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"Do Not Be Ashamed" by Wendell Berry Poem Voice Recording Pre-Edits

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"Do Not Be Ashamed" by Wendell Berry Poem Voice Recording Pre-Edits

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"Do Not Be Ashamed" Text (Wendell Berry, 1967)

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"Do Not Be Ashamed" Text (Wendell Berry, 1967)

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Do Not Be Ashamed by Wendell Berry | Poetry Magazine

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June 1967 | A. Ammons, Gerald Barrax, Wendell Berry, Robert Bly, Robert Duncan, Sandra Hochman, David Ignatow, Ralph Salisbury, Harvey Shapiro, Hy Sobiloff, Gilbert Sorrentino, Lewis Warsh, Hayden Carruth, Richard Howard, Robert Vas Dias

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Then such light as you have made in your history shall leave you

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Then such light as you have made in your history shall leave you

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Ultimate Guide to Film Composition & Framing — Key Elements Explained [Shot List Ep. 11]

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Camera Shot Framing

Camera framing explained

When you begin creating a shot list for a project, you first create a mental picture of each shot. Where are the characters positioned? Is the frame balanced or symmetrical? What about when there is more than one character in a shot? These decisions all add up to camera framing.

Before we jump into the specific types with camera framing tips, we'll begin with a camera framing definition.

Camera Framing Definition

What is camera framing?

Camera framing is the placement and position of the subjects in your shots. Shots are all about composition. Rather than pointing the camera at the subject, you need to compose an image. For filmmakers and videographers, a major consideration for framing is the number of subjects you feature in your shots, and their physical relationship to each other and the camera.

Considerations when camera framing a shot:

Size - the size of your subject has a direct relationship to the importance of that subject

Relationships - when we see more than one character in a shot, we are meant to acknowledge their relationship (romantic, contentious, etc.)

Balance - a "balanced" frame includes elements on the left and right side of the frame

We've created two mood boards in StudioBinder's storyboard creator that features the most commonly used shot framing, all on one page. If you follow the links to each project, you can explore the full collections and download PDF copies as reference.

First up, we have the camera framing examples from our featured video above. Pictured here are the silhouette illustrations but can you recognize what movie each of these is from? You'll find the actual movie stills once you follow the link.

Based on how you plan to position your subjects, you'll need to adjust your camerawork. You'll want to capture your framing details on a shot list well before you arrive on set. That way you have a clear idea for the scene and can communicate your vision with ease.

Based on how you plan to position your subjects, you'll need to adjust your camerawork. You'll want to capture your framing details on a shot list well before you arrive on set. That way you have a clear idea for the scene and can communicate your vision with ease.

That's not to say that things may not change the day of the shoot. But, having a shot list at the ready showcases that the director and DP have done their homework and are well prepared.

SINGLE SHOT EXAMPLE

Single Shot

When your shot captures one subject it's known as a single shot.

Here's an example of a single shot:

Single Shot Example * X-Men: Days of Future Past

Single shots can be set and framed in any shot size you like, just as long as there is only one character featured within the frame.

Now, why did I say featured rather than simply in the frame?

The reason is because you can have an over-the-shoulder single, also known as a "dirty single" that technically has more than one person in the frame, but the character in the foreground isn't featured.

Here's an example of a dirty single:

Over-The-Shoulder Shot Example * Armageddon

Two SHOT Example

Two Shot or 2-Shot

A two-shot is a camera shot with 2 characters featured in the frame.

Here's an example of a two-shot:

2-Shot Example * The Lord of the Rings

Two shots are often really useful for allowing performances to play out in a single take, which can be especially useful for comedy.

THREE SHOT EXAMPLE

Three Shot or 3-Shot

A three-shot is a camera shot with 3 characters featured in the frame.

Here's an example of a three-shot:

3-Shot Example * Harry Potter

Three shots are really important in adventure films, or really any film that has a group of characters, because it is an enormous time drain to shoot 3 singles just to show every character, not to mention jarring.

OTS Shot Example

Over-The-Shoulder Shot (OTS)

Another element of camera shots to consider is the perspective of the shot. An over-the-shoulder shot shows your subject from behind the shoulder of another character. Because it emulates perspective, it's common in conversation scenes.

Here's an example of an over-the-shoulder shot:

(OTS) Over-The-Shoulder Shot Example * Westworld

Over-the-shoulder shots can help to provide scene orientation, and connect the characters on an emotional level.

