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UCCELLO, Paolo
Niccolò da Tolentino Leads the Florentine Troops
1450s
Tempera on wood, 182 x 320 cm
National Gallery, London

https://www.wga.hu/art/u/uccello/4battle/1battle.jpg

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Uccello was apprenticed in the workshop of the sculptor Lorenzo Ghiberti when he was 10 years old.

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Early Renaissance, Florence Italy.

The Renaissance started in the fourteen hundreds when artists began taking inspiration from ancient Roman art. The idea was to capture realism and real human emotion using light, shade, perspective, colours, line, and other art elements.

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Uccello was obsessed with perspective. He used tempera, which was a mix of egg yoke, pigment and water, as a medium. His pieces are colourful and have a deep focus on perspective.

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Uccello painted historical and Biblical themes.

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Uccello used one point and linear perspective in his works.

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Bernardino della Ciarda Thrown off his Horse
1450s
Tempera on wood, 182 x 323 cm
Galleria degli Uffizi, Florence

https://www.wga.hu/art/u/uccello/4battle/2battle.jpg

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The Hunt in the Forest
1460s
Tempera on wood, 65 x 165 cm
Ashmolean Museum, Oxford

https://www.wga.hu/art/u/uccello/6various/6hunt.jpg

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UCCELLO, Paolo
Micheletto da Cotignola Engages in Battle
1450s
Tempera on wood, 180 x 316 cm
Musée du Louvre, Paris

https://www.wga.hu/art/u/uccello/4battle/3battle.jpg

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Perspective Study
1430s
Pen and ink, 290 x 241 mm
Galleria degli Uffizi, Florence

https://www.wga.hu/art/u/uccello/6various/study.jpg

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Uccello's perspective studies influenced artists such as Piero della Francesca, Leonardo da Vinci, and Albrecht Dürer.

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Web Gallery of Art, searchable fine arts image database