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Cildo Meireles, Insertions in Ideological Circuits 1: Coca-Cola Project (1970)

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Cildo Meireles, Insertions in Ideological Circuits 1: Coca-Cola Project (1970)

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Polykleitos, Doryphorus, c. 450-440 BCE (Roman stone copy of a bronze original)

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Polykleitos, Doryphorus, c. 450-440 BCE (Roman stone copy of a bronze original)

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Hatshepsut, “His majesty, herself” (1478-1459 BCE)

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Hatshepsut, “His majesty, herself” (1478-1459 BCE)

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Augustus of Primaporta, copy of a bronze original (ca. 20 BCE)

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Augustus of Primaporta, copy of a bronze original (ca. 20 BCE)

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Wilfried Laurier University history professors Dr. Kim Anderson and Dr. Lianne Leddy performance in response to Sir John A. Macdonald’s statue on their campus, 2015

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Wilfried Laurier University history professors Dr. Kim Anderson and Dr. Lianne Leddy performance in response to Sir John A. Macdonald’s statue on their campus, 2015

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keywords:

representation, visual culture, aesthetics,

ideology, the ideal, power, memorial, contrapposto, humanism, classicism

similarities: using statuary to present the ideal human (male) form, evoking the typical stereotype of power, authority, and strength via pose, musculature, and body language.

differences: ultimately, artifacts do not entirely represent raw history

hatshepsut had to present herself as a man to ascend to the throne (to be taken seriously), so it wasn’t entirely out of her own full will

doryphoros was the static embodiment of the perfect, ideal human body which was the very thing she had to strive for

the intentions behind why the statue was created is the ultimate difference

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attempt of communication can be truly meaningless in the face of the unprecedented, unknown, uneducated 

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attempt of communication can be truly meaningless in the face of the unprecedented, unknown, uneducated 

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fetishization of cultural artifacts, language and culture from the western world 

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fetishization of cultural artifacts, language and culture from the western world 

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subtle (american) propaganda instilled by bias and a sense of historical superiority 

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subtle (american) propaganda instilled by bias and a sense of historical superiority 

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representation of the “ideal” change over time 

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representation of the “ideal” change over time 

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beauty and non-beauty nestled in the same place 

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beauty and non-beauty nestled in the same place 

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difference: environmental vs human struggle? i mean both are connected back to humanity in a way, but both symbolizes it in a different light

could be metaphor for the glorification of something beautiful masking something bad, that it blinds us from seeing the ultimate truth in our biological bias to be attracted to something of visually appealing nature

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art form is presented as “uncomfortable” to both author and viewer to physically convey a deeper message 

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art form is presented as “uncomfortable” to both author and viewer to physically convey a deeper message 