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Renaissance music or Renaissance music is early music written during the Renaissance, between the years 1400 and 1600. The stylistic characteristics of Renaissance music are its polyphonic texture, which follows the laws of counterpoint, and is governed by the inherited modal system. of the Gregorian chant.

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Among the authors that we can highlight we name:

Carlo Gesualdo was an Italian composer from 1566-1613
Orlando di lasso was a musical and influencer from 1532-1594
Antonio de Cabezon was a Spanish artist, organist and composer from 1510-1566

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Ein feste Burg ist unser Gott: III. Martin Agricola

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Dos obras para órgano- JUAN BERMUDO~ Renaissance Organ Music in Mexico (Puebla de los Ángeles)

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European Renaissance music (approx. 1400–1600) was defined by its polyphonic texture, use of vocal a cappella styles, and strict adherence to the modal system. It shifted from strict medieval church music to more expressive, humanistic compositions that perfectly matched the lyrics and emotions of the text. [1, 2]European Renaissance music (approx. 1400–1600) was defined by its polyphonic texture, use of vocal a cappella styles, and strict adherence to the modal system. It shifted from strict medieval church music to more expressive, humanistic compositions that perfectly matched the lyrics and emotions of the text.

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Renaissance music is European classical music written between 1400 and 1600. It bridged the gap between the Medieval and Baroque eras. It is characterized by polyphonic textures, expanded vocal ranges, the rise of instruments, and the golden age of a cappella choral singingRenaissance music is European classical music written between 1400 and 1600. It bridged the gap between the Medieval and Baroque eras. It is characterized by polyphonic textures, expanded vocal ranges, the rise of instruments, and the golden age of a cappella choral singing

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The 'Musica instrumentalis deudsch' of Martin Agricola: A Treatise on Musical Instruments, 1529 and 1545: Traducido y editado por William E. Hettrick, este libro explica cómo tocar instrumentos como órganos, laúdes, arpas, violas y flautas. [1, 2]

A Translation of Three Treatises by Martin Agricola: Traducido por Derq Howlett, incluye las obras Musica Choralis Deudsch, Musica Figuralis Deudsch y Von Den Proporcionibus. [1]

Martin Agricola's 'Musica Instrumentalis Deudsch': A Translation: Una tesis doctoral de William W. Hollaway que ofrece una traducción comentada de su obra de 1529. [1]

The 'Musica instrumentalis deudsch' of Martin Agricola: A Treatise on Musical Instruments, 1529 and 1545: Traducido y editado por William E. Hettrick, este libro explica cómo tocar instrumentos como órganos, laúdes, arpas, violas y flautas. [1, 2]

A Translation of Three Treatises by Martin Agricola: Traducido por Derq Howlett, incluye las obras Musica Choralis Deudsch, Musica Figuralis Deudsch y Von Den Proporcionibus. [1]

Martin Agricola's 'Musica Instrumentalis Deudsch': A Translation: Una tesis doctoral de William W. Hollaway que ofrece una traducción comentada de su obra de 1529. [1]

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Main Works and Details

Declaración de Instrumentos Musicales (1555): This is his masterpiece and one of the most vital Spanish music treatises of the Renaissance. It serves as an extensive encyclopedia covering the musical theory, instrument techniques, and composition practices of his era.

El Libro Primero (1549): His first theoretical book, dedicated to King John III of Portugal.

El Arte Tripharia (1550): A shorter musical treatise written specifically for the education of nunsMain Works and Details

Declaración de Instrumentos Musicales (1555): This is his masterpiece and one of the most vital Spanish music treatises of the Renaissance. It serves as an extensive encyclopedia covering the musical theory, instrument techniques, and composition practices of his era.

El Libro Primero (1549): His first theoretical book, dedicated to King John III of Portugal.

El Arte Tripharia (1550): A shorter musical treatise written specifically for the education of nuns

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Musical Compositions

Fantasias for Vihuela: Instrumental pieces designed for the Spanish Renaissance plucked string instrument (the vihuela).

Organ Hymns and Canticles: Polyphonic liturgical works composed specifically for the organ. [1]

If you need a biographical summary in English or a specific translation of one of his musical terms, just let me know!Musical Compositions

Fantasias for Vihuela: Instrumental pieces designed for the Spanish Renaissance plucked string instrument (the vihuela).

Organ Hymns and Canticles: Polyphonic liturgical works composed specifically for the organ. [1]

If you need a biographical summary in English or a specific translation of one of his musical terms, just let me know!

Theoretical Works (Treatises)

Declaration of Musical Instruments (Declaración de instrumentos musicales, 1549–1555): This is his most important masterpiece. It serves as a comprehensive encyclopedia on 16th-century instrument tuning, performance practices, and music theory. [1, 2, 3]

Book First of the Declaration of Musical Instruments (Libro primero de la declaración de instrumentos musicales, 1549): The initial volume focused on the praise and fundamentals of music. [1]

The Art of Playing the Organ (El arte de tañer órgano): Included within his major treatise, detailing keyboard performance technique.Theoretical Works (Treatises)

Declaration of Musical Instruments (Declaración de instrumentos musicales, 1549–1555): This is his most important masterpiece. It serves as a comprehensive encyclopedia on 16th-century instrument tuning, performance practices, and music theory. [1, 2, 3]

Book First of the Declaration of Musical Instruments (Libro primero de la declaración de instrumentos musicales, 1549): The initial volume focused on the praise and fundamentals of music. [1]

The Art of Playing the Organ (El arte de tañer órgano): Included within his major treatise, detailing keyboard performance technique.