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The stereotypical American Western movies with their themes of rugged individualism, freedom, and adventure, seems to speak to European desires for a simpler way of life. It also taps into anxieties about modernization and the loss of traditional values.

The Spaghetti-western genre is characterized by a distinct visual style and storytelling approach. Compared to classic Western films, Spaghetti-westerns seem to be more violent and show more, morally ambiguous characters. They also tend to have more stylized cinematography, with close-ups, wide shots, and extreme angles used to heighten the drama and tension.

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I think within the gold mining story the major theme is how the serenity of nature is defiled by humans' greed and determination. The main character Bill is shown as a righteous figure throughout the story. Even though he is destroying the land around him, they don't make him out to be a villain. In the story, they're juxtaposing a pretty grim theme with comedic characters/situations, then violence appears when it’s least expected. In some ways, I saw this story representing what some people may consider the American dream, through hard work and perseverance wealth and prosperity is attainable to anyone.

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My previous knowledge of the western genre was very little, I knew it as movies and literature set in the American West. Through watching the movies in class, it seems to me that a western is usually a personal journey, in each story the main characters' journey/fight is very unique to them.

The perception of the West, particularly in pop culture and media, seems to be rooted in myth-making and we see many romanticized portrayals of the region as a rugged, independent, and self-sufficient frontier. This portrayal is often separated from the historical realities of the west like colonialism, exploitation of Indigenous peoples, and environmental problems that have characterized the region's development.

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I think High Noon shows both aspects of this perception of the West. On one end the film contains many of the elements of the traditional Western: cowboys, horses, saloons, and the conflict between sheriffs and "outlaws," as the main character is a sheriff who goes against a group of outlaws. Through the story, he embarks on this personal journey, which portrays the idea of individualism/ that is often associated with the West.
I think in a different light, the movie also shows the struggles Kane faces in the West. But it's the way these elements are blended together, that put a slight spin put on the film.

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Argentinian Western
Hyper-masculinity
China= Indigenous women
Iron= Guacho

There's a lack of diverse voices in the original story, it focuses on the journey of male characters (excluding women, black/indigenous).

In this story, China and Liz go on a journey to search for their husbands but then discover they don't need men and become lovers.

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Writing the Global Western reading notes

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Writing the Global Western reading notes

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"Unbounded regionalism" "postwestern" "postnational" "postregional"

Literary Transnationalism: meditating the relationship between national literature and globalizing cultures.

Literature of the American West traveling across global spaces/ to challenge the regional and national perspectives on the west.

Adopting transnational perspective in American Western genres has a powerful impact and aims to explore changing views of the American West, they do this by looking at different authors who have revised traditional westerns/who explore new constructions of the western experience

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Noodle shop serves as the saloon or bar, seen in traditional western movies.

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To what extent do we find the  American West in Twenty-First-Century Italy? In what ways does the myth of the West speak to European desires and anxieties? Describe any differences and or similarities that you observe in the cinematography, story telling techniques of the Spaghetti-western genre.

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In what ways is the perception of the West part myth-making and in what ways is it rooted in the pressing ecological, social, and political concerns the region actually faces?

How do High Noon, All the Pretty Horses, and Ballad of Buster Scruggs inform this conversation?

What do the often contradicting narratives within the Western tell us about America's national identity and competing values?