Watch: The Over The Shoulder Shot in Film (and How to Shoot a Dialogue Scene) * Subscribe on YouTube

Over-the-Hip SHOT EXAMPLE

An over-the-hip shot is similar to over-the-shoulder in that the camera is placed with a character's hip in the foreground, and the focus subject in the plane of acceptable focus.

Here's an example of an over-the-hip shot:

Over-The-Hip Shot * Minority Report

You'll gain a similar effect from an over-the-hip shot as you would an OTS, but if you have one character standing, and the other sitting, kneeling, or any other configuration that places the subjects on "uneven terrain" it will often suggest a power imbalance.

POV SHOT EXAMPLE

Now let's talk about choosing camera shots that show the point-of-view (or POV) of one of your characters. A POV shot is a camera shot that shows the view from a character or an inanimate object, like a bullet whizzing through the air or a bowling ball rolling down the lane.

Most POV shots will be from a character's perspective, but there is no hard and fast rule that requires them to be from living creatures.

Here's an example of a point-of-view shot:

Point of View Shot * Kill Bill

A POV shot is generally sandwiched between two other shots:

1. A camera shot of a character looking at something

2. Cut to your (POV) point of view camera shot

3. A camera shot showing the character's reaction

A point of view shot shows us exactly what the character sees, and we get to understand what's generating the character's reaction.

Insert Shot Example

Insert Shot

An insert shot can have many functions and often becomes the key shot is directing an audiences attention. If we see a character look at something, the subsequent insert shot shows us what they see.

They can also be used to show the audience a detail that goes unnoticed by the characters, leading to dramatic irony.

In this video, we break down how the Coen Brothers have mastered the insert shot (and how you can too). It's not just what we see in an insert shot, it's how the information is presented.

UP NEXT

50+ Camera Shots: The Complete Guide

Camera framing is just one aspect to directing with the camera. There are also dolly zooms, crab shots, bird's eye view, rack focus, and more to consider. If you'd like to see our entire list of camera shots, this next post is for you. Camera angles, movement, focus, framing, equipment - you'll get everything you need to build your next shot list.

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WATCH: Frame Your Shots like a Master Filmmaker [Camera Framing Techniques]

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A complete list of the different types of camera shot frames in film. Watch a video on every camera framing technique used by master filmmakers.

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The term, montage, was coined for cinema in the 1920s by Sergei Eisenstein. He explained 5 methods of montage:

Metric - cutting shots together based on exact measure or length of time, disregarding the length and content of the shot.

Rhythmic (aka Continuity Editing) - cutting based on the content of the shots. Therefore edits differ in length depending on what happens within the sequence.

Tonal - cutting based on tones within the shots. The highlighting of emotional themes or meanings in the shots themselves. Shots are linked based on aural or visual similarities.

Overtonal - cutting according to overtones and themes within different shots, while incorporating wider themes of the film and creating an emotional response from the audience.

Intellectual - very different shots cut together as a visual metaphor. The shots are linked through a similar intellectual meaning.

These methods of montage are still in use today. Though, as we will see below, the lines between them are not always clear and they are often used in combination.

Montage Example #1 - Requiem For A Dream

This montage in Requiem For A Dream shows the organised yet chaotic impact of the metric/intellectual montage. Each shot is given nine frames and a distinct sound effect. The montage demonstrates drug taking's disorientating effect.

The shot timing is frantic yet regimented. Consequently, it gives the sequence a psychedelic style. It is effective in progressing the story and portraying the descent into addiction for each of the characters.

Within the script of Requiem for a Dream, the montage is very simply described. Darren Aronofsky co-wrote the script as well as directed the film. It's clear that the kinetic energy of the montage was intended right from the start.

The style of this montage demonstrates how the technique can be used to intimately suggest characters' state of mind.

Montage Example #2 - The Breakfast Club

Montage Example #4 - Hot Fuzz

Edgar Wright is a master of intelligent editing and this list could have included 12 montages solely from his films (Baby Driver is a film made up almost entirely of creative rhythmic montage). This montage in , however, is a particularly good example of an expositional montage.

The rhythmic montage serves the purpose of quick and effective exposition. Wright uses the montage to introduce us to the main character rapidly. The montage shows Nicholas Angel's CV through voiceover over scenes showing him in the activity described.

