethrowers" unfolds on a bigger, brighter screen than nearly any recent American novel. It plays out as if on Imax, or simply higher-grade film stock. This is a coming-of-age novel of a sort, set in the 1970s, about a young woman who has come to New York to turn her fascination with motorcycles into an art career. We know her only as Reno, her nickname, because that's where she's from. In Kushner's prose you find a poise and wariness and moral graininess that puts you in mind of weary-souled visionaries like Robert Stone and Joan Didion. This is a novel with dozens of topics on its mind: speed and sex, reality and counterreality, art and intellect, politics and fear, and perhaps above all - a subject too often left solely in male hands - "the fine lubricated violence of an internal combustion engine." - Dwight Garner

Read The Times's review of "The Flamethrowers"

'Her Body and Other Parties' by Carmen Maria Machado

Mysterious afflictions stalk the land, ghosts of women conceal themselves in the seams of prom dresses, a wife struggles to keep her husband from removing a ribbon she keeps strategically tied around her neck. Carmen Maria Machado brings together horror, fairy tales, fantasy and police procedurals to create a glittering genre all her own, one that looks hard at what we fear and what we desire - and then mischievously scrambles everything together. There is abundant, utterly hypnotic invention in these stories, but it's the psychological realism at their core, their depictions of the everyday violence visited upon women, that gives them their otherworldly power. - Parul Sehgal

Read The Times's review of "Her Body and Other Parties"

'Dept. of Speculation' by Jenny Offill

The tiny size of Jenny Offill's novel belies how capacious it is. A woman writer with grand plans to become an "art monster" finds her ambitions thwarted by motherhood and marital crisis. She reveals her story in glimpses, fragmentary dispatches that accumulate with increasing urgency into a ringing, resonant whole. A Post-It note that says "WORK NOT LOVE"; marriage tips from the Greek poet Hesiod; a colicky baby who calms down under the harsh lights of the Rite Aid: Offill writes with a light but insistent touch, chronicling the details of domestic life without rendering them sentimental or trivial. The perspective shifts too - from first person to third person and back to first person again - reflecting the protagonist's changing understanding of who she is and how she relates to those she loves. The result is an immersive experience that feels a bit like new parenthood itself: uncanny yet very real. - Jennifer Szalai

Read The Times's review of "Dept. of Speculation"

'Homesick for Another World' by Ottessa Moshfegh

Ottessa Moshfegh's dark, confident, prickling stories are mostly about youngish men and women who have taken a wrong turn somewhere and find themselves hunkering down in nowhere towns, dismal cabins, shabby apartments. Like the photographer Diane Arbus, Moshfegh lights things from below. Psychologically, you don't see well-set dinner tables in her fiction. You see the chewed gum and crusted snot stuck to the table's underside, the run in the hostess's stocking. There is a good deal of pus, acne, scarring and vomit. The transgressive sex in her stories can put you in mind of Mary Gaitskill. Her stories veer close to myth in a manner that can resemble fiction by the English writer Angela Carter. But this writer's voice is entirely her own. The humor here is wild, modern and unnerving, like watching someone grin with a mouthful of blood. - Dwight Garner

Read The Times's review of "Homesick for Another World"

'NW' by Zadie Smith

Tidy and traditional narratives that move smoothly from points A to B to C are as familiar and comforting as they are profoundly artificial. Zadie Smith's novel, set in a working-class neighborhood of northwest London, feels more immediate and realistic the more experimental it becomes. She deploys stream-of-consciousness, enjambment, disjointed fragments and irregular line breaks to convey the experiences of four Londoners to devastating effect. What starts off as an uncomfortable encounter between former schoolmates - one who has less and one who has more - unfurls into a searching exploration of race and class, money and sex. Smith has a finely tuned ear for a range of registers, as well as an acute understanding of how easily we betray our better selves. - Jennifer Szalai

Read The Times's review of "NW"

'Salvage the Bones' by Jesmyn Ward

In Jesmyn Ward's gorgeous, gutting novel, 15-year-old Esch Batiste lives with her brothers and their widowed father in Bois Sauvage, a poor corner of coastal Mississippi, waiting for a gathering storm. This one is called Katrina, and over the course of 12 days in August, warnings on the radio and television mark out the steady drumbeat of impending catastrophe, as the Batiste family starts its preparations while continuing to make do. Esch is at once pragmatic and dreamy, preparing meals and dressing wounds, seeing herself as a figure in Greek myth. She is beloved like Eurydice and Daphne; she is vengeful like Medea. She is also pregnant. Ward taps the well of ancient tragedy to concoct something more tender but no less harrowing. Her sentences are lush, thick with portent, like the air that hangs heavy before the flood. - Jennifer Szalai

Read The Times's review of "Salvage the Bones"

'Mislaid' by Nell Zink

Elizabethan comedy meets saw-toothed social satire in Nell Zink's 2015 novel, which follows the improbable and very ill-starred couple of Lee Fleming (gay) and Peggy Vaillancourt (lesbian, his student). Two children later, Peggy is on the run with her daughter. They hide in a rural black community and pretend to be black themselves. "Maybe you have to be from the South to get your head around blond black people," the narrator tells us. "Mislaid" is set squarely on the third rail of racial, gender and sexual identity. It attacks every piety in its purview - without ever losing its inimitable screwball charm. - Parul Sehgal

Read The Times's review of "Mislaid"

Photographs by Corey Olsen. Styled by Megan Kiantos. Art direction by Antonio De Luca

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In 2016, the feminist press Emily Books held a panel in Brooklyn titled, a bit cheekily, "What Is Women's Writing?" There was no consensus, much laughter and a warm, rowdy vibe. Eileen Myles read from a memoir in progress and Ariana Reines read a poem, wearing a dress with a pattern of a city on fire.

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WOMEN'S HISTORY MONTH 2018: 7 INTERESTING FACTS ABOUT 21ST CENTURY LADIES

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WOMEN'S HISTORY MONTH 2018: 7 INTERESTING FACTS ABOUT 21ST CENTURY LADIES

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Love this book by inspirational woman Cheryl Strayed

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Love this book by inspirational woman Cheryl Strayed

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Wild: From Lost to Found on the Pacific Crest Trail is a 2012 memoir by American author Cheryl Strayed, describing her 1,100-mile hike on the Pacific Crest Trail in 1995 as a journey of self-discovery. The book reached No. 1 on the New York Times Best Seller list, and was the first selection for Oprah's Book Club 2.0.