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The book "Persepolis" traces the growth experience of the author Marjane Satrapi, portraying the social transformation in Iran during the period from the Islamic Revolution in 1979 to the Iran-Iraq War. In 1979, Iran initiated the Islamic Revolution, causing social unrest. The failure of the revolution made Iran lose hope of democracy and become increasingly conservative, leaving the people in great distress. Marji's father was elated to see the king's regime being overthrown, believing that the country had finally embarked on the right path. Marji's family was strongly influenced by communism and held the fine aspiration that "the people will take hold of power". After the outbreak of the Iran-Iraq War, life in Iran became even tougher. As Marji grew up gradually, her more and more daring actions worried her parents a lot. When she was 14 years old, she was sent by her parents to study in Austria.

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The connection between Marjane Satrapi and Marji

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The connection between Marjane Satrapi and Marji

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In the book "Persepolis", we can easily find that Marji holds a distinctive view of Iranian culture. Marji has a deep love for traditional Iranian cultures like poetry, music, and art. She has a profound perception of Iranian history and culture and shows empathy towards the suffering and striving of the Iranian people. Meanwhile, Marji is also dissatisfied and frustrated with the political and social reality in Iran. She opposes the Iranian Islamic regime, deeming that it restricts the freedom and rights of the people. In the book, Marji also goes to the parade with her parents to express her attitude, she also expresses attention and concern regarding Iranian social issues such as poverty, discrimination, and violence. Through Marji's perspective, the author Marjane Satrapi conveys her profound contemplation on Iranian history and society, as well as the pursuit of freedom, equality, and human rights. She thinks that the traditional Iranian culture and values are precious, but they also require to keep abreast with the times and adapt to the development and alterations of modern society. At the same time, she also urges the Iranian people to courageously confront reality, pursue freedom and democracy, and make strenuous efforts for the prosperity and development of the country.

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During the growth process, Marji feels confused about many things. Social change is the first aspect. Marji experienced the Islamic Revolution in Iran and the Iran-Iraq War. She felt confused and uneasy about the country's political and social changes. She saw the hope brought by the revolution, but also experienced the cruelty and destruction of the war. Religion and culture are the second aspects. Iran is an Islamic country, and religion plays an important role in social life. Marji is confused about the teachings and regulations of Islam, and she tries to find a balance between religion and modern society. in a progressive upper-middle-class family. The early years of her youth were spent under the rule of Mohammad Reza Shah Pahlavi, who sat on the throne from World War II onward and oversaw dramatic changes in the form of modernization and relaxation of Muslim influence on the government. Family and personal identity are the third aspect. Marji's family is deeply influenced by communism and has the beautiful aspiration that "the people will hold power". Her parents hope that she can become an independent and free woman, but she also faces pressure and expectations from her family and society. She feels confused about her identity and future. Women's Issues Another important theme in Satrapi's work is the concerns and rights of women. In Persepolis, Marji's mother protests against the newly instituted rule requiring women to wear headscarves—a protest that ends in violence. Marji herself dares to rebel against the fundamentalists who police the streets by wearing Western clothes. Embroideries (2006) focuses exclusively on the lives and concerns of Iranian women. The book centers on a gathering of women at the home of the author's grandmother; there, they share stories about their lives.

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Marji's love and marriage have also undergone significant changes. During her studies in Austria, Marji met a boy who fell in love and began a romantic relationship. However, due to cultural and value differences, their relationship gradually became problematic. Marji found herself unable to adapt to Western lifestyles and values, and her boyfriend couldn't understand her love for Iran and pursuit of freedom. In the end, they broke up. After returning to Iran, Marji experienced a period of depression. However, she did not give up her pursuit of freedom and independence. After passing the national exam and entering university, she regained her composure and met a man who understood and supported her. They fell in love and got married, but their married life was not happy. Marji discovered that she and her husband had disagreements on many issues, and in the end, they chose to divorce. Marji's love experience reflects the author’s pursuit of self and freedom during her growth process. She is seeking her place in different cultures and environments, while constantly exploring the meaning of love and marriage. Through these experiences, she gradually understood the true meaning of freedom and learned how to hold onto her beliefs in difficult situations.

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In conclusion, Marji is faced with numerous confusions and challenges during her growing up, yet she always adheres to the pursuit of freedom and independence, constantly exploring and searching for her life course. Known as "the most significant new talent in the world of the graphic novel," Marjane Satrapi has satisfyingly wooed critics into positively accepting Persepolis.  The Independent called her the "Princess of Darkness" for her trademark monochrome style in graphic novels. Publishers Weekly added that the novel was "a universally insightful" bildungsroman story. There is always some connection between the author and the main character. Marji is the author's stand-in, telling the story of the author's childhood through Marji's perspective.