This is important in a fish out of water comedy as it quickly introduces the character so that we can then see him adapt to his new environment. The montage establishes Angel as a successful, no nonsense cop. And the montage's tone reflects this - it's also quick, efficient and no nonsense.

Montage Example #5Shaun Of The Dead

Montage Example #7 - Creed

In Rocky sequel , the above scene functions very similarly to a regular training montage. It shows Adonis Creed's rigour and determination to succeed.

Within this sequence, Ryan Coogler pays homage to the original iconic Rocky montage. However, Creed's tonal montage differs from the training montage in the original.

It combines and juxtaposes Creed's training with Rocky's worsening health furthering the stories of both main characters.

While it's not in the script above, in the film, the sequence also incorporates Creed's opponent, Ricky Conlan, and his training regime. Conlan looks more vicious and the scene creates a contrast between the two opponents. In doing this, the montage successfully establishes Creed as the underdog.

Montage Example #8 - Whiplash

In this tonal sequence in , we quickly progress through a portion of Neiman's drumming training. We see his pain, demonstrated through the repetition of the image of the blister tape and his bleeding hands.

The purpose of training montages is to show progression in a short sequence. We see Andrew develop as a drummer and a person. It helps establish his determination to improve and the lengths to which he's willing to go. This helps the audience root for him as an underdog.

The physicality of this montage also helps in getting across one of the film's themes - the physicality of drumming. It lifts the lid on this aspect of drumming, one perhaps not known by a lot of audiences.

The language of this montage is similar to that of a training montage, like those in Rocky and Creed. In assuming this language it inherently suggests drumming acts as a similar discipline, physically and mental draining.

Montage Example #9 - Edge of Tomorrow

In Edge of Tomorrow, this rhythmic/tonal montage is almost a training montage as we see Tom Cruise's character training to not die in order to win the war. He repeatedly has to keep dying to learn from his mistakes and improve.

In this montage, the potential dullness of over-repetition is avoided by the rapid succession of Tom Cruise's characters deaths, similar to Groundhog Day.

The director and screenwriter have realised that the function of this sequence is better when condensed. Watching all these deaths over the course of a long period would be boring.

Quickly compressing them shows how much Cruise's character goes through in a short space of time. It's dynamic and in its speed conveys all we need to know. The audience isn't patronised with over-explanation, they're kept on their toes.

Montage Example #10 - Up

The "Married Life" montage from the beginning of is a montage example that lives long in the memory of many audiences. Within the space of four minutes, a montage shows Carl & Ellie's married life, from their wedding to Ellie's death.

This overtonal montage is so effective that it functions almost as its own short film. The film uses a number of repeated images to show the progression of time:

The repetition of the couple climbing up the hill creates an emotional impact once Ellie collapses.

The balloons as a motif throughout this sequence. Carl harnesses them - at first they nearly fly off without him - but then he has one by his side at Ellie's funeral.

The mirroring of the church. We begin the sequence witnessing their wedding and end it seeing Carl standing alone at Ellie's funeral.

The sequence is able to serve a number of different purposes:

It establishes the love that Carl and Ellie have for each other. This justifies Carl's grumpiness for the rest of the film as it is clear that he has lost his soulmate.

It establishes Carl's want in the film - to get to Paradise Falls. The jar of coins and the purchasing of the tickets, just before Ellie's collapse, suggests this.

It pre-empts Carl's relationship with Russell. Carl and Ellie were unable to have kids and Russell eventually becomes a son to Carl.

This montage sequence does a lot for Up. It compresses an entire love story into a short space of time. It establishes the protagonist 's, wants, needs and his emotional baggage rapidly.

Montage Example #11 - Trainspotting

Another example of fantastic world building and character exposition through montage is in Trainspotting. Specifically, the timeless 'Choose Life' speech and Iggy Pop's Lust For Life. This overtonal montage introduces us to the main characters as they play football:

Sick Boy fouls a player and then denies fault.

Begbie violently fouls a player and smiles about it.

Spud runs away from the ball and weedily fails to make a save as the goalkeeper

Tommy, the golden boy, is shown playing well, holding the ball up despite three players tackling him.

The montage serves as a microcosm of the characters.

This montage also introduces us to the main themes of the film: Drug abuse, addiction and nihilism. The wide array of the character's experiences is shown in this introductory montage.

The above rhythmic montage in The Royal Tenebaums is a perfect example of stylistically and quickly re-introducing the main characters 22 years on from when we last briefly saw them.

