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Post-Impressionist portraiture aimed to represent the interior world of painters. Van Gogh tries to mix the inner view and the appearence of the subject in a particular moment, expressing it by brushstrokes and colors. Cezanne paints reality "according to the sphere, the cone and the cylinder". This thought will lead to cubism.
In the portrait "Lady in blue", the body and the arrangement of the hands give a great stability and monumentality to the figure. Seurat wanted to give a scientific basis to the painting, studying colors and visual perception. He represents the characters in working attitude such as the "portrait of Aman-Jean". Toulose Lautrec, in his self-portrait, wants to present himself doing his self-portrait thanks to the presence of the mirror. For Gauguin, self-portraits are a way for looking deeply into the soul. In "Woman with a flower" you can notice the yellow background that emphasizes her figure.

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The Boy in the Red Vest

foundation bührle Zurigo 80x64,5cm

1888

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Lady in blue

1900

Museum of new western art,Moscow

Oil on canvas 90x73,5cm

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Vahine no te tiare

1894

70x46cm

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self-portrait with hat

Oil on canvas 76x64cm

1886

Museum d’orsay paris

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self-portrait with bandaged ear and pipe

Oil in canvas 51x45cm

Private collection

1889

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Theo

Van gogh museum, Amsterdam 19x14cm

1887

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Portrait of Aman-Jean

Metropolitan Museum of Art, New York

1883

pencil on paper 62,2x47,5cm

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Portrait de paul signac

private collection

1890

technique pencil conté

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Madame lili grenier

private collection 1888

oil canvas 55,2x45,7cm

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self-portrait

oil on board.

40,5x32,5cm

Musèe toulouse-Lautrec, Albi