The montage establishes Royal as broke and isolated from his family.

Richie's tennis career is shown to have failed, his isolation clearly a symptom of his love for Margot.

Eli Cash is established as a successful writer. But it's clear he still feels insecure and is still in frequent conversation with Margot.

Margot is established as unhappy and secretive.

Raleigh St Clair is shown to be loving and intelligent. But Margot and his relationship is clearly unfulfilling for the both of them. Their separation will become a key part of the rest of the film.

The montage is so entertaining and dynamic in part because of the variety in the visuals. We see still images of books published by the characters, for example, when they are introduced as writers. In this and other ways, the visual imagery complements the narration.

Whilst the narration is literal, the visuals add another layer, often acting laterally to build a wide picture of the character at hand in a very short amount of time. For example, Margot's husband, Raleigh, only has twenty-five seconds of screen time. Yet, the rhythm of the visuals perfectly encapsulate his character and how Margot feels about him. The montage is so careful in what it includes that short moments convey all we need to know.

Needle In The Hay Montage

Additionally, the other montage to discuss in The Royal Tenenbaums is the Needle In The Hay montage. This is an intellectual sequence, during which Luke Wilson's character Richie cuts his overgrown hair and beard.

Wes Anderson wisely uses montage to avoid showing the act of the cutting wrists. Instead, he juxtaposes shots of the razor blade and flashes of Richie's life with his adopted sister Margot - who has become the reason that he wants to kill himself.

Using montage in this sequence rushes through a tragic moment. But Anderson's quirky style does not sacrifice the seriousness of this moment, nor does it allow the viewer to dwell in the sadness of the scene.

Within 3 minutes, the sequence and the song have both finished and we are aware that Richie has survived. It's a great example of how a montage can use emotion as its guide without sacrificing the tone and style of the rest of the film.

Montage Example #14 - The Godfather

In this montage from the first film, we watch as Michael Corleone completes his transition into the 'Godfather'.

The juxtaposing of the baptism of Michael's godchild with the brutal shooting of the other mob bosses demonstrates how much Michael has changed since the beginning of the film.

The Godfather' s famous montage is the condensing and combining of a number of dramatic moments to create one climax.

This montage is an example of overtonal montage. The links between religion and murder are aspects of the mafia that are explored throughout The Godfather series. Here we see this link overtly made. Whilst Michael renounces sin, others carry out his sinful work.

This hammers home the conclusion of the film's primary character arc. Michael stands as the head of the family, orders ringing out as he quite literally acts as Godfather to his sister's baby.

Montage Example #15 - BlacKkKlansman

And finally, Spike Lee's commentary within Blackkklansman is highlighted in this end montage. He uses montage to link the events of the film to the current society we live in. The historical racism in the film's main narrative is linked to the present day.

The effect of this montage is very different to the others in this article. Instead of establishing the world of the story, it is used to demonstrate a correlation between the real world and the narrative world of the film.

This intellectual montage is a demonstration of how a point can be made from montage and how the audience can be challenged and confronted by the juxtaposition of two images.

Conclusion

Since the 100 years since Sergei Eisenstein introduced his montage theory, montage has developed to suit the purposes of exposition and compression of time and space. In modern cinema, a combination of the five methods are more common and used to great effect.

These fifteen montage examples demonstrate how to use montages purposefully and effectively. But this is not an extensive list; there are, of course, many films that have brilliant montages, all of which serve a progression of plot, time or establishing of a character or theme.

What other great examples of montages are missing from this list? Do let us know in the comments below!

What did you think of this article? Share It, Like It, give it a rating, and let us know your thoughts in the comments box further down...

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15 Brilliant Montage Examples for Screenwriters and Filmmakers

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The montage: a vital yet often lazily used cinematic technique. We look at 15 brilliant montage examples that show how to get the best out of a montage.

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Mood and Mis en Scene in The Elephant Man

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Mood and Mis en Scene in The Elephant Man

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https://thedewdrop.org/2020/03/05/wendell-berry-do-not-be-ashamed/#:~:text=In this poem from one,shame a person into compliance.

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Rocky (8/10) Movie CLIP - Training Montage (1976) HD

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Slow-paced montage in "Butch Cassidy and the Sundance Kid"

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Hunt For The Wilderpeople: The Art of The Montage

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Hunt For The Wilderpeople: The Art of The